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      "body": "<a href=\"http://horrorfuel.com/wp-content/uploads/2016/10/predator-poster.jpg\"><img class=\"aligncenter size-medium wp-image-28002\" src=\"http://horrorfuel.com/wp-content/uploads/2016/10/predator-poster-300x300.jpg\" alt=\"predator-poster\" width=\"300\" height=\"300\" /></a>\n\n&nbsp;\n\nWe finally have a new update on <a href=\"http://horrorfuel.com/horror/reviews/shane-black-to-direct-the-new-predator-sequel/\">Shane Black</a>'s 'The Predator', which is the fourth film in the 'Predator' franchise, if you don't count the two 'AVP' films.\n\nLast we heard, Benicio del Toro had stepped away from the project due to scheduling issues. Now, 'Narcos' actor Boyd Holbrook has stepped in to del Toro's place, but that is not the only casting news. Reportedly, James Franco is eyeing the lead role of \"Quinn McKenna\". <a href=\"http://horrorfuel.com/horror/news/50-cent-fight-predator/\">50 Cent </a>is said to have also joined the cast.\n\n&nbsp;\n\n<a href=\"http://horrorfuel.com/wp-content/uploads/2016/10/holbrook.jpg\"><img class=\"aligncenter size-medium wp-image-28005\" src=\"http://horrorfuel.com/wp-content/uploads/2016/10/holbrook-300x192.jpg\" alt=\"holbrook\" width=\"300\" height=\"192\" /></a>\n\n&nbsp;\n\nBlack told <a href=\"http://joblo.com\">JoBlo</a> that 'The Predator' is more of a sequel than a reboot. \"…<em>has to stand on its own two feet, but our goal is to make sure it acknowledges that, yeah, it is 30 years later in the continuity of the story. In other words, Dutch Schaefer’s patrol, which was attacked and largely slaughtered, happened 30 years ago in the context of the story. It’s referenced, it’s part of the mythology. In that way, it’s more of a sequel than a reboot.</em>”\n\n&nbsp;\n\n&nbsp;\n\n<a href=\"http://horrorfuel.com/wp-content/uploads/2016/10/predator-e1477512912725.jpg\"><img class=\"aligncenter size-medium wp-image-28003\" src=\"http://horrorfuel.com/wp-content/uploads/2016/10/predator-300x150.jpg\" alt=\"predator\" width=\"300\" height=\"150\" /></a>\n\n&nbsp;\n\nTalking to<a href=\"http://collider.com\"> Collider</a>, Black gave details about where the film stands when it comes to filming.  “<em>Right now we’re looking at probably beginning to mid February. I’m heading up to Vancouver in a week or two to go into a serious pre-production, so we’re on the cusp.</em>”\n\n&nbsp;\n\nShane Black, who starred in the original film, will be directing from the script penned by Fred Dekker. The original 1987 film's producers John Davis, Lawrence Gordon and John Davis will produce the new film as well. We will have to wait for a while before we see it, Fox has set the theatrical release date for February 9th, of 2018. We will update you when we know more.\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;",
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      "title": "Movie Review - Tabloid Vivant is a Tale of Beautiful Torment",
      "body": "<h3><a href=\"http://horrorfuel.com/wp-content/uploads/2016/10/TVP.jpg\"><img class=\"alignnone wp-image-28016 size-medium\" src=\"http://horrorfuel.com/wp-content/uploads/2016/10/TVP-202x300.jpg\" alt=\"tvp\" width=\"202\" height=\"300\" /></a></h3>\n<h3><strong><em>Tabloid Vivant</em></strong></h3>\nWritten and Directed by <strong>Kyle Broom</strong>\n\nStarring - <strong>Jesse Woodrow, Tamzin</strong> <strong>Brown, </strong>and <strong>Chris Carlisle </strong>\n\nTo refer to Max Klinkau and Sara Speed as kindred spirits would be to make a gross understatement.  They both seek notoriety, but don’t want to achieve it by way of the humdrum and conventional means that many are more than happy to accept. Max and Sara are striving for something truly unique.\n\nMax has developed a \"system of painting\" that will radically change the way people will view the classic art form, even in an age where digital art has gained prominence. Sara sees this as an incredibly fascinating concept, and is ecstatic to be tasked with writing a critique based on Max’s new style.\n\nThey retreat to the seclusion of a house deep in the woods, which belongs to Max’s agent. He explains how the incorporation of an aspect of digital art into a classical form, such as painting on canvas ,will prove to be a revolutionary step that could change the direction of art. However, just hearing his theory about his new style is not enough for Sara – she needs to see a sample to understand.\n\nMax allows her to see a preliminary example created using his system and “scoring” of colors. She is…astonished, flummoxed, captivated, amazed, mystified, confounded, dazzled, and any other word that may come close to describing her reverence for the image she is bearing witness to.\n\nAs she gropes for the right words to relate to her readers what she has seen, she has great difficulty describing something that is simply indescribable.\n\nMax begins his newest piece in which he will incorporate his new style, and he will have Sara sit as his subject.  Days and even weeks pass as they both struggle to accomplish their respective works, but he strain of the process has has started to become more than either can bear. Art in any medium can be a fickle, cruel, and even maniacal mistress, and they are on the verge of finding out just how true a sentiment it is.\n\nWhile this particular film is absolutely praise worthy, I'm finding it difficult to approach it in a way that will do it justice. Much in the same way the the character of Sara has trouble imparting what she had seen to HER readers. It's a movie that viewers must experience for themselves, because the proof, as they say, is in the pudding.\n\nKyle Broom wrote and directed this beautifully bizarre and introspective , yet very entertaining  film. It's a story that puts the destructive obsessiveness of an artist on display, showing how often said artist can turn out to be his or her own worst enemy.  It's also an intelligent statement about an artists ability to gain any semblance notoriety for their work in a world saturated with \"artistic content\".\n\nHis lead characters are well written,  having real emotional depth and integrity.  Characters such as these are normally so insipid and stereotypical, thus lacking any substance.\n\nHis approach to the visual style for the film actually mimics that of Max's new approach to painting. Broom employs classic elements and combines them with modern tricks of the trade. I specifically think of the use of a plate shot in a driving scene and how it resembled a similar shot of <strong>Cary Grant</strong> and <strong>Grace Kelly</strong>  in the Hitchcock classic <em>To Catch a Thief</em>. He also incorporated quick insert shots and images as a way to keep the audience on their toes.\n\n<strong>Jesse Woodrow</strong> and<strong> Tamsin Brown</strong> had an undeniable chemistry, that they were able to sustain seamlessly throughout the entire film.\n\nWoodrow colorfully (no, that's not an artist pun) flaunts Max's imperfect, disassociated artist persona. Such a character could come across as shallow, cliche and flat in the wrong hands. Woodrow is able to make the character dynamic and intense, while also adding a dose of charisma and swagger.\n\nBrown brings out Sara's fascination with glamour and fame in a more subtle and less than gaudy fashion. Although she portrays an art critic, she doesn't lend her character that haughty, overly pretentious bitterness one might associate with such a character. She avoids being the tragically hip visage of an art aficionado we're used to,  à la Otho and Delia in <em>Beetlejuice</em>.\n\nBoth make an incredible emotional and somewhat physical transformation along the way, that serves as evidence of the exhaustion and torment both characters are enduring. They both even got to have their own little Jack Torrance moments, solidifying the notion that interruptions to ones creative process are very annoying.\n\nIn a world where everyone wants their 15 minutes, more people need to strive to be timeless. But in a world of \"white noise\", 15 minutes is the best even very talented people can muster. That's why I suggest you give <strong>Kyle Broom's</strong> film, <em>Tabloid Vivant</em>, 1 hour and 45 minutes of attention. It deserves that much at the very least, otherwise I wouldn't give it <strong>8.5 / 10</strong>.\n\n<em>Tabloid Vivant</em> is currently available to view on <a href=\"http://www.imdb.com/offsite/?pf_rd_m=A2FGELUUNOQJNL&amp;pf_rd_p=2425422342&amp;pf_rd_r=0Q15EEQW0V74WXSAW8GW&amp;pf_rd_s=center-2&amp;pf_rd_t=15021&amp;pf_rd_i=tt2890572&amp;page-action=watch-piv&amp;token=BCYnlAZoZjmohvAXnal9PMSCeObDKbdSo-gSVLI8G8WkAMesUE6fQzKiI2SK6JyWAF7GrvLuIjVI%0D%0APcyMAUAGtMJjDt3haPoKovzCO8Cpbu1W728CpfUrBUVXy4gIIaqtK01ZA7ilcOXSZz3v6F9QVDbT%0D%0Atz3iKn1QkOB-BP1r2O9bbl7dammzWhMmWZq3NerOBSmFomWZPIX0RsTkZQf-iAw4eprFhsnOcXah%0D%0AsT9BIVhIHZoG6deTTFEkUMtltBEB1QI7NHSW_atXGk0fPH8PJxVUM3iV-sjv_6ke34R6dM3IcVxW%0D%0ApIhrOZKDQqAtL13jOfrm%0D%0A&amp;ref_=tt_wbr_piv\">VOD</a>. So...what are you waiting for?\n\n&nbsp;\n\n&nbsp;",
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      "title": "Friday The 13th Now Has A Script, Location, Director And Release Date",
      "body": "&nbsp;\n\n<a href=\"http://horrorfuel.com/wp-content/uploads/2016/10/friday_the_13th__2009.jpg\"><img class=\"aligncenter size-medium wp-image-27982\" src=\"http://horrorfuel.com/wp-content/uploads/2016/10/friday_the_13th__2009-300x169.jpg\" alt=\"friday_the_13th__2009\" width=\"300\" height=\"169\" /></a>\n\n&nbsp;\n\nThe new 'Friday the 13th' film has run into several issues and delays, leaving fans wondering if we would even get to see Jason resurrected for another killing spree. It seems that the film is finally moving forward. The location has been found and the date set to begin filming.\n\nIn an interview with <a href=\"http://collider.com\">Collider</a>, Brad Fuller, who is producing the film for Platinum Dunes, gave an update on the new 'Friday the 13th' film.\n\n&nbsp;\n<blockquote>In terms of fun, making [the 2009 film] was so fun. The cast was great, we were in a great setting, everyone got along. We had a lot of fun making that movie and we always wanted to go back to Crystal Lake and make another one. There were so many obstacles to surmount to get to where we are today. I’m not going to bore you with all of them but for a long time, there was a rights issue between Paramount and Warner Bros. Then there was an execution issue. At one point, the studio wanted us to make a found-footage version of that movie and that was deeply concerning to us because we didn’t think we could execute the movie in the right way if it was a found-footage movie.</blockquote>\n&nbsp;\n\nThere have been rumors of a found footage film, luckily Fuller has put an end to that. He continued on to speak about the difficulty of choosing a direction.\n\n&nbsp;\n<blockquote>No, Jason is a POV movie. So, it was very hard to wrap our head around how you would do a Friday the 13th that was found footage, knowing that we really need the Jason perspective of watching. We didn’t want to break the DNA of that. We also battled: do we do a sequel to the original? Do we pick up where we left off with Jared and Amanda at the end of the movie? Somehow, that didn’t find a home.</blockquote>\n&nbsp;\n\n&nbsp;\n\nFuller revealed that they finally have a location which is set at a camp in Atlanta, a finished script, a filming date, and a director, Breck Eisner (The Last Witch Hunter, The Carzies).\n\n&nbsp;\n<blockquote>It will be eight years since we made the last one. I’m here to say that we found the location. We have found the lake, we have found the camp. We found an amazing script by Aaron Guzikowski. Breck Eisner is directing the movie. That movie is shooting in early Spring.\n\n&nbsp;</blockquote>\nFuller has produced many great films including 'Ouija: Origin of Evil', 'The Purge: Election Year', 'Friday the 13th (2009)', 'The Unborn', and 2003's 'The Texas Chainsaw Massacre'.\n\n'Friday the 13th' is set to open in theaters on Friday, October 13th, 2017. We will keep you updated as the film progresses.\n\n&nbsp;\n\n&nbsp;",
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