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      "permlink": "steemitboard-notify-tispitypop-20190914t190642000z",
      "title": "",
      "body": "Congratulations @tispitypop! You received a personal award!\n\n<table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@tispitypop/birthday2.png</td><td>Happy Birthday! - You are on the Steem blockchain for 2 years!</td></tr></table>\n\n<sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@tispitypop) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=tispitypop)_</sub>\n\n\n###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!",
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      "parent_permlink": "tis-pity-she-s-a-whore-a-pop-opera-act-iii-scene-vi-continued-bergetto-escapes",
      "author": "walmart.com",
      "permlink": "re-tispitypop-tis-pity-she-s-a-whore-a-pop-opera-act-iii-scene-vi-continued-bergetto-escapes-20171026t065522236z",
      "title": "",
      "body": "Nice post you need to keep up this good work. You should check out this service they are really great [WhaleBoostUp Resteem and Upvote Service](www.whaleboostup.ml)",
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      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene vi continued (Bergetto Escapes)",
      "body": "### Act III, Scene vi \nContinued...\n<br><br>\n\n![download.jpg](https://steemitimages.com/DQmak37eGTNFo69jSU9nnP6L8TMvr2pNQiSMBxpQAEwviwj/download.jpg)\n\n<i>BERGETTO kneels down to receive forgiveness from the CARDINAL, FLORIO, and DONADO.</i>\n\n<i>The CARDINAL steps forward to address the audience.</i>\n<br><br>\n<b>Cardinal:</b> Citizens of Parma, if you seek to live under a just and noble system of governance, receive Grimaldi into his Holiness' protection.  Forgive him so, for his intentions hath purity. (To the Guards) Guards. \n<br><br>\n<i>The guards snatch GRIMALDI and shackle him from behind. He doesn’t resist, and hangs his head low. </i>\n<br><br>\n<b>Florio:</b> Is this really the final word, sir?\n<b>Cardinal:</b> Yes, indeed. There is just cause in all of this to consider that he will amend his ways. We shall send him to Rome hence so he may repent his sins. \n<b>Donado: </b>And what pray tell makes you draw these conclusions? Where’s the reasoning, pray tell?\n<b>Cardinal: </b>You heard the lad. He didn’t mean to kill your nephew.\n<b>Donado: </b>But that doesn’t mean anything! You’re not even talking to anyone! What citizens of Parma?! Where are they? There’s no one here, except you and your soldiers! And us!\n<b>Florio: </b>(in placating fashion) Come, Donado. Come.\n<b>Cardinal: </b>We understand your distress, sir. We will leave you to grieve.\n<b>Donado: </b>No! This is outrageous fortune!\n<b>Cardinal: </b>‘Tis ordained. There’s nothing you can do about it now. And these courts do not permit double jeopardy. You must console yourself with this verdict.\n<b>Donado:</b> I most certainly will n—\n<b>Cardinal: </b>And so, ‘tis ordained!\n<b>Chorus of soldiers: </b>Let it be so!\n<br><br>\n\n<i>The CARDINAL and Soldiers exit in a flourish, with GRIMALDI, smiling, trailing behind as he hangs his head low. </i>\n<br><br>\n<b>Donado: </b>Wait, no! Stop! Desist!\n<br><br>\n\n<i>FLORIO holds DONADO back.</i>\n<br><br>\n\n<b>Donado:</b> This can’t be!\n<b>Florio:</b> Let it go, man, let it go.\n<b>Donado: </b>But didn’t you just see what happened?! They just allowed a convicted murderer to escape the throes of torture and capital punishment! How could this have happened?!\n<b>Florio: </b>Our courts work in mysterious ways, sir. They have their reasons.\n<b>Donado:</b> I should think so!\n<b>Florio:</b> I know how you feel, sir. But let it go, for there’s nothing we can do now.\n<b>Donado: </b>But, my nephew!\n<br><br>\n<i>FLORIO shrugs as DONADO begins to slow down and take in the moment of injustice that has just transpired. </i>\n\n<i>Long pause until FLORIO finally breaks the silence. </i>\n<br><br>\n\n<b>Florio:</b> Well, at least we eventually did find the perpetrator. Why, we could have been searching for years! \n<br><br>\n\n<i>DONADO is about to break down. He descends back into his chair, almost floating down like a fallen angel. </i>\n\n<i>His lips begin to quiver and shake with fright and sadness.</i>\n\n<i>He slowly brings a tissue to his eyes as his face curls in tormented defeat and despair.</i>\n\n<br><br>\n\n<b>Florio:</b> Oh dear. (beat). Oh, but sir Donado, the leader hath spoken. \n<br><br>\n\n<i>Pause.</i>\n\n<i>DONADO is now distraught and crying hysterically.</i>\n\n<i>FLORIO attempts to console DONADO by putting his hand on DONADO’S shoulder and patting him several times.</i>\n<br><br>\n\n<b>Florio:</b> Oh, there, there now. It’s going to be okay. ‘Tis very traumatizing indeed how he could hath escapeth in this compoundeth. But as the saying goeseth, \"Great men may do their wills; we must obey. But Heaven will judge them for't another day.\" Don't worry sir, for you shall be avenged in due time. The 8th Circle of Hell is waiting for him, waiting to place red hot metal in his trousers, grass shoots under his finger nails and only spoiled milk to quench his never-ending thirst. And that’s just the welcoming. When they really get into it the details would make you weary with faint but I’ll just say that one stage does include the insertion of full pineapples….the spikey end first. \n<b>Donado: </b>And the Cardinal too?\n<b>Florio: </b>I don’t know. He is a man of the cloth... come, you need a change of pace, a change of scenery. Let us get you to the banquet hall where the wedding ceremony will commence...\n<b>Donado: </b>(Amidst a gurgle of tears) Oh, the wedding!\n\n<br><br>\n<i>DONADO bursts into sobs and heaves of emotion while FLORIO is taken aback by all of this.</i>\n<br><br>\n\n<b>Florio:</b> We shall drown our sorrows in a vat of mead and make merriment out of necessity, sir, and with fresh ‘shrooms from the garden. Why, you'll soon enough forget your sorrows... perhaps even that your nephew existed! \n<br><br>\n\n<i>DONADO wails.</i>\n\n<br><br>\n\n<b>Florio: </b>Come, come!\n<br><br>\n\n<i>FLORIO drags a crying DONADO off the stage as the lights dim. </i>\n<br><br><br><br>\n\n\nEND SCENE.",
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      "author": "tispitypop",
      "permlink": "tis-pity-she-s-a-whore-a-pop-opera-act-iii-scene-vi-continued-it-was-me-who-destroyed-bergetto",
      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene vi continued (\"It Was Me Who Destroyed Bergetto!\") ♪♫♬",
      "body": "### Act III, Scene vi<br>\nContinued<br>\n<i>Horns are heard in the distance as the entrance music of the cardinal begins to play. </i>\n\n<i>The Cardinal knocks on the entrance to the living room. </i>\n\n\n<b>FLORIO: </b>What, ho, who goes there?\n<b>CARDINAL: </b>Sire, we've discovered the perpetrator of this ghastly deed. The man hath confessed! Behold!<br><br>\n\n<i>GRIMALDI slides onto the stage to stand before FLORIO and DONADO, wearing sunglasses that conceal his eyes.</i>\n\n<i>DONADO gasps. </i><br><br>\n\n<b>Donado:</b>It can’t be!\n<br><br>\n<i>DONADO is now speechless.</i>\n<br><br>\n\n<iframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/326900226&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"></iframe><br><br>\n<b>It Was Me Who Destroyed Bergetto</b><br><br>\n\n<b>GRIMALDI:</b>\nIT WAS ME\nWHO DESTROYED BERGETTO\n\nBUT I DIDN'T MEAN HIM NO HARM\nHE WAS JUST IN THE WAY\n\nALL I EVER WANTED WAS TO GET THAT SORANZO\nFOR MAKING ME INTO A CUCKOLD\n\nTHAT COWARD LIKES TO SLEEP AROUND\nAND ROMANCE EVERY WOMAN\n\nTHERE SHOULD BE A SIEGE UPON HIS SOUL\n\nBUT NO WORRIES\nI ACCEPT MY SURRENDER\n\nREADY TO PAY FOR THE SORROW\nI’VE MADE\nIT’S ALL MY FAULT\n\nSO GO AHEAD \nAND GIVE ME YOUR BEST\nAND LET’S AGREE TO PUT THIS CRIME TO REST\n\n<b>CARDINAL: </b>Citizens of Parma, this incident could not be helped. It is a case of mistaken identity. \nThus, we receive Grimaldi into his holiness's protection.\nLet it be so!\n\n<b>GRIMALDI:</b>\nIT WAS ME\nBUT NOW \nI AM FREE\n\nFREE TO ROME \nWHERE I’LL GO NOW\nTO ENDURE MY FATE\n\nAND ALL I EVER WANTED \nWAS TO MAKE YOU SO PROUD\nAND MARRY, INHERITING THE CROWN\nBUT IT’S... TOO LATE\n<br><br><br><br>\n\n![King_John_(1899)_-_Act_2,_Scene_1_(FF3.4).jpg](https://steemitimages.com/DQmNPukXqQ7dxS2PQaLJDkv8QbSV1o93pjDez6tDR73L2cv/King_John_(1899)_-_Act_2%2C_Scene_1_(FF3.4).jpg)\n<br><br>\n<i>To Be Continued...</i>",
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      "permlink": "tis-pity-she-s-a-whore-a-pop-opera-act-iii-scene-vi-we-will-rub-this-scoundrel-out",
      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene vi (\"We Will Rub This Scoundrel Out!\") ♪♫♬",
      "body": "### Act III, Scene vi<br><br>\n\nLOCATION: Meanwhile, inside of the palace, in the living room nearest to the entrance.\n\nWeeping is heard during blackout before the scene begins.\n\nDONADO is distraught after hearing the news of his nephew’s death. He carries a white handkerchief that he blows his nose into, making a loud foghorn-like sound. \n\nFLORIO is beside him, rubbing one of his shoulders and trying to comfort him as best as he can.\n\n<iframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/317322925&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"></iframe><br><br>\n\n<b>We Will Rub This Scoundrel Out!</b>\n\n<b>DONADO:</b>\nALAS POOR CREATURE\nHE MEANT NO HARM\nHE WAS A QUIET PEACEFUL\nCHILD\n\n<b>FLORIO:</b>\nBUT NOW HE'S DEAD AS A DOORNAIL\nAND NOTHING CAN BRING HIM BACK\n\nGET YOURSELF TOGETHER, MAN, \nDONADO\nSO THAT WE CAN RIGHT THE WRONGS\n\nWE'LL FIND THE MURDERER WHO DID THIS\nAND HANG HIM UP BY THE NECK\nWE'LL QUARTER HIM IN SEPARATE COUNTIES\nAND PISS ON HIS SMALL GRAVE\n\nAND THIS IS SUCH A TRAGEDY\nTHAT NO ONE CAN DESCRIBE\nA YOUNG LAD KILLED BY A RAPIER'S POINT\nAND ALL HIS FUTURE WIPED OUT\n\nI WOULD HAVE LIKED HIM AS A SON-IN-LAW\nBUT SADLY THAT'S NOT COME TO PASS\n\nHE HAD SUCH GOOD CHARM\nI'M SURE WOULD HAVE WARMED\nMY DEAR ANNABELLA'S HEART\n\n<b>DONADO:</b>\nTHIS IS SUCH A TRAGEDY\nIT MAKES ME WANT TO CRY\n\n<b>FLORIO:</b>\nCHILL OUT DONADO\nWE'LL GET YOU JUSTICE\nFOR WE HAVE PLENTY OF TIME\n\nWE'LL RUB THIS SCOUNDREL OUT\nAND RIP OUT HIS INNARDS\nTHAT HE'LL BE SO SHOCKED \nHE'LL HAVE TO SMILE\n\nAND AFTER WE IMPALE HIM WITH A BED OF NAILS\nTHAT SMILE WILL GO AWAY\n\nAND HIS LEGACY \nWILL BE DAMNED!<br><br>![260626833_674c713510_b.jpg](https://steemitimages.com/DQmXVBA3kRAk8je3CcoWPyK24DxbFQLWUvJy1urJyTH8M8m/260626833_674c713510_b.jpg)\n<br><br><br><br>\n\n\n\n<i>To Be Continued...</i>",
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      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene v  (Hippolita and Vasques Convene)",
      "body": "### Act III, Scene v<br><br>\n\nLOCATION: The Palace Gardens again, near a statue of a cherub, naked cupid sprouting water out of many of its orifices while holding a heart-shaped bow and arrow, aimed to the sky.\n\n![download.jpg](https://steemitimages.com/DQmc4E5PSRTMLkWaUXbLmMdoqv49i8NfUtQdzYjc1P9ckd8/download.jpg)\n\n<b>Hippolita:</b> Is he really getting married?\n<b>Vasques:  </b>The Friar arranged it so and the father acquiesced.\n<b>Hippolita:</b> When?\n<b>Vasques: </b>Maybe two days hence.\n<b>Hippolita: </b> So soon? \n<b>Vasques:</b> ‘Twas the family claim.\n<b>Hippolita: </b>Perhaps he wishes to humiliate me in front of the whole Kingdom of Parma.\n<b>Vasques: </b>Perhaps.\n<b>Hippolita: </b>I will destroy that man, Vasques...  you just wait and see.\n<b>Vasques:</b> Ay ma'am, I’ve no doubt of your intent. (beat). And his behavior is downright odious and offensive, is it not? \n<b>Hippolita:</b> Oh, ‘tis offensive indeed! Truly wicked!\n<b>Vasques:</b> That he would make advances so easily and quickly toward another pretty face, like some kind of Don Juan or Casanova. \n<b>Hippolita:</b> Please, Vasques.\n<b>Vasques:</b> It’s utterly disgraceful.\n<b>Hippolita:</b> I can’t bear it! \n<b>Vasques:</b> I know, mistress.\n<b>Hippolita:</b> But mark my words, he will get his in due time. (beat). Come! We shall go prepare anon for the evening's festivities. I’ve got another idea. An even better one!\n<b>Vasques:</b> Really, mistress? Do tell. \n\n<i>HIPPOLITA smiles coyly and leads VASQUES toward the exit.</i> <br><br>\n\nEND SCENE.",
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      "body": "### ACT III, Scene iv\nContinued\n\n\n\n<b>Philotis:</b> Bergetto!\n<b>Bergetto: </b> My belly...<br><br>\n \n<i>BERGETTO looks down at where he has been stabbed. </i>\n\n<br><br>\n<b>Bergetto: </b>Aches. \n<b>Philotis: </b>Some villain has slain you, my love! \n<b>Bergetto: </b>(Looks earnestly at Philotis, confused) 'Tis...\n<br><br>\n\n<i>PHILOTIS expects BERGETTO to say something romantic.</i>\n<br><br>\n<b>Bergetto:</b> Urine... \n<b>Philotis: </b>What, my love?\n<b>Bergetto: </b>...in my pants.\n<br><br>\n\n<i>BERGETTO collapses.</i>\n\n<i>Bergetto: Farewell, cruel world.</i>\n\n<i>He dies.</i>\n\n<i>Enter RICHARDETTO, followed by POGGIO who stands behind him.</i>\n\n<br><br>\n<b>Richardetto:</b> What in the name of Mercy... \n<br><br>\n\n<i>RICHARDETTO sees BERGETTO on the ground as PHILOTIS holds him in her arms.</i>\n\n<br><br>\n<b>Philotis: </b>Uncle! \n<b>Poggio: </b>Master!\n<br><br>\n\n<i>RICHARDETTO fakes a gasp of shock and horror. The reaction itself does not look believable. </i>\n\n<br><br>\n<b>Richardetto: </b>Oh me, oh my. Signior Donado's nephew has been slain! Oh me, oh my.\n<br><br>\n\n<i>RICHARDETTO gives a hint of a smile.</i>\n\n<br><br>\n<b>Poggio: </b>(Horrified) What on Earth should we do, sir?! My master! My master!<br><br>\n\n<i>POGGIO is about to rush to his master’s side when RICHARDETTO holds him back with his forceful hand extended. </i>\n\n<br><br>\n<b>Richardetto: </b>(to Poggio) Don’t worry, son, it’s just a mere puncture wound. Nothing a little Vaseline can’t handle. \n<b>Poggio: </b>But...\n<b>Richardetto: </b>Go! Go get some help! Now!\n<br><br>\n\n<i>POGGIO nods and rushes off. </i>\n\n<br><br>\n<b>Philotis:</b> (Fake sadness) Uncle?\n<b>Richardetto: </b>(Calling behind him) Guards! Officers! Sound the alarms and dispatch the emergency vehicles, for Bergetto, nephew to the Duke of Lancashire, has been slain! Oh, what a horror! Cruel and unforgivable world! Please, find the man who did this! Find him! String him up by the loins and burn his organs out with a flaming poker! And twist! \n<b>Philotis:</b> Uncle!?\n<br><br>\n\n<i>PHILOTIS is disturbed by this imagery.</i>\n<br><br>\n<b>Richardetto:</b> Come, Philotis! Time is of the essence. We have work to do! Quickly! \n<b>Philotis: </b>But what about...\n<b>Richardetto: </b>Never mind, Philotis! Put the corpse down. We’ve got to go hither as the plot thickens and our plans unfold! We must prevail at once for a great tragedy hath occurred and we must inform the King!\n<br><br>\n\n<i>PHILOTIS plops the body down on the ground and proceeds to wipe her pants off as she stands up.</i>\n\n<br><br>\n<b>Richardetto: </b>Good show. Let’s get moving. \n<br><br>\n\n<i>RICHARDETTO puts his arms atop her shoulders and gently moves her toward the exit as he follows behind. </i>\n\n<i>She trots along.</i>\n\n<i>Sirens go off. </i>\n\n<i>They exit.</i>\n\n<i>LIGHTS DIM. </i>\n\n<i>TRANSITION MUSIC TO NEXT SCENE</i>\n<br>\n![download.jpg](https://steemitimages.com/DQmUsoHApc171m6FLWJX2nAxXEBjgpgGAvKyLM1sjjNyp2p/download.jpg)\n\nEND SCENE",
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      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene iv  (Bergetto Dies) ♪♫♬",
      "body": "### Act III, Scene iv<br><br>\n\nLOCATION: It is nighttime and there is a retreat beyond the gates of the palace. We can hear men in the distance calling each other to light the whickers and prepare the horses for the last countryside run of the evening, before bedtime. \n\nWe are inside what appears to be a cave, with some candles flickering around.\n\nEnter GRIMALDI with his sword, and a dark lantern in this cavernous lair.\n\n<b>Grimaldi:</b> (Aside to audience) It's early yet. I will stay here awhile and wait for Soranzo. I saw him and fair Annabella earlier this day, frolicking in the wilderness like creatures of the night. And Richardetto even said he would come hence. It is only a matter of time now. I can feel it!<br><br>\n\n<i>He hides. </i>\n\n<i>Enter BERGETTO, disguised, and his soon-to-be-wife, PHILOTIS. </i>\n\n<i>RICHARDETTO and servant POGGIO follow behind, but they are a distance away, in a separate pool of light, away from the action that is CS. </i>\n\n<i>BERGETTO doesn’t know he is being set up.</i><br><br>\n\n<b>Richardetto: </b>I saw them go this way.\n<b>Poggio: </b>‘Tis past curfew. My lord should be in his chambers.\n<b>Richardetto: </b> Come now, I’m sure we have nothing to fear. Walk this way. <br><br>\n\n<i>They proceed to walk. </i>\n<i>Lights dim out on RICHARDETTO and POGGIO.</i>\n<i>Lights up on BERGETTO and PHILOTIS, who are CS.  </i>\n<br><br>\n<b>Bergetto:</b> We are almost there my sweet Philotis. Nurse Philotis, for whom I chose over all the kingdom of Parma.\n<br><br>\n<i>BERGETTO tickles PHILOTIS as she giggles and blushes. </i>\n<br><br>\n<b>Philotis:</b> Behave yourself, young sir.\n<b>Bergetto:</b> You know me.<br><br>\n\n<i>BERGETTO grins. </i>\n\n<i>They are looking for a secluded place for romance.</i>\n\n<br><br>\n\n<b>Grimaldi:</b> (Aside, in a whisper) I hear them, they are coming...<br><br>\n\n<i>As they get closer, GRIMALDI leaps out of hiding, draws his sword and then lunges for BERGETTO who doesn’t have enough motor skills to react on time to defend himself. </i>\n\n<i>BERGETTO’S mouth is agape with surprise as the sword impales him. </i>\n\n<i>As the sword impales BERGETTO, it looks as if BERGETTO might have a heart attack. His lips quiver.</i>\n\n<i>PHILOTIS screams. </i>\n\n<i>The two men both look at each other deeply. </i>\n\n<br><br>\n\n<b>Bergetto: </b>(Hoarse whisper, stifled by a few coughs) What... ho. \n\n<iframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/305757665&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"></iframe><br><br>\n\n<b>You are Dead, and Now She’s Mine!</b>\n\n<b>GRIMALDI</b> <b>(</b>To Bergetto<b>)</b>:\nHa!\nYOU ARE DEAD\nIN THE NIGHT\nIN THE DARK\n\nTHE ARROW SHOOTS YOU\nIN THE HEART\nLIKE A SPARK\n\nTHE BLADE CRIES OUT\nTO YOUR CALL\nAND YOU FALL\n\nIT'S NOT RIGHT\nWHEN YOU LIED,\nON YOUR SIDE\n\nYOU TOOK HER AWAY\nAND SHE'S GONE\nOUT OF SIGHT\n\nYOU TRIED TO STOP US\nBUT OUR LOVE, \nIT GOES STRONG\n\nAND YOU THOUGHT YOU HAD ME\nNOW YOU'RE \nDEAD... WRONG!\n\nGOOD BYE, SORANZO\nTIME TO DIE\n\nAND NOW I'M OFF \nTO SEE MY BRIDE\n\nI'LL WED HER \nAND ADORE HER SO\n\nAND MAKE HER \nFOREVER \nMINE!<br><br>\n\n<i>GRIMALDI rushes off before PHILOTIS can see him in the shadows. <br><br><br>\n\n\n<i>To Be Continued...</i>\n<br><br>\n\n\n![Caesar-Coulouris-Welles.jpg](https://steemitimages.com/DQmYWGkT8zg2ZbMDYnSepvBPkcF7jNhC5Hxwg2CiXUKFJQB/Caesar-Coulouris-Welles.jpg)",
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      "body": "### Act III, Scene iii <br>\n<i>Continued...</i>\n\n<i>ANNABELLA shakes her head.</i>\n\n<b>Soranzo:</b> If it’s not too much trouble...\n<b>Annabella:</b> No, no, it’s fine.\n<b>Soranzo: </b>Wow, spectacular, stupendous! I will go to work expediently to procure the holy condiments for the evening’s matrimonial ceremony! \n<b>Florio: </b>Already done!\n<b>Soranzo: </b>(to Florio) Really?!\n<b>Annabella: </b>Father?\n<b>Florio: </b>Already furnished. It was a long-shot, but we did it. Me and the maidservants.\n<b>Annabella: </b>Unbelievable. <br><br>\n<i>SORANZO looks to ANNABELLA with joyous anticipation.</i>\n\n<i>ANNABELLA faintly smiles at him.</i><br><br>\n<b>Soranzo:</b> I’ll go check.\n<b>Annabella: </b>Sure. <br><br>\n<i>SORANZO is overcome with joy. He smiles at ANNABELLA.</i><br><br>\n<b>Soranzo:</b> You won’t regret this, fair maiden.\n<b>Annabella:</b> I’m sure not. \n\n<i>SORANZO rushes off. </i>\n\n<i>ANNABELLA sighs as THE FRIAR and FLORIO look on, pleased with her decision and smiling as if nothing is wrong.</i>\n\n<i>ANNABELLA however can’t help but appear forlorn as the lights dim to end the scene.</i>\n\n<i>LIGHTS DIM.</i><br><br>\n\n![images.jpg](https://steemitimages.com/DQmUVYrjTcnAsKEy1FBytBBDHcMf3JNE7rf8ABgspabm8S6/images.jpg)<br><br>\n\nEND SCENE",
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      "permlink": "tis-pity-she-s-a-whore-a-pop-opera-act-iii-scene-iii-continued-marry-you-two",
      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene iii continued (\"Marry, You Two!\") ♪♫♬",
      "body": "### Act III, Scene iii\n<i>Continued</i>\n\n\n\nEnter FLORIO.\n\n\n<b>Florio: </b>Father, what did she say? Did you call me?\n<b>Friar:</b> Where is Lord Soranzo?\n<b>Florio: </b>Downstairs, Father.\n<b>Friar: </b>Have you told him all?\n<b>Florio:</b> I have. He is awaiting news.\n<b>Friar: </b>Bring him here, for I have something special for thee. \n<b>Florio:</b> Truly father?<br><br>\n\n<i>FLORIO looks ecstatic. </i>\t\t\n<br><br>\n<b>Friar:</b>Deliver him here.\n<b>Florio: </b>Daughter... \n<b>Annabella:</b> Yes, father?\n<b>Florio:</b> ...Are you... acquiescing, finally?<br><br>\n\n<i>ANNABELLA looks to THE FRIAR, who nods her/his head encouragingly, and then to FLORIO with hesitancy and anxiousness.</i>\n\n![images.jpg](https://steemitimages.com/DQmcoCApntY5SfCfv9Fqwh1TKZEoA1sFK1qGyvCfhn7aJW4/images.jpg)<br><br>\n\n<br><br>\n<b>Annabella: </b>(She sighs) I am. \n<br><br>\n<i>FLORIO is overjoyed. </i>\n<br><br>\n<b>Florio: </b>(to himself and the heavens) Thank Jesus Christ almighty! \n<b>Friar:</b> Say wha?\n<b>Florio: </b>Thank you, Father, thank you!\n<br><br>\n\n<i>He bows and then kisses the hands of the FRIAR who is looking more pleased.</i>\n\n<br><br>\n<b>Friar:</b> Don’t thank me, your highness. Thank this child here for overcoming her sinful ways and embracing the Lord All Mighty, her savior!\n<b>Florio: </b>Of course! Later!<br><br>\n\n<i>FLORIO abruptly exits to retrieve SORANZO. </i>\n\n<i>ANNABELLA looks on at THE FRIAR without saying a word.</i>\n\n<i>Enter FLORIO again with SORANZO who is equally excited.</i>\n\n<br><br>\n<b>Soranzo: </b>I don’t believe this...\n<br><br>\n\n<i>THE FRIAR approaches SORANZO and takes him by the hand to guide him towards ANNABELLA. </i>\n\n<br><br>\n<iframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/325667845&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"></iframe><br><br>\n\n<b>Marry, You Two, Marry! </b>\n\n<b>FRIAR: </b>\nSORANZO, SORANZO\nI HAVE THIS LITTLE SURPRISE\nTHAT I THINK YOU WILL LIKE\n\nIT'S EMERGING\nWITH PLOT UNFURLING\nYOU'VE GOT THIS WONDERFUL GIRL\nWHO WILL MATCH YOU ON EARTH\n\nTHE GIRL HAS CHANGED HER WAYS\nREPENTING ON THIS DAY\n\n<b>SORANZO:</b>\nIs it true?\n\n<b>FRIAR: </b>\nYOU DON'T NEED TO ASK ONE MORE TIME\nFOR ANNABELLA IS THINE\n\nSO MARRY, \nYOU TWO,\nMARRY\n\nGO TO THE HIGH TOWER\nAND \nCONSUMATE, \nCONSUMATE, \nCONSUMATE!\n\nON THIS BLESS-SED DAY!\n\n<b>Soranzo: </b> You’ve changed your mind, mistress?\n<b>Annabella:</b> (unconvincing) I have...<br><br>\n\n\n<i>To Be Continued</i>...",
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      "title": "Tis Pity She's a Whore: A Pop Opera - Act III, Scene iii (You Will SOOO Burn in Hell for THIS!!) ♪♫♬",
      "body": "### Act III, Scene iii<br><br>\n\nLOCATION: Annabella’s chambers.\nAnnabella is seen on her knees next to the Friar who is sitting on the bed and looking down on her with pity. <br><br>\n\n![download.jpg](https://steemitimages.com/DQmX3rZE8sKUswvfGbKMHhkQxUEN8SUAmPWvUC6HpA7gviv/download.jpg)\n\n<b>Friar:</b> Child?<br><br>\n\n<i>THE FRIAR strokes ANNABELLA’S hair. </i>\n\n<br><br>\n<b>Annabella: </b> Oh, father. I feel so sleepy. Ever since the kind doctor gave me that medicine from a shot glass, I haven't been feeling myself lately. But, oh well... I guess things will improve.\n<b>Friar:</b> Give it some time, child. These things take awhile before they run their course.\n<br><br>\n\n<i>Uncomfortable silence, until ANNABELLA returns to the subject that has been causing both of them grief—her affair with GIOVANNI. </i>\n\n\n<i>ANNABELLA breaks the silence.</i>\n<br><br>\n\n<b>Annabella:</b> Is there no way left for me to redeem my miseries, Father?<br><br>\n\n<i>THE FRIAR hesitates, gently releases ANNABELLA and stands up. </i>\n<i>THE FRIAR shakes her/his head and gives ANNABELLA a pitying expression.</i>\n<br><br>\n\n<iframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/286670584&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"></iframe><br><br>\n\n\n\n<b>You Will Burn in Hell </b>\n\n<b>FRIAR:</b>\nCHILD, THERE'S A SPECIAL PLACE\nFOR PEOPLE WHO DO THE DISGRACE\n\nI'M TELLING YOU NOW\nYOU'LL BURN IN HELL\nTHE CLOAKED DAGGERS \nSING THEIR SONG\n\nYOU'LL FRY IN THE NIGHT\nAND JOIN THE RANKS\nOF THE DAMNED \nWHO SOLD THEIR SOULS\n\nFOR ETERNITY…\n\nANNABELLA, YOU DANCE WITH FATE\nAND ALL THE WHILE \nYOUR SOUL'S AT STAKE\n\nREPENT TO ME NOW\nCASTAWAY ALL YOUR SINS\n\nSPEAK TO ME CHILD\nYOU'RE IN GOD'S THROES\nSAVE YOUR MORTAL SOUL\n\nANNABELLA\nTHERE'S ANOTHER WAY\nFOR YOU TO CORRECT THIS DAY\n\nYOU CAN MARRY SORANZO\nAND HAVE HIS CHILD\nSEE THE LIGHT, \nGOD'S WAY\n\nTHIS ADVICE \nI ASSURE YOU WASN'T PAID!\n\n<br><br>\n<i>FLORIO looks on at the Friar singing to ANNABELLA.</i>\n<br><br>\n\nANNABELLA, \nYOU'VE LOST YOUR WAY\nAND THAT'S REALLY \nWHAT I WANT TO SAY\n\nTHIS INCEST IS REALLY \nNOT A JOKE\nSO PRAY TO DEAR GOD \nAND GET SOME HOPE\n\nTHERE’S NOT A LOT OF MONEY\nTO RECEIVE YOUR LORD\nYOUR FATHER I'M SURE WILL \nSPOT YOU WITH THE \nCOST\nCOST\nCOST\nCOST\n\nANNABELLA\nYOU'VE LOST YOUR WAY\nSO TAKE THIS DAY\nAND SERVE\n\nYOUR LORD'S WAY!<br><br>\n\n<i>ANNABELLA looks up at THE FRIAR until the lights dim to black. </i>\n\n<i>The lights go back up.</i>\n\n<i>ANNABELLA sighs. </i><br><br>\n\n<b>Annabella: </b>Okay, father. I will.<br><br>\n\n<i>Long pause.</i>\n<br><br>\n\n<i>To Be Continued...</i>",
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      "title": "Tis Pity She's a Whore: A Pop Opera - Act III, Scene ii Continued (We Split Up)",
      "body": "### Act III, Scene ii\n<i>Continued</i>\n\n<b>Grimaldi: </b>But do you think she’ll say “yes,” to my proposal?\n<b>Richardetto: </b>All but imminent, my friend! All but imminent!\n<b>Grimaldi: </b>I am humbled by your brilliance, sir.<br><br>\n\n<i>He smiles, bows, and then exits, clasping his hands in a thanking gesture.</i><br><br>\n\n<b>Richardetto:</b> Don’t thank me yet... We still have work to do. (to audience) And if this hits, I'll laugh and hug revenge; and they that now dream of a wedding-feast may chance to mourn the lusty bridegroom's ruin. The course of history may run smoothly yet as the tides do turn!<br><br>\n\n<i>Bell tolls.</i><br><br>\n\n![caesars-palace-277330_960_720.jpg](https://steemitimages.com/DQmeqnDaqe9TXR3KK547R7pt22o1P45hbXcD5rnwQJKDf2i/caesars-palace-277330_960_720.jpg)\n<br><br>\n<b>Richardetto: </b>(to Audience) Time runs apace. Anon we go!<br><br>\n\n<i>He smiles and flees. </i><br><br><br>\n\n\n\n\n\n\n\n\nEND SCENE",
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      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene ii (\"Oh, the best is coming...\") ♪♫♬",
      "body": "### Act III, Scene iv<br><br>\n\nLOCATION: Outside the palace gates, near a tree where furtive machinations take place. \n\nRICHARDETTO is back in his civilian clothing, except for the fake beard that he still wears, slightly skewed so that it doesn’t look natural.\n\nGRIMALDI is standing next to him, holding onto his sheath. He is nervous, having been told of the King’s intentions to marry ANNABELLA off to SORANZO. \n\n<iframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/336922433&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"></iframe><br><br>\n\n<b>The Best Has Yet to Come</b>\n\n<b>GRIMALDI:</b>\nRICHARDETTO, WHAT NEWS YOU REPORT?\nHAVE YOU GOT THE POISON?\n\nI SEE THE LIGHT \nAT THE END OF THE TUNNEL\nAND I KNOW THAT ANNABELLA'S MINE\n\n<b>RICHARDETTO:</b>\nJUST COOL YOUR CHILL, GRIMALDI\nI'VE GOT JUST THE ELIXIR RIGHT HERE\n\nJUST POUR THE TONIC\nRIGHT HERE ON YOUR SWORD\nAND CHALLENGE GOOD OL' SORANZO\n\n<b>GRIMALDI:</b>\nRICHARDETTO, WHAT NEWS DO YOU REPORT?\nI'VE SEEN AWFUL LOT HERE TODAY\nI HEARD SORANZO WAS FLIRTING WITH MY BRIDE\nAND SOON ENOUGH THEY'D MARRY TONIGHT\n\n<b>RICHARDETTO:</b>\nJUST COOL YOUR CHILL\nRELAX\nIT'LL ALL BE OVER HERE IN TIME\n\nTHE DAME HAS AN ENGLISH COLD\n\nAND I GAVE HER\nROHYPNOL\n\nSHE'LL BE KNOCKED OUT \nFOR THE REST OF THE WEEK\nPROVIDED SHE FOLLOWS ME\n\n<b>GRIMALDI:</b>\nRICHARDETTO, \nYOU'RE A RENAISSANCE MAN!\n\nAND I LOVE THE WAY YOU \nPLOT AND SCHEME AND BRIBE\n\nYOU'RE A MAN OF MANY TALENTS \nAND INFINITE WISDOM\nAND I'M SO GLAD TO BE AT YOUR SIDE\n\n<b>RICHARDETTO:</b>\nYOU JUST WAIT, GRIMALDI!\nTHE BEST HAS YET TO COME\nWHEN ANNABELLA'S DELIVERED \nTO YOUR SIDE!\n\n<b>Richardetto: </b>Come Grimaldi, let us sharpen that razor of yours to prepare for Soranzo’s untimely demise. Before the day is out, he will be no more and your fair Annabella will have tasted a nectar so sweet that love will fill her eyes, and warmth will envelop her soul, just before she passes out because we slipped something in it. Genius plan, I say. She’ll absolutely have to say “yes,” to your advances, to say nothing of matrimony! Or at least we can tell her she did…she won’t remember. (beat). <br><br>\n\n![images.jpg](https://steemitimages.com/DQmbgeNDMePWmoN1sh5YgABZDTpLHRuuaci593qWDDrPfxz/images.jpg)\n\n<i>To Be Continued...</i>",
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      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene iii (Annabella's Examination)",
      "body": "### Act III, Scene iii<br><br>\n\nLOCATION: In a small pool of light at the side of the stage, RICHARDETTO and PHILOTIS appear, seemingly making furtive plans.\n\n\n<b>Richardetto: </b>Come, Philotis. We shall disguise ourselves once more as doctor and clarinetist to catch the conscious of the King and sway fair Annabella to elope with our gentleman suitor, Grimaldi. I have a wager on it that if all goes according to plan, we shall be the beneficiaries of a winning stock option with infinite upside. \n\n<b>Philotis:</b> How exciting, Uncle!\n\n<b>Richardetto:</b> Come, come, make haste!\n\n<b>Philotis:</b> Right!<br><br>\n\n<i>They exit the pool of light.</i>\n\n<i>Lights up on ANNABELLA and FLORIO in ANNABELLA’S room. Shortly thereafter, RICHARDETTO enters as the doctor. </i>\n\n<i>RICHARDETTO is seen in a white doctor's suit, administering a physical examination to ANNABELLA, with her arms spread out.</i>\n\n<i>Throughout this conversation, PHILOTIS plays the clarinet in the background. </i>\n<br><br>\n\n\n<b>Florio: </b>Is it serious, doctor?\n<b>Richardetto: </b>Well...\nHe corrects his voice so that it sounds more authoritative.\n<b>Richardetto:</b> It's not so easy to say, sir.\nHe pushes ANNABELLA’S head to the left with a deliberate slowness to act out professionalism, yet there is a level of carelessness about his motions.\n<b>Richardetto: </b>She may have a whole host of maladies...<br><br>\n\n<i>FLORIO gulps.</i>\n\n<br><br>\n<b>Florio:</b> Like what, doctor?\n<b>Richardetto:</b> Oh, I don't know. Like measles, mumps, syphilis. Eukaryotic dyskinesias.\n<b>Florio: </b>Syphilis?!\n<b>Richardetto:</b> Just kidding.\n<b>Florio: </b>Oh. \n<b>Richardetto:</b> It's hard to say, it's hard to say.\nHe does a few more arbitrary physical gestures with ANNABELLA.\n<b>Richardetto: </b>Hmmm, it seems like she's got some arteritis medial to the inner aspect of the sublingual dorsum.\n<b>Florio:</b> Is that bad doctor?\n<b>Richardetto:</b> Could be, if we don't treat it right away. We would need to apply some admonium hydrochloride cream 1.345% with tincture of cilantro ventrally to the left axilla and aurally to right subarachnoid space.\n<b>Florio:</b> Cilantro?! Subarachnoid space? It's worse than we thought!\n<b>Richardetto: </b>Yes, sir, it is...indeed...worse than we thought. But don't worry because cilantro isn't terribly toxic if it's admixed with other compounds.\n<b>Florio:</b> Goodness me, I had no idea.\n<b>Richardetto:</b> You and the rest of humanity, sir. It's a little known trade secret of our profession.<br><br>\n\n<i>He smiles and then gets back to work.</i>\n<br><br>\n<b>Florio:</b> Continue, sir! Please! Hurry!\n<b>Richardetto:</b> I’m doing the best I can!<br><br>\n\n<i>RICHARDETTO resumes. He opens her mouth and looks inside, he put his eye up to her eye, blows in her ear, plucks a hair from her head, holds it up to the light, sniffs it, and licks it before throwing it on the ground.</i>\n<br><br>\n\n<b>Florio:</b> When did you start feeling this way, Annabella dear?\n<b>Annabella:</b> For a couple of weeks now, father. \n<b>Florio: </b>And what are you experiencing?\n<b>Annabella:</b> Nausea mostly. Fatigue. And I'm also terribly weak. I can hardly get out of bed some days. And then there are times when I feel awfully hungry.\n<b>Florio:</b> Did you hear that, doctor?\n<b>Richardetto: </b>I certainly did. But what she describes is vague and could apply to many...and could meet the criteria for diagnosis of various conditions of the humors. Hence, why she presents here today. (To Annabella) Do lie down, dear. <br><br>\n\n<i>ANNABELLA lies down.</i>\n\n<br><br>\n<b>Annabella:</b> Thank you, doctor.<br><br>\n\n<i>RICHARDETTO faces Florio again.</i>\n\n<br><br>\n<b>Florio: </b>So, what do you think?\n<b>Richardetto:</b> I think this calls for drastic treatment. We will make a compound of ginger root, rose moss, gold shavings, and brine. Then it’ll be injected into a pig’s bladder before being dried, crushed, powdered, liquified again and injected into Annabella.\n<b>Florio: </b>Goodness.  Will it hurt?\n<b>Richardetto:</b> It’ll be quite uncomfortable for the pig but for Annabella it’ll be fine.\n<b>Florio:</b> Is that all?\n<b>Richardetto:</b> For now, your majesty. We've got to get to the root of this cause, no pun intended. We must extract and eradicate the issue, and the only way to do that is one step at a time by determining what works and what doesn't, sensitively and specifically.<br><br>\n\n\n<i>FLORIO watches as RICHARDETTO reaches into his coat and pulls out a large knife. He places it next to ANNABELLA. </i>\n\n<i>He pulls out a hammer and places it next to ANNABELLA. </i>\n\n<i>Finally, he takes off his belt and hands it to ANNABELLA.</i>\n<br><br>\n\n\n<b>Richardetto: </b>You might want that to bite onto, my dear.\n<b>Florio: </b>Oh god, Doctor. But what if she doesn't get better?\n<b>Richardetto: </b>We move on with another differential. We search another root cause, testing other hypotheses. I've got a whole bunch of tests and devices in the good ol' caddy caduceus here.<br><br>\n\n<i>He gestures at his bag.</i>\n<br><br>\n\n<b>Richardetto:</b> I’ll need you to be calm. I believe that we have caught this early enough so that it shall not be fatal. However, it will mean that you’ll need to follow my instructions to the letter. Tea would be the best now.\n<b>Florio: </b>The letter “T”?\n<b>Richardetto: </b>No, the hot drink. What good would the letter “T” be? Glad I came and didn’t leave you to figure this out yourselves. Do you think you can follow my directions? Better yet, did you write them down?\n<b>Florio: </b>Absolutely. I will make sure that she takes her medicine just the way you told us. Thank you so much, doctor, you are truly a gift from heaven!<br><br>\n\n<i>FLORIO extends his hand to shake RICHARDETTO’S. </i>\n\n<i>RICHARDETTO turns with the knife in his shaking hand. </i>\n\n<i>FLORIO switches hands so RICHARDETTO switches hands with the knife. </i>\n\n<i>They do this a few times until RICHARDETTO hands FLORIO the knife, with a little clumsy laugh, and shakes hands. </i>\n\n<i>FLORIO is left with the knife and looks at it.</i>\n<br><br>\n\n\n<b>Richardetto:</b> Gift no. Blessed by the good Lord? I leave that up to my patients to say.\n<b>Florio: </b>I bet they say you are.\n<b>Richaretto:</b> The ones that live, yes.<br><br>\n\n<i>FLORIO does a double take.</i>\n\n<br><br>\n\n\n<b>Florio:</b> I’m sorry?\n<b>Richardetto:</b> Not as much as they were. Now, if there is a change in status, some kind of chronic flatulence or hallucination for example, do not hesitate to call me. Otherwise, I'll see you on the same day in two weeks. Is that fair?\n<b>Florio: </b>More than fair, dear sir.\n<b>Richardetto: </b>(to Annabella) Now, you get some rest, dear girl. We want you to feel better!\nRICHARDETTO snickers a little bit but covers this up masterfully while delivering sleep-inducing rohypnol. \nOn stage, this should look like a poison toxin. Consider using stage lighting to create this effect.\n<b>Richardetto: </b>Take this, my dear lady. <br><br>\n\n\n<i>RICHARDETTO hands ANNABELLA the shot glass and she gulps it down. </i><br><br>\n\n<b>Richardetto:</b> Excellent.\n<b>Annabella:</b>Thank you, doctor.\n<b>Richardetto: </b>You are most welcome. \n<b>Annabella:</b> I hope you don’t mind, but I think I shall shut my eyes now.\n<b>Richardetto:</b> You could try not too, but I don’t think that would be successful.\n<b>Annabella:</b> Pardon?\n<b>Richardetto:</b> Hmm? You rest now, dear, you’re so tired you’re hearing things.<br><br>\n\n<i>ANNABELLA nods and shuts her eyes.</i>\n\n<i>ANNABELLA is out cold. </i>\n\n<i>She is snoring loudly.</i>\n\n<br><br>\n<b>Florio: </b>That was fast. <br><br>\n\n<i>PHILOTIS’S playing of the clarinet becomes more ominous now that ANNABELLA is out cold. </i>\n<i>RICHARDETTO signals to the clarinetist to discontinue her playing immediately.</i>\n\n<br><br>\n<b>Richardetto: </b>Looks good. (beat) You know, I hear this is the month she is supposed to be married?\n<b>Florio: </b>Why, yes! How did you know?\n<b>Richardetto: </b>The royal grapevine, sir. Word travels fast here in Parma! I even saw some wedding flyers in the streets earlier today, so I could only assume...\n<b>Florio: </b>Really? We have those? How odd, I didn't order a press release. (beat). Anyway, she is to be eloped with Sir Soranzo of Venice. Do you know him?<br><br>\n\n<i>RICHARDETTO narrows his eyes with anger and dismay, but keeps this micro-expression away from FLORIO for fear that he might reveal himself. </i>\n\n<i>RICHARDETTO soon smiles as he considers his plans for extricating SORANZO.</i>\n<br><br>\n\n<b>Richardetto: </b>Ah yes, sir Soranzo, I know him well. The champion soldier of Venice. A very fine specimen indeed. (In an acquiescing tone) I daresay—not to violate HIPAA, he's a good man for this dear girl.\n<b>Florio:</b> I sure think so, he's a valiant soldier here in Parma and has won many rewards and medals for his victories on the battlefield.\n<b>Richardetto:</b> You couldn't have chosen the wiser, sir, 'tis true.\n<b>Florio: </b>Thank you, dear sir.\n<b>Richardetto: </b>I just hope that she starts to feel better soon enough so that she can partake in her own wedding. Wouldn't it be just a travesty if she had to be subdued for most of it, or heaven forbid, cancel the wedding entirely on account of her illness.\n<b>Florio:</b> Please, doctor, heaven have mercy. I'm worried enough as it is with the girl not taken with any of the suitors.\n<b>Richardetto:</b> Ah, that’s interesting. She doesn’t like any of the suitors, you say? Not even Soranzo?\n<b>Florio:</b> Not one, but maybe Lord Soranzo whom she has known since childhood. Strange, is it not?\n<b>Richardetto:</b> ‘Tis. What do you make of it?\n<b>Florio: </b>Lord knows, but I went ahead and arranged the matrimonial ceremony on account that we wouldn’t find another. The girl must be married.\n<b>Richardetto:</b> Of course. \n<b>Florio:</b> Why, if we extend this search any longer, we might end up having no one for her, except... except her brother! <br><br>\n\n<i>FLORIO laughs.</i>\n<br><br>\n\n<b>Florio: </b>Can you imagine? Heaven have mercy!\n<b>Richardetto: </b>I would think we shan’t go there, your majesty. \n<b>Florio:</b> Of course not. Sometimes you just have to step in and act on another person’s behalf—to act, as it were, in their best interests. I’ve learned this much from ruling Parma.\n<b>Richardetto: </b>Your wisdom is profound, my Lord. \n<b>Florio:</b> Thank you.  Anyway, I figured there’s enough chemistry betwixt the two that they’ll just naturally fall into a relationship. \n<b>Richardetto: </b>Well, studies do indeed show—\n<b>Florio:</b> If I just push them enough, you know?\n<b>Richardetto: </b>Indeed, sir. You can. And you will! It appears a reasonable strategy, but never say never, as I always say.<br><br>\n\n<i>RICHARDETTO grins as he thinks of his plans. </i>\n<br><br>\n<b>Florio: </b>Please, doctor, don’t make me nervous. I’m already overwhelmed, as I’ve told you already.\n<b>Richardetto: </b>Apologies, sir, I didn't mean to strike a chord. I can only imagine the strain and worry this situation hath inspired. But rest assured, everything will fall into place, in time, as I have found in my own affairs of the heart, at least. Don’t despair. She’ll come around!  <br><br>\n\n\n<i>FLORIO breaths a sigh of relief and then RICHARDETTO pats him on the back.</i>\n\n<br><br>\n<b>Florio: </b>Bless you, sir! Bless you!\n\n<br><br>\n\n<i>RICHARDETTO checks his watch.</i>\n\n<br><br>\n<b>Richardetto:</b> Alas, I must be heading out. I'm due for another appointment at half past twelve.\n<b>Florio: </b>Oh yes, sir, quite right. My apologies for holding you up.\n<b>Richardetto: </b>‘Tis no worry. I do anything for the King.<br><br>\n\n<i>RICHARDETTO smiles and bows.</i>\n\n<br><br>\n<b>Florio: </b>Well, as I’ve said, the pleasure and honor is mine, sir. Thank you for coming at such short notice to aid in my dear Annabella’s recovery.\n<b>Richardetto: </b>Don't mention it, my Lord. Just call me in about a week, send for me by carrier.\n<b>Florio: </b>Will do, sir.<br><br>\n\n\n<i>They both bow out of respect for one another.</i>\n\n<br><br>\n<b>Florio:</b> Bon voyage, sir.\n<b>Richardetto: </b>Keep fit, my friend, keep fit.<br><br>\n\n\n<i>RICHARDETTO exits with PHILOTIS who, first bowing, then cartwheels and backhand springs away, toward the exit. </i>\n\n<i>FLORIO doesn’t view this behavior as unusual.</i>\n\n<i>FLORIO turns to look at a sleeping ANNABELLA.</i>\n\n<i>The clock chimes the hour.</i>\n\n<i>FLORIO looks at the clock out of nervousness and then back to ANNABELLA.</i>\n\n<i>Transition music begins to play as the lights fade to black for the next scene.</i>\n<br><br>\n\n![Rod_Steiger_Al_Capone_1.jpg](https://steemitimages.com/DQmNdcgGXMMz6A5vhwuyjzvQUeLWDzUm6PQDF5XghDW9Jj8/Rod_Steiger_Al_Capone_1.jpg)<br><br>\n\n\n\nEND SCENE.",
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      "body": "Congratulations @tispitypop! You have completed some achievement on Steemit and have been rewarded with new badge(s) :\n\n[![](https://steemitimages.com/70x80/http://steemitboard.com/notifications/posts.png)](http://steemitboard.com/@tispitypop) Award for the number of posts published\n\nClick on any badge to view your own Board of Honor on SteemitBoard.\nFor more information about SteemitBoard, click [here](https://steemit.com/@steemitboard)\n\nIf you no longer want to receive notifications, reply to this comment with the word `STOP`\n\n> By upvoting this notification, you can help all Steemit users. Learn how [here](https://steemit.com/steemitboard/@steemitboard/http-i-cubeupload-com-7ciqeo-png)!",
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      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene ii (\"I Fear She May Be a Whore\") ♪♫♬",
      "body": "### Act III, Scene ii<br><br>\n\n![Joseph_Caraud_Am_Morgen_1865.jpg](https://steemitimages.com/DQmPPDWTR8Y136xoALVgNNhY66kc6eEcXEjUchApZFZfzmh/Joseph_Caraud_Am_Morgen_1865.jpg)\n\nLOCATION: The hallway of the King’s royal palace, replete with Goya paintings and lit candles lining the walls. \n\nPUTANA and GIOVANNI are seen in a quiet corridor, away from Annabella’s chamber, away from the rest of the party. \n\nPUTANA has a fan in one of her hands and she is waving herself with feverishness as she informs GIOVANNI of her deepest concerns.\n\n<iframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/336233316&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"></iframe><br><br>\n\n\n<b>I Fear That She May Be a Whore </b>\n\n<b>PUTANA:</b>\nOH MY GOD, GIOVANNI\nI'VE GOT SOME TERRIBLE NEWS FOR THEE\n\nIT'S YOUR SISTER'S ROBE\nI FEAR HAS BEEN SOLD\n\nSHE SAID THAT SHE WAS VOMITTING\nAND SAID THAT SHE COULDN'T EAT\n\nSHE SAID THAT WHEN SHE WALKED UPSIDE\nTHAT ALL SHE WANTED WAS TO DIE\n\nOH MY GOD, GIOVANNI!\nI SUSPECT SOMETHING MORE\n\nA LITTLE BUN IN THE OVEN\nI FEAR THAT SHE MAY BE A WHORE\n\nI'VE ALWAYS STOOD RIGHT OVER HER\nSTOOD THERE RIGHT BY HER SIDE\n\nALL SHE'D DO WAS FOLLOW ME\nSHE EVEN HAD A CURFEW!\n\nTHESE DEVELOPMENTS ARE DISTRESSING\nI WONDER IF SHE CAN ABORT\n\nDESTROY THAT LITTLE SEED INSIDE\nAND MAKE HER YOUTH MORE LONG\n\nOH MY GOD, GIOVANNI\nTHIS NEWS I CAN'T TAKE MORE\n\nYOU'VE GOT TO GO TO HER BEDSIDE\nAND MAKE SURE SHE \nDOESN'T WHORE!\n\nDOESN'T WHORE!\nDOESN'T WHORE!\n\nFLIPS A TRICK\nAND GETS UNDERBED\nALL FOR A GREENBACK\n\nTRIES TO HIDE\nWHAT'S BURIED INSIDE\nSHE CAN'T RUN FROM US\n\nWHEN THE TRUTH \nIS REVEALED TONIGHT\nWE WILL ALL BE DESTROYED\n\nDESTROYED!\n\nOH MY GOD, GIOVANNI\nTHIS NEWS WILL BE OUR DEMISE\n\nWATCH THE CLOCK \nAS IT QUICKLY TOCKS\n\nOUR FATE HAS ALL BUT ARRIVED!\n\nTHEY'LL CHARGE ME \nOF GREAT TREASON\nAND\nHANG ME BY THE NECK\n\nSAY GOOD BYE \nTO YOUR DEAR SERVANT\nAS THE GUILLOTINE \nCHOPS HER HEAD!\n\n<i>GIOVANNI shakes his head as PUTANA finishes the last note of her song.</i>\n\n<i>Lights out. </i><br><br>\n\n\nEND SCENE.",
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      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene i continued (Rejection/Annabella Needs a Doctor)",
      "body": "### Act III, Scene i\n<i>Continued</i>\n\n<b>Soranzo: </b>So what do you mean to do?\n\n<b>Annabella: </b>To live and die alone, my sweet Prince. \n\n<b>Soranzo:</b> But how can that be? You’re a beautiful woman and all beautiful women get married to men. \n\n<br><br>\n<i>GIOVANNI enters and looks on.</i>\n<br><br>\n\n<b>Soranzo: </b>Do you see my tears? They are pleading, Annabella. Please...\n\n<b>Annabella: </b>I can’t...\n\n<b>Soranzo:</b> You should know that I have always loved you, with great ardor, not even for the way you look but for who you really are—that personality of the heavens. Oh, I am sick, dear Annabella, sick to death with ardent passion and fearful that—\n\n<b>Annabella:</b> Sweet sir. \n<br><br>\n<i>She laughs a little bit, almost uncomfortably.</i>\n<br><br>\n<b>Soranzo: </b>Why are you laughing? Doth thee think my pain funny?\n\n<b>Annabella: </b>Sir, I am being sincere with you. I do not wish to marry, for my love is without.\n\n<b>Soranzo: </b>Do you really mean this so?\n\n<b>Annabella: </b>Indeed, sir. (beat). And in sooth, had I been swayed by any suitor; man or soldier; boy or pauper, it would surely have been you. \n\n<b>Giovanni: </b>(Aside) Indeed, dear sister!\n\n<b>Soranzo: </b>But...\n\n<b>Annabella: </b>Please do me this favor, Soranzo. Please.\n\n<br><br>\n<i>There is a moment of contemplation and indecisiveness. </i>\n\n\n<i>SORANZO is torn, but he eventually agrees. </i>\n<br><br>\n<b>Soranzo:</b> Annabella...\n\n<b>Annabella: </b>I know.\n\n<b>Soranzo:</b> You will never know the pain...\n\n<b>Annabella: </b>‘Tis not easy for me either.\n<br><br>\n\n<i>SORANZO sighs.</i>\n<br><br>\n\n<b>Soranzo: </b>Okay.\n\n<b>Annabella: </b>And please do not tell my father this, this fact that I do not wish to marry. For I know that he will then force me to marry and if I am forced to marry, it will be none other than you, and I do not wish to cause us both pain in a forced and disagreeable arrangement. I assure you, ‘tis better for the both of us. (beat).  I can only be happy alone, alone for the rest of my life.\n<br><br>\n<i>Moment of silence and deep contemplation on SORANZO’S part. </i>\n\n<i>SORANZO sighs, regrettably. </i>\n<br><br>\n\n<b>Soranzo:</b> As you wish, mistress.\n\n<br><br>\n\n<i>SORANZO bows to ANNABELLA out of respect. </i>\n\n<i>ANNABELLA feels her forehead as she suddenly feels something wrong.</i>\n<br><br>\n\n\n<b>Soranzo: </b>Something the matter, mistress?\n\n<b>Annabella: </b>Something has come over me... I feel a little... faint. \n\n<br><br>\n<i>ANNABELLA nearly collapses on the bench with a sigh. </i>\n<br><br>\n\n<b>Soranzo:</b> Annabella! Goodness, Annabella! What’s the matter? What on Earth’s the matter? \n\n<br><br>\n<i>From a distance, Giovanni hesitates to intervene. </i>\n<br><br>\n\n<b>Giovanni:</b> No...\n\n<br><br>\n<i>GIOVANNI exits into the darkness. </i>\n<br><br>\n\n<b>Soranzo: </b>Annabella, speak to me, Annabella...\n\n<b>Annabella: </b>I think I need a doctor...\n\n<br><br>\n<i>GIOVANNI enters.</i>\n<br><br>\n\n<b>Giovanni:</b> I'm here.\n\n<br><br>\n<i>ANNABELLA and SORANZO look confused by the suddenness of his entrance.</i>\n<br><br>\n\n<b>Annabella:</b> Giovanni?\n\n<b>Soranzo:</b> What?\n\n<b>Giovanni:</b> It is I, sister.\n\n<b>Annabella:</b> Help me, please. \n\n\n<br><br>\n<i>FLORIO, VASQUES, and PUTANA enter soon afterwards which dispels some of the awkwardness. </i>\n\n<i>It’s almost as if everyone has been watching the two of them from a distance because their timing is impeccable.</i>\n<br><br>\n\n\n<b>Florio:</b> I knew it! Hold her up, gentlemen. I think she's feeling faint again.\n\n\n<br><br>\n<i>The men rush to her side. </i>\n<br><br>\n\n\n<b>Annabella: </b>Yes, father. (beat). Giovanni?\n\n\n<br><br>\n<i>GIOVANNI begins to fan her as SORANZO watches him do so, slightly jealous but not exactly knowing why. </i>\n<br><br>\n\n\n<b>Giovanni:</b> I'm here.\n\n<b>Florio:</b> (to Giovanni) Take her to bed, son.\n\n<br><br>\n\n<i>GIOVANNI panics. </i>\n\n<br><br>\n\n<b>Giovanni:</b>What?!\n\n<b>Florio: </b>Take her upstairs where she can put her head on a pillow-bolster or something!\n\n<b>Giovanni:</b> Oh... right, of course, father! (to Putana) Let’s go! \n\n\n<br><br>\n<i>GIOVANNI guides ANNABELLA to PUTANA’S arms and then follows behind. </i>\n<br><br>\n\n\n<b>Soranzo: </b>(to Florio) Will she be okay?\n\n<b>Florio: </b>I don’t know. The doctor will lead an examination and tell us after.\n\n<b>Soranzo: </b>Okay.\n\n<b>Putana:</b> (to Annabella) You dear sweet thing. Come, come. We'll nurse you back to health in no time.\n\n\n<br><br>\n<i>ALL exit, except SORANZO and VASQUES who are left on stage to convene and reflect on the event that just transpired.</i>\n<br><br>\n\n\n<b>Soranzo:</b> Alack, Vasques, I am undone. She has rejected me, said that she didn't want to marry me now or ever. And now she has suddenly become stricken with fever. Tell me Vasques, what did I do to deserve this?\n\n<b>Vasques:</b> I am sorry to hear this, sir. Maybe it’s nervousness before marriage. I've seen it many times before. (beat). Did she really give thee an unequivocal no?\n\n<b>Soranzo:</b> She said so, but ‘twas a mixed message, I feel. Oh Vasques, I am so full of melancholy. \n\n<b>Vasques:</b> I’m sorry, sir.\n\n<b>Soranzo:</b> What she said exactly I will tell you anon. Come hither, Vasques, and let us walk awhile.\n\n<b>Vasques: </b>Of course, my Lord.\n<br><br>\n\n\n\n\n<i>They exit.</i><br><br>\n\n![images.jpg](https://steemitimages.com/DQmPHWC8FAcAifw9XzUbQZzUr2J5s8Y9sqHMipVVj3uUYri/images.jpg)\n<br><br>\nEND SCENE",
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      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene i continued (Soranzo Courts Annabella) ♪♫♬",
      "body": "### Act III, Scene i\n<i>Continued</i>\n\n<b>Annabella: </b>So, how are you?\n\n<i>ANNABELLA looks nervous, but smiles nevertheless. </i>\n\n<b>Soranzo: </b>I wanted to meet with you, mistress.\n\n<b>Annabella: </b>Is that so? \n\n<b>Soranzo: </b>Indeed.\n\n<b>Annabella: </b>Why? \n\n<b>Soranzo:</b> You seemed lonely.\n\n<b>Annabella:</b> I?\n\n<b>Soranzo:</b> Truly, and...\n\n<b>Annabella: </b>And you...\n\n<i>They lock eyes. </i>\n\n<i>SORANZO then gets down on his knees and presents ANNABELLA with a ring. </i>\n\n<i>She looks at him and then his ring.</i>\n\n\n<b>Soranzo:</b> My dear sweet maiden, we have been together for a long time, you know. We have watched each other grow up in these quarters and walls, seen each other through schooling and been with each other through both good times and bad. I'm not sure how you feel about me, but I would consider it an honor if you would... take my hand in marriage. Will you marry me?\n\n<b>Annabella: </b>Oh... this is very fast indeed.\n\n<b>Soranzo: </b>I know, dear maiden. \n\n<b>Giovanni:</b>(Whispers) No...\n\n<i>ANNABELLA looks sad and concerned. </i>\n\n<i>ANNABELLA then nearly collapses on the garden bench which happens to be close enough to where SORANZO knelt. </i>\n\n<i>ANNABELLA gently touches his cheek and smiles weakly at him and then at the ring that he gestures to give to her. </i>\n\n<b>Soranzo:</b> What, dear maiden? Are you alright?\n\n<i>ANNABELLA gently cups the ring in her hands and smiles at it. </i>\n\n<i>SORANZO looks on. </i>\n\n<i>She gently looks up and smiles at him. </i>\n\n<i>ANNABELLA touches his face again as transition music begins to play for the next song.</i>\n\n<iframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/292919604&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"></iframe><br><br>\n\n<b>I Do Not Like You That Way</b>\n\n<b>ANNABELLA:</b>\nIT IS NICE \nBUT IT CAN'T BE MY OWN\n\nYOU ARE SWEET \nWHEN YOU LISTEN TO ME\n\nAND ALL THIS TIME IT WAS YOU\nWHO LAUGHED WHEN I WAS RUDE\nYOU STOOD BESIDE AND NEVER LIED\nAND MADE ME FEEL BRAND NEW\n\nYOU ARE NICE, \nBUT I DON'T LIKE YOU THAT WAY\nYOU ARE CUTE, \nBUT THERE ARE THINGS I CAN'T SAY\n\nAND MAYBE YOU WON'T KNOW\nTHE STORIES I HAVE TOLD\n\nAND ALL THIS TIME I TRIED TO LIE\nAND REASONED TO MYSELF THAT I\nCOULD REALLY TRY... \n\nAND LOVE YOU\n\nBUT I WANT TO BE TRUE...\n\nYOU ARE NICE, \nBUT I CAN'T LIKE YOU THAT WAY\n\nYOU ARE SWELL, \nAND I KNOW \nGOOD FORTUNE MAY...\n\nSMILE UPON YOU\nAND TREAT YOU KINDLY\nAND SEND YOU OFF\nON YOUR...\n \nOWN WAY\n\n![proposal-of-marriage-1724676_960_720.jpg](https://steemitimages.com/DQmNoruQDTd4WrTfreSpudETU8RVfuWRSC4jXprwxNmjGRF/proposal-of-marriage-1724676_960_720.jpg)<br><br>\n\n<i>To Be Continued...</i>",
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      "body": "### Act III: i<br><br>\n\nLOCATION: The family garden. It is the evening.\n\n![download.jpg](https://steemitimages.com/DQmd2XUzwfGQjWMtc6uyHfBcegVjQ5PoNGnX6BXA6gQppRk/download.jpg)\n \nFLORIO and SORANZO are standing at the center of the garden, with an air of gravity hanging over their heads. \n\nSORANZO looks very concerned and FLORIO looks desperate. \n\n<b>Florio:</b> Well, Soranzo, we are running out of suitors, so I guess it’s your turn to try and sway my dear Annabella.\n\n<b>Soranzo:</b> I shall do my best, your highness.\n\n<b>Florio:</b>  I have to admit that none of the other suitors have come close. Yet, none have neither matched your credentials nor your achievements, so you have that much going for you. Not to mention that you’ve known my dear girl since childhood, so you’re in a better position than most. \n\n<b>Soranzo: </b>Ay. I shall do my best.\n\n<i>SORANZO bows solemnly. </i>\n\n<b>Florio:</b> I present to you my daughter then. May the two of you meet and discuss some future arrangements that may prove beneficial to the royal family, if you know what I mean. Here she is. \n\n<i>FLORIO calls to ANNABELLA with a “psst,” and she quietly walks onstage, looking shy and defeated and then soon enough locking eyes with SORANZO who is very familiar to her.</i>\n\n<i>GIOVANNI is also present in this scene, although he cannot be seen by the other characters. </i>\n\n<i>He listens on.</i>\n\n<b>Giovanni: </b>(Aside) Is Soranzo courting Annabella? Oh, if it be true, how vile...\n\n<b>Annabella:</b> Soranzo.\n\n<b>Soranzo:</b> Annabella... How are you doing, mistress?\n\n<b>Annabella:</b> I’m... fine.\n\n<i>FLORIO is looking pleased as he reads their chemistry in the moment. </i>\n\n<b>Florio: </b>I suppose you two have some catching up to do. I will let you two be alone for a while, while I take care of the royal paperwork. \n\n<i>FLORIO exits. </i>\n\n<i>GIOVANNI observes them in the distance and glares with yearning.</i>\n\n<i>ANNABELLA looks behind her with longing for her brother. \n\nThen turns back to SORANZO.</i><br><br>\n\nTo Be Continued...",
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      "title": "'Tis Pity She's a Whore: A Pop Opera - Act III, Scene i (The Midway Narration) ♪♫♬",
      "body": "### Act III: i<br><br>\n\nThe Midway Narration\n\n<iframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/306322959&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"></iframe><br><br>\n\n\n<b>NARRATOR: </b>Giovanni meets with the King to discuss his studies while Annabella looks on, fondly consumed by their conversation and secretly relishing the deeper truth within—the truth of her secret affairs with her brother, Giovanni, with whom she remains enamored, as the two sneak fleeting glances with the king amidst their presence. The two siblings are paramours, having copulated for hours on end in the King's princely chambers.\n\nTheir fleeting glances betray a sinful guilt as they recognize the ghastly nature of their deeds. \n\nWhat will happen? Well, you’ll just have to wait and see. For now we are having a break. It’s time to grab yourself a drink, or let your last drink expel from the other end.\n\nThen we can come back and find out what trouble these two can get into, eh? <br><br>\n\n<i>Narrator winks.</i><br><br>\n\nSee you soon.\n\n\n<br><br>\n\n![man-2445457_960_720.jpg](https://steemitimages.com/DQmab7cQzu7dFSoyfk3isLuQNnrBVq9MFhvU24ZEv2x3P7W/man-2445457_960_720.jpg)\n\n15-MINUTE INTERMISSION",
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      "title": "'Tis Pity She's a Whore: A Pop Opera - End of Act II",
      "body": "### Act II<br><br>\n<i>Continued...</i>\n\n![download.jpg](https://steemitimages.com/DQmXgdG1pbcaXitUqAvD2eavQNgjL24y8fs4NoD9hVjqcbJ/download.jpg)\n\n<b>Florio:</b> (to Annabella) Never a more undeserving snake has held an undeserving snake. A parting gift perhaps welcomed?\n\n<i>ANNABELLA smiles.</i>\n\n<b>Florio: </b>So much for that, dear daughter.\n\n<b>Annabella: </b>Ay, ‘tis a pity.\n\n<b>Florio:</b> Though I imagine that undeserving snake is going to get to wiggle into an amazing valley.\n\n<b>Annabella: </b>What?\n\n<b>Florio:</b> I said the man was an ass.\n\n<i>FLORIO smiles and shrugs his shoulders to the audience. </i>\n\n<i>Lights dim. </i><br><br>\n\nEND SCENE.",
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      "title": "'Tis Pity She's a Whore: A Pop Opera - Act II continued (Bergetto Rejects Annabella)",
      "body": "### Act II\n<i>Continued...</i>\n\n![download.jpg](https://steemitimages.com/DQmaLHJudYcnfXr3UL88LagnUy5tiuchZEAYWguWnsVVz7n/download.jpg)\n\n\n<b>Bergetto:</b> Wait! No! Wait! (beat). There was this guy.\n\n<b>Donado: </b>You had better make this quick...\n\n<b>Bergetto: </b>I saw him in the street, uncle, and he brushed up against me. I squared off with him and said, “Sir, thou has the judgment of a wild boar, and should count thy blessings as lady luck has touched upon your head the good fortune that I don’t take arms and give you a good hiding.” He just looked at me and said, “What?” And I said, “Watch it, friend, or I shall have to get physical with you.” \n\n<i>DONADO shakes his head with deep consternation. </i>\n\n<b>Bergetto:</b>  He took out his sword, Uncle, and tried to stab me. \n\n<b>Annabella: </b>How awful. \n\n<b>Donado: </b>Oh, the reward I would have given him if his aim was true and just. The pain I could further avoid with your forever-absence.\n\n<b>Bergetto: </b>I avoided most of him, but he still got a hit.\n\n<i>BERGETTO gestures toward his wounds.</i>\n\n<b>Annabella:</b> (Smiling) And then what happened?\n\n<b>Bergetto:</b> I just laughed. Then it stuck me. Not an idea, but the sword again. Once I registered the pain and saw the crimson fluid leak from me I know that I might be in a poor situation. Still, I didn’t move from my spot and he stabbed me again. Well, I’m no dullard, after I was stabbed a few more times I knew ‘twas more serious...\n\n<b>Donado:</b> You silly ass.\n\n<b>Bergetto: </b>And then this guy with a beard who looked like a doctor called me into his house and gave me bandages where the guy had cut me. \n\n<b>Donado: </b>(to Annabella and Florio) I’m sorry about this. Truly.\n\n<b>Bergetto:</b> And then that’s when I saw her, Uncle. The maiden. She was beautiful, exquisite. The very vision of Cleopatra! She washed my face and tended to my wounds. \n\n<i>RICHARDETTO and PHILOTIS are snickering at the side of the stage, out of view of the rest of the characters. </i>\n\n<i>DONADO shakes his head again, deeply distressed.</i>\n\n<b>Bergetto: </b>Uncle, I believe that she is the one for me, not Annabella. And I for one shall marry her.\n\n<b>Poggio: </b>She kissed him too, sire. \n\n<i>DONADO sighs, about to cry but holds his tears back.</i>\n\n<b>Annabella: </b>Congratulations, Bergetto.\n\n<i>He bows sarcastically toward ANNABELLA. </i>\n\n<b>Donado: </b> I fear you'll remain as simple as the town drunkard who attends church without his pants! Or more so after he has fallen on his head from a great heat. That simple. Forever and never more!\n\n<b>Bergetto:</b> But Uncle... you should have seen this woman! Ten times better than Annabella. Annabella is like a 4 compared to her.\n\n<i>He gestures to ANNABELLA who laughs in reaction. </i>\n\n<i>FLORIO’S jaw drops.</i>\n\n<i>DONADO tries to pleasantly dust this comment off with nervous laughter and then glares with hatred at BERGETTO.</i>\n\n<b>Donado: </b>He knows not what he does, Florio. Really.\n\n<b>Florio: </b>No worries, sir Donado. ‘Tis understandable, to some extent. \n\n<i>FLORIO smiles pleasantly as DONADO exchanges a look of dismay, tinged with despair. </i>\n\n<b>Florio:</b>And I believe, if I’m not mistaken, the good man speaks of the doctor's assistant and accompanying clarinetist. \n\n<b>Bergetto: </b>If you describe this vision of a woman then your words are far too simple.  If meant a woman with features so wonderful that statues made of the purest marble would look like common rocks, a woman with curves that if you traced them with your eyes would cause you sea sickness, as well as two of the biggest, firmest, wonderfully proportionate……eyes you have ever seen, then yes. You’re right.\n\n<b>Florio: </b>A stunning beauty indeed. Though in my experience of seeing her I worry less of sea sickness and more of the blindness she might cause me from nocturnal activities.\n\n<b>Annabella: </b>Father? \n\n<b>Donado:</b> But Annabella...\n\n<b>Florio:</b>Don’t concern yourself with her, dear Donado. As the saying goeseth, the world possesses plenty of fish to occupy the sea. \n\n<i>DONADO looks glum in reaction to this remark and soon appears as if he is about to cry. </i>\n\n<b>Donado: </b>Heaven have mercy.\n\n<i>DONADO faces BERGETTO angrily.</i>\n\n<b>Bergetto: </b>Uncle, I’m sorry?\n\n<i>The final reprise should be belted in a high note for the singer who plays DONADO. </i>\n\n<b>REPRISE</b>\nDONADO:\nWAS EVER AN ASSHOLE BORN? \n\n<i>RICHARDETTO and PHILOTIS are seen at the side of the stage, in their own pool of light at a distance, giving themselves a single high-five for a job well-done. This should go in time to the final reprise. </i> \n\n<b>BERGETTO:</b>\nUNCLE?\n\n<b>DONADO:</b>\nYOU HORRIBLE SIGHT!\n\n<i>DONADO grabs BERGETTO by the ear at the end of the song and nearly drags him off stage with wrathful grunts and scowls.\n\nThe audience can hear BERGETTO murmuring in the background as he continues to experience/feel the wrath of his Uncle. </i>\n\n<i>POGGIO follows behind, leaving FLORIO with his daughter.</i>\n\n<i>FLORIO and ANNABELLA laugh to each other.</i><br><br>\n\n<i>To Be Continued...</i>",
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