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      "body": "Author: Chimamanda Ngozi Adichie \nNumber of pages: 310\nGenre: prose\nYear of publication: 2006\nPublisher: Farafina( an imprint of kachifo Limited)![IMG_20180316_090838_148.jpg](https://steemitimages.com/DQmctV2hL9P1Yto81QDQx7u36fE6J14beGHQezEYGb7kYYZ/IMG_20180316_090838_148.jpg)\n\n\n#SETTING#\nMacro setting:\nThe story is sited in Nigeria after her independence; during the era of the political killings and instability in general. The nation is faced with an air of violent political coup as the civilian government is overthrown.\n\nMicro setting:\nThe story is focused on the family of Papa (Eugene) kambili's father. A wealthy catholic, under whose shadow kambili, the protagonist lives. He is generous and politically active in the community, he is repressive and fanatically religious at home. Kambili and her brother jaja are in bondage until they get a taste of freedom at their aunt's place in Enugu\n\nTHE PLOT\nKambili and her brother Jaja are in great bondage due to their father's unquestionable faith in religion. The worst kind of oppression in the book is the shifting power of verbal, mental and physical abuse wrought by kambili's father, \"Papa\". During one particular telling episode, kambili has stood second in her class at school and the sheer terror in her voice is scary. One waits with bated breath for the nasty consequences that are sure to follow. Eventually, kambili and her brother Jaja get a taste of freedom when Aunt Ifeoma takes them away for a little vacation to her country home. Yet even here, while the two are free from their father's physical presence they cannot understandably shake off their father's shadow. Every time the phone rings, kambili quakes in fear.\n   All around them, Nigeria is slowly disintegrating just as the family does. Kambili and Jaja along side with their long suffering mother eventually liberate themselves from the tyranny of their father. It is a questionable freedom, though like any survivor of abuse, kambili finds that release without closure is small success. \" silence hangs over us (now)\" , she says towards the end of Purble Hibiscus, but its a different kind of silence, one that lets me breathe. I have nightmares about the other kind, the silence of when Papa was alive. In my nightmares, it mixes with shame and grief and so many things that i cannot name, and forms blue tongues of fire that rest above my head, like Pentecost, until I wake up screaming and sweating\".\n\nTHEME\nMajor Themes:\n\nFanatism\nPapa is very fanatical about catholism. In a particular episode in the story he blames his wife over a miscarriage stating that it was because of her sins and reluctance to visit the reverend father after service which was a routine of the family. Reasonably Mama is six months pregnant and would be tired and irritated. Papa never compromises his father neither does he take care of him irrespective of his lustrous wealth simply because he is a traditionalist and he dies a poor man.\n\nOPPRESSION\n The worst kind of oppression according to the book is the shifting power of abuse:  verbal, mental and physical abuse wrought by kambili's father, 'papa' . Kambili, jaja and their mother suffer a long term of oppression which leads to a lot of mishaps in the family. In a particular episode, he uses his belt to whip everyone including his wife because they had broken the Eucharistic fast because of a good reason which he does not consider due to his hot temperament. On another occasion he breaks a wooden table on his wife which leads to her second miscarriage.\n\nFREEDOM\nKambili and jaja only get to freedom when they go on a vacation to Aunty Ifeoma's place in Enugu. There, they live a different life, the real life with their cousins and never feel the physical wrath of Papa. At a point Mama has to join them in Enugu to take refuge in Aunty Ifeoma's house when it all becomes unbearable for her.\n\nMINOR THEMES\n\nFRUSTRATION\n Papa seemed to be really frustrated during the raging coup and the military take over period. His newspaper company is closed down and so is his biscuit factory by soldiers who bring rats ina carton and close down the place on an account that rats are in the factory. Papa falls sick and losses a lot of weight when Mama runs to Enugu. When his family comes home and he regains his health he begins his fanatic activities which land Kambili in the hospital for over a week. To a large extent, kambili enjoys her hospital bed more than her home.\n\nBONDAGE\n The word bondage is an understatement in the novel. Kambili and Jaja never go out of the corners of their tall fence. They never have the opportunity to associate or make friends. Their lives are based on timetables.\n\nCHARACTERIZATION\nMAJOR CHARACTERS\n\nPapa(Eugene)\nPapa is an interesting character study, a person so completely sold on the superiority of the western mode of thought and action, especially through religion, that he will stop at nothing to see it enforced in his own home. He is at once consumed by raw extreme of passion, extreme love and worse, extreme anger. Adichie's description of Papa's shifting presence is well done. One's heart bleeds for the family.\n\nMama(Beatrice)\n Mama is Papa's wife who goes through long suffering in her husband's hands. During her two miscarriages, she is blamed for it by Papa, even the one which is caused by him. Mama is a very loving mother to Kambili and Jaja, she does not like her husband's fanatism over religion though she has no say.\n\nJaja\nJaja is kambili's brother who tends to oppose his father in different ways. He is quite a brave boy and very outspoken. He and kambili are very happy with their stay in Enugu as he readily associates and takes on challenging tasks that seem normal to other people around him. His love for flowers leads him to discover a purple hibiscus in his aunt's garden which was given to her by a colleague. Jaja eventually poisons his father in search for freedom which is fulfilled when papa dies. Jaja owns up the poisioning and is being jailed. He does not stay long in jail due to his mothers connections to three senior advocates of the country who lobby for jaja's release.\n\nKambili\nKambili is the protagonist who is faced with some social problems in school. She is discriminated and this makes her feel real bad. However, everything changes when she goes back to Enugu. She falls in love with young Reverend Amadi who because of her age would not express his love for her. Kambili is rather compromising her father's actions, she thinks he is right but this continually goes off her as she feels how she would really enjoy life without Papa.\n\nMINOR CHARACTERS\nAUNTY IFEOMA\n She is Papa's sister who persists that kambili and jaja come over to Enugu to the holiday so they could get to know her children better, now they are still young. Aunty Ifeoma is one who takes care of her father but faces negligence as her husband dies. Aunty Ifeoma is a fun loving woman and so jaja and kambili have a good time with her family.\n\nAMAKA\n Amaka is aunty Ifeoma's daughter and kambili's best friend. At first she makes life unbearable for kambili but later understands her background and begins to relate very well with her. She teaches her a great deal of things and eventually changes her shy nature.\n\nFather Amadi\nAmadi is a friend of the family at Enugu and eventually gets to admire kambili. He renders a lot of help to the family and is loved by everyone in the church but takes greater delight in aunty Ifeoma's family.\n\nDICTION\n   The author Adichie uses the first person narrative in the book. In a soft, searching voice, Adichie examines the complexities of family, faith and country through the haunted but hopeful eyes of a young girl on thr cusp of womanhood. The stunning denouement underscores the power of family love. The novel is redolent in its description of the Nigerian countryside and generates a palpable narrative tension over what is to become of kambili and jaja's new found sense of freedom.\n         The book contains rich literary devices which are garnished in long phrases and sentences to make  a whole meaning. Little of euphemism, hyperbole and metaphor are \"He has fallen asleep\" , \"The view from the top of the hill is breathtaking and ...even the roar of lions was as mild as the whine of a mouse\", respectively are the few straight devices chosen among many.\n          Quite, chilling and heart wrenching, this debut novel is both a superb potrait of an unfamiliar culture and an unflinching depiction of adolescence. Like many first novelists, Adichie tries for too much ; her potrayal of kambili's home life is striking but for too incomplete a depiction of Papa. Her potrait of Nigeria is fascinating. Aunty Ifeoma and the cousins are likable enough but not memorable. Nonetheless, with kambili the author has created a compelling narrative and a surprising punch at the end.\n\nPersonal evaluation\nPurple Hibiscus is stunningly good. It is hard to believe its author is twenty -five years old when she writes it. Her debut novel proves beyond a doubt that Chimamanda Ngozi Adichie is one of the most powerful literary voices to recently emerge from Africa. The novel describes the life of a young girl in the cusp of her adolescence and indeed is a book that both the young and old should read. Finally , Purple Hibiscus is a harsh story, almost unbearable at first, but beautifully written.\n\nPlease upvote, comment and resteem\nThanks",
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      "body": "Author: Chimamanda Ngozi Adichie \nNumber of pages: 310\nGenre: prose\nYear of publication: 2006\nPublisher: Farafina( an imprint of kachifo Limited)![IMG_20180316_090838_148.jpg](https://steemitimages.com/DQmctV2hL9P1Yto81QDQx7u36fE6J14beGHQezEYGb7kYYZ/IMG_20180316_090838_148.jpg)\n\n\n#SETTING#\nMacro setting:\nThe story is sited in Nigeria after her independence; during the era of the political killings and instability in general. The nation is faced with an air of violent political coup as the civilian government is overthrown.\n\nMicro setting:\nThe story is focused on the family of Papa (Eugene) kambili's father. A wealthy catholic, under whose shadow kambili, the protagonist lives. He is generous and politically active in the community, he is repressive and fanatically religious at home. Kambili and her brother jaja are in bondage until they get a taste of freedom at their aunt's place in Enugu\n\nTHE PLOT\nKambili and her brother Jaja are in great bondage due to their father's unquestionable faith in religion. The worst kind of oppression in the book is the shifting power of verbal, mental and physical abuse wrought by kambili's father, \"Papa\". During one particular telling episode, kambili has stood second in her class at school and the sheer terror in her voice is scary. One waits with bated breath for the nasty consequences that are sure to follow. Eventually, kambili and her brother Jaja get a taste of freedom when Aunt Ifeoma takes them away for a little vacation to her country home. Yet even here, while the two are free from their father's physical presence they cannot understandably shake off their father's shadow. Every time the phone rings, kambili quakes in fear.\n   All around them, Nigeria is slowly disintegrating just as the family does. Kambili and Jaja along side with their long suffering mother eventually liberate themselves from the tyranny of their father. It is a questionable freedom, though like any survivor of abuse, kambili finds that release without closure is small success. \" silence hangs over us (now)\" , she says towards the end of Purble Hibiscus, but its a different kind of silence, one that lets me breathe. I have nightmares about the other kind, the silence of when Papa was alive. In my nightmares, it mixes with shame and grief and so many things that i cannot name, and forms blue tongues of fire that rest above my head, like Pentecost, until I wake up screaming and sweating\".\n\nTHEME\nMajor Themes:\n\nFanatism\nPapa is very fanatical about catholism. In a particular episode in the story he blames his wife over a miscarriage stating that it was because of her sins and reluctance to visit the reverend father after service which was a routine of the family. Reasonably Mama is six months pregnant and would be tired and irritated. Papa never compromises his father neither does he take care of him irrespective of his lustrous wealth simply because he is a traditionalist and he dies a poor man.\n\nOPPRESSION\n The worst kind of oppression according to the book is the shifting power of abuse:  verbal, mental and physical abuse wrought by kambili's father, 'papa' . Kambili, jaja and their mother suffer a long term of oppression which leads to a lot of mishaps in the family. In a particular episode, he uses his belt to whip everyone including his wife because they had broken the Eucharistic fast because of a good reason which he does not consider due to his hot temperament. On another occasion he breaks a wooden table on his wife which leads to her second miscarriage.\n\nFREEDOM\nKambili and jaja only get to freedom when they go on a vacation to Aunty Ifeoma's place in Enugu. There, they live a different life, the real life with their cousins and never feel the physical wrath of Papa. At a point Mama has to join them in Enugu to take refuge in Aunty Ifeoma's house when it all becomes unbearable for her.\n\nMINOR THEMES\n\nFRUSTRATION\n Papa seemed to be really frustrated during the raging coup and the military take over period. His newspaper company is closed down and so is his biscuit factory by soldiers who bring rats ina carton and close down the place on an account that rats are in the factory. Papa falls sick and losses a lot of weight when Mama runs to Enugu. When his family comes home and he regains his health he begins his fanatic activities which land Kambili in the hospital for over a week. To a large extent, kambili enjoys her hospital bed more than her home.\n\nBONDAGE\n The word bondage is an understatement in the novel. Kambili and Jaja never go out of the corners of their tall fence. They never have the opportunity to associate or make friends. Their lives are based on timetables.\n\nCHARACTERIZATION\nMAJOR CHARACTERS\n\nPapa(Eugene)\nPapa is an interesting character study, a person so completely sold on the superiority of the western mode of thought and action, especially through religion, that he will stop at nothing to see it enforced in his own home. He is at once consumed by raw extreme of passion, extreme love and worse, extreme anger. Adichie's description of Papa's shifting presence is well done. One's heart bleeds for the family.\n\nMama(Beatrice)\n Mama is Papa's wife who goes through long suffering in her husband's hands. During her two miscarriages, she is blamed for it by Papa, even the one which is caused by him. Mama is a very loving mother to Kambili and Jaja, she does not like her husband's fanatism over religion though she has no say.\n\nJaja\nJaja is kambili's brother who tends to oppose his father in different ways. He is quite a brave boy and very outspoken. He and kambili are very happy with their stay in Enugu as he readily associates and takes on challenging tasks that seem normal to other people around him. His love for flowers leads him to discover a purple hibiscus in his aunt's garden which was given to her by a colleague. Jaja eventually poisons his father in search for freedom which is fulfilled when papa dies. Jaja owns up the poisioning and is being jailed. He does not stay long in jail due to his mothers connections to three senior advocates of the country who lobby for jaja's release.\n\nKambili\nKambili is the protagonist who is faced with some social problems in school. She is discriminated and this makes her feel real bad. However, everything changes when she goes back to Enugu. She falls in love with young Reverend Amadi who because of her age would not express his love for her. Kambili is rather compromising her father's actions, she thinks he is right but this continually goes off her as she feels how she would really enjoy life without Papa.\n\nMINOR CHARACTERS\nAUNTY IFEOMA\n She is Papa's sister who persists that kambili and jaja come over to Enugu to the holiday so they could get to know her children better, now they are still young. Aunty Ifeoma is one who takes care of her father but faces negligence as her husband dies. Aunty Ifeoma is a fun loving woman and so jaja and kambili have a good time with her family.\n\nAMAKA\n Amaka is aunty Ifeoma's daughter and kambili's best friend. At first she makes life unbearable for kambili but later understands her background and begins to relate very well with her. She teaches her a great deal of things and eventually changes her shy nature.\n\nFather Amadi\nAmadi is a friend of the family at Enugu and eventually gets to admire kambili. He renders a lot of help to the family and is loved by everyone in the church but takes greater delight in aunty Ifeoma's family.\n\nDICTION\n   The author Adichie uses the first person narrative in the book. In a soft, searching voice, Adichie examines the complexities of family, faith and country through the haunted but hopeful eyes of a young girl on thr cusp of womanhood. The stunning denouement underscores the power of family love. The novel is redolent in its description of the Nigerian countryside and generates a palpable narrative tension over what is to become of kambili and jaja's new found sense of freedom.\n         The book contains rich literary devices which are garnished in long phrases and sentences to make  a whole meaning. Little of euphemism, hyperbole and metaphor are \"He has fallen asleep\" , \"The view from the top of the hill is breathtaking and ...even the roar of lions was as mild as the whine of a mouse\", respectively are the few straight devices chosen among many.\n          Quite, chilling and heart wrenching, this debut novel is both a superb potrait of an unfamiliar culture and an unflinching depiction of adolescence. Like many first novelists, Adichie tries for too much ; her potrayal of kambili's home life is striking but for too incomplete a depiction of Papa. Her potrait of Nigeria is fascinating. Aunty Ifeoma and the cousins are likable enough but not memorable. Nonetheless, with kambili the author has created a compelling narrative and a surprising punch at the end.\n\nPersonal evaluation\nPurple Hibiscus is stunningly good. It is hard to believe its author is twenty -five years old when she writes it. Her debut novel proves beyond a doubt that Chimamanda Ngozi Adichie is one of the most powerful literary voices to recently emerge from Africa. The novel describes the life of a young girl in the cusp of her adolescence and indeed is a book that both the young and old should read. Finally , Purple Hibiscus is a harsh story, almost unbearable at first, but beautifully written.\n\nPlease upvote, comment and resteem\nThanks",
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      "body": "Wow...i love those fruits...wish i can have some😋",
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      "body": "looks delicious",
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      "body": "Today's breakfast is something different, it has been a long time since i had one of these😂. Another half of mine😉 bought one of these for me today which was a nice surprise. I had originally planned to have something like pizza. The fried rice and chicken looked like a better alternative😋![Imy 20180129_095045.jpg](https://steemitimages.com/DQmPGyRedPGLyLbXZwzRbyiYvxrFKNHC3AoJaHJZ2VAgoBN/Imy%2020180129_095045.jpg)\nSo how was it?, nice but salty, still delicious though and a very nice change from my usual",
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      "body": "Today's breakfast is something different, it has been a long time since i had one of these😂. Another half of mine😉 bought one of these for me today which was a nice surprise. I had originally planned to have something like pizza. The fried rice and chicken looked like a better alternative😋![Imy 20180129_095045.jpg](https://steemitimages.com/DQmPGyRedPGLyLbXZwzRbyiYvxrFKNHC3AoJaHJZ2VAgoBN/Imy%2020180129_095045.jpg)\nSo how was it?, nice but salty, still delicious though and a very nice change from my usual",
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      "body": "Take heart @surpassinggoogle...i really understand the pain of loosing a mama...you need to be strong and make sure you don't let her down..once again take heart",
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      "body": "Angry shouts echo off of plaster walls,\nPainting them sickening shades of despair.\nShe tries to block the noise out;\nBut nobody seems to care.\nThe words aren’t meant for her ears,\nShe is not the one who the barbs are meant to sting,\nBut with their searing heat and deadly edge,\nHer wounded-animal soul begins to sing.\nA song of loss,\nA song of mourning.\nA song of pain,\nA song of scorning.\nShe can’t fight the pain.\nIt’s much too real.\nShe just needs something;\nSomething to heal.\nTo heal the pain\nAnd heal the hurt\nAnd to bury a hatchet in the fresh-tilled dirt.\nA knife in her hands;\nA heart in her throat.\nA lighthouse blinking out;\nShe can’t stay afloat.\nThe pain feels good;\nThe wounds are what heal her.\nThe knife’s deadly call;\nIts revelry reels her.\nShe finally feels something;\nSomething more than pain.\nShe’s finally gotten something;\nSomething she thought she would never gain.\nShe’s got healing,\nAnd she’s got closure.\nBut her sins are dangerous;\nShe can’t risk exposure.\nSo she slips into silence,\nNever uttering a word.\nShe’s too far gone;\nThe lines are blurred.\nHer mind is a frosted glass,\nHer mind is her playground.\nHer wrist is a canvas;\nHer soul has drowned.\nA paintbrush is in her hands,\nGleaming in the secret moonlight.\nShe’s given up;\nIt feels so good to lose the fight.\nHer skin is the stone;\nHer knife is the chisel.\nShe feels so strong…\nShe feels so brittle.\nTheir voices are in her head;\nShe carries their hearts in her hand.\nShe is dry-eyed now;\nIt is only OR - no and.\nThe blade touches her skin;\nTheir screams reach her ears.\nIf actions speak louder than words,\nHow come nobody hears?",
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  "op": [
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      "author": "zado",
      "body": "![images (1).jpg](https://steemitimages.com/DQmVsR9FgqPZiKk4bobn9XsmDUEET7uVCuVuckjZC3iy7A4/images%20(1).jpg)\nBut we don't have to cause the pain only to absorb it afterwards. That is the great folly. Human beings cause wars, human beings at the helm of affairs start wars. The masses go to sleep one night and the next morning they wake to the sound of marching boots and shrieking jets and exploding bombs🤕. The people are never consulted.\nAnd any consultation that takes place is always in the form of manipulation or propaganda. The people are manipulated into the war because those at the helm have a monopoly over the means of indoctrination and information. They can misinform. They misinform the people they trick into war. The people are manipulated into a war only to have their children killed, their houses destroyed by bombs and grenades and, all the time, the generals and the politicians stand aside , away from the death and the destruction of the war and shout that it is indeed a great war😏. A great war for the because they lose nothing and yet gain everything. The generals and the politicians and the religious leaders and the businessmen send their children away from the country to make sure that they do not suffer from the war. But the workers and the farmers and the poor remain and yield up their children to the war\nBut how can these soldiers become so cruel🤔? Why do they kill each other and not the generals🤔? Or the politicians🤔? Or the businessmen🤔? Or the religious leaders🤔? Why do they obey the order to kill😒? Surely they must know that they are killing each other🙄?\nI have nothing against wars, I thought, that are fought over principles. Principles that in some way deal with my questions. Where are we going? How are we getting there? But the present war is a war that arises from the greed of a few men. No principles are involved here because even if a country remains one or is divided, nothing really changes. Changes may occur at the top as new people jostle for power but lower down where I come from, the farmer and the carpenter will continue to live in mud houses and starve and be ignorant and sick and yield up their children for senseless wars🙄. If I was asking which way, east or west, if I was asking one man one loaf or one man many loaves and millions of other men no loaf at all, this war might have made sense🤔.\nThere ought to be a referendum among the people about any proposed war. The people ought to vote and by each ballot box there ought to stand written the history of all the sufferings and deaths and destructions and finally, the ideas and principles behind all of the past wars. There ought to stand on every street bold placards declaring the aims and principles behind the proposed war so that the people could see whether the war is in their interests. They would be informed about the possible sacrifices in terms of death and destruction and violation and humiliation and labor and compare these with the profits and power and exaltation of the generals and politicians and religious leaders and businessmen. They would make comparisons to see whether the war was in their interest and whether they were willing to carry the cross for the rest of the nation. Who agrees with me on this?![1024px-Flickr_-_DVIDSHUB_-_ANA,_Red_Bulls_find_IED_(Image_4_of_4).jpg](https://steemitimages.com/DQmSrjkDWsrp5izXeGg32TrFGxBwMm2a5zWgSCw2LE9TAFQ/1024px-Flickr_-_DVIDSHUB_-_ANA%2C_Red_Bulls_find_IED_(Image_4_of_4).jpg)",
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