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      "body": "https://4.bp.blogspot.com/-fdxoVXBGOK4/WyM8iORblNI/AAAAAAAAQWM/n6U_Hc_4BRs901-o2oV8YEAoENZwFOmNwCLcBGAs/s1600/bookmobile%2B%25281%2529.jpg\nThe Public library of Cincinnati’s first bookmobile, circa 1927.\n\nThe bookmobile was travelling library often used to provide books to villages and city suburbs that had no library buildings. It went from a simple horse-drawn cart in the 19th century to large customised vehicles that became part of American culture and reached their height of popularity in the mid-twentieth century.\n\nOne of the earliest mobile libraries in the United States was a mule-drawn wagon carrying wooden boxes of books. It was created in 1904 by the People’s Free Library of Chester County, South Carolina, and served the rural areas there. Another early mobile library service was developed by Mary Lemist Titcomb. As a librarian in Washington County, Maryland, Titcomb was concerned that the library was not reaching all the people it could. The annual report for 1902 listed 23 “branches”, each being a collection of 50 books in a case that was placed in a store or post office throughout the county. Realizing that even this did not reach the most rural residents, the Washington County Free Library began a “book wagon” in 1905, taking the library materials directly to people’s homes in remote parts of the county.\n\nWith the rise of motorized transport in America, a pioneering librarian in 1920 named Sarah Byrd Askew began driving her specially outfitted Model T to provide library books to rural areas in New Jersey. The automobile remained rare, however, and in Minneapolis, the Hennepin County Public Library operated a horse-drawn book wagon starting in 1922. Following the Great Depression in the United States, a WPA effort from 1935 to 1943 called the Pack Horse Library Project covered the remote coves and mountainsides of Kentucky and nearby Appalachia, bringing books and similar supplies on foot and on hoof to those who could not make the trip to a library on their own. Sometimes these “packhorse librarians” relied on a centralized contact to help them distribute the materials.\n\nhttps://3.bp.blogspot.com/-OiOQJJ6hPUI/WyM8k1pq1mI/AAAAAAAAQWo/lAaxXQsluHcQZQC4pqYopGXCKApBYEWhwCLcBGAs/s1600/bookmobile%2B%25282%2529.jpg\nA bookmobile in Accra, Ghana, 1950s.\n\nhttps://3.bp.blogspot.com/-Z1IFUlYPeUo/WyM8lFOxMWI/AAAAAAAAQWs/q8kmScsvcesfBu1EToCa273E2NIVNTG7ACLcBGAs/s1600/bookmobile%2B%25283%2529.jpg\nA bus with a view, 1967.\n\nhttps://1.bp.blogspot.com/-v0W-R2af5sE/WyM8lggT1VI/AAAAAAAAQWw/tFS3Uu91W_g2wSLW4hiS95Y0X4Ug6l5OwCLcBGAs/s1600/bookmobile%2B%25284%2529.jpg\nBookmobile staff.\n\nhttps://3.bp.blogspot.com/-nsZe_XwWIk8/WyM8mIXTZaI/AAAAAAAAQW4/qD6jPptZiTA5zv57qWTPpIuP-l1eyTGIQCLcBGAs/s1600/bookmobile%2B%25285%2529.jpg\nBookmobile in Greensboro, North Carolina, USA. 170.770 volumes were circulated in 1936.\n\nhttps://1.bp.blogspot.com/-y2UowwxvVi0/WyM8me9OsRI/AAAAAAAAQW0/1QiR0Snbet0Xeah188Xhc7-bAo60PfodwCLcBGAs/s1600/bookmobile%2B%25286%2529.jpg\nInside a bookmobile, date unknown.\n\nhttps://4.bp.blogspot.com/-4MMwUR5R0NQ/WyM8mipUZzI/AAAAAAAAQXA/4pw4v-b41LoCTJZyKtfbwBZZmSAVZjCrACLcBGAs/s1600/bookmobile%2B%25287%2529.jpg\nAn early bookmobile horse and cart in Washington D.C.\n\nhttps://1.bp.blogspot.com/-6a86Ljjr7YI/WyM8mmDr_KI/AAAAAAAAQXE/UFEwWehOWAwq6awXPyeM8YlnISiCfJe0QCLcBGAs/s1600/bookmobile%2B%25288%2529.jpg\nAn impatient queue for a Dutch bookmobile.\n\nhttps://3.bp.blogspot.com/-8KAJLeqeg3I/WyM8moG9tHI/AAAAAAAAQXI/qN7ZfPnZG_I7YRsHw1mUbXEtmGqVAAZngCLcBGAs/s1600/bookmobile%2B%25289%2529.jpg\nSoldiers getting library books from a truck, Kelly Field Library, Texas, c. 1917.",
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      "body": "Congratulations @uridabbas! You have received a personal award!\n\n[![](https://steemitimages.com/70x70/http://steemitboard.com/@uridabbas/birthday1.png)](http://steemitboard.com/@uridabbas)  1 Year on Steemit\n<sub>_Click on the badge to view your Board of Honor._</sub>\n\n\n**Do not miss the last post from @steemitboard:**\n[SteemitBoard World Cup Contest - The semi-finals are coming. Be ready!](https://steemit.com/steemitboard/@steemitboard/steemitboard-world-cup-contest-the-semi-finals-are-coming-be-ready)\n\n---\n**Participate in the [SteemitBoard World Cup Contest](https://steemit.com/steemitboard/@steemitboard/steemitboard-world-cup-contest-collect-badges-and-win-free-sbd)!**\nCollect World Cup badges and win free SBD\nSupport the Gold Sponsors of the contest: [@good-karma](https://v2.steemconnect.com/sign/account-witness-vote?witness=good-karma&approve=1) and [@lukestokes](https://v2.steemconnect.com/sign/account-witness-vote?witness=lukestokes.mhth&approve=1)\n\n---\n\n> Do you like [SteemitBoard's project](https://steemit.com/@steemitboard)? Then **[Vote for its witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1)** and **get one more award**!",
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      "author": "cheetah",
      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttp://www.history.com/topics/us-presidents/ronald-reagan",
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{
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      "author": "uridabbas",
      "body": "https://3.bp.blogspot.com/-kzKeI3KqtQo/WoaN0TnrZmI/AAAAAAAAPSA/ZmmiN_vKA9Us2byWbMbNnKruSYYhHVGpgCLcBGAs/s1600/When_Reagan_was_an_actor%2B%25281%2529.jpg\nRonald Reagan poses for a sculpture class at the University of Southern California. 1940.\n\nHe was the 40th president of the United States, but first, he juggled monkeys for Hollywood. Ronald Reagan started his career in show business in Des Moines, Iowa as a radio announcer for baseball games. In 1937, while in Southern California to cover the Chicago Cubs’ spring training season, Ronald Reagan did a screen test for the Warner Brothers movie studio. The studio signed him to a contract, and that same year he made his film debut in “Love is on the Air,” playing a radio news reporter. Over the next three decades he appeared in more than 50 movies.\n\nAmong his best-known roles was that of Notre Dame football star George Gipp in the 1940 biographical film “Knute Rockne All American.” In the movie, Reagan’s famous line–which he is still rememberd for–was “Win one for the Gipper”. Another notable role was in 1942 in “Kings Row,” in which Reagan portrayed an accident victim who wakes up to discover his legs have been amputated and cries out, “Where’s the rest of me?” (Reagan used this line as the title of his 1965 autobiography.)\n\nAlthough Reagan called Kings Row the film that “made me a star”, he was unable to capitalize on his success because he was ordered to active duty with the U.S. Army at San Francisco two months after its release, and never regained “star” status in motion pictures. In the post-war era, after being separated from almost four years of World War II stateside service with the 1st Motion Picture Unit in December 1945, Reagan co-starred in such films as The Voice of the Turtle, John Loves Mary, The Hasty Heart, Bedtime for Bonzo, Cattle Queen of Montana, Tennessee’s Partner, Hellcats of the Navy (the only film in which he appears with Nancy Reagan), and the 1964 remake The Killers (his final film). Throughout his film career, his mother answered much of his fan mail.\n\nFrom 1954 to 1962, he hosted the weekly television drama series “The General Electric Theater.” In this role, he toured the United States as a public relations representative for General Electric, giving pro-business talks in which he spoke out against too much government control and wasteful spending, central themes of his future political career.\n\nhttps://1.bp.blogspot.com/-egW5NuKPBb4/WoaN2uzQr3I/AAAAAAAAPSs/BWfsVQEQvDcr_l2416gXG2rEX3TC_UAXQCLcBGAs/s1600/When_Reagan_was_an_actor%2B%25282%2529.jpg\nReagan in The Bad Man. 1941.\n\nhttps://4.bp.blogspot.com/-m1GKeOn6s90/WoaN3XsolgI/AAAAAAAAPS4/IZCzbFfGUgUngXFUI5GPAdGG-NNPfLncwCLcBGAs/s1600/When_Reagan_was_an_actor%2B%25283%2529.jpg\nReagan performs in The Winning Team alongside Dorothy Adams and Doris Day. 1952.\n\nhttps://4.bp.blogspot.com/-9S7_6PSuZCA/WoaN3bmstJI/AAAAAAAAPS8/_MWETIWidh4iqCsA4tYQ1Fj4F-g2aawfgCLcBGAs/s1600/When_Reagan_was_an_actor%2B%25284%2529.jpg\nRonald Reagan and Barbara Stanwyck in a publicity still for Cattle Queen of Montana.\n\nhttps://2.bp.blogspot.com/-wpwEjfGNIDE/WoaN3t0OhyI/AAAAAAAAPTA/NnzPDSmRDtwO5NwAl8B13aHgFRhT75skQCLcBGAs/s1600/When_Reagan_was_an_actor%2B%25285%2529.jpg\nReagan in Kings Row. 1942.\n\nhttps://4.bp.blogspot.com/-YyxNBb0pvRc/WoaN3tkrghI/AAAAAAAAPTE/tFGDuF9-0qYiVAUD6J-Z0aBonG2TAbmfwCLcBGAs/s1600/When_Reagan_was_an_actor%2B%25286%2529.jpg\nReagan performs with Cloris Leachman on an episode of Nash Airflyte Theater. 1950.\n\nhttps://3.bp.blogspot.com/-zO1a57H1dxY/WoaN3vdGpDI/AAAAAAAAPTI/x0-ZpbGMghUkIa-SWyyxP3YHKscK9KZIgCLcBGAs/s1600/When_Reagan_was_an_actor%2B%25287%2529.jpg\nReagan gets made up for an appearance on an episode of Nash Airflyte Theatre. 1950.\n\nhttps://3.bp.blogspot.com/---rm4x2V6-8/WoaN3i8rrqI/AAAAAAAAPTM/0CG3NCwpHs0MPUisllfr9nyqUGhu0aEcQCLcBGAs/s1600/When_Reagan_was_an_actor%2B%25288%2529.jpg\nReagan performs with Cloris Leachman on an episode of Nash Airflyte Theater. 1950.\n\nhttps://1.bp.blogspot.com/-eZgxY0Oad7E/WoaN3xaTq6I/AAAAAAAAPTQ/n9D4euuF3YwhqSWUxkpr2iK6cznmfyr6QCLcBGAs/s1600/When_Reagan_was_an_actor%2B%25289%2529.jpg\nReagan poses in a promo still for Tropic Zone. 1953.\n\nhttps://2.bp.blogspot.com/-HFA89P2cRII/WoaN0qA47qI/AAAAAAAAPSI/D5Yjy_hUKaQvsz1Q6dgyEiXkuImAfTfLQCLcBGAs/s1600/When_Reagan_was_an_actor%2B%252810%2529.jpg\nReagan performs on the television show Death Valley Days. 1955.\n\nhttps://2.bp.blogspot.com/-jxAd0KZn3qQ/WoaN0VwptUI/AAAAAAAAPSE/PZi5kfHyndEJFRdMorI-iqCH4Z8V_YtcACLcBGAs/s1600/When_Reagan_was_an_actor%2B%252811%2529.jpg\nReagan and Virginia Mayo perform in She’s Working Her Way Through College. 1952.\n\nhttps://2.bp.blogspot.com/-tDZ6DORQn3U/WoaN1Fi6pxI/AAAAAAAAPSU/LVOtqw2CoCUV3FRPxAmBbPP4vfSrmVTUQCLcBGAs/s1600/When_Reagan_was_an_actor%2B%252812%2529.jpg\nReagan feeds his simian costar in Bedtime for Bonzo. 1951.\n\nhttps://3.bp.blogspot.com/-aWuMehQNHYY/WoaN1HCMrSI/AAAAAAAAPSQ/OnLW7ags6fAo8XVI_c7vNEZ_JSxp2GApwCLcBGAs/s1600/When_Reagan_was_an_actor%2B%252813%2529.jpg\nReagan performs with Rhonda Fleming in The Last Outpost. 1951.\n\nhttps://2.bp.blogspot.com/-v0cfTbGn2sA/WoaN04lIjwI/AAAAAAAAPSM/g_7p2JzNMuQMjzYOoRxIcG-E4h-pE7wRACLcBGAs/s1600/When_Reagan_was_an_actor%2B%252814%2529.jpg\nReagan and Barbara Stanwyck pose for a promo still for Cattle Queen of Montana. 1954.\n\nhttps://4.bp.blogspot.com/-8zKnSZhjCjM/WoaN1eDBiVI/AAAAAAAAPSY/oY8T9jGGTUgNFYrTI4nPr4ObggJOIFNCwCLcBGAs/s1600/When_Reagan_was_an_actor%2B%252815%2529.jpg\nA promo still for Cattle Queen of Montana. 1954.\n\nhttps://3.bp.blogspot.com/-TnR1RTiuNpY/WoaN1UxyBGI/AAAAAAAAPSg/ecg2zxBccKwO9htN6UYBLWOZzWRrxwgNACLcBGAs/s1600/When_Reagan_was_an_actor%2B%252816%2529.jpg\nReagan performs in the General Electric Theater CBS teleplay The Lord’s Dollar. 1958.\n\nhttps://3.bp.blogspot.com/-CCqW0QL2Yw8/WoaN2PkH03I/AAAAAAAAPSc/zvpxRjFjbw0-afSiGVlUBkPHi0Sn1dPqACLcBGAs/s1600/When_Reagan_was_an_actor%2B%252817%2529.jpg\nFrom a movie set. 1960.\n\nhttps://3.bp.blogspot.com/-CGcUtdlKYJw/WoaN2RO8jdI/AAAAAAAAPSk/xKv17EovHs0rIemW2hrtOmvkWVaYnkodgCLcBGAs/s1600/When_Reagan_was_an_actor%2B%252818%2529.jpg\n                                                                               From 1960.\n\nhttps://4.bp.blogspot.com/-ZTN4fgCwZMQ/WoaN2oUPv-I/AAAAAAAAPS0/FRJwD9LEiGIQ3iwczo31498qGnqNKU_zQCLcBGAs/s1600/When_Reagan_was_an_actor%2B%252820%2529.jpg\n                                                                                         1955.\n\nhttps://2.bp.blogspot.com/-aOsd3B2Ts34/WoaN29vEqiI/AAAAAAAAPSw/31IXxuyZrjoCId9BNM1_ojgkO25zJGE6gCLcBGAs/s1600/When_Reagan_was_an_actor%2B%252821%2529.jpg\n                                                                                            1955.\n\n(Photo credit: Image: GAMMA / Getty Images).",
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      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttps://rarehistoricalphotos.com/starving-boy-missionary-uganda-1980/",
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      "body": "https://i.imgur.com/ZikdlZF.jpg\n\nIn 1980 Mike Wells took this powerful photograph of a Catholic missionary holding the hand of a starving Ugandan boy. In so many ways it almost looks like the hand is not human. It’s almost the hand of a space alien, a different species, or anything but the hand of a human being. Unfortunately it can’t be ‘willed’ into being something else, it is the hand of a human being. A starving human being.\n\nFreelance photojournalist Mike Wells explained to Holland Herald magazine, in an interview after winning the World Press Photo of the Year award, that in 1980 he was in Africa working for the Save the Children Fund of the United Kingdom, covering their anti-polio campaign in Swaziland and Malawi. Wells made this image while on a side-trip to Uganda, at a seminary where the Verona Fathers were distributing food during the early days of the famine. One of the monks described the situation to Wells and told him that the Karamojong boy was around four years old.\n\nFood shortages in Karamoja began in July 1978, after drought, crop failure, and plant disease. Not being a region of great economic or political significance for the Ugandan government, President Idi Amin’s administration took no action after being alerted to the situation that year. Following the overthrow of Amin and the flight of his soldiers in 1979, Karamojong warriors acquired a large quantity of guns and ammunition. The influx of firearms drastically shifted regional power balances and cultural traditions around raiding. It became dangerous to move in and out of Karamoja with cattle or grain.\n\nIn addition, national insecurity caused a complete breakdown of trade. Families started to run out of food in early 1980. The situation became critical in May and the famine reached its peak in July and August of the same year. In July, the Verona Fathers in Karamoja appealed to the World Food Program in Rome for urgent assistance. Catholic missionary activities had begun in the region in 1933, with the Catholic Church providing relief assistance during periods of famine since the 1960s.\n\nThe photographer Mike Wells, who would later win the World Press Photo Award for this photo, admitted that he was ashamed to take the photo. The same publication that sat on his picture for five months without publishing it entered it into a competition. He was embarrassed to win as he never entered the competition himself, and was against winning prizes with pictures of people starving to death.\n\n(Photo credit: Mike Wells).",
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      "body": "http://img.youtube.com/vi/PaDVGUnOihw/maxresdefault.jpg\nIf you’ve ever wanted to learn how to code to create computer software, apps or websites, there are tons of places on the internet that will teach you the skills to get started and many of them are free. In this video, I’ll show you 10 of the best coding websites where you can learn how to code for free. This video will primarily focus on the top websites for beginners, in no particular order, to learn the absolute basics of programming.\nfreeCodeCamp\nhttps://www.freecodecamp.org/\nThe Odin Project\nhttps://www.theodinproject.com/\nCodinGame\nhttps://www.codingame.com/start\nUpskill\nhttps://upskillcourses.com/\nw3schools\nhttps://www.w3schools.com/\nKhan Academy\nhttps://www.khanacademy.org/\nGeneral Assembly Dash\nhttps://dash.generalassemb.ly/\nSoloLearn\nhttps://www.sololearn.com/\nedX\nhttps://www.edx.org/\nCodecademy\nhttps://www.codecademy.com/",
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      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttps://www.artpeoplegallery.com/social-issue-art-kimberly-dow-after-over-twenty-years-of-painting-figurative-art-concentrating-on-beauty-something-has-changed/",
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      "body": "https://www.artpeoplegallery.com/wp-content/uploads/2017/10/Nevertheless-680x350.jpg\nSOCIAL ISSUE ART | KIMBERLY DOW.\nAfter over twenty years of painting figurative art, concentrating on beauty …something has changed.  The sociopolitical climate has shifted so horrifically that there is need to concentrate on art with a deeper meaning.  Issues to do with racial injustices, feminism, body image, LGBTQ rights, and more have influenced my agenda.\n\nKimberly Dow – Fine Artist\n\n“One works (paints) because I suppose it is the most interesting thing one knows how to do. The days one works (paints) are the best days. On the other days one is hurrying through the other things one imagines one has to do to keep one’s life going. You get the garden planted. You get the roof fixed. You take the dog to the vet. You spend a day with a friend. You learn to make a new kind of bread. You hunt up photographs for someone who thinks he needs them. You certainly have to do the shopping. You may even enjoy doing such things. You think they have to be done. You even think you have to have some visitors or take a trip to keep from getting queer living alone…(). But always, you are hurrying through these things with a certain amount of aggravation so that you can get at the painting again because that is the high spot – in a way it is what you do all the other things for…The painting is like a thread that runs through all the reasons for all the other things that make one’s life.”\n\n-Georgia O’Keefe\n\nwww.kimberlydow,com | https://www.instagram.com/kimberlyrdow | https://www.facebook.com/profile.php?id=1185422114",
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      "body": "https://3.bp.blogspot.com/-lUtSZmSKDgo/Wj8RQ1rm6GI/AAAAAAAAOzk/adjL6erVyxIKUPH-WykSO4dZb5OoZpQuACLcBGAs/s1600/London_in_Dufaycolor%2B%25281%2529.jpg\nThis collection of rare photographs of London, spanning from the dark days of the Blitz to the triumphant celebrations of VE Day, were taken in Dufaycolor, a little-known photography process. They give another perspective on the period between 1943 and 1945 when Nazi Germany carried out a sustained aerial bombing campaign against Britain.\n\nIntroduced as cinematic film in 1932 and roll film in 1935, Dufaycolor is an early French and British additive color photographic film process for motion pictures and stills photography. It was based on a four-color screen photographic process invented in 1908 by Frenchman Louis Dufay. Dufaycolor worked on the same principles as the Autochrome process, but achieved its result using a slightly different method. The film base was dyed blue, printed with a mosaic using a resistive greasy ink and bleached. The resulting spaces were then dyed green.\n\nThe process was repeated at an angle, the new spaces being bleached and dyed red, forming a mosaic of color filters consisting of a mesh of red, green and blue lines, at approximately one million color elements per square inch, known as a reseau. When exposed to light through the reseau, the film’s emulsion was exposed to a single color of light. Thus the emulsion behind each color element recorded the tones for each primary color. Upon projection, the reseau served to filter the white projected light, so that the colors of the photograph corresponded to those in the recorded scene; for example, red values were only shown in red. The same principle applied to green and blue components.\n\nThough it was popular among professional and amateur photographers until the 1950s, Dufaycolor was ultimately surpassed by Kodachrome and other superior color processes.\nhttps://3.bp.blogspot.com/-CqzSp5FuWOE/Wj8RSw2h7PI/AAAAAAAAO0E/pf1s6rCG1jk-33VFAav-ATMGQyDBQHciwCLcBGAs/s1600/London_in_Dufaycolor%2B%25282%2529.jpg\nSt. Paul’s cathedral stands intact amid buildings destroyed by bombing. Dec. 10, 1943.\nhttps://1.bp.blogspot.com/-TZRwzwcnaqo/Wj8RTX6H49I/AAAAAAAAO0A/7njksxzKviQHebN8nSjoFdDOldbaLdeUwCLcBGAs/s1600/London_in_Dufaycolor%2B%25283%2529.jpg\nThe Old Bailey law courts, damaged by German bombing. Dec. 10, 1941.\nhttps://4.bp.blogspot.com/-Ns5bY94SnDM/Wj8RToTX6qI/AAAAAAAAO0M/Mp44YKNSpGE_3JDHBL3At4BN6VrDvET9gCLcBGAs/s1600/London_in_Dufaycolor%2B%25284%2529.jpg\nHouses destroyed by German bombing. 1943.\nhttps://2.bp.blogspot.com/-wg3aKOhH9FI/Wj8RTlw7XII/AAAAAAAAO0Q/QZCwoDD-EUYIfboOYldlHpqR_XBre_DTwCLcBGAs/s1600/London_in_Dufaycolor%2B%25285%2529.jpg\nPicture taken in 1945.\nhttps://2.bp.blogspot.com/-KJvnw7mgvzc/Wj8RT6lBIII/AAAAAAAAO0I/OYApvXDILDUZZ_23zk0AnY8fv0odXysAACLcBGAs/s1600/London_in_Dufaycolor%2B%25286%2529.jpg\nAllied flags are displayed in celebration of victory in Europe. Sept. 3, 1945.\nhttps://1.bp.blogspot.com/-8JtucKQ1eBo/Wj8RUNjiTyI/AAAAAAAAO0U/KxT3IZdbfDorMENI7a_diLybPcUAhiEygCLcBGAs/s1600/London_in_Dufaycolor%2B%25287%2529.jpg\nCrowds on The Mall, London, 1945.\nhttps://2.bp.blogspot.com/-ZiYAVlKl4tY/Wj8RUWKIpgI/AAAAAAAAO0c/dYcAC5reybYtFPLSu_3UfjUtBMqGFd3xwCLcBGAs/s1600/London_in_Dufaycolor%2B%25288%2529.jpg\nSept. 3, 1945.\n(Photo credit: Image: SSPL/Getty Images).",
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      "body": "#funny\n all images can keep us entertained, like donald trump images in various edits",
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