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      "title": "Top Ten Metal Vocalists at These Days.....",
      "body": "When a great vocalist takes the stage, it's impossible to turn away. The metal genre has many such charismatic singers, and we're honoring 10 of them right here.\n\n1. David Randall Blythe (Lamb Of God)\n\n![1.jpg](https://steemitimages.com/DQmavjeUG2Fkfu1GfNcMrjYWTsdFDrUA7F9bsJb33G4VFbw/1.jpg)\n\n(born February 21, 1971), is an American singer, best known as the vocalist and lyricist of American heavy metal band Lamb of God. He has also performed guest vocals for Cannabis Corpse, Overkill, Gojira, and EYEHATEGOD and he is also the lead singer of side-project band Halo of Locusts. As a teenager, he looked up to bands of the hardcore punk scene such as the Sex Pistols, Bad Brains, and Black Flag.\n\n2.Alissa White-Gluz (Arch Enemy)\n\n![2.jpg](https://steemitimages.com/DQmRFcryuzdzwPj9DEEpWkNm2vFeK6x1ibzP8qQzjiFkC99/2.jpg)\n\nborn July 31, 1985) is a Canadian vocalist, best known as lead vocalist of the Swedish melodic death metal band Arch Enemy,[3] and former lead vocalist and founding member of the Canadian metal band The Agonist.[4] Her vocal style includes both growling and clean vocals (singing).[5] Although primarily associated with melodic death metal, she has appeared as a guest vocalist for power metal and symphonic metal bands, notably Kamelot and Delain, and has performed live with Nightwish and Tarja Turunen.\n\n3. Phil Anselmo(Pantera)\n\n![3.jpg](https://steemitimages.com/DQmQo1HYBTG43J7B94QR8iNPenQkUrusSzMaySMBFmAWxDP/3.jpg)\n\nPhilip Hansen \"Phil\" Anselmo is an American musician who is best known as the former lead vocalist of the heavy metal band Pantera. He currently is the vocalist of heavy metal bands Down and Superjoint Ritual.\n\n4. Corey Taylor (Slipknot, Stone Sour)\n\n![4.jpg](https://steemitimages.com/DQmPQnTdHWpbzMnYzZhku8S9jV9ZJt4LyFUDDTrSid4h7qW/4.jpg)\n\nThe youngest ‘newest’ frontman on the list, but an unquestionable contender for Best Metal Frontman. Whether terrifying fans across the planet in his masked Slipknot attire, or sending rock radio rioting with Stone Sour, the sharp and witty singer will go down in history as one of our greats.\n\n5. James Hetfield (Metallica)\n\n![5.jpg](https://steemitimages.com/DQmeH9iNuDzGRttsUjbGzMDunLuSYCXn4ugyVGso9qFqFWX/5.jpg)\n\nA demon on guitar as well as on mic, Hetfield has lead the Metalli-troupe from strength to strength. Standing spread legged in centre stage and engaging crowds with his melodies (and his laugh), not even the band’s infamous 1992 pyrotechnics accident could keep him away!\n\n\n6. Ivan Moody(Five Finger Death Punch)\n\n![6.jpg](https://steemitimages.com/DQmXstaiGY6cNSQK3HRUDBxQxax46mCj8ccDFgnynaZdUcf/6.jpg)\n\nIvan L. Moody, known by the pseudonym Ghost during his time with Motograter, is the lead vocalist for American heavy metal band Five Finger Death Punch from Las Vegas, Nevada.\n\n7. Alexi Wildchild Laiho (Children of Bodom)\n\n![7.jpg](https://steemitimages.com/DQmczjWP9KWgtUfhQYbiHGi939v6bN7NWBKx56ugaKQ4XCL/7.jpg)\n\nIn 2004, Laiho founded a side-project called Kylähullut, which was assembled together with Tonmi Lillman (ex-Sinergy) and Vesa Jokinen 69er (from Klamydia). The band was created merely for the entertainment of the musicians, and takes a carefree approach to their music. The band's discography includes two EP's, and two full-length albums.\n\n8. ZP Theart (DragonForce)\n\n![8.jpg](https://steemitimages.com/DQmXeqBPnqVhttYFTjqYeBoeA5DGGbirSNWpbKypBytuyEg/8.jpg)\n\nIn late 1999, Theart began to put out advertisements at Thin Ice Studios, which were eventually responded to by former Demoniac guitarists Herman Li and Sam Totman. Together, they formed a band called DragonHeart, but the name was later changed to DragonForce.\n\n9. Geoff Tate (Queensryche)\n\n![9.jpg](https://steemitimages.com/DQmd5saYTnFyhwmtS9aNS6tCSrVpX52XrsboydPwJkSez2v/9.jpg)\n\nn 2015, Queensryche is no longer fronted by Geoff Tate, but he will always be remembered for his work from its early days, including the first two albums, The Warning (1984) and Rage for Order (1986), as well as the best and most well known masterpiece of a concept album, Operation Mindcrime (1988). With a voice that projected so many emotions and feelings within the notes he sang, Tate's soulful expression truly came to life, and set a standard for other heavy metal/progressive rock singers at the time, that many failed to live up to\n\n10. Dani Filth (Cradle of Filth)\n\n![10.jpg](https://steemitimages.com/DQmf7KSxASSEX1RQR9VaxPXKwpaiE6uNWNXPcZQsx8rCzez/10.jpg)\n\nCradle of Filth was, at a time early on in its career, one of the scariest bands in extreme metal, and were at the forefront of black metal's mainstream popularity in the U.S., in the mid to late '90s. Vocalist Dani Filth was a singer with not just lyrics, but eloquent, biblical, vampiric, and evil tales and mythologies, sung in a demonic high pitch death growl. It alternates between grunting and a terrifying howling shriek that is like a black metal, grindcore version of Bruce Dickinson. \n\nIf any Suggestion please tell me about it...\nThanks\n\nNext Best Metal Band These day..",
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      "body": "Top 10  Heavy Metal Album Now:\n1. Power Trip, 'Nightmare Logic'\n\n![1.jpg](https://steemitimages.com/DQmcker8JQgDBihhLxBBcVCVD1eUwKvNu34n4nk3YWKUpkt/1.jpg)\n\nPower Trip are the breakout metal band of 2017, armed with razor tight, pit-happy new age thrash hymns found within ‘Nightmare Logic.’ Stripping away any touch of excess (while resurrecting dive bomb solos), the Texas natives pared down cuts like “Executioner’s Tax (Swing of the Axe)” and the title track to perfect mid-tempo juggernauts, dealing death as they upped the intensity on “Soul Sacrifice,” “Firing Squad” and others. Arthur Rizk’s production is entrenched in the old school with raw tones and organic drum sounds that bring the messages condemning power, corruption and greed to the street level. This year belongs to Power Trip and as they boldly declared at the 2017 Loudwire Music Awards, “Watch out old timers, we’re here.”\n\n2.Mastodon, 'Emperor of Sand'\n\n![2.jpg](https://steemitimages.com/DQmcsEChhXiyd3qhY7dd2aYLcfiUhyW5gnFH6zx1ABkv9to/2.jpg)\n\nThe four-headed beast known as Mastodon reared their collective head in 2017 with the promise of another concept album, this time hitting on the theme of personal loss and cancer. ‘Emperor of Sand,’ like all Mastodon records, is a journey through metal-forged psychedelia with limitless expectations. In a way, this can serve as the quintessential Mastodon album as it touches on sounds heard across their career, throwing in new touches like the alt rocker “Show Yourself” and conjuring a ghastly dark atmosphere that permeates the closing track, “Jaguar God.”\n\n3.Code Orange, 'Forever'\n\n![3.jpg](https://steemitimages.com/DQmYXLyHdbiCwQj7SP9F33LJAyF6XLRxhM12fuivRfcASyQ/3.jpg)\n\nAfter spending years toiling in the underground hardcore scene, Pittsburgh’s Code Orange would make their biggest impact to date thanks to ‘Forever’ released at the very beginning of this year. Throughout 2017, its album art became a t-shirt icon, due to its genre-spanning appeal to metal fans of any stripe, showing younger sets the doors to weirdness and letting older heads know iteration is happening. Hardcore roots combine with metallic-industrial ugliness for some absolutely crushing heaviness, leaving room for moments of noisy dischord on “The Mud,” glimmers of beauty on “Bleeding in the Blur.”\n\n4.Dying Fetus, 'Wrong One to Fuck With'\n\n![4.jpg](https://steemitimages.com/DQmaL5L1aiqPppu336uMuQdw3RyEgG9gpV5k1yFDHsYQDnk/4.jpg)\n\nViolent and confrontational, ‘Wrong One to Fuck With’ is the album Dying Fetus have been chasing since the slam benchmark (and bench pressing) ‘Killing on Adrenaline.’ Iron-handed, high-stepping breakdowns halt gash n’ slash leads in a 50-minute statement that Dying Fetus remain at the top of the food chain in death metal. As their classic logo was restored, so was the convulsing of their tech-slam tradeoffs on each track, all of them as knuckle dragging as the last. With touring’s importance climbing, having 10 new pit-starts to toss into your set makes Dying Fetus the wrong one to…\n\n5. Pallbearer, 'Heartless'\n\n![5.jpg](https://steemitimages.com/DQmeH3kJFoHUQoJPAkQBnbWmryDoCapi1QvfgRRfURLvtzP/5.jpg)\n\nSince their full-length debut ‘Sorrow and Extinction,’ Pallbearer have made a name for themselves as one of the most exciting young bands in heavy metal, and for doom in the long term. Their take on melding slow-tempo neutron star heaviness with progressive rock came to a head on 2017’s ‘Heartless,’ using their toolset to expand into unexpectedly catchy new sounds. They crush when necessary, and aren’t afraid to let the straight rock ride.\n\n6.Zeal & Ardor, 'Devil Is Fine'\n\n![6.jpg](https://steemitimages.com/DQmYQgyNE8tbcwd7gmxqkiETwUj44kSjXLHLjm8b7yY7uxh/6.jpg)\n\nFew bands push forth a wholly unique sound like Zeal and Ardor. Their official debut album ‘Devil Is Fine’ stirs up a cauldron of black metal, blues and soul, giving serious credence to what was originally conceived as a dare on 4chan. Thus was born icy-riffs kindled by chain gang chants and prison songs that sound out of time. It’s a diverse, unforgettable listen, especially poignant against the culture of 2017.\n\n7.Enslaved, 'E'\n\n![7.jpg](https://steemitimages.com/DQmYK1iAeovGRZCKebWXhFkBiduz6pbUe1NG4niFXidrZw6/7.jpg)\n\n‘E’ is one of the most exciting albums in Enslaved’s illustrious and continuously groundbreaking career. Always with a penchant for the progressive, they found favor with outside styles (tribal elements and electronic effects) seeping into their heady brand of black metal. The opening dream sequence of “Storm Son” and headphone candy effects make it clear the Norwegians were charting new territory without forsaking their core sound. There’s an episodic nature to each song (see the two halves of “Sacred Horse” for a glimmering example), giving further rise to their all-encompassing scope while adding another wondrous album to an exploratory discography.\n\n8.Cannibal Corpse, 'Red Before Black'\n\n![8.jpg](https://steemitimages.com/DQmWdQbFyg6ZwttpSoebTLXjr1wYb7gMeW17dB3VmUBF9pE/8.jpg)\n\nNearly 30 years later and insatiably murderous, Cannibal Corpse delivered 12 new life-extinguishing, vein-splitting tracks on ‘Red Before Black.’ There’s a sense of urgency across bangers like “Only One Will Die” and the title track, which lead the album. Everything is fueled by the ever-sensational drumming of Paul Mazurkiewicz, who is the highlight of the album with cliffhanger fills, sudden bursts of double kicks and neck-snapping time changes. When you stay true to a time-tested formula, complacency can become an issue, but Cannibal Corpse show far more life than any victims left behind after having their “Heads Shoveled Off” or any other means to a grisly end as evidenced by this album.\n\n9.Converge, 'The Dusk in Us'\n\n![9.jpg](https://steemitimages.com/DQmdu7RwPz9CR7CLikmagEpSCdmcAo6bjzm7oygNZSPftDb/9.jpg)\n\nConverge do one thing: evolve. ‘The Dusk in Us’ is the New England band’s ninth album, and a result of 25+ years of iterating upon metalcore into their own singular art. They’re aged but never seem out of touch, with “A Single Tear” thrashing to a head, setting the tone for the destruction within. Experiments abound on the title track, a seven-minute unapologetic deep dive into despairing atmosphere. In its core is hope, driving the band for more.\n\n10.Bell Witch, 'Mirror Reaper'\n\n![10.jpg](https://steemitimages.com/DQmP5HV8vXMoRor3kUbWnEnyR8cq6by8ki6cKbMceg6MkFf/10.jpg)\n\nBell Witch’s ‘Mirror Reaper’ is a monolithic work of doom metal that towers over the rest of their peers in their 83-minute run time. Born from the grief of their fallen founding member Adrian Guerra, ‘Mirror Reaper’ offers a destitute sonic portrait of the band at their absolute depths. Each singular note feels like a chasm of emotion, deep enough to fall head first in, twisting vocals recorded by Guerra before his death that offer a guiding light towards acceptance through hopelessness.\n\nNext Topic is best heavy metal singer.....",
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