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      "body": "![](https://steemitimages.com/DQmdNCX46yn8KmnJwroT98c3k8QtthBDezWTj8XLbm2E2JE/image.png)\nRome celebrates its long history with monuments, churches and restored ruins that offer a glimpse into life during the days of the great Roman Empire.\n\n\n#1. COLOSSEUM.\n![](https://steemitimages.com/DQmeETfj9wpbmnNjHj3tSTKkrobuEm5r9TTrkHN9M8xbQwF/image.png)\nThe Roman Colosseum is a testament to the architectural skills of the ancient Roman people and offers insight into the culture that celebrated the gladiator games at this huge entertainment arena. The first bloody fight ensued in A.D. 82, starting a tradition of battles between men and beasts in a public forum with crowds reaching 50,000. Outside of the Colosseum, look out for the photo opportunity beneath the Arch of Constantine, which was built in 315 to commemorate the victory of Constantine over Marcus Aurelius Valerius Maxentius. To avoid lengthy lines, order tickets online ahead of time -- they're good for 2 consecutive days and include admission to the nearby Forum and Palatine Hill.\n\n#2. ROMAN FORUM.\n![](https://steemitimages.com/DQmcoDUobcnYziruWxQUzcduMfPHcPL9ubHVJXimDQ1eYiL/image.png)\nIn ancient Rome, the Forum was the center of city life, playing host to festivals, celebrations, funerals and rituals. The city grew around this grassy area that was empty marshland until the 7th century B.C. The area lost its luster and fell to waste around the 8th century and remained that way until excavations in the early 20th century. Today, you can pick up a map for a self-guided tour of the structures and arches or join a tour group for a more detailed history of the area. Then climb to the top of Palatine Hill for sweeping views of the city.\n\n#3. PANTHEON.\n![](https://steemitimages.com/DQme2mk1ijpZ8BY6TSYkSqVFirDLdVNbdjrUBFgxwXaNnuz/image.png)\n\n![](https://steemitimages.com/DQmNpwtCNXPsZqAxBQYWjhSYmt9ZG2wjicVVq5jqozn9i4Y/image.png)\nRome's temple to the gods is remarkably intact, a great feat considering that it was originally constructed in 27 B.C. and was later rebuilt in the early 2nd century A.D. after fire damage. An altar was later added for Christian worship after the country abandoned its pagan gods. After the Renaissance, the Pantheon took on yet another role as a designated tomb for some of the city's artists and elite including the painter Raphael and former kings of Italy. The Pantheon's architecture has inspired copycats around the globe with its tall columns reaching toward the sky, expansive interior and impressive dome with the sun shining through the oculus, a 27-foot hole in the center of the rotunda.\n\n#4. VATICAN CITY.\n![](https://steemitimages.com/DQmUukkqVRJHZvbcbeYNq3V5PFmmpL2KxW1Dc9h9n2Ydwty/image.png)\nEven though it's located in Rome, Vatican City has been an independent state since 1929 with its own flag, coins and stamps. It even has its own militia, the Swiss Guard, which protects this state, the Pope and the 800 full-time citizens and visiting residents. The first impressive site is St. Peter's Square itself designed by Bernini in the late 17th century. As long as you're dressed appropriately (no bare shoulders or shorts or skirts above the knee), you may enter St. Peter's Basilica and see Michelangelo's Pietá, a stunningly beautiful and sad sculpture. Continue up to the roof where you can take in the view of the large square and city beyond. Also contained in the Vatican's walls, the Vatican Museums hold Italian masterpieces, including Michelangelo's painted ceiling at the Sistine Chapel.\n\n#5. PIAZZA NAVONA.\n![](https://steemitimages.com/DQmNNgdRFnYkdxXkZZ6EB6gvxSrVL9K9TVKPWuF92MwVSJ8/image.png)\nRome is known for beautiful and charming squares lined with restaurants and open-air cafes. The loveliest of them all is the large public square at Piazza Navona, once the site of sporting events at Domitian's stadium in A.D. 89. The square contains 3 fountains, and the largest and most memorable is Bernini's Fountain of the Four Rivers with each of the 4 statues representing a river from different continents.\n\n#6. TREVI FOUNTAIN.\n![](https://steemitimages.com/DQmSSzCocktzWRhKbPkU6FWqWQurgaZxxeTyUedY7N2sGJn/image.png)\nTravelers' lore lists various reasons for throwing 3 coins in the fountain at the marvelous Trevi, with benefits ranging from finding love to returning to the city. Once you've mastered your art of coin-throwing and wished for the appropriate outcome, take some time to explore this Baroque masterpiece showing the god Neptune riding in a shell-shaped chariot led by seahorses. And you can feel good about your charitable donation as the money (nearly $3,500 each day) collected from the fountain is used to support food programs for the city's poor.\n\n#7. GALLERIA BORGHESE.\n![](https://steemitimages.com/DQmXoXDy8kCVyQyWHkyfGpcQnjkBpGzv92g5v5QScbA5EHJ/image.png)\n\n![](https://steemitimages.com/DQmTAJCQf4BLL8Xnfvri2of5j74cEfeoD8vin7qFuDT1FA7/image.png)\n\n![](https://steemitimages.com/DQmdskfWQVPDkJFhTf8poLysQKp6kegEjUdAb3GXbXNF4Lr/image.png)\nThe Galleria Borghese is just as beautiful on the outside as it is on the inside, boasting a prime location in the sprawling gardens at Villa Borghese. Inside the museum, you'll find Bernini sculptures including Apollo and Daphne and his take on young David preparing to take on Goliath. The impressive collection also includes works by master artists Correggio, Raphael, Rubens and Caravaggio. Acquiring tickets will be your biggest challenge -- the museum admits only 360 visitors every 2 hours so you'll need to make reservations far in advance.\n\n#8. CAPUCHIN CRYPT.\n![](https://steemitimages.com/DQmSqp54oaouFZ2fFjE6Z6MTmnqE6qdbNvpEV5Y1ynUivZ2/image.png)\nWhile some may find the displays of bones and skulls a bit on the morbid side, the Capuchin Crypt located under Our Lady of the Conception of the Capuchins celebrates the life of the religious order of the Capuchin friars. The friars arranged the bones of the deceased into displays and frames for Christian artwork in various spots throughout the crypt including the Crypt of the Skulls and the Crypt of the Resurrection. Not merely a macabre display, these creations tell the story of life, death and resurrection and show a unique interpretation of the church's teachings of good, evil and eternity.\n\n#9. CASTEL SANT'ANGELO. \n![](https://steemitimages.com/DQmSjoGQ4oR8AMTmQKLRuaHUexa36mxAEMLhBjeHskL2e4N/image.png)\nThis fortress on the Tiber River was originally designed by the Emperor Hadrian to be used as a mausoleum for his own family. And it was certainly a resting place fit for royalty, rising above the city with glorious views. Over the centuries, it moved beyond its original purpose and served as a military fortress in 401 and later a papal residence and even a prison. It's now a museum where you may tour the apartments and see the statue of the archangel Michael rising above the terrace.\n\n#10. SPANISH STEPS.\n![](https://steemitimages.com/DQmcuhghBm4TeLgRUfYVtTdD5R6XuqpY8rhkzpB4pKmLLz3/image.png)\nThe Spanish Steps may be the longest and widest staircase in all of Europe, but that's not what draws visitors to this popular tourist spot. A Barcaccia fountain bubbles at the foot of the steps while the Trinità dei Monti church rises above the crowds at the top of the steps. But the best spot is somewhere in between the 2: take a seat in the middle of the wide staircase and watch the city go by as beautiful people hurry into the nearby high-end shops, designer boutiques and restaurants.",
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      "body": "The land of the pharaohs is famous for its huge pyramids, its bandaged mummies and its golden treasures. But how much do you really know about ancient Egypt? Here, Egyptologist Joyce Tyldesley shares 10 lesser-known facts…\n![](https://steemitimages.com/DQmQr7jiREemvRfCnuK8bkzWipLn7vUs9KkEhYbjSmygiYo/image.png)\n\n1) They did not ride camels
\nThe camel was not used regularly in Egypt until the very end of the dynastic age. Instead, the Egyptians used donkeys as beasts of burden, and boats as a highly convenient means of transport. \n \nThe River Nile flowed through the centre of their fertile land, creating a natural highway (and sewer!). The current helped those who needed to row from south to north, while the wind made life easy for those who wished to sail in the opposite direction. The river was linked to settlements, quarries and building sites by canals. Huge wooden barges were used to transport grain and heavy stone blocks; light papyrus boats ferried people about their daily business. And every day, high above the river, the sun god Ra was believed to sail across the sky in his solar boat.\n \n2) Not everyone was mummified
\nThe mummy – an eviscerated, dried and bandaged corpse – has become a defining Egyptian artefact. Yet mummification was an expensive and time-consuming process, reserved for the more wealthy members of society. The vast majority of Egypt’s dead were buried in simple pits in the desert. \n \nSo why did the elite feel the need to mummify their dead? They believed that it was possible to live again after death, but only if the body retained a recognisable human form. Ironically, this could have been achieved quite easily by burying the dead in direct contact with the hot and sterile desert sand; a natural desiccation would then have occurred. But the elite wanted to be buried in coffins within tombs, and this meant that their corpses, no longer in direct contact with the sand, started to rot. The twin requirements of elaborate burial equipment plus a recognisable body led to the science of artificial mummification.  \n \n3) The living shared food with the dead
\nThe tomb was designed as an eternal home for the mummified body and the ka spirit that lived beside it. An accessible tomb-chapel allowed families, well-wishers and priests to visit the deceased and leave the regular offerings that the ka required, while a hidden burial chamber protected the mummy from harm. \n \nWithin the tomb-chapel, food and drink were offered on a regular basis. Having been spiritually consumed by the ka, they were then physically consumed by the living. During the ‘feast of the valley’, an annual festival of death and renewal, many families spent the night in the tomb-chapels of their ancestors. The hours of darkness were spent drinking and feasting by torchlight as the living celebrated their reunion with the dead. \n\n4) Egyptian women had equal rights with men
\nIn Egypt, men and women of equivalent social status were treated as equals in the eyes of the law. This meant that women could own, earn, buy, sell and inherit property. They could live unprotected by male guardians and, if widowed or divorced, could raise their own children. They could bring cases before, and be punished by, the law courts. And they were expected to deputise for an absent husband in matters of business. \n \nEveryone in Ancient Egypt was expected to marry, with husbands and wives being allocated complementary but opposite roles within the marriage. The wife, the ‘mistress of the house’, was responsible for all internal, domestic matters. She raised the children and ran the household while her husband, the dominant partner in the marriage, played the external, wage-earning role. \n \n5) Scribes rarely wrote in hieroglyphs 
\nHieroglyphic writing - a script consisting of many hundreds of intricate images – was beautiful to look at, but time-consuming to create. It was therefore reserved for the most important texts; the writings decorating tomb and temple walls, and texts recording royal achievements. \n \nAs they went about their daily business, Egypt’s scribes routinely used hieratic – a simplified or shorthand form of hieroglyphic writing. Towards the end of the dynastic period they used demotic, an even more simplified version of hieratic. All three scripts were used to write the same ancient Egyptian language.\n \nFew of the ancients would have been able to read either hieroglyphs or hieratic: it is estimated that no more than 10 per cent (and perhaps considerably less) of the population was literate.\n \n6) The king of Egypt could be a woman
\nIdeally the king of Egypt would be the son of the previous king. But this was not always possible, and the coronation ceremony had the power to convert the most unlikely candidate into an unassailable king. \n \nOn at least three occasions women took the throne, ruling in their own right as female kings and using the full king’s titulary. The most successful of these female rulers, Hatshepsut, ruled Egypt for more than 20 prosperous years.\n \nIn the English language, where ‘king’ is gender-specific, we might classify Sobeknefru, Hatshepsut and Tausret as queens regnant. In Egyptian, however, the phrase that we conventionally translate as ‘queen’ literally means ‘king’s wife’, and is entirely inappropriate for these women. \n \n7) Few Egyptian men married their sisters
\nSome of Egypt’s kings married their sisters or half-sisters. These incestuous marriages ensured that the queen was trained in her duties from birth, and that she remained entirely loyal to her husband and their children. They provided appropriate husbands for princesses who might otherwise remain unwed, while restricting the number of potential claimants for the throne. They even provided a link with the gods, several of whom (like Isis and Osiris) enjoyed incestuous unions. However, brother-sister marriages were never compulsory, and some of Egypt’s most prominent queens – including Nefertiti – were of non-royal birth. \n \nIncestuous marriages were not common outside the royal family until the very end of the dynastic age. The restricted Egyptian kingship terminology (‘father’, ‘mother’, ‘brother’, ‘sister’, ‘son’ and ‘daughter’ being the only terms used), and the tendency to apply these words loosely so that ‘sister’ could with equal validity describe an actual sister, a wife or a lover, has led to a lot of confusion over this issue.\n \n8) Not all pharaohs built pyramids
\nAlmost all the pharaohs of the Old Kingdom (c2686–2125 BC) and Middle Kingdom (c2055–1650 BC) built pyramid-tombs in Egypt’s northern deserts. These highly conspicuous monuments linked the kings with the sun god Ra while replicating the mound of creation that emerged from the waters of chaos at the beginning of time. \n \nBut by the start of the New Kingdom (c1550 BC) pyramid building was out of fashion. Kings would now build two entirely separate funerary monuments. Their mummies would be buried in hidden rock-cut tombs in the Valley of the Kings on the west bank of the Nile at the southern city of Thebes, while a highly visible memorial temple, situated on the border between the cultivated land (home of the living), and the sterile desert (home of the dead), would serve as the focus of the royal mortuary cult. \n \nFollowing the collapse of the New Kingdom, subsequent kings were buried in tombs in northern Egypt: some of their burials have never been discovered.\n \n9) The Great Pyramid was not built by slaves
\nThe classical historian Herodotus believed that the Great Pyramid had been built by 100,000 slaves. His image of men, women and children desperately toiling in the harshest of conditions has proved remarkably popular with modern film producers. It is, however, wrong.\n \nArchaeological evidence indicates that the Great Pyramid was in fact built by a workforce of 5,000 permanent, salaried employees and up to 20,000 temporary workers. These workers were free men, summoned under the corvée system of national service to put in a three- or four-month shift on the building site before returning home. They were housed in a temporary camp near the pyramid, where they received payment in the form of food, drink, medical attention and, for those who died on duty, burial in the nearby cemetery.\n\n10) Cleopatra may not have been beautiful
\nCleopatra VII, last queen of ancient Egypt, won the hearts of Julius Caesar and Mark Antony, two of Rome’s most important men. Surely, then, she must have been an outstanding beauty? \n \nHer coins suggest that this was probably not the case. All show her in profile with a prominent nose, pronounced chin and deep-set eyes. Of course, Cleopatra’s coins reflect the skills of their makers, and it is entirely possible that the queen did not want to appear too feminine on the tokens that represented her sovereignty within and outside Egypt. \n \nUnfortunately we have no eyewitness description of the queen. However the classical historian Plutarch – who never actually met Cleopatra – tells us that her charm lay in her demeanour, and in her beautiful voice.",
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