{
  "block": 72768131,
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      "amount": "0.001 STEEM",
      "from": "steemegg",
      "memo": "Vote se-witness as one of your 30 witnesses for free votes https://steemlogin.com/sign/account-witness-vote?witness=se-witness&approve=1 |  Send 15 or more TRON to TUep3qrvP4QwqHtoXJjdQ6Q7JRQdyuaJQH with your steem username as the memo for the market value back in steem.  Or visit steemegg.com and visit the exchange tab.",
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      "from": "steemegg",
      "memo": "Free Upvotes Await!!!, Vote @se-witness for one of your 30 witness votes. Once you do so, you will start accumulating free upvotes every 6 hours automatically.  Please check my latests posts for more info.  Thanks!",
      "to": "yostopia"
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      "memo": "❗Hello yostopia, You can contribute to the @roadofrich by voting as a witness. You will receive daily STEEM revenue through Witness vote. Enjoy your day 🙃",
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      "memo": "?Hello yostopia, You can contribute to the @roadofrich by voting as a witness. ?? Vote to share for Daily Witness vote and more ?? . ? Enjoy your day ??",
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      "author": "steemitboard",
      "body": "Congratulations @yostopia! You received a personal award!\n\n<table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@yostopia/birthday3.png</td><td>Happy Birthday! - You are on the Steem blockchain for 3 years!</td></tr></table>\n\n<sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@yostopia) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=yostopia)_</sub>\n\n\n###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!",
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      "memo": "Hello, You might be interested in some of the trades from my highly profitable systems that ive been posting to STEEM for the last 2 years but have got little coverage while the trading tags on STEEM are dominated by traders who call themselves \"experts\" with 14% succes rates, help me change this and make trading tags on STEEM a source of value instead,Trades I've posted to Steem currently have 70%+ Succes rate with over 1000% profit.",
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      "memo": "Hey there yostopia. Thank you for being a stakeholder in Steem and hodling your Steempower! Before I continue, let me first introduce myself: I'm Wolf - a Developer & Steem Witness. As you might know, Steem is a dPos blockchain, which is secured by witnesses (block-producers), who are voted-in by stakeholders, such as yourself. Voting plays a vital role in the health of Steem because you are actively selecting guardians of your stake & property. Now, I'm contacting you, because I noticed that you haven't voted for witnesses yet. If you would like to change that, to have the ability to influence and shape the future of Steem, then you can do two things. 1.) You can read the post, I've just published, to learn more about this subject: https://steemit.com/steem/@therealwolf/your-vote-matters-the-future-of-steem | 2.) You can learn more about myself as a witness on my website: https://therealwolf.me?account=yostopia - If there are any questions, you'll find my contact details on my website as well. Wishing you all the best, Wolf",
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      "memo": "Send from 1 to 10 SBD or STEEM to @steempromos to subscribe to 🐋SuperWhale🐋 service which gives out 700% to 850% returns! Spots are limited so act fast! (TIER 1 = 1 - 3 SBD OR STEEM, TIER 2 = 4 - 9 SBD OR STEEM, TIER 3 = 10 or more SBD / STEEM)",
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      "author": "yostopia",
      "body": "<center>You may have seen the various films I've posted about my efforts to restore the West Peak of Mt. Tamalpais.  The latest film, features local Mill Valley artists like Bob Weir, Maria Muldaur, Ramblin' Jack Elliot, and a cast of hundreds singing on top of the mountain, \ncoming together as a community to support the healing of a place scarred by the US Military during the Cold War.</center>\n\n<center>https://youtu.be/4vJBXIWwrtk</center>\n\n<center>All of these people donated their time freely to the project, including a crew of 15 professionals, the musicians, and the community chorus who hiked up the mountain on Earth Day to make this happen.</center>\n\n<center>Here I am putting a lavaliere mic and some makeup on Bob Weir... he's a neighbor of mine and was super enthusiastic about helping to make this video happen.</center>\n\n<center>![enter image description here](https://s14.postimg.org/n9oxmuve9/bob_copy.jpg)</center>\n\n<center>What great faces... what great love of Mt. Tamalpais and such talent.</center>\n\n<center>![enter image description here](https://s14.postimg.org/4in0c7g41/comp_pic_copy.jpg)</center>\n\n<center>Here are links to my Mt. Tamalpais trilogy of  restoration videos... the first one goes deeply into its history and was seen on PBS and won awards at many film festivals.</center>\n\n<center>https://youtu.be/y6TA-jbZqQU</center>\n\n<center>https://youtu.be/zZH034wjPqc</center>\n\n<center>https://youtu.be/ifTCINsvx00</center>\n\n<center>A study has just been completed to determine the best way to restore the top of the mountain, and we'll be commencing with an Environmental Impact Report this year.  Progress is happening!</center>\n\n\n---\n\n---\n\n\n<center>Thanks for watching.</center>\n\n<center>![enter image description here](https://s15.postimg.org/7m03girij/copyright_block_400px.jpg)</center>\n\n><center>*I have a long history of inventing tools for animators and also making films and photographs. My wife, daughter and I live at the foot of beautiful Mt. Tamalpais on the San Francisco Bay and I've been using technology to tell complex stories for a long time. My biggest claim to fame? Leading the team that created Autodesk 3ds Max... the most popular 3D animation tool of all time. When I sold the Yost Group to Autodesk at the end of the last century I jumped headfirst into pursing my original love... photography and filmmaking. Now I spend all of my time exploring the mysteries of my world with my cameras, and revealing what I find in my images and films.*</center>\n\n<center>You can find my verification post [here](https://steemit.com/introduceyourself/@yostopia/introducing-myself-gary-yost-is-now-on-steemit).</center>",
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      "author": "fauzanhaikal",
      "body": "Hay my friends, your post is very attracted many people, I always follow ,,, help upvote my blog once",
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      "body": "@@ -45,21 +45,16 @@\n for 360 \n-shot \n films si\n",
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      "body": "<center>I've been making a list of subjects for 360 shot films since I got my Insta360Pro a few weeks ago, and one thing I wanted to try was putting the camera on stage during a performance to simulate the perspective of a \"super fan\" who's standing next to the performer.  Here's a full 50-minute set on Youtube.  You can watch in Chrome or with your phone (with the Youtube App) and use it as a Magic Window, or you can use a Google Cardboard-style viewer to experience it via first person in your Head Mounted Display.</center>\n\n<center>https://youtu.be/SrjUfek2Iqo</center>\n\n<center>When my friend and musician Matt Jaffe told me that he was playing a show at the Sweetwater Music Hall, I saw a great opportunity to make a test. We put the camera right between Matt and the bass player, just at the edge of the stage.  (Here I am turning the unit on.) </center>\n\n![enter image description here](https://s14.postimg.org/9is9pmoap/Yost_setting_up_mic_copy.jpg)\n\n![enter image description here](https://s14.postimg.org/lxf1q10e9/IMG_4721.jpg)\n\n<center>If you have a Google Cardboard-style viewer, you can virtually be right up on the stage with them and experience the energy of the crowd the way the performers do... it's an amazing feeling.  Since you can either watch the performance or you can watch the show from the perspective of the performer, you're having an experience that would be impossible with a traditional performance film.  </center>\n\n<center>LESSONS LEARNED:  Putting the camera on the stage right next to the performers is a unique way to present a show in which the audience is getting into it as much as the band.  That might not always be the case, but at this show there was a lot of enthusiasm so it was worth it.  (In cases in which you'd have a bunch of static people sitting or standing in front of a stage, that wouldn't be a very compelling case for 360 video.) The camera is a proxy for a \"super fan\" who has access to the stage and can experience the enthusiasm coming at the performers... something that a fan very rarely gets to experience.</center>\n\n<center>That said, switching back and forth from the audience view to the performance view requires a lot of head-turning.  This isn't the most optimal way to present some stories, and can cause vestibular fatigue.   </center>\n\n<center>Other lessons:  1) use a LOT of weight bags to reduce camera shake on a stage in which a lot of vibration is happening.  I used twice the number of bags I normally would here, 2) ask the lighting designer to crank the lights up, especially in the house where it would normally be dark.  I had him turn on as many lights as possible, and that provides some depth to what would normally be a very dark area. 3) Use double-system sound for audio.  I turned the input volume of the camera down almost to the minimum just so I'd get enough audio to synchronize sound from external recorders.  I captured my own audio with a mid-side microphone from the back of the room as a safety, and I asked the sound engineer to give me a board mix that I could use to mix the ambient sound with.  Optimally I'd do this with 360 spatial audio, but I'm not at the point of experimenting with that yet. 4) Ask the performers to stay in a zone in which specific lenses had full coverage so that their nominal position on stage wasn't in an 'in-between' point that the stitcher would have to blend using optical flow.</center>\n\n<center>NOTE:  Putting together the 6 camera sequences into one 360 video is the job of the stitching software that comes with your camera.  The software with the Insta360Pro for stitching is fairly basic, and the problem with a shot like this is that the musicians are frequently crossing over the boundary lines from one camera to another.  A third-party stitching software called MistikaVR allows us to dynamically reconfigure each lenses area of coverage to mitigate this effect.  Here's an example of what a Mistika UI screen looks like, redefining the camera lenses (represented by the green blobs).</center>\n\n![enter image description here](https://s14.postimg.org/nqhye83jl/mistika.png)\n\n---\n\n---\n\n\n<center>Thanks for watching.</center>\n\n<center>![enter image description here](https://s15.postimg.org/7m03girij/copyright_block_400px.jpg)</center>\n\n><center>*I have a long history of inventing tools for animators and also making films and photographs. My wife, daughter and I live at the foot of beautiful Mt. Tamalpais on the San Francisco Bay and I've been using technology to tell complex stories for a long time. My biggest claim to fame? Leading the team that created Autodesk 3ds Max... the most popular 3D animation tool of all time. When I sold the Yost Group to Autodesk at the end of the last century I jumped headfirst into pursing my original love... photography and filmmaking. Now I spend all of my time exploring the mysteries of my world with my cameras, and revealing what I find in my images and films.*</center>\n\n<center>You can find my verification post [here](https://steemit.com/introduceyourself/@yostopia/introducing-myself-gary-yost-is-now-on-steemit).</center>",
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      "body": "@@ -880,45 +880,50 @@\n rt, \n-I made a video for them that describe\n+they hired me to produce a video that show\n s ho\n",
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      "body": "## <center>There is a parallel world out there. </center>\n\n<center>I was recently hired by an ultra high-end private airport terminal to make an \"experience\" film about their services at Los Angeles International Airport.  It's called \"The Private Suite\" and you can read an article about it here in Vanity Fair.</center>\n\n<center>[Inside the Private, Celebrity-Friendly Terminal at LAX](https://www.vanityfair.com/style/2017/08/inside-the-private-celebrity-friendly-terminal-at-lax)</center>\n\n<center>The article mentions a gallery of my hummingbird images (previously mentioned in my Steemit blog) at the terminal:  *If the mood in LAX is base panic, in de Becker’s suite it’s sublime peace. To that end, there’s a small art gallery filled with photos from Gary Yost, a series of olive-green Anna’s hummingbirds feeding their young.* </center>\n\n<center>To make a long story short, I made a video for them that describes how, if you're a celebrity and you want to avoid the paparazzi in there public terminal, there's a way out.  You drive to a highly secure area, have a private suite of your own to wait in, you get your own private TSA and CBP customs officers and you're driven directly to the plane to board at the last minute.  There are good reasons for doing this... putting celebrities in the public terminal at LAX causes a huge hubbub that's distracting and unsafe due to the celebrity-obsessed culture we live in.  Sign of the times.</center>\n\n<center>https://youtu.be/Efm8bktWrOU</center>\n\n<center>The entire film was shot on very simple equipment:  Panasonic GH5 with the Panny 12-35 lens, a small Zhiyun Crane gimbal and a little travel tripod.  Given that I had no control over lighting, I'd say that dealing with the light was the most challenging aspect of the shoot.  Mid-day sun on the tarmac is unforgiving and dealing with the extremes of low light inside the suite vs the bright sunlight outside was brutal.  The experience of driving around those big jets on the runway was kind of nuts... and required massive security clearances.  All-in-all, a fun shoot and a big learning experience on many levels.</center>\n\n<center>Here are some stills from the shoot.</center>\n\n<center>![enter image description here](https://s14.postimg.org/uic1sjhlt/13_-_limo_at_gate-4x3.jpg)</center>\n\n\n<center>![following the team leader up to the plane](https://s14.postimg.org/4a0x33sch/14_-_TPS_leader_on_stairs-4x3.jpg)</center>\n\n<center>![enter image description here](https://s14.postimg.org/kl10zb28h/12_-_limo_with_Emirates-4x3.jpg)</center>\n\n<center>![enter image description here](https://s14.postimg.org/p6x57mdgx/Interior6-nose-1000477-4x3.jpg)</center>\n<center>![enter image description here](https://s14.postimg.org/hqxvlsn6p/Rachel_watching_plane-1000320-4x3.jpg)</center>\n\n<center>My wife was the Assistant Camera Op on this shoot and here we are with the star of our film in front of the hummingbird gallery. \n (Tony was actually the head of US Customs in LA for 20 years.)</center>\n\n<center>![](https://s14.postimg.org/sp4jpwekx/IMG_4133_copy.jpg)</center>\n\n<center>And me on the roof with Ross... 7' tall (and I was slouching a bit to emphasize his height).  The staff is full of some of the most capable, friendly people I've ever met.  We actually had to call LAX airport security first to tell them that we were going up on the roof so they didn't get freaked out. What a world.</center>\n\n<center>![**](https://s14.postimg.org/gn95vtpxt/me_and_ross.jpg)</center>\n\n---\n\n---\n\n\n\n<center>Thanks for watching.</center>\n\n<center>![enter image description here](https://s15.postimg.org/7m03girij/copyright_block_400px.jpg)</center>\n\n><center>*I have a long history of inventing tools for animators and also making films and photographs. My wife, daughter and I live at the foot of beautiful Mt. Tamalpais on the San Francisco Bay and I've been using technology to tell complex stories for a long time. My biggest claim to fame? Leading the team that created Autodesk 3ds Max... the most popular 3D animation tool of all time. When I sold the Yost Group to Autodesk at the end of the last century I jumped headfirst into pursing my original love... photography and filmmaking. Now I spend all of my time exploring the mysteries of my world with my cameras, and revealing what I find in my images and films.*</center>\n\n<center>You can find my verification post [here](https://steemit.com/introduceyourself/@yostopia/introducing-myself-gary-yost-is-now-on-steemit).</center>",
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      "title": "The parallel world:  Example?  Celebrity travel and privacy."
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      "author": "yostopia",
      "body": "Thanks... and... I don't even know what \"unvoting  your blog\" means!",
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      "author": "fauzanhaikal",
      "body": "I like your posts, even though I have not understood your post, which however I love it, and I have followed your post ,,, I hope you want to unvote my blog",
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      "body": "<center>![enter image description here](https://s14.postimg.org/7qkjta98h/Steemit_Goes_360.jpg)</center>\n\n## <center>Become Immersive or Die. </center>\n\n<center>Although I jumped into 360 video production fairly late in the game... December 2017, it's something I've been leading up to all my life.  (For more on that, [here's my Wikipedia page](https://en.wikipedia.org/wiki/Gary_Yost).)  As Mac user I never had the hardware power to do it until December 2017 when the iMac Pro was released, but 3D immersive imagery has been a huge part of my career, from the mid 1980s when I spearheaded the development of Atari-based 3D animation systems, to the 1990s when I led the development of the most popular 3D content creation system in the world... Autodesk's 3ds Max.  But my first love was always telling stories with film (initially 8mm movies in school) and photographs (my dad and I built a darkroom together when I was 11 years old).  After I sold my company to Autodesk in the late 90s, I rekindled my love of analog image-making, first exploring digital photography and then graduating to storytelling with video.  I built a successful career as a maker of short films, did the film festival circuit and won a bunch of awards.  And in 2015 I bought a google cardboard unit and started to become amazed by some of the immersive content that was available.  But I was jealous that I couldn't make any of these films on the Mac!</center>\n\n<center>I'm now happily integrating all of the things I've learned over the past 40 years about how to tell stories in all sorts of dimensions, and enthusiastically learning as I go from the pioneers who've been doing the 360 thing for a few years now.</center>\n\n<center>I'm in the process of bringing up a new blog (www.360filmmaking.com) as a way of sharing how I'm re-learning how to make films in this new style... 360 video is much more about choreography around the camera than cinematography and storytelling with the camera.  I'm planning on launching the blog before the end of January 2018 and I'll be writing a meta blog about creating it here on Steemit as I build it out. </center>\n\n<center>Here's my first experimental 360 video... the cast of a local theatrical company singing \"Put a Little Love in Your Heart\" directly to you.  This style of 360 video is not so much about telling a story as it is about putting you into the center of the action.  It's a simple technique and only needs a strong song and cast to pull it off.  </center>\n\n<center>![me directing the action](https://s14.postimg.org/6w2ll8qu9/yost_about_image.jpg)</center>\n\n<center>The most interesting thing for me about this video is that, because the singers come right up to the camera in the 2nd half, I get a visceral feeling that they are singing directly to me.  That, plus the content of the song, which is an instruction to the listener, makes it feel very immersive.  The song choice was important and I was given a few options, finally choosing this one because it had a certain personal immediacy that I thought would work best.  It was a good choice.</center>\n\n<center>LESSONS LEARNED:  1) Have the lighting designer turn up all the lighting instruments.  I was able to record this at a relatively low ISO200.  2) Instruct the performers that when they move into the camera at the end, they should pick a lens and stay in front of that lens as they get closer.  Most of them followed this instruction, mitigating stitching artifacts on performers faces. 3)  It's really important to make this visually interesting... the costumes go a long way towards that.  (there's nothing like good props to help tell a story)</center>\n\n<center>If you have a google cardboard viewer, use the YoutubeVR app to view it in your headset.  If not, you can use Chrome to mouse around in the \"magic view\" 2D window.</center>\n\n<center>https://youtu.be/Rzz_-WJ0JCo</center>\n\n\n\n---\n\n---\n\n\n\n<center>Thanks for watching.</center>\n\n<center>![enter image description here](https://s15.postimg.org/7m03girij/copyright_block_400px.jpg)</center>\n\n><center>*I have a long history of inventing tools for animators and also making films and photographs. My wife, daughter and I live at the foot of beautiful Mt. Tamalpais on the San Francisco Bay and I've been using technology to tell complex stories for a long time. My biggest claim to fame? Leading the team that created Autodesk 3ds Max... the most popular 3D animation tool of all time. When I sold the Yost Group to Autodesk at the end of the last century I jumped headfirst into pursing my original love... photography and filmmaking. Now I spend all of my time exploring the mysteries of my world with my cameras, and revealing what I find in my images and films.*</center>\n\n<center>You can find my verification post [here](https://steemit.com/introduceyourself/@yostopia/introducing-myself-gary-yost-is-now-on-steemit).</center>",
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      "body": "Congratulations @yostopia! You have received a personal award!\n\n[![](https://steemitimages.com/70x70/http://steemitboard.com/@yostopia/birthday1.png)](http://steemitboard.com/@yostopia) Happy Birthday - 1 Year on Steemit\nClick on the badge to view your own Board of Honor on SteemitBoard.\n\nFor more information about this award, click [here](https://steemit.com/steemitboard/@steemitboard/steemitboard-update-8-happy-birthday)\n> By upvoting this notification, you can help all Steemit users. Learn how [here](https://steemit.com/steemitboard/@steemitboard/http-i-cubeupload-com-7ciqeo-png)!",
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      "body": "That collage of you bicycling on the ocean with the beet and hummingbird... so fantastically outrageous... I love it!   Super powerful manifesto and many prayers for it all to happen for you in the best way possible.  Right on!",
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      "body": "That's a funny comparison between the Alexa and an RX100m5.  (!)  Res is not what makes the Arri so great but hey... we're comparing apples to mangos.  I'm not going to give up my Nikon D4 (or D800) and favorite lenses like the 85mm/f.14, but those are never in my pocket.  And I don't carry my RX100 around either because that's a PITA.... my phone is typically the camera that's always with me by default and I would much rather shoot a portrait with the computational \"bokeh\" mode than otherwise.  But of course that's just a matter of taste and I respect your opinion.  :)",
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