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      "body": "아이는 올해 5살로, 완벽하게 자신의 감정이나 하루 있었던 일을 설명하지는 못하지만, 어느정도 자신이 감당할 수 있는 수준으로 말을 깨우치게 됐다. 하루의 대부분의 시간을 유치원에서 보내므로, 이제 키운다기 보다, 나는 집에서 잠재워주고 밥만 먹여주는 꼴에 가깝다. 유치원에 다니면서 아이가 부쩍 큰 느낌이 드는데, 실제로 제법 성장했기도 하고, 보육보다는 교육이 메인인 유치원에서 무언가 계속 새로운걸 배워오는 것 같은 느낌이 든다. 아기 때는 머릿속이 말랑말랑해서 새로운 것을 부담없이 받아들이는 것 같다. 나이가 들수록 새로운 것을 배운다는 게 벅차게 느껴지는 것은 배움의 양 자체가 점점 적어져 뇌가 새로운 것을 받아들이기 부담스러워 하기 때문이 아닐까. 매일매일 왜냐고 물어보는게 아이의 일상인데, 어른인 나는 왜라고 질문해본 적이 언제일까. 분명 아이의 왕성한 호기심은 나로부터 물려받았을 거다라고 확신했지만, 지금의 나는 누군가에게 떳떳하게 '나는 질문을 하는 사람'이라고 선언할 수는 없을 것 같다. (좋은 물음이라는 닉네임을 지어놓았으면서도..)\n\n\n\n잠들기 전 아이와 대화를 한다. 은은한 조명과 푹신한 침대만 있으면 하루의 긴장이 스르르 풀린다. 언제서부터인지 정확히 기억은 나지않지만, 자기 전 책을 2권씩 읽어주는 것이 아이의 수면루틴이다. 원래 한글책 1권, 영어책 1권이 목표였으나 영어책이 아니라 한글책만 2권 가져오는 날도 많다. 항상 질문이 많은 아이는 책을 읽으면서 많은 질문을 한다. 왜? 왜? 왜 그런거야? 연신 질문을 던진다. 가끔은 대답해주다가 지칠 때도 많아 얼버무릴 때도 많다. 호기심이 많다는건 좋은건데, 내 귀찮아하는 대답이 아이의 호기심 천국을 망쳐버릴까 가끔은 겁도 난다. 이 날도 역시 책을 읽고 나서 유치원에서 있었던 일을 종알종알 이야기하고 있었다. 방과후 활동시간에 발레와 미술을 배우는데, 호기심 많은 아이는 이 시간이 무척 즐거운것 같았다. 매일 유치원을 가면서 \"오늘은 발레하는 날이야!\", \"오늘은 미술하는 날이야!\" 했다. 오늘은 특히 다른 친구는 클레이를 한다며 자신도 클레이가 하고싶다고 했다.\n\n\n\n\"그런데 클레이를 하려면, 미술이나 발레중에 하나를 포기해야해.\"\n\"왜?\"\n\"특기활동은 2가지밖에 선택할 수가 없어. 2개만 선택해야해\"\n아이가 갑자기 울먹거리기 시작했다.\n\"다 하고싶어요\"\n옆에서 지켜보던 남편이 말했다.\n\"클레이는 집에서 하자! 어때?\"\n울먹거리던 아이가 금새 눈물을 그쳤고,\n\"내일 유치원 갔다와서 클레이할래요\" 라고 하고는 곤히 잠들었다.\n\n다음 날 아침, 아이는 잠에서 깨자마자 할머니에게 \"오늘 유치원 다녀와서 클레이 할거에요\" 라고 말했고, 나는 아차싶어 얼른 클레이를 주문했다. 하마터면 깜빡할 뻔 했다.\n\n\n\n호기심 많은 아이는 다 하고 싶은 것이다. 이것도, 저것도, 재미있는 건 다. 하고싶은 것이 하고싶어 눈물을 글썽거리는 아이를 보며 나는 무엇이 하고싶어 눈물이 나는 삶을 한번이라도 살아본 적이 있는가에 대해 생각해보게 된다. 하기싫어서(회사 가기 싫어서) 눈물 흘린적은 많은데, 하고싶어서 눈물 흘린 적은 없는 것 같다. 간절히 원하는 일이 성인이 되어갈 수록 사라진다. 욕심 없이 사는 것이 마음편하면서도, 언제서부턴가 내 마음이 간절함을 놓아버린 것일지 모른다. 호기심을 가지고 산다는 것은, 간절한 마음의 끝자락을 어루만지며 사는 것이다. 아무리 사소한 것이라도 좋다. 매일 피어오르는 작은 열망이 나를 소리없이 지피우는 삶을 살고싶다.\n\nThe child is 5 years old this year, and although he cannot fully describe his feelings or what happened in the day, he has learned to speak to a degree that he can handle. I spend most of my day in kindergarten, so rather than raising it now, I'm more like sleeping and feeding at home. While attending kindergarten, my child feels a lot bigger, but I have actually grown up quite a bit, and it feels like I am constantly learning something new at a kindergarten where education is the main focus rather than childcare. When I was a baby, my mind was soft, so I felt like I was comfortable accepting new things. As I get older, I feel overwhelmed to learn new things because the amount of learning itself becomes less and less, and the brain is burdened with accepting new things. It's a child's routine to ask why every day, but when did I, as an adult, ever ask why? Certainly, I was sure that the child's vigorous curiosity would have been inherited from me, but now I am not able to openly declare to someone that I am the one who asks questions. (Although I made up a nickname of good question...)\n\n\n\nTalk to your child before going to bed. With soft lighting and a soft bed, the tension of the day can be relieved. I can't remember exactly from when, but reading two books each before going to bed is the child's sleep routine. Originally, the goal was to have 1 Korean book and 1 English book, but there are many days to bring only 2 Korean books, not English books. A child who always has a lot of questions asks a lot of questions while reading. Why? Why? Why is that? He asks a stretch question. He sometimes gives an answer, but sometimes he gets tired, often frowns. It's nice to be curious, but sometimes I'm afraid that my annoying answers will ruin my child's curiosity paradise. Again, on this day, after reading a book, I was talking about what had happened in kindergarten. I learn ballet and art in the after-school activities, and the curious child seemed to enjoy this time very much. I go to kindergarten every day and say, \"Today is a ballet day!\", \"Today is an art day!\" did. Today, in particular, another friend said he wanted to do clay.\n\n\n\n\"But to do clay, you have to give up either art or ballet.\"\n\"Why?\"\n\"You can only choose 2 special activities. You have to choose only 2\"\nThe child suddenly started crying.\n\"I want to do it all\"\nSaid the husband who was watching next to her.\n\"Let's do Clay at home! How about?\"\nThe crying child quickly stopped tearing,\nI said, \"I'll go to kindergarten and play clay tomorrow,\" and fell asleep.\n\nThe next morning, as soon as the child woke up, he said to his grandmother, \"I'm going to go to kindergarten today and I'm going to do clay.\" I almost forgot.\n\n\n\nA curious child wants to do it all. This, that, and all the fun. As I see a child crying in tears because I want to do what I want to do, I think about what I want to do and if I have ever lived a life of tears. There are a lot of times I shed tears because I didn't want to do it (because I didn't want to go to work), but I don't think I shed tears because I wanted to. The things you desperately want disappear as you grow older. It is easy to live without greed, but I don't know when my heart has let go of my eagerness. To live with curiosity means to touch the end of your desperate mind. No matter how trivial it is. I want to live a life in which the little aspiration that blooms every day silently erases me.",
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      "body": "@@ -363,16 +363,307 @@\n shown.%0A%0A\n+%0A!%5B%E1%84%89%E1%85%B3%E1%84%8F%E1%85%B3%E1%84%85%E1%85%B5%E1%86%AB%E1%84%89%E1%85%A3%E1%86%BA 2021-04-07 %E1%84%8B%E1%85%A9%E1%84%8C%E1%85%A5%E1%86%AB 9.14.01.png%5D%0A(https://cdn.steemitimages.com/DQmeSNUeJ9aHSTp6XFTm5tiFH6pys4LY4oeXQmLGnNqdZ4U/%25E1%2584%2589%25E1%2585%25B3%25E1%2584%258F%25E1%2585%25B3%25E1%2584%2585%25E1%2585%25B5%25E1%2586%25AB%25E1%2584%2589%25E1%2585%25A3%25E1%2586%25BA%25202021-04-07%2520%25E1%2584%258B%25E1%2585%25A9%25E1%2584%258C%25E1%2585%25A5%25E1%2586%25AB%25209.14.01.png)%0A%0A\n %EC%98%A4%EB%9E%9C%EB%A7%8C%EC%97%90 %EA%B0%84 %EC%98%81\n@@ -5435,16 +5435,308 @@\n ngdae.%0A%0A\n+%0A!%5B%E1%84%89%E1%85%B3%E1%84%8F%E1%85%B3%E1%84%85%E1%85%B5%E1%86%AB%E1%84%89%E1%85%A3%E1%86%BA 2021-04-07 %E1%84%8B%E1%85%A9%E1%84%8C%E1%85%A5%E1%86%AB 9.14.16.png%5D(https://cdn.steemitimages.com/DQmaGiXPWnmkLv5We7nS6RZd1LpfmH9PZH72rNZ5r2Zwqa2/%25E1%2584%2589%25E1%2585%25B3%25E1%2584%258F%25E1%2585%25B3%25E1%2584%2585%25E1%2585%25B5%25E1%2586%25AB%25E1%2584%2589%25E1%2585%25A3%25E1%2586%25BA%25202021-04-07%2520%25E1%2584%258B%25E1%2585%25A9%25E1%2584%258C%25E1%2585%25A5%25E1%2586%25AB%25209.14.16.png)%0A%0A%0A%0A\n %EC%9E%90%EC%8B%A0%EC%9D%B4 %EC%98%B3%EB%8B%A4%EA%B3%A0 \n@@ -6690,9 +6690,8 @@\n ike this\n-.\n",
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      "title": "Right that couldn't confront the world / Watching the movie ‘The book of Fish'"
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      "body": "코로나 이후로 처음 영화를 보러갔다. 평일의 영화관에는 3,4명 남짓한 사람들이 있었다. 평일 저녁이 이 정도라면, 평일 낮에는 아무도 없어 영화를 상영하지 않을 정도겠다라는 생각이 들었다.\nI went to see a movie for the first time since Corona. There were about 3 or 4 people in the movie theater on weekdays. I thought that if the evening on a weekday was this much, there would be no one during the day on a weekday and the movie would not be shown.\n\n오랜만에 간 영화관에서 본 영화는 깊은 몰입감을 선물해주었다. 영화관도 오랜만이지만 영화 자체도 오랜만에 보는 것이었는데, 아무래도 집에서 보는 것과는 집중도가 다르다. 영화를 보는 동안은 나를 잊는다. 내가 온전히 그 화면안에 들어가 있는듯한 느낌이 든다.\nThe movie I watched at a movie theater after a long absence gave me a sense of deep immersion. It's been a long time since the movie theater, but the movie itself has been watched after a long time, but the concentration is different from watching at home. You forget me while watching a movie. I feel as if I'm completely inside the screen.\n\n나는 영화를 보기 전에 영화 관련 정보를 거의 보지않는다. 대신 영화를 검색했을 때 자주 등장하는 주요 키워드나 블로그 타이틀, 출연배우 등을 보고 볼 지를 결정하는데, 이 영화 역시 자세한 줄거리에 대해서는 전혀 모르고 본것이었다. 초반에는 천주교 이야기가 나와서, 앗, 이 영화는 천주교에 대한 영화인가? 까지 생각을 했었다. 그런데 사실 천주교는 영화 전체의 아주 일부분에 대한 것 뿐이고, 전반적인 내용을 이끌어가는데 초반에만 역할을 하는 것이었다. (개인적으로 종교영화를 별로 안좋아한다.)\n\n\n\n영화는 처음부터 끝까지 흑백으로 이루어져있다. (아, 한 장면만이 일부로 컬러로 나오는 부분이 있다. 이 장면 정말 아름다우니 영화에서 꼭 확인하시기를-) 동주때도 그렇고, 자산어보도 그렇고 흑백으로 제작된 영화를 볼때면 처음에는 익숙하지 않다. 왜인지 옛날로 거슬로 올라가 흑백 텔레비전을 보고있는 느낌에 뭔가 답답하게 느껴진다. 결국에는 흑백이 아니면 전달력이 반감되어 버리지 않을까 우려가 들 정도로, 색이 아닌 장면에, 배우들의 표정에, 자연의 소리에 집중할 수 있도록 배려한 감독의 선택에 감동하게 된다. 흑백영화를 이끌어가는 힘은 화려한 영상미가 아니라, 온전히 감독의 연출력과 배우 연기력의 몫일터다. 이 말은 즉, 주인공인 설경구, 변요한, 그리고 (개인적으로 훌륭한 역할이었다고 생각하는) 정약전의 아내역 이정은이 부족함 없이 스크린 안을 빈틈없이 메꾼다는 뜻이다. 오히려 나는 이 영화가 흑백이 아니었으면 어떻게했을 뻔 했나 라는 안도감까지 든다.\n\n\n\n정약전 형제는 그들이 받아들인 새로운 세상, 서양학을 실용주의로 세상에 덕을 퍼트리고자 하였으나, 유교사상을 반대한다는 사이비라 오해받고 전부 유배를 가게된다. 버티는 것이 답임을 안 정약전은 흑산도라는 먼 유배지에서 정 많은 흑산도 사람들을 만나 인간미 넘치는 유배생활을 하게 된다. 그 중 '창대'라는 소년은 물고기와 바다에 대한 지식이 해박하고, 글을 좋아하는 청년으로, 정약전이 자산어보를 쓰자는 결심을 하게되는 중요한 인물이다. 창대라는 인물은 출세가 하고싶어, 스승인 정약전을 떠나 결국 진사자리에 오르게되나 탐관오리들의 치졸한 행태를 알게되고 좌절한다. 결국 자신이 행하려는 옳은 성리학, 목민심서의 내용대로 백성을 다스릴 수 없다는 것을 깨닫게 되는데는 오래걸리지 않는다. 모든 양반 생활을 정리하고 흑산도로 돌아오는 도중, 스승 정약전이 자산어보를 마무리 지으러 들어간 우이도에 들르게 되는데, 여기에서 창대는 스승의 죽음을 목격한다. 그들이 옳다고 생각한 세상, 믿음은 정약전의 죽음과 창대의 귀환에 힘없이 무너지고 만다.\n\nI rarely see information about movies before I watch them. Instead, when you search for a movie, you decide whether to watch it by looking at the main keywords, blog titles, and actors that appear frequently, and this movie was also viewed without knowing about the detailed plot. At the beginning, there was a story of Catholicism, so oh, is this a movie about Catholicism? I was thinking until. However, in fact, Catholicism is only about a very small part of the whole film, and plays a role only in the beginning of the overall content. (Personally, I don't like religious movies very much.)\n\n\n\nThe film is in black and white from start to finish. (Oh, only one scene is partly in color. This scene is really beautiful, so be sure to check it out in the movie-) It's unfamiliar at first when I watch a movie made in black and white as well as in Dongju, as well as in assets. For some reason, I feel stuffy about the feeling of going back to the old days and watching black and white television. In the end, I am moved by the director's choice to focus on the scenes other than colors, the facial expressions of the actors, and the sounds of nature, so that there is a fear that the transmission power will be halved if it is not black and white. The power to lead black and white movies is not the splendid visual beauty, but the director's directing and acting skills. This means that the protagonists Seol Gyeong-gu, Byeon Yo-han, and Jeong Yak-jeon's wife Lee Jung-eun (who I think were personally excellent roles) fill the screen without lacking. Rather, I even feel relieved that what I would have done if this movie was not black and white.\n\n\n\nBrothers Jeong Yak-jeon tried to spread virtue to the world through pragmatism in the new world they accepted, Western studies, but they were misunderstood as a pseudonym that opposed the Confucian ideology and all went into exile. Knowing that enduring is the answer, Jeong Yakjeon meets a lot of Heuksando people in a distant exile called Heuksan-do, and leads an exile full of humanity. Among them, the boy named'Changdae' is a young man who has knowledge of fish and the sea and likes to write, and is an important person who makes the decision to write the asset word of Jeong Yakjeon. A character named Changdae wants to succeed, so he leaves his teacher, Jeong Yakjeon, and eventually climbs to the place of Jinsa, but becomes frustrated when he learns about the vulgar behavior of the tam-gwan-duck. It doesn't take long before he finally realizes that he can't thrill all of the people according to the content of the right Sung Confucianism, Mokmin Shimseo, that he intends to do. On the way back to Heuksan-do after organizing all the yangban's life, he stops at Uido, where the teacher Jeong Yak-jeon entered to finish the Jasan-eobo, where Chang-dae witnesses the death of his teacher. The world they thought was right, their faith, collapsed without force in the death of the Jeong Testament and the return of the Changdae.\n\n자신이 옳다고 생각하는 믿음이 세상과 통용되지 않을때, 그 괴로움을 내가 어찌 감히 알 수 있을까? 현실을 살아가는 내가 가지고 있는 믿음이야 얄팍하고 주워들은 지식들의 조합일 뿐이며, 특히 나는 현실과 가까운 정치에 대해서는 관심도, 열정도 없는 무지한 소시민축에 속한다. 정당한 것을 외치는 쪽은 항상 괴롭고 어렵다라는 선입견이 있어서인지 선뜻 그쪽에는 발을 담그기 어렵다. 이 영화를 보고 문득 기득권에 대해 생각하게 된다. 세금을 쭉쭉 빨아먹는 국가에 대해 생각해보게 된다. 과연 나는 이대로 계속 걸어가도 좋은 것인가에 대한 답을 하기가 힘들다.\nHow dare I know the suffering when the belief that I think is right doesn't work with the world? My belief in real life is only a combination of shallow and picked up knowledge, and in particular, I belong to an ignorant small citizen who has neither interest nor enthusiasm for politics close to reality. The prejudice that the one who shouts the right thing is always painful and difficult, so it's hard to put your feet on that side. Watching this movie, I suddenly think about vested interests. You think about a country that sucks up your taxes. Indeed, it is difficult for me to answer the question of whether it is okay to keep walking like this.",
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      "body": "![IMG_4706.jpg](https://cdn.steemitimages.com/DQmczkjBoLTiQ3Potjx1neME7ocD35WeBhx8f8M8dLorhPy/IMG_4706.jpg)\n\n\n미사 어구가 많아 눈에 잘 들어오지 않던 책, 무슨 내용인 지 갈피를 잡을 수 없어 난해했던 소설책. 읽고 있다보면 어느새 책장을 덮을수 없던 책, 결말까지 긴장을 늦추지 않고 팽팽한 느낌, 결말을 보았을 때는 더욱 더 황당한 느낌.\nA book that didn't come to my eyes because of the many phrases of mass, and a novel book that was difficult because I couldn't get to know what it was. A book that couldn't cover the bookcase when I was reading it, a taut feeling without slowing down the tension until the ending, and even more embarrassing when I saw the ending.\n\n\n여주인공 카야와 테이트라는 남자, 그리고 체이스라는 남자, 이렇게 삼각관계를 중심으로 이야기가 펼쳐진다. 책은 내내 철저히 카야의 시선에서 서술되어있다. 다만 한가지 특이한 점은 카야에게 유리한 시선으로 기술되어 있다는 점이다. 거의 모든 사건들이 카야가 보고 느끼는 것들을 중심으로 서술되어 있다. 그래서 읽는 내내 카야의 감정에 집중하고 공감할 수 밖에 없는 구조이다. 스릴러의 요소를 갖춘 연애소설이랄까. 맘을 졸이며 보는 연애소설은 신선할 수 밖에 없다.\nThe main character, Kaya, a man named Tate, and a man named Chase, revolve around this triangle. The book is thoroughly described in Kaya's eyes throughout. However, one peculiar thing is that it is described as a favorable gaze for Kaya. Almost all events are described around what Kaya sees and feels. So, it's a structure where you can only focus and empathize with Kaya's feelings throughout the reading. It's a love story with a thriller element. The love story that you watch with your heart is inevitably fresh.\n\n![IMG_4705.jpg](https://cdn.steemitimages.com/DQmQHLBLBxHtHrBvFtE3x6Z5BA9DgNg9123CckqTHCNj1j8/IMG_4705.jpg)\n\n카야는 습지에서 홀로 사는 외로운 소녀이다. 테이트는 그녀에게 다가와준 첫번째 남자이고, 테이트가 떠났을 때 체이스라는 두번째 남자가 나타난다. 테이트는 사실 떠난 것이 아니다. 잠시 떨어져 있을 뿐이었다. 카야는 그것을 몰랐다. 나는 카야로부터 잠시 떨어져있는 테이트의 심정도 이해가 갔다. 습지의 야생마같은 소녀를 감당할 수 없을 것 같은 막막함을 느꼈겠지. 그 동안 체이스라는 거친 남자가 카야의 마음을 뒤흔드는데, 체이스는 카야를 이용하는 나쁜남자계열이었고, 카야는 자신을 가지고 노는 체이스때문에 한참을 괴로워한다. 카야는 테이트와 체이스 사이에서 외롭고, 힘든 나날들을 보낼 수밖에 없다. 다시 말하지만, 카야는 습지의 오두막에서 사는 외로운 10대 소녀다...\nKaya is a lonely girl who lives alone in a wetland. Her Tate is her first man to come to her, and when her Tate leaves, her second man, Her Chase, appears. Tate didn't actually leave. She was just a while away. Kaya didn't know it. I also understood Tate's feelings away from Kaya. She must have felt the frustration that she could not handle a girl like a wild horse in the wetland. Meanwhile, a rough man named Chase shakes Kaya's heart. Chase is a bad guy who uses Kaya, and Kaya suffers from Chase playing with herself for a long time. Kaya has no choice but to spend lonely, hard days between Tate and Chase. Again, Kaya is a lonely teenage girl who lives in a wetland hut...\n\n아름다운 습지의 풍경이 그려지는 묘사가 많은데다가, 책 표지가 노을이 지는 주황색이어서 그런지 쓸쓸한 느낌. 그리고 그 습지에서 자연을 느끼고, 또 외로움에 사무치는 카야의 심정이 조금은 전해져오는 듯 했다. 중간중간 시도 나오는데, 나는 시를 좋아하는 편이지만 짧막한 3,4줄 정도의 시에서는 큰 감흥을 느끼지는 못했다. 그 중 제일 아름답다고 생각했던 시만 살짝 남겨두었었다. 카야가 테이트를 그리워하는 마음이 차분하면서도 간절히 드러나있다.\nThere are many descriptions of the beautiful wetland landscape, and the book cover is orange in sunset, so it feels lonely. And it seemed a little bit of Kaya's feelings of feeling nature and loneliness in the wetland. It comes out in the middle of the attempt, but I like poetry, but I didn't feel much inspiration in the short poems of 3 or 4 lines. Among them, I only left a little bit of the poem I thought was the most beautiful. Kaya's longing for her Tate is calm and earnestly revealed.\n\n다시 한번 말하지만, 카야는 습지에 홀로 사는 외로운 소녀이다. 돈이 없어 먹을 것을 구하기도 힘들어, 직접 주변에서 음식도 체취한다. 엄마가 도망가버리는 바람에 요리는 더더욱 젬병이다. 외로운 카야의 마음이 내 마음으로 전해져 조용한 소용돌이 휘감듯 사무칠 때쯤, 카야는 모든 기대를 뒤집어 버린다. 하지만 왜일까. 카야의 마음과 행동이 결국에는 너무나 이해가 되어서 서글펐다. 나도 저랬을거야, 나도 어쩔 수 없었을거야하는 생각이 들었다. 팽팽한 긴장감이 끝나자마자, 마음이 먹먹해지는 독보적으로 오묘한 장르의 소설이었다.\nOnce again, Kaya is a lonely girl who lives alone in a wetland. She doesn't have money, so it's hard to get something to eat, and she takes food around herself. Her mother is running away and her cooking is even worse. By the time her lonely Kaya's heart is passed on to her heart, and her quiet whirlwind swells, Kaya overturns all her expectations. But why? It was sad that her Kaya's heart and her actions eventually understood so much. She thought that I would have done that, and that I could not have helped it. As soon as her tense sense of tension was over, it was a novel of a uniquely subtle genre that her mind was crushed.\n\n![IMG_4704.jpg](https://cdn.steemitimages.com/DQmSqWfabJMjX2XQbQqp6ppN3YZ6wAfMpv9qgaojZJ7xv2z/IMG_4704.jpg)",
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      "title": "Where does loneliness end up going, Delia Owens 'Where the Crawdads sing' / 외로움은 결국 어디로 가는가, 델리아 오언스 '가재가 노래하는 곳'을 읽고"
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      "body": "하루키에 대한 책인줄 모르고 그저 임경선 작가의 글이 읽고 싶어 선택한 책이었다. 임경선 작가의 문체는 경쾌하고 읽기 쉽다. 하루키의 문체와 어딘가 닮아있다. 이 책은 임경선 작가가 사랑하는 하루키를 깊게 관찰하고 쓴 글로, 주말 하루의 몇 시간을 내어 가볍게 산책하는 마음으로 읽기에 좋았다. 책에서 임경선 작가는 하루키의 책을 읽고 글을 쓰기 결심했다고 한다.\nI didn't know that it was a book about Haruki, but it was just the book I wanted to read by writer Lim Gyeong-seon. The writing style of the writer Lim Kyung-seon is light and easy to read. Somehow resembles Haruki's style. This book was written by deeply observing Haruki, loved by writer Lim Gyeong-seon, and it was good to read with the mind to take a few hours a day on the weekend for a light walk. In the book, writer Lim Kyung-seon said that she decided to read Haruki's book and write.\n\n![IMG_7223.jpeg](https://cdn.steemitimages.com/DQmWYHagnXPsBz7rPRXL6tYQJBRKbG3RUidyd1G9931XtJX/IMG_7223.jpeg)\n\n\n나도 하루키를 좋아한다. 대학교 때, 한참 하루키에 빠져서 수업시간 내내 태엽감는 새를 읽었던 기억이 난다. 대학 수업이면 그냥 빠지고 집에서 읽어도 될텐데, 출석 체크한다고 또 부지런히 수업은 들어갔다. 그만큼 하루키의 소설은 대단한 흡입력을 가지고 있다. 안 읽어본 사람은 있어도, 한권만 읽은 사람은 없다에 내 손모가지 걸 정도.\nI also like Haruki. In college, she fell in love with Haruki for a while, and I remember reading the winding bird throughout the class. If it was a college class, you could just skip it and read it at home, but I went into the class diligently to check attendance. As such, Haruki's novels have a great suction power. Even if some people haven't read it, no one has read only one book, so it's worth my hand.\n\n\n하루키카 대단하다고 생각하는 부분은 '직업인으로서의 소설가'로서 굉장히 성실하고 꾸준한 태도를 가지고 글을 쓴다는 것이다. 글쓰기에는 체력이 필수라 운동을 꾸준히, 건강해야 글을 오래 쓰니까 건강관리를 열심히, 절대적으로 앉아 있는 시간을 확보하는 부지런함. 그런것들이 모두 하루키의 글의 완성도를 높여주는 데에 일조한다고 생각한다. 천부적인 재능도 있겠지만, 재능이 부지런함과 결합하니 범접할 수 없다.\nWhat I think is amazing is that Harukika writes with a very sincere and consistent attitude as a'professional novelist'. Physical fitness is essential for writing, so you need to exercise consistently and be healthy to write for a long time, so take care of your health hard, and absolutely diligence to secure time to sit down. I think that all of them contribute to enhancing Haruki's writing. There may be natural talents, but they cannot be touched because talents are combined with diligence.\n\n\n![IMG_7222.jpeg](https://cdn.steemitimages.com/DQmZehzbbz8NgT7kRWdFmscD1D48DUE4AWpyNEdD6goaupG/IMG_7222.jpeg)\n\n\n\n하루키의 '노르웨이의 숲'이 밀리언셀러가 될 때 쯤,  사람들의 부정적인 비평들에 상처를 입는 시간을 보내게 된다. 천하무적 멘탈일 것 같은 하루키도 스트레스를 받는다니 왠지모를 안도감이 들었지만, 결국 하루키는  어딘가 우직하고 단단한 그의 문체처럼 그의 방식대로 삶을 이어나간다. '비평가들은 내 소설을 무조건 읽어야하지만, 본인은 비평가들의 글을 무조건 읽지 않아도되서' 왜인지 이긴 기분이라나.\nBy the time Haruki's'Norway's Forest' becomes a million-seller, he spends time being hurt by negative criticisms from people. Haruki, who seems to be an invincible mentality, was relieved for some reason that he was under stress, but in the end, Haruki continues his life in his way, like his sturdy and solid style. “The critics have to read my novels unconditionally, but I feel like I won because I don’t have to read the critics’ writings.”\n\n\n1/3은 아이와 함께 간 키즈카페에서, 1/3은 아이가 잠든 차안에서, 1/3은 집에서 실내 사이클을 타면서 틈틈히 완독한 '어디까지나 개인적인'은 제목과 내용을 어디까지 매칭시켜야할 지 헷갈렸으나, 임경선 작가가 안내해주는 하루키의 발자취를 따라 걸으며 소중한 주말을 촘촘히 채워주기에 적당한 책이었다.\n1/3 is in the kids cafe with the child, 1/3 is in the car where the child is sleeping, and 1/3 is in the indoor cycle at home. It was confusing, but it was a suitable book to fill up the precious weekend closely by walking in the footsteps of Haruki guided by the author Lim Gyeong-seon.",
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      "title": "하루키를 좋아하시나요?Do you like Haruki? / 임경선의 '어디까지나 개인적인'을 읽고"
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      "body": "하루키에 대한 책인줄 모르고 그저 임경선 작가의 글이 읽고 싶어 선택한 책이었다. 임경선 작가의 문체는 경쾌하고 읽기 쉽다. 하루키의 문체와 어딘가 닮아있다. 이 책은 임경선 작가가 사랑하는 하루키를 깊게 관찰하고 쓴 글로, 주말 하루의 몇 시간을 내어 가볍게 산책하는 마음으로 읽기에 좋았다. 책에서 임경선 작가는 하루키의 책을 읽고 글을 쓰기 결심했다고 한다.\nI didn't know that it was a book about Haruki, but it was just the book I wanted to read by writer Lim Gyeong-seon. The writing style of the writer Lim Kyung-seon is light and easy to read. Somehow resembles Haruki's style. This book was written by deeply observing Haruki, loved by writer Lim Gyeong-seon, and it was good to read with the mind to take a few hours a day on the weekend for a light walk. In the book, writer Lim Kyung-seon said that she decided to read Haruki's book and write.\n\n![IMG_7223.jpeg](https://cdn.steemitimages.com/DQmWYHagnXPsBz7rPRXL6tYQJBRKbG3RUidyd1G9931XtJX/IMG_7223.jpeg)\n\n\n나도 하루키를 좋아한다. 대학교 때, 한참 하루키에 빠져서 수업시간 내내 태엽감는 새를 읽었던 기억이 난다. 대학 수업이면 그냥 빠지고 집에서 읽어도 될텐데, 출석 체크한다고 또 부지런히 수업은 들어갔다. 그만큼 하루키의 소설은 대단한 흡입력을 가지고 있다. 안 읽어본 사람은 있어도, 한권만 읽은 사람은 없다에 내 손모가지 걸 정도.\nI also like Haruki. In college, she fell in love with Haruki for a while, and I remember reading the winding bird throughout the class. If it was a college class, you could just skip it and read it at home, but I went into the class diligently to check attendance. As such, Haruki's novels have a great suction power. Even if some people haven't read it, no one has read only one book, so it's worth my hand.\n\n\n하루키카 대단하다고 생각하는 부분은 '직업인으로서의 소설가'로서 굉장히 성실하고 꾸준한 태도를 가지고 글을 쓴다는 것이다. 글쓰기에는 체력이 필수라 운동을 꾸준히, 건강해야 글을 오래 쓰니까 건강관리를 열심히, 절대적으로 앉아 있는 시간을 확보하는 부지런함. 그런것들이 모두 하루키의 글의 완성도를 높여주는 데에 일조한다고 생각한다. 천부적인 재능도 있겠지만, 재능이 부지런함과 결합하니 범접할 수 없다.\nWhat I think is amazing is that Harukika writes with a very sincere and consistent attitude as a'professional novelist'. Physical fitness is essential for writing, so you need to exercise consistently and be healthy to write for a long time, so take care of your health hard, and absolutely diligence to secure time to sit down. I think that all of them contribute to enhancing Haruki's writing. There may be natural talents, but they cannot be touched because talents are combined with diligence.\n\n\n![IMG_7222.jpeg](https://cdn.steemitimages.com/DQmZehzbbz8NgT7kRWdFmscD1D48DUE4AWpyNEdD6goaupG/IMG_7222.jpeg)\n\n\n\n하루키의 '노르웨이의 숲'이 밀리언셀러가 될 때 쯤,  사람들의 부정적인 비평들에 상처를 입는 시간을 보내게 된다. 천하무적 멘탈일 것 같은 하루키도 스트레스를 받는다니 왠지모를 안도감이 들었지만, 결국 하루키는  어딘가 우직하고 단단한 그의 문체처럼 그의 방식대로 삶을 이어나간다. '비평가들은 내 소설을 무조건 읽어야하지만, 본인은 비평가들의 글을 무조건 읽지 않아도되서' 왜인지 이긴 기분이라나.\nBy the time Haruki's'Norway's Forest' becomes a million-seller, he spends time being hurt by negative criticisms from people. Haruki, who seems to be an invincible mentality, was relieved for some reason that he was under stress, but in the end, Haruki continues his life in his way, like his sturdy and solid style. “The critics have to read my novels unconditionally, but I feel like I won because I don’t have to read the critics’ writings.”\n\n\n1/3은 아이와 함께 간 키즈카페에서, 1/3은 아이가 잠든 차안에서, 1/3은 집에서 실내 사이클을 타면서 틈틈히 완독한 '어디까지나 개인적인'은 제목과 내용을 어디까지 매칭시켜야할 지 헷갈렸으나, 임경선 작가가 안내해주는 하루키의 발자취를 따라 걸으며 소중한 주말을 촘촘히 채워주기에 적당한 책이었다.\n1/3 is in the kids cafe with the child, 1/3 is in the car where the child is sleeping, and 1/3 is in the indoor cycle at home. It was confusing, but it was a suitable book to fill up the precious weekend closely by walking in the footsteps of Haruki guided by the author Lim Gyeong-seon.",
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