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      "body": "The origin of the music is in a long past, according to the French musicologist J. Chailley, the music of about 40000 years. Regarding how music was born, opinions are divided, many scientists occupying the issue of origin. Ricciotto Canudo, in his book L'homme (Musical Psychology of Civilizations), tries to reconstitute the primordial contact with man with two sources of music. One is nature, the other the human body. Nature gives the man the sound of storm and thunder, the murmur of the rivers and the rustle of the leaves, the chirping of the birds, and the human being - heartbeats, interjections and swirls of his voice, beatings or whistling.\n\nWhen homo faber began to make tools, they were another source of sound, taken over by man to intercede and musical expression. The tools enriched the soundtrack, for the stones, sanded or not, beaten to one another, like the pieces of wood, provided the first instruments of percussion. The cane stalks, the bones emptied of the marrow, or the horns of the animals, were the first instruments to blow, while the strings of the bow suggested the instruments with pinched strings. Today's dagger has its origins in the animal skins, set on the tree trunks. From this notion of sounds, which were at first only means of signaling, man chose different clues, capable of externalizing his feelings and thoughts.\n\nThere have been many hypotheses that try to determine how man began to make music. They contain more data on the conditions in which man has delivered the musical sounds or the factors that contributed to the embodiment of the first formulas of musical expression.\n\nIn Antiquity, Lucretius Carus (99-55 BC in the writing of De rurum nature) and Democritus (470-370 BC) believed that man wanted to imitate the sounds of nature. It is precious for this idea of ​​rendering the surrounding universe, but to reduce music to man's intention to imitate nature is to place us in naturalistic positions, because it does not mirror reality by copying sounds only, but the creators communicate their states. The unilateral acceptance of imitation theory (mimesis) can lead to the absurdities of concrete music of the 20th century, which introduces the noises of everyday life, as well as the mere recording on magnetic tape. In the 4th century, St. Augustine (372-430) considered that man is appealing to music when he is overwhelmed by emotion, because at that moment he no longer speaks, but jubils.\n\nIf the German esthetician Ernst Grosse (1862-1927, Die Anfänge der Musik, 1894) believed that music was the work of collective consciousness, Karl Gross (1861-1946) attributed her to homo ludens (in the Human Games, 1899) , being the result of a simple game, proving the baby's babble. For Karl Bücher (1847-1930), the rhythm of work generated music, and for the Austrian musicologist Richard Wallaschek (1860-1917, Primitive music, 1893), the rhythm of collective magic dances. In Arbeit und Rythmus (1902 - Work and Rhythm), Bücher believes that the rhythm of labor movements has helped to ease the effort and the first organized sound sequences, creating the premises of songs related to different human occupations. Although the presence of the music in the process of work is correctly revealed, only the mechanical element, which generated rhythmic formulas, is emphasized, and the expression of joy or sadness of the man practicing a certain activity is not emphasized.\n\nIn The Origin and Function of Music (1881), the English philosopher Herbert Spencer (1820-1903) analyzes the process of birth of music and the formation of his language, explaining sound relations as musical representations of various tense states. Dominated by a sense of passion, man is incapable of expressing by words what he feels, emitting prolonged and modulated sounds. He thus created a new, more direct sound without the plastic notion, capable of suggesting his emotions. He explains the appearance of music based on the modulation of the impulse of emotion, the intonations of speech.\n\nAlso in the category of emotional origin is the hypothesis of Charles Darwin (1809-1882), which assumes that music was born from the interjections and sound signals of man in the partner's call, starting from the example of birds and other animals. In Expression of Excitement in Men and Animals (1872), Darwin confuses the birds' music from the instinct with that of man, resulting from a conscious thought process. His thesis was fought, for the music of the primitive peoples does not resemble the song of the birds, and it plays a big part in the rhythm.\n\nIn Essai sur l'origine des langues, Jean-Jacques Rousseau (1712-1778) supports the simultaneous birth of music and poetry, both of which are immediate expressions of affective states.\n\n\nAlthough in his Dictionary of Music he gives a hedonistic definition, as \"the art of combining sounds pleasantly to the ears,\" in Chapter XIII - Concerning Harmony (from the quoted work), he points out that the force of music on the listener is not the work of sounds, of the passions expressed. Later, the Austrian esthetician Eduard Hanslick (1825-1904), in his work About Musical Beauty (1854), will consider music as a mere Arabic sound. According to Hanslick, music is but the art of combining sound, and emotion is produced through an association of ideas, its expressive background resulting from the projection of the public's soul states, music being unable to reproduce the creator's soul. German poet Johann Gottfried Herder (1744-1803) considers emotional language a source of music.\n\n In Kalligona, a work in which he shares his aesthetic views, Herder sees in the voice of nature's voice with the energy of emotion the natural expression of feelings, and in musical sound a means of communicating the inner tension. This theory of music, as a means of exteriorizing emotional states, has been highly appreciated by romantic poets. The Hungarian musicologist Geza Revesz and the German esthetician Karl Stumpf (1848-1936, Die Anfänge der Musik) are the followers of the genesis of music in affective speech. K. Stumpf counts music as an acoustic means of communication between people, according to the acoustic signal theory. \n\nAfter presenting the most important theories in his book, Introduction to Music Psychology (Einführung in der Musikpsychologie -1946), Revesz issues the theory of contact, stating that certain musical formulas were born from the hunters and shepherds' appeals and answers, in their remote communications. In the same sense, K. Stumpf mentions the hunts in his book, The Beginnings of Music. He also dealt with objective factors that determine musical language, exploring the issue of consonance and acoustics. \n\nAnother theory belongs to T. Mc. Laughlin (in Music and Communication, 1970), which claims that music was born out of babbling. She is frustrated with the fact, as Revesz has shown, that, even at the earliest age, the chirping of children copies the intonations of the others, they do not produce them spontaneously. He also countered the utilitarian theory, after which man accidentally invented the music, being useful in coordinating his work efforts, for he only explains the rhythmic side, which does not mean, however, music. In the first volume of Histoire de at musique (1913), as well as in La musique et la magie (1909), the French musician Jules Combarieu (1859-1916) considered that music developed from magic formulas. The primitive man believed in the existence of unseen beings, who govern the world and connect with magic chanting formulas. Inspired only by initiates, these magical chanting formulas, becoming ineffective, turned into implode, moving from the narrow circle of initiates to the whole community. This hypothesis is valuable because it presupposes the existence of a conscious activity, the formulas being executed with the purpose of transforming life, while mirroring the attitude of the subject. Oswald Spengler (in the Untergang des Abendlandes) claims that music does not appeal to notions in the visual space so it is close to prayer, having to be put on the same plane as religion. If in the Aesthetic Treaty (1933), D. Cuclin (1885-1978) proposes the thesis of the divine origin of music, G. Lukacs, in his Aesthetics, considers that the music has a mimetic character, but unlike the other arts, the mimesis- is the inner world of man.Pierre Schaeffer determines the moment of the appearance of the music when the man began to strike different objects, producing different sounds. By sensing these sound reports, the man sought to repeat them and, of course, to develop them. Also in the twentieth century, Maurice Pradines, in the Psychogenesis of Music (from his psychology treaty), tries to determine the moment of transition from signal sound to aesthetic function, by issuing the hypothesis of \"mutation.\" Considering that all the hypotheses enumerated contain a a psyche of truth, the French psychologist shows that both the sounds of nature and those produced by man, his body, or the instruments, initially had a signaling function. When the sound produces a pleasure, man tries to reproduce it to renew the excitement. From this moment on, man began to make music not only for excitement, but also for the purpose of using it for utilitarian purposes: attracting or removing animals, and especially because of the enchanting nature of the created music, communicating with the forces of nature , to which he could impose his will in this way. Thus, the practice of magic was born, which required a series of fixed formulas, known and kept secret by those who practiced magical rituals. It's time to defend",
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      "body": "![](https://steemitimages.com/DQmSymB87qgmcF57eYiHqMAxpwXTMt5T8xdLzte6tWWP97Z/image.png)\n\n\nDough:\n2 kg of good flour (from the Lancram mill)\n12-14 eggs (depends how big they are)\nseparate whites\n500 g of sugar\nbark from a lemon or two\n2 teaspoons of salt\n800-1000 ml of milk\n90-100 g of fresh yeast\n200 g of butter\nVanilla essence (2 ampoules)\nA little cinnamon\nfilling:\nAbout 1 kg of nutmeg\n8-10 tablespoons of nutmeg\n2 tablespoons of nut cocoa\nRom or essence of rum for the walnut\nRaisins\nsugar and cocoa for Rosenkranz\nOr classic (130 g butter and 6 tablespoons sugar)\nGrease to grease trays\n1 egg beaten to anoint\n\n\nThis business is serious and requires adequate psychological training! The evening before, isolate the kitchen and prepare the big bowl for the ceremony. If you have a wood like me, it's very good; if you do not have a great vailing going really well.\nYou bring him into the kitchen and brush the flour, then cover it with a napkin.\n\n\nYou sang the sugar, you almost put the spices and the ground nut. The walnut business deals with the beneficiary's spouse of the final result, not feeling neglected! If you have not cleaned it from the market, you are going to break it out in the morning or 2 days before, and then the last day to grind it. Fatidical Saturday you allow him to fish, and even insist to leave not to bother you, because the nerves do not do well even at the cakes!\nComing on Saturday, you are quietly learning that he is already in the pond to admire the sunrise. You start the following operations and you take good luck on your phone and others for about 4 hours.\nPlace sugar (1 tablespoon) over the yeast and rub well so it will liquefy.\n\nI put the yolks, the sugar, the salt, the lemon peel, the essence of vanilla into a bowl, and knock them well. Add 500 ml of warm milk. Put 2 tablespoons of flour in a bowl and fry them with a cup of hot milk that suddenly breaks over the flour and blends vigorously. Leave the flour and milk mixture until it gets hot and add it to the liquefied yeast. This is the maiaua. When it grows, mix in it (3-4 times) to perish in the air !.\nOver the sliced ​​wheat flour and left in the kitchen, mix the milk, sugar, eggs and spices and the maiaua. Mix well and knead until homogeneous. If you still need milk, put it. I used about 900 ml. Depends on flour. I put the dough on it, covered with a clean napkin, in a warm place. Leave for about an hour, then melt the butter and gradually add it over the dough and fold it. I lift one side over the anointing dough, and so until the butter is finished. Make a little bit of a good embedding, sprinkle with flour, make the mark of the cross over the dough and leave it for about three quarters of an hour.\nMeanwhile, whisk the whites well, then add about 8 tablespoons of sugar and beat and foam hard. Sprinkle cocoa and mix lightly, then add the ground nuts.\nGrease trays: 4 narrower trays (31/9 cm at the top) and 2 larger (31/13 cm).\nThe big dough gives it the weight: for the small tray 400 grams for each. The remaining dough divides it for 3 larger trays or 2 trays and also makes a Rosenkranz.\nSpreading on the greased oil pan. Unscrew the oil and the dough and hands when they take the dough.\nLaying about the size of the tray of dough and putting the nut, then run. I have divided the nut for the trays I use to be the same for the trays of the same size.\nI finish the dough to put in the trays and leave it up for about 20 minutes.\nThe oven lights up before you put the dough in the tray. Bake the 4 smaller trays that fit in the oven at about 45 minutes. Now it depends on the oven you have, and after 30 minutes I dropped a little fire. Try a toothpick or a bicycle spoke I have for that. At the bottom of the cooker, I left the roasting pan not clutching.\nAfter I remove the trays, I leave them for 5 minutes, then put with a knife on the sidelines to not get dough and to break the cake. I put them on a white paper and cover them with clean napkin \"to go to God\".\nFor Rosenkranz, I caramelized some sugar (maybe 5 tablespoons, maybe) in a saucepan and put it to cool. I spread the dough: a narrower rectangle and sprinkled black cocoa, sugar and raisins. Who does not like can anoint with butter (130 g) mixed with 6 tablespoons of sugar and then press the nut. Make a roll that you cut into equal parts, which you put in the caramel sauce. Normally I do not anoint with an egg, but I did! My cake was a little rough and I made her hang in roses! You do what you can.\nI bake the two trays at the top and in the large tray from the stove the Rosenkranz pan, all at once, and I do the same.\nAttention to the oven, even down below I put another tray not to burn! Turn right up on a Rosenkranzu plate this is otherwise concrete. I got it and poured some milk and put it back in the oven that I could not take it out! There's some caramel left on the bottom of the saucepan, I've put some milk and made a sauce that you can serve next door.\nDo not cut the sponge unless it's cold, the next day is very good (if you resist!)\nAfter that, call the Gentiles in chef or pack them and send them to the plane or bus in Spain. If you stay, put them in a nylon bag and freeze them (just in case!).\nDo not forget about your neighbors with the smells. How many roses go to the closest ones. Make the rest of your lust in who they are at stores (nails or cakes)!",
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      "author": "homeartpictures",
      "body": "A very nice contribution, which I take with for \"My Steemit Favorites Part 8.\"\nhttps://steemit.com/photography/@homeartpictures/my-steemit-favorites-part-8-meine-steemit-favoriten-teil-8-homeartpictures-originalcontent",
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      "author": "gabriel-ruva",
      "body": "Salut @adizades, am auzit de steemit de doar o săptămână și deja sunt încântat de ce găsesc aici! Intenția mea este să ajut la creșterea comunității de români  care postează în limba română. Iată de ce îți propun să postezi articolele tale și în română. Cu siguranță vei atrage mai multe voturi, pentru că postezi două articole în loc de unul. Ce părere ai? Eu o să te urmăresc în continuare și ai un vot de la mine. Și, știi că, unde-s doi puterea crește!",
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      "author": "crazybgadventure",
      "body": "I had no idea such a beautiful place existed thank you for sharing :)",
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      "author": "adizades",
      "body": "Stefan cel Mare\nPutna is the first monastery founded by the prince Stefan cel Mare, being also the place where he resides, along with his family. Its construction began in 1466 and ended in 1469, being sanctified in 1470, after the Battle of Lipinti, against the Tartars. The works were finished by the Greek architect Teodor and the fortifications were made somewhat later in 1481. After a fire and a devastation by Timus Hmelnitchi's campsite army, the monastery was basically rebuilt by Vasile Lupu in 1653 -1662. Putna wears the Dormition of Our Lady.\n![](https://steemitimages.com/DQmadKTBFchDstAYPi9zGs5kx4LerBspQZ33LCZQHK2FBST/image.png)\n\nPutna is one of the most beautiful and impressive monasteries in the country, both its architecture and the natural setting it is placed in, bringing it to the top of the preferences of those passionate about religious tourism.\n\n\nLocation : 30 km NV from Radauti, on DN 2H\n\n\n![](https://steemitimages.com/DQmadKTBFchDstAYPi9zGs5kx4LerBspQZ33LCZQHK2FBST/image.png)\n\n\n2. Daniil The Shelter's Chalet\n![](https://steemitimages.com/DQmY1bjWHBwfMvgASyb1BHjKF1jnEZMBr44pZ8n65gojWAo/image.png)\n\nDaniil Sihastrul's Chalet is one of the main tourist attractions in the village of Putna\nYou can not get to Putna and do not pass over to the pallet of Daniil Sihastrul, about which we all heard the first time in school, in the poetry of Dimitrie Bolintineanu:\n\nUnder a sterile ravage, on a river in the foams, Where a hermit ran out of the world, With the evening spill a stranger came. \n- Stefan of Moldova comes to talk! \n- Stefan of Moldavia, Daniel tells him, Expect outside! I'm in prayer. \n- Good parent! I'm hurt and angry; My own mother today rejected me! Do I live to tell you if it is better for the Turks of Moldova today not to bother?\n\nThe monk and saint Daniil chose at a time of his life to retire on the bank of the river Viteul, in the village of Putna today, to live a life dedicated to the Lord in his heritage for 20 years. He found here a rock in which he patiently carved a small room, a chapel, then became a place visited by many believers who came to ask for advice and be patient with suffering. After his death (the year is unknown), Daniil was buried in the pronaos of Voronet Monastery. At Putna Monastery you will be able to see some of his relics: a silver finger adorned with 11 margaritas and a garnet.\n\nDo not expect to find more than a cell, where you will meet a praying monk. Its location is spectacular, and the surroundings call for spiritual peace and total relaxation.\n\n\nLocation : In the village of Putna, on a side road (there is an indicator), about 500 meters after passing over a damaged bridge (can be crossed by car).\n\n3. Arbore Church\n\n![](https://steemitimages.com/DQmZUy25cyySmnaFELuNCTkJx5S6AB4NVri9kWBtRnE7KiC/image.png)\nArbore Church deserves greater attention from the authorities\nBuilt in 1503 by the hatman Luca Arbore, this is, in our opinion, a Bucovina church that deserves a better fate nowadays. And this because, on the touristic map of the Bucovinian religious dwellings, one of the most important, the sensation when passing the gate is that the place is in a total paragon. The surroundings are unhealthy, the crosses left in degradation, the greenery grew anapoda, and in the monastery, an individual who is not able to bind two words, but who quickly charges a 5 lei fee for entering a unique room, A so-called renovation. There is an urgent need for a reconditioning of the Arbore church, otherwise a beautiful edifice with special exterior paintings, also in an advanced stage of degradation.\n\nThe church is dedicated to the cutting of the head of St. John the Baptist. The tomb of Luca Arbore (but also his wife, Iuliana, is in the narthex).\n\n\nLocation : DN2K, between Milisauti and Solca.\n\n\n\n4. thing salt(Mina de la Cacica)\nTake a break from the periplus of the Bucovinian monasteries to breathe the saline air mixed with the lighter oil inside the Cacica mine. A saline different from those you probably have familiar with in Slanic-Prahova, Turda or elsewhere. Because, basically, we talk about a mine whose construction started in 1791 and in which Polish specialists and workers worked in the following years.\n\nThe entrance to the mine is made on wooden stairs, 200 years old (I counted them, there are about 200, so be careful !, those who suffer from the heart are likely to have trouble returning because there is no lift) . Going through the galleries until they reach wide spaces could be a nightmare for claustrophobia, but the charm of the walk is indisputable. In the mine you can visit the ballroom, the gym (where football or basketball can be played) or the small chick church, located at a depth of 27 meters.\n\nIf you intend to visit the mine, do not forget to take a coat, because the temperature in the depths is about 10 degrees. We did not like the outward appearance of the 19th century, but maybe it should also make sense in a historical context.\n\n\nLocation : 17 km N of Gura Humorului, on DN 12E. Beware of the misleading signs at the intersection from Gura Humorului. One will be left to the mine, the other to the right, to the salt mine. The one on the right is completely crazy so ... take it to the left!\n\n\n5. Voronet Monastery\n![](https://steemitimages.com/DQmZzQdnc4Hgeh8idVFb6rqtgkGS5xn8igKSBTqaDKwxU7M/image.png)\nBuilt by Stefan cel Mare in 1488, Voronet is probably the most famous monastery in Romania. And thanks to the famous \"Voronet Blue\", the unique color with which the walls are painted. The legend says that the monastery was founded by Stefan after a visit to the monk Daniil Sihastrul, who told him not to surrender the country to the Turks, and if he succeeded in fighting them, to build a monastery in the name of St. George. Perhaps, and therefore, Voronet was one of the monasteries of the Moldovan leader and his descendants. Today, the monastery is part of the UNESCO heritage.\n\nThe outer paintings (made by the theologian Grigore Rosca) are absolutely fabulous: unique, glittering compositions, great impact themes, original and inspired, including the traditions of the places (for instance Moldovan musical instruments, such as cobza or bucium). The Voronet Blue, a color that is part of the unique Bucovina chrome (along with other colors such as white, humor, ocher, yellow, rust, etc.) keeps the composer's mystery for about 500 years. The vivid shade, which, in the beating of the sun, shines incredibly for so long since its application, became famous. And one of the legendary explanations for this unique color is that church painters were sending huge amounts of tusk to work harder. As they could not be consumed altogether, it is said that the mixture of their colors would not be alien to the \"artistic\" qualities of the plums.\n\nLocation : Voronet commune, in Gura Humorului, (about 5 km from DN)\n\n\n6. Humor Monastery\nhumor Humor Monastery, founded by Toader Bubuiog\nLogger Toader Bubuiog is \"guilty\" of building this monastery in 1530, so the establishment was somewhat private because Bubuiog was not a leader. Wearing the Assumption of the Virgin Mary, Humor was fortified in 1641 by Vasile Lupu, who built walls around.\n\nThe church has exterior painted walls and interior frescoes are made in the style of other Bucovina monasteries such as Voronet, Arbore, Moldovita or Sucevita.\n\nLocation : on DJ 177, 5 km north of Gura Humorului.",
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      "body": "Home Accommodation Services Delta Gallery Reservation\n\nThe Gura Portiţei ensemble\n![](https://steemitimages.com/DQmUFtXez98awBsVtToP5xqgiE2eZ6fomQDQzUQca4MFYvp/image.png)\n50 km south of Tulcea, there is the holiday village Gura Portiţei, which has all the facilities to be found in the catalogs of the most prestigious tourist companies in the world. The place where the complex is located has preserved the charm and naturalness it had since the first El and the First She crossed the sandy language between Golovita Lake and the Black Sea.\n\nRestaurant Gura Portiţei\n![](https://steemitimages.com/DQmTThFLTq3zbV1xZ9Kg7d2cWagbWbB8Q9ovmgweMqhYLbn/image.png)\nThe restaurant near the dock offers you an impressive variety of fresh fish dishes, as well as classical dishes like the traditional Liposseist birch, to the marshmallow brine.\nThe famous fresh fish dishes that have made the most of these places, as well as the delicious dishes of the traditional Romanian and Lipovan cuisine can be served at the restaurant of the holiday village.\n\nDelta Gura Portiţei\n![](https://steemitimages.com/DQmcX4AYmWfYBLLVU5PCjcJioiQNW5gZUCvRQHTr6shtdR5/image.png)\nThe total surface of the Danube Delta is 4152 km², of which about 3.450 km² is located on the territory of Romania, being the second largest in Europe after the Volga River delta and the twenty-third in the world, the Danube Delta is the result of the Danube River In the Black Sea. In turn, the Danube crosses 9 countries, from springs (Black Forest - Germany) to sinking into the Black Sea, draining nearly 800,000 sq. Km. At Pătlageanca the Danube bifurcated in two distinct arms: Chilia at N and Tulcea at S, the latter separating itself in two other arms: Sulina and Sf. Gheorghe. The Danube Delta is the newest form of relief in Romania, the largest reserve of wetlands in Europe and is surrounded by a multitude of canals, lakes, marshes and lakes.\n\nINFO\nTOUR TURN - RETURN: 70 LEI / PERSON\nJURILOVCA TRANSPORT PROGRAM - PORTIA GRAPH \nDepartures from Jurilovca at: 09:00 14:00 18:00 \nDepartures from Gura Portitei at: 12:00 16:00 20:00\nThe rooms on the island with terrace and lake pontoon - modernized, are equipped with 1 double bed, 1 sofa bed and new furniture - maximum capacity - 3 adults or 2 adults and 2 children.\nStarting in season 2017, we offer you the possibility to purchase full board packages (Breakfast, Lunch and Dinner)\nFor a stay in the Gura Portiţei complex you will benefit from free parking, lake transport from Jurilovca to Gura Portiţei tour and sun loungers on the beach (adults only (the offer does not include the beach houses), hydro - bicycles on the lake - max. 1 hour / room / day, (except for beachfront cottages), table tennis, multipurpose sports ground, table, chess.\nEvery Saturday we invite you to spend a special evening on the beach, around a campfire, in the company of a folk folk ensemble.\nRooms at the lake on the island\n\nLocated on the island with a lake or barbecue, with open terrace to the green space of the island, Saprox = 30sm, Saprox. Terrace = 25 sqm - the ones with pontoon and Saprox terrace = 12 sqm - those without water. They are equipped with 1 double bed or 2 twin beds, private bathroom, A / C, LCD, mini-fridge.\nRooms at the sea\n\nSet on the beach, overlooking the sea or Saprox lake. = 20sqm, Saprox own terrace = 17sqm, double bed, bathroom with shower, A / C, LCD, mini-fridge.\nBeach chairs\n\nPlaced on the beach in the immediate vicinity of the pool. They have 2 single beds, new mattresses, pillows and linen.\nThe mouth of Portiţa\nJURILOVCA, TULCEA \nROMANIA \nTel + 40 - 724 214 224 \nTel + 40 - 722 555 645 \[email protected] \[email protected] \n     \n\n![](https://steemitimages.com/DQmUCa9c2a62E41kAwhjy7RhnrLThoGYg5WDd2AzCHM8kbh/image.png)",
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      "body": "Wow! I love it!",
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      "author": "praveenkmr",
      "body": "Great place",
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      "body": "Weekend destination: Ice Hotel from Balea Lac, Sibiu County\n![](https://steemitimages.com/DQmNh3UqYDmeLCc1QJC69bKoRCPGGLMmCaSwYGRyqPXuaSj/image.png)\nWeekend destination: Ice Hotel from Balea Lac, Sibiu County\n\nBefore the winter gets farewell from us, enjoy the magic of the Balea Lake once again. If during the warm season, the Transfăgărăşan highway and the green-green peaks make a spectacular panorama, the landscape is even more beautiful in winter. For ten years, every winter, an ice hotel , as well as a bar and an ice church, is being set up in Balea Lake, being the first tourist attraction of its kind in Southeastern Europe.\n\nHow to get to the Ice Hotel in Balea Lake\n![](https://steemitimages.com/DQmZ4fBLnSi4rgj2sQjKKJWmHecS9YkQ887CpgUqjzrC8Xj/image.png)\n\nTo get to the Ice Hotel in Balea Lake you have to take the cable car from Balea Cascada . The Transfagarasan Road is closed after this point during the cold season, so you will have to leave behind the car.\n\n![](https://steemitimages.com/DQmba8KKTZdhx2kzWqrNUXBkvfB2K77PgPGLKb9i79ENRMK/image.png)\n![](https://steemitimages.com/DQmUt2ZDWYfBU4SwT5iaBtWq58MHVYnGvTtBuxhCa3Cepuy/image.png)\nBalea cable car\n\nBalea Cable Car from Cascade operates every day from 9am to 17pm, and a climb costs 30 lei for adults and 15 lei for children. If you are planning to visit Bâlea Lac on a weekend, we recommend that you reach the cable car before 9 o'clock in order to avoid the huge queues.\n\nMap Ice Hotel from Balea Lake\n![](https://steemitimages.com/DQmbivxKicQFhkKAq4GDR44UyczizFMRwHutkHDrNMDDwYK/image.png)\n![](https://steemitimages.com/DQmXyJAsgMGfF4b3X4BtnMTwDa5Fa3n6Rt1eHH19S14oDem/image.png)\n\nDo not forget to have your camera at your fingertips when you go by cable car because the panorama over the Fagaras Mountains is exceptional.\n\nBalea Cascada\n\n\nAbout the Ice Hotel at Balea Lake\n![](https://steemitimages.com/DQmZTCjxerJfo8ktcHif5PKRgkPuqHrUHBAt5DtYcyjc6qC/image.png)\n\nThe Ice Hotel at Balea Lake is set up every winter at 2,034 meters at the end of November or December, depending on the weather, and is open until March.\n\nThe hotel is made up of huge blocks of ice taken from the nearby Balea Lake. Those who want a truly exciting holiday can stay at the Ice Hotel. All the hotel's rooms have ice-carved furniture - a double bed, table and chairs, but the bed has thick mattresses and sleeping bags so you will not suffer from cold. The hotel also has several igloos for those who want more privacy. If you do not experience such an experience, you can go to one of the \"ordinary\" cottages in Bâlea Lac.\n\nIce Hotel Balea\n\n\nNext to the Ice Hotel there is a bar and a restaurant made of ice blocks as well. Drinks and food here are served in glasses, that is, plates made from ice.\n\nThere is also a church, of course, of ice. The unusual worship place is sanctified by a group of priests of the Romanian Orthodox Church and the Evangelical, Greek Catholic and Roman Catholic Church. The ice church has a height of about 6 meters and the altar is beautifully decorated with ice sculptures. If you want an unforgettable experience, you can organize and marry in this church.\n\nIce Church - Balea Lac\n\nThose who just want to visit the three ice buildings without accommodation will have to pay a 15 lei fee. You can visit the Ice Hotel every day from 9am to 17pm.\n\nIn addition to the ice structures, tourists can also practice winter sports at Bâlea Lac . The blacksmiths can make skiing or mountaineering on the snowy peaks.\n\nLake Balea\n\nAccommodation in Bâlea Lac\n\nIf you want to spend a nice weekend at Bâlea Lac, you can choose from several types of accommodation:\n\nOf course, you can stay at the Ice Hotel , where a double room costs about 452 lei per night;\nYou can stay at Bâlea Transfăgărăşan Complex ;\nYou can find a picturesque place of accommodation in Cârţişoara , at the foot of the Făgăraş Mountains.",
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      "author": "pixelpat",
      "body": "Romania looks like a wonderful country to visit. Such beautiful scenery!",
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      "body": "The Transfăgărăşan Road is considered to be the most beautiful road in Romania and rightly so. Tens of curved tones, the panoramas of the Fagaras Mountains and the wonderful sights alongside make Transfagarasan a true holiday destination. If you also want to go through this route, we present all the tourist attractions you can visit along the Transfagarasan Road.\n![](https://steemitimages.com/DQmYj4KgeBW3ie1ZKupwKYKbWxbtYnuDQpVEuCnz4GsUPL2/image.png)\nWhere is Transfagarasan\n\nThe Transfăgărăşan or DN 7C road starts from Bascov , Arges County, near Piteşti. The route goes north and ends in Cârţişoara , 50 km from Sibiu and 104 km from Brasov. The route is 151 kilometers and goes up to the maximum altitude of 2042 meters at Bâlea Lac.\n\nA 27-kilometer stretch of Transfagarasan is closed for eight months a year, in winter and spring, due to the danger of avalanches or rock fall. This is the area between 104 (Piscu Negru - Arges County) and 130,8 km (Bâlea Cascadă - Sibiu County). As a rule, the road is fully open in mid-June and closes at the end of October. In winter, from Bâlea Cascadă you can reach Bâlea Lac by cable car.\n\n![](https://steemitimages.com/DQmRzCPzyU2wDiVto8zkhGJ5GXyYs9d3zHjsRLtpjon8z4J/image.png)\n\nTransfăgărăşan\n\nPhoto taken from Depositphotos . © All rights reserved to the author / authors of photography. | About copyright\n\nArges Monastery\n![](https://steemitimages.com/DQmfRar2RyLbQEqMqsJp23kDgNKR5dBLo9Led3JwHzmJXWe/image.png)\n\nThe only city on the Transfagarasan route is Curtea de Argeş, where you are not allowed to miss the monastery of the same name. One of the most popular tourist attractions in Romania, Curtea de Argeş Monastery dates from the beginning of the 16th century, being founded by the ruler Neagoe Basarab. There are many legends about this place of worship, including Manole and his wife Ana. This monastery is also the eternal place of the members of the Romanian royal family.\n\nVisiting program Curtea de Arges Monastery:\n\nSummer: 08: 00-20: 00\nWinter: 09: 00-17: 00\n\n\nArges Monastery\n\nPhoto taken from Depositphotos . © All rights reserved to the author / authors of photography. | About copyright\n\nThe Poenari Fortress\n![](https://steemitimages.com/DQmRac7z8TTGUmQZQends1bygdndyDqGnsm9coCZ8NLuM5X/image.png)\n\nAnother fascinating tourist attraction, the Poenari Fortress is a historic monument of the 14th century, situated on a mountain peak that dominates the Arges Gorge . The Poenari fortress has five defensive towers and fortress walls are 2-3 meters thick. Attention, to get to the ruins of the fortress you must climb not less than 1,480 steps. Instead, the effort is worthwhile because the panoramas that you can admire from a height will cut your breath.\n\nVisit Program Poenari Fortress:\n\nMonday to Sunday: 09: 00-18: 00\nThe entrance to the Poenari Fortress:\n\nAdults: 5 lei\nChildren, students, pensioners: 2 lei\n\n\nThe Poenari Fortress\n\nPhoto taken from Depositphotos . © All rights reserved to the author / authors of photography. | About copyright\n\nValley of Stan\n![](https://steemitimages.com/DQmNTfpP2izqwM1d746wrTBhDLevwjn5BZegeuLpc5raik2/image.png)\n\nConsidered the most beautiful canyon in Romania, Stan's Valley is a route set up with ladders and cables, a real challenge for fears. The route is marked with a red dot, it takes about 4 hours and is done in the circuit, both the entrance and the exit being on the side of the Transfăgărăşan road. This route traverses a lot of picturesque places with waterfalls, tall cliffs and rich vegetation. But beware, you will need special equipment to navigate this route!\n\n\n\nValley of Stan\n\nPhoto taken from Depositphotos . © All rights reserved to the author / authors of photography. | About copyright\n\nVidraru dam\n![](https://steemitimages.com/DQmUWpzWryJFekrYUNeZi5qbrW1syXTo5TT6xuG9qmbfiKM/image.png)\n\nOne of the most famous tourist attractions on Transfagarasan , the Vidraru Dam and Dam is a beautiful place where the wonders of nature blend harmoniously with one of the most impressive man-made structures. The Vidraru Dam was built in 1965 and at that time was ranked eight in the top of the highest in Europe. The dam has a height of over 160 meters, and the Transfagarasan road passes by the tunnel through the dam. To admire the impressive panoramas of Vidrarul Lake and the Fagaras Mountains, you have to stop at the Belvedere platform.\n\n\n\nVidraru dam\n\nPhoto taken from Depositphotos . © All rights reserved to the author / authors of photography. | About copyright\n\nThe Capra Waterfall\n![](https://steemitimages.com/DQmVrXVRGe3f6qnESqazvAuyJUX7jueQc3KCrVeQ2t5WNn1/image.png)\n\nAlso known as the Waterfall of Iezer, the Capra Waterfall is located on the southern slope of Fagaras at 1960 meters altitude. The waterfall has a waterfall of over 40 meters, being supplied by the glacial lake of the same name. Because the waterfall has a very high flow, it does not freeze until the very heavy winters. To admire the Capra Waterfall in all its splendor, you have to climb the bridge set right in front of the waterfall.\n\n\n\nThe Capra Waterfall\n\nPhoto taken from tourism-blog.ro . © All rights reserved to the author / authors of photography. | About copyright\n\nBâlea Lac\n![](https://steemitimages.com/DQmTDpAXjYJQ6e3kTGebPb9xdRqtFSt9DB5KJEGBa44FpR5/image.png)\n\nThe most popular place on the Transfăgărăşan road is certainly Bâlea Lac . This is also the highest point along the route, so you do not have to wonder if you find snow around the lake , even in mid-August. This glacial lake is over 11 meters deep, and the area around it has been declared a scientific reserve. Here you will find a number of cottages, and in winter, an ice hotel with a bar and even a church, all built of huge blocks of ice out of the lake, is located near the lake.\n\n\n\nBalea Lac\n\nPhoto taken from Depositphotos . © All rights reserved to the author / authors of photography. | About copyright\n\nBâlea Cascadă\n\nSomewhere below Balea Lake is Balea Cascada , a 60-meter water fall, between the Moldoveanu and Negoiu peaks. To reach this cascade, you have to follow a route from Balea Cascade Chalet , on the edge of Transfăgărăşan Road. The route takes about 50 minutes and is marked with a red dot.\n\nBalea Cascada\n\nPhoto taken from tourism-blog.ro . © All rights reserved to the author / authors of photography. | About copyright\n\nEthnographic Museum Badea Cârţan\n\nThe last attraction on the Transfagarasan Road is an interesting museum located in Cârţişoara. The Ethnographic Museum Badea Cârţan is dedicated, in part, to the famous peasant, born in this locality, who walked to Rome to see the Trajan's Column and brought clandestine Romanian books to Transylvania. The Cârţişoara Museum features an interesting collection of popular harbors, icons on glass, ceramics and decorative items from the 19th and 20th centuries, and a peasant farm from the middle of the nineteenth century.\n\nVisiting program Ethnographic Museum Badea Cârţan:\n\nSummer - Tuesday to Friday: 10: 00-18: 00\nWinter: closed\nEntrance to the Ethnographic Museum Badea Cârţan:\n\nAdults: 5 lei\nPupils, students, pensioners: 2 lei",
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