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      "title": "TC Disrupt is Over and so is the Sunny Weather",
      "body": "**TC Disrupt is Over and so is the Sunny Weather**\n\nhttps://miro.medium.com/max/4032/1*9VEb2xmj8A7p-9O52JecjQ.jpeg\n\n<center>*Greetings from San Francisco*</center>\n\nTechCrunch Disrupt is like the Olympics for startups. It was our second visit, but the first one to their flagship edition in San Francisco. Last year, we attended the conference in Berlin, but this year we upped the ante with a bigger booth and nine members of our team presenting [Viberate](http://www.viberate.com/).\n\nIt’s not cheap to finance the booth and travel for such a big team, but thanks to a government grant we pulled it off. Over three days, we probably pitched Viberate at least 200 times, handed out 150 brochures and around 300 business cards, bought one 65-inch TV to play our showcase loop and later sell on Craigslist (which saved us around $1,000 we would otherwise need to pay for the ridiculously high rental fee of TechCrunch’s official tech equipment vendor).\n\nhttps://miro.medium.com/max/1478/1*SSaPc9gNRhWCyHtmKZvqiQ.jpeg\n\nMeetings at such conferences are like fishing: most of the time, you won’t catch anything, but when you do, it’s worth the wait. This time, we caught up with an executive from a giant analytics company that is also operating in the music market, and we agreed we could join forces in a couple of fields. If this plays the way we planned, we could really offer music professionals a set of unmatched analytics features.\n\nhttps://miro.medium.com/max/3024/1*DSsbwu-uSQ5ETbj1R7qiIw.jpeg\n\nhttps://miro.medium.com/max/2744/1*ifbsz3B3sR0CC9E4_MD0gQ.jpeg\n\nAll in all, people showed the most interest in our API. A lot of music services struggle with a massive influx of artist profiles they need to update or bug artists to do it themselves. Most of the time, they stay outdated which isn’t great for the overall user experience. We can successfully solve this problem by embedding almost half a million artist profiles from our database.\n\nWe always try to combine business with pleasure when traveling with a bigger team. Some of us have spent months hustling Silicon Valley investors, so it felt like home to us. We assumed the role of tourist guides in the evenings and took the team sightseeing. Golden Gate Bridge, Half Moon Bay, Santa Cruz, Pier 39 with its sea lions, Lombard Street, you name it. Oh, and of course a mandatory visit to the legendary In-N-Out.\n\nhttps://miro.medium.com/max/1024/1*jwHq5GVfSMNSPRTOy5A3SA.jpeg\n\n<center>*Do a dorky one!*</center>\n\nhttps://miro.medium.com/max/750/1*zcWMv3sN8hOnqjKP1G2Bcg.jpeg\n\nhttps://miro.medium.com/max/750/1*qYTR2GOpjk80cNzAgZCWcA.jpeg\n\nhttps://miro.medium.com/max/750/1*x154yWrMMKtPdQqr75JWFw.jpeg\n\n<center>*Fine dining at In-N-Out*</center>\n\nAnd this time, we were lucky enough to catch our co-founder UMEK at the end of his 6-week US tour that happened to finish at San Francisco’s The Great Northern. The whole team got backstage passes and since UMEK doesn’t drink alcohol, we had to finish all the drinks from his rider by ourselves. The flight back wasn’t easy, but luckily the plane was half empty, so most of the team got a stretch in the “poor man’s business class” on a 12-hour transatlantic flight.\n\nhttps://miro.medium.com/max/750/1*DXt97MHlblzFtvHzgJ6TYQ.jpeg\n\nhttps://miro.medium.com/max/750/1*TYym3KZs-cEv3F9scNnxyg.jpeg\n\nhttps://miro.medium.com/max/750/1*vtRlmobOtEvi0vxJnvKjcA.jpeg",
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      "body": "The token for the reside music business has simply turn out to be accessible to a much wider viewers, because it’s now accessible for buy with Visa or Mastercard by way of Changelly.com. Itemizing the token on the service additionally permits for the direct alternate with all different cash and tokens, which makes it even simpler to purchase VIB with all main cryptocurrencies and tokens.\nItemizing the token on Changelly additionally opens another buy choice for many who already produce other cash and tokens, however don’t wish to use quite a few crypto exchanges.\n \nNevertheless, Viberate’s co-founder Vasja Veber factors out that this deal is very necessary to those that are about to enter the world of cryptocurrencies: “After our profitable ICO I spent hours explaining find out how to purchase our token to family and friends, who heard about Bitcoin only recently and do not know what a token is. Earlier than Changelly they wanted to open an account at a serious alternate, wait to get verified, wire fiat, look ahead to it to be credited, purchase ether or bitcoin, transfer it to an alternate that lists our token after which they lastly bought their arms on some VIBs. Now, they solely must get an Ethereum pockets, which takes just a few seconds after which purchase VIB tokens with their bank card. It’s simpler than shopping for a aircraft ticket.”\n \nChangelly’s widget is at present featured on Viberate.io, however it would additionally get built-in into the service itself, permitting customers to shortly and seamlessly get VIBs whereas looking by lots of of hundreds of musician and venue profiles at www.viberate.com. “That is extraordinarily necessary for us, as a result of we’re constructing a music expertise market, the place musicians will receives a commission in cryptocurrencies and to realize sufficient liquidity, an enormous adoption of crypto cash and tokens is paramount. We don’t count on occasion organizers to undergo an excessive amount of of a trouble to get cash and with Changelly they received’t need to. We’ll merely combine their widget into each profile, so ultimately the entire consumer expertise won’t be a lot completely different from shopping for stuff on Amazon.” Veber defined the deliberate integration.\n \nChangelly is famend as a dependable and quick alternate providers that gives immediate and seamless conversion of 90+ altcoins and tokens at one of the best charges available on the market. It additionally supplies excessive safety requirements by enabling a two-factor authentications and a HTTPS safety protocol. Changelly additionally has no quantity restrictions and supplies its customers with easy alternate of huge sums. Their CEO Konstantin Gladych: “We’re comfortable that crypto business turns into extra tightly built-in with music. Changelly will present hundreds of consumers with VIB tokens they’ll use for interplay with the Viberate platform. With our built-in widget, Changelly will allow everybody to seamlessly make investments into the reside music business with cryptocurrency.”\n \nEven individuals who don’t have a bank card or an account at an alternate have a possibility to get VIB tokens due to Viberate rewarding system. There are 5000 VIBs every day distributed amongst customers that actively contribute to the database, broaden the consumer base and promote Viberate providers.\n \nMoreover, in addition they signed an endorsement take care of Imogen Heap – a two-time Grammy award winner, who will assist the service with recommendation, community and picture and likeness.",
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      "body": "Viberate is on fire!",
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      "title": "BitSong - easy way to get paid for streaming music!",
      "body": "I recently discovered BitSong, which seems like an interesting new music related blockchain project, so I decided to take a closer look at it.\n\nhttps://bitsong.io/start/DZNZ7AD0\n\n![26168083_910031959174503_2045296536526738924_n.jpg](https://steemitimages.com/DQmXnDVNsb7X9hZJ4QMeACAcfLFZNRD2TVakEVjUsXQxGVP/26168083_910031959174503_2045296536526738924_n.jpg)\n\nTheir vision is to create a new brand linked to music streaming, but unlike other platforms, BitSong will earn both, the artist, the user the user who listens to the song and finally will also make save money the advertiser.\n\nBitSong goal is to be present on any TV equipped with Chromecast or SmartTV, on any Smartphone through App, on any personal computer through a web interface or software and finally on any car that has a Smart Radio. \n\nNow you are paid!\n\nThe current music streaming companies are like intermediaries between advertisers and producers. Bitsong wants to upset the musical world thanks to the blockchain technology.\n\nThe user will be paid for the \"User Attention\", while the producer will receive earnings in real time, the advertiser will be able to optimize the campaign after viewing the reports.\n\nThe technology of the blockchain is advancing fast bringing with it new improvements applicable to daily use. For this reason they decided to found BitSong, the first decentralized music streaming platform.\n\n\nHere's the Bitsong roadmap\n\n![rdmp.JPG](https://steemitimages.com/DQmUntHwjsvGVe4huZyiEL8NDYgU2FZbhfum54JJPJirKFS/rdmp.JPG)\n\n\nThere will only be 10.000.000 $BTSG tokens available and they just launched an airdrop!\n\nJoin now!!\n\nhttps://bitsong.io/start/DZNZ7AD0",
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      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttps://bitsong.io/",
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      "title": "Bitsong - easy way to get paid for streaming music!",
      "body": "I recently discovered BitSong, which seems like an interesting new music related blockchain project, so I decided to take a closer look at it.\n\nhttps://bitsong.io/start/DZNZ7AD0\n\n![26168083_910031959174503_2045296536526738924_n.jpg](https://steemitimages.com/DQmXnDVNsb7X9hZJ4QMeACAcfLFZNRD2TVakEVjUsXQxGVP/26168083_910031959174503_2045296536526738924_n.jpg)\n\nTheir vision is to create a new brand linked to music streaming, but unlike other platforms, BitSong will earn both, the artist, the user the user who listens to the song and finally will also make save money the advertiser.\n\nBitSong goal is to be present on any TV equipped with Chromecast or SmartTV, on any Smartphone through App, on any personal computer through a web interface or software and finally on any car that has a Smart Radio. \n\nNow you are paid!\n\nThe current music streaming companies are like intermediaries between advertisers and producers. Bitsong wants to upset the musical world thanks to the blockchain technology.\n\nThe user will be paid for the \"User Attention\", while the producer will receive earnings in real time, the advertiser will be able to optimize the campaign after viewing the reports.\n\nThe technology of the blockchain is advancing fast bringing with it new improvements applicable to daily use. For this reason they decided to found BitSong, the first decentralized music streaming platform.\n\n\nHere's the Bitsong roadmap\n\n![rdmp.JPG](https://steemitimages.com/DQmUntHwjsvGVe4huZyiEL8NDYgU2FZbhfum54JJPJirKFS/rdmp.JPG)\n\n\nThere will only be 10.000.000 $BTSG tokens available and they just launched an airdrop!\n\nJoin now!!\n\nhttps://bitsong.io/start/DZNZ7AD0",
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      "body": "Very inspiring! Thank you for this.",
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      "title": "UMEK Talks Techno, Tronic & Cryptocurrency; Plus, Listen to New EP 'Certain Trace': Exclusive",
      "body": "UMEK is Slovenian techno royalty. The European producer is widely credited with helping kickstart his home country’s electronic music scene in the ‘90s and early 2000s, primarily on the back of illegal raves and international dancefloor hits. In 2014, he was named Beatport’s fourth highest-selling artist of all time -- a figure which comes as no surprise given the sheer enormity of his catalog (a quick search on Beatport reveals nearly 1,000 tracks credited to him).\n\nWhile much of his namesake over the past decade has been built on his ability to churn out catchy tech house creations, in 2015, the Slovenian producer turned his attention to an earlier love: techno. In the time since, UMEK has gone on to explore the heavier and darker realms of the genre, while simultaneously revamping his own imprint 1605 in the process.\n\nPerhaps best epitomizing the transition, UMEK has slotted his latest EP, Certain Trace, on Christian Smith’s venerated two-decade old techno imprint, Tronic. The new EP, which Billboard Dance is exclusively premiering, finds UMEK crafting two warehouse savvy compositions, full of flanging leads and cavernous synth stabs. It’s a nod to rave heydey, and a menacing new addition to UMEK’s extensive discography.\n\nTo get a further glimpse into the mind of one of Europe’s most prolific producers, Billboard Dance caught up with UMEK to talk everything from techno to the artist’s budding involvement in blockchain technology.\n\nPre-order UMEK’s new Certain Trace EP on Tronic here. \n\nWhat inspired you to bring your new EP to Tronic?\n\nTo be honest, I’ve had a feeling that the synth sounds I’ve used in the production of these tracks should fit perfectly in the sound of Tronic. I’ve always played a lot of their music, so I know what they stand for in music, and as we go way back with Christian Smith, I’ve asked him if he’d be interested and as he was, I’ve sent him couple of tracks for consideration. He liked couple of them and we’ve set this release.\n\nIn the last couple years, you've noticeably been releasing more and more pure techno records. What inspired this stylistic change?\n\nWell, that’s the usual story…I got a bit bored with the sound I had been producing and playing in the last couple of years and I’ve leaned back to a bit harder, rougher techno sound. Looking back, I’d say this is conditioned with the environment in which I’m operating.\n\nI ended up in tech-house without a plan: at some point I started noticing more and more interesting music from that field. I still focused on techno, purchasing some tech-house tracks along the way for my private collection. At some point I realized I’m buying more tech-house than techno, 80% of releases I bought were tech-house, and being stuck in the situation I couldn’t find enough techno releases I really liked, I ended up introducing more and more tech-house into my sets and radio playlists.\n\nAfter a while, I started noticing more and more interesting techno releases again and so I slowly transitioned back into techno and now I’m buying and again playing more than 90% techno tracks in my sets. Nothing was planned, that just happened.\n\nYou are considered one of the top selling Beatport artists of all time. What do you attribute to this success?\n\nI like to think it’s because of the good quality of my creative output. I can support this with the fact people are willing to pay for my music and they play it in DJs are playing it a lot in their sets.\n\nAt some point in my career I decided to abandon analogue world as a producer and especially as a DJ and become fully digital, including my label 1605 (that still releases almost half of its catalog also on vinyl, but we do that just to cater to vinyl DJs) and selling music on digital platforms like Beatport. I have a team of professionals working in my office that are specialists for digital marketing, promotion and sales, so they obviously did good job, especially in the beginning when we were entering this world among the first major techno artists and labels.\n\nYou've seemingly done it all in your career. Are there any milestones that you're still after?\n\nAs I’ve mentioned before, I get bored quickly of most of the stuff so I have to keep myself occupied with interesting novelties and I set new goals for my career quickly after I’ve reached previous ones. I’ve done much diverse stuff in my career but as I’m very curious by nature there’s still so many things I’d like to do, hear, see and achieve. I still have a big passion, drive and lots of energy for music, so I don’t plan to stop anytime soon.\n\nI don’t want to go too much in details but for example I’ve been developing and fine tuning my new sound for the last two years and I’m finally coming to the point I’ll be totally satisfied with the result. I’m also involved in the business side of music with our Viberate project right now. But first and foremost I am still a DJ, music producer and head of 1605 label and I’ll continue to be for some time.\n\nYou're a co-founder of the decentralized music marketplace Viberate. What inspired you to get involved in the cryptocurrency space?\n\nI got intrigued by the main idea behind Viberate, which is, to put it really simple, democratizing the global music business. It levels the playing field for all parties involved. If this catches on it will bring big changes to music industry, especially in the field of artist bookings, negotiating label deals and the management of copyrights.\n\nWhen you are looking for investors in traditional business environment, you can get blocked easily by couple of influential people or companies not showing any interest for a groundbreaking project. We’ve made a detailed business proposal that was thoroughly scrutinized online by everybody interested and crypto currency allowed us to get investment for this project from many major and micro investors. We raised $1M in seed capital and then went on to execute one of the most successful ICOs in the music industry to date, raising $10.7M in under five minutes. In a little over four months we managed to hit every deadline set in our roadmap, so the project is going as planned.\n\nAside from over 160,000 artist profiles we are now tracking stats and featuring information for 60,000 venues, couple hundred thousand events and around 2,000 booking agencies. It is an open sourced database, so users add around 2,000 new profiles to Viberate every day and in exchange we are giving VIB tokens to the contributors. We won't stop until we change the music industry for good.\n\nWhat impact do you think new technologies (like cryptocurrency) will have on the future of electronic music?\n\nThey might totally change music business. Right now, there are already at least five companies developing new solutions for the protection and management of music copyrights. The current system of copyrights is obviously not working, as it didn’t offer a working solution for this since the rise of Internet. The system of blockchain and cryptocurrencies allows you to monitor use of every single track used in digital world.\n\nOn Viberate we are also introducing smart contract for artists bookings that will bring more transparency to the market and give power to all parties involved, not only the dominant one. These are only two issues we can solve with new technologies and they are already solid fundament for big changes in the music industry, though there are many more. We have many more ideas but I can’t talk about them just yet.\n\nSource: https://www.billboard.com/articles/news/dance/8098848/umek-interview-2018-exclusive",
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      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttps://www.billboard.com/articles/news/dance/8098848/umek-interview-2018-exclusive",
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      "body": "@@ -7484,8 +7484,101 @@\n ust yet.\n+%0A%0ASource: https://www.billboard.com/articles/news/dance/8098848/umek-interview-2018-exclusive\n",
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      "title": "UMEK Talks Techno, Tronic & Cryptocurrency; Plus, Listen to New EP 'Certain Trace': Exclusive",
      "body": "UMEK is Slovenian techno royalty. The European producer is widely credited with helping kickstart his home country’s electronic music scene in the ‘90s and early 2000s, primarily on the back of illegal raves and international dancefloor hits. In 2014, he was named Beatport’s fourth highest-selling artist of all time -- a figure which comes as no surprise given the sheer enormity of his catalog (a quick search on Beatport reveals nearly 1,000 tracks credited to him).\n\nWhile much of his namesake over the past decade has been built on his ability to churn out catchy tech house creations, in 2015, the Slovenian producer turned his attention to an earlier love: techno. In the time since, UMEK has gone on to explore the heavier and darker realms of the genre, while simultaneously revamping his own imprint 1605 in the process.\n\nPerhaps best epitomizing the transition, UMEK has slotted his latest EP, Certain Trace, on Christian Smith’s venerated two-decade old techno imprint, Tronic. The new EP, which Billboard Dance is exclusively premiering, finds UMEK crafting two warehouse savvy compositions, full of flanging leads and cavernous synth stabs. It’s a nod to rave heydey, and a menacing new addition to UMEK’s extensive discography.\n\nTo get a further glimpse into the mind of one of Europe’s most prolific producers, Billboard Dance caught up with UMEK to talk everything from techno to the artist’s budding involvement in blockchain technology.\n\nPre-order UMEK’s new Certain Trace EP on Tronic here. \n\nWhat inspired you to bring your new EP to Tronic?\n\nTo be honest, I’ve had a feeling that the synth sounds I’ve used in the production of these tracks should fit perfectly in the sound of Tronic. I’ve always played a lot of their music, so I know what they stand for in music, and as we go way back with Christian Smith, I’ve asked him if he’d be interested and as he was, I’ve sent him couple of tracks for consideration. He liked couple of them and we’ve set this release.\n\nIn the last couple years, you've noticeably been releasing more and more pure techno records. What inspired this stylistic change?\n\nWell, that’s the usual story…I got a bit bored with the sound I had been producing and playing in the last couple of years and I’ve leaned back to a bit harder, rougher techno sound. Looking back, I’d say this is conditioned with the environment in which I’m operating.\n\nI ended up in tech-house without a plan: at some point I started noticing more and more interesting music from that field. I still focused on techno, purchasing some tech-house tracks along the way for my private collection. At some point I realized I’m buying more tech-house than techno, 80% of releases I bought were tech-house, and being stuck in the situation I couldn’t find enough techno releases I really liked, I ended up introducing more and more tech-house into my sets and radio playlists.\n\nAfter a while, I started noticing more and more interesting techno releases again and so I slowly transitioned back into techno and now I’m buying and again playing more than 90% techno tracks in my sets. Nothing was planned, that just happened.\n\nYou are considered one of the top selling Beatport artists of all time. What do you attribute to this success?\n\nI like to think it’s because of the good quality of my creative output. I can support this with the fact people are willing to pay for my music and they play it in DJs are playing it a lot in their sets.\n\nAt some point in my career I decided to abandon analogue world as a producer and especially as a DJ and become fully digital, including my label 1605 (that still releases almost half of its catalog also on vinyl, but we do that just to cater to vinyl DJs) and selling music on digital platforms like Beatport. I have a team of professionals working in my office that are specialists for digital marketing, promotion and sales, so they obviously did good job, especially in the beginning when we were entering this world among the first major techno artists and labels.\n\nYou've seemingly done it all in your career. Are there any milestones that you're still after?\n\nAs I’ve mentioned before, I get bored quickly of most of the stuff so I have to keep myself occupied with interesting novelties and I set new goals for my career quickly after I’ve reached previous ones. I’ve done much diverse stuff in my career but as I’m very curious by nature there’s still so many things I’d like to do, hear, see and achieve. I still have a big passion, drive and lots of energy for music, so I don’t plan to stop anytime soon.\n\nI don’t want to go too much in details but for example I’ve been developing and fine tuning my new sound for the last two years and I’m finally coming to the point I’ll be totally satisfied with the result. I’m also involved in the business side of music with our Viberate project right now. But first and foremost I am still a DJ, music producer and head of 1605 label and I’ll continue to be for some time.\n\nYou're a co-founder of the decentralized music marketplace Viberate. What inspired you to get involved in the cryptocurrency space?\n\nI got intrigued by the main idea behind Viberate, which is, to put it really simple, democratizing the global music business. It levels the playing field for all parties involved. If this catches on it will bring big changes to music industry, especially in the field of artist bookings, negotiating label deals and the management of copyrights.\n\nWhen you are looking for investors in traditional business environment, you can get blocked easily by couple of influential people or companies not showing any interest for a groundbreaking project. We’ve made a detailed business proposal that was thoroughly scrutinized online by everybody interested and crypto currency allowed us to get investment for this project from many major and micro investors. We raised $1M in seed capital and then went on to execute one of the most successful ICOs in the music industry to date, raising $10.7M in under five minutes. In a little over four months we managed to hit every deadline set in our roadmap, so the project is going as planned.\n\nAside from over 160,000 artist profiles we are now tracking stats and featuring information for 60,000 venues, couple hundred thousand events and around 2,000 booking agencies. It is an open sourced database, so users add around 2,000 new profiles to Viberate every day and in exchange we are giving VIB tokens to the contributors. We won't stop until we change the music industry for good.\n\nWhat impact do you think new technologies (like cryptocurrency) will have on the future of electronic music?\n\nThey might totally change music business. Right now, there are already at least five companies developing new solutions for the protection and management of music copyrights. The current system of copyrights is obviously not working, as it didn’t offer a working solution for this since the rise of Internet. The system of blockchain and cryptocurrencies allows you to monitor use of every single track used in digital world.\n\nOn Viberate we are also introducing smart contract for artists bookings that will bring more transparency to the market and give power to all parties involved, not only the dominant one. These are only two issues we can solve with new technologies and they are already solid fundament for big changes in the music industry, though there are many more. We have many more ideas but I can’t talk about them just yet.",
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