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      "body": "Congratulations @timothylyrics! You received a personal award!\n\n<table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@timothylyrics/birthday3.png</td><td>Happy Birthday! - You are on the Steem blockchain for 3 years!</td></tr></table>\n\n<sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@timothylyrics) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=timothylyrics)_</sub>\n\n\n###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!",
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      "body": "Congratulations @timothylyrics! You have received a personal award!\n\n[![](https://steemitimages.com/70x70/http://steemitboard.com/@timothylyrics/birthday2.png)](http://steemitboard.com/@timothylyrics)  2 Years on Steemit\n<sub>_Click on the badge to view your Board of Honor._</sub>\n\n\n**Do not miss the last post from @steemitboard:**\n[SteemitBoard and the Veterans on Steemit - The First Community Badge.](https://steemit.com/veterans/@steemitboard/steemitboard-and-the-veterans-on-steemit-the-first-community-badge)\n\n> Do you like [SteemitBoard's project](https://steemit.com/@steemitboard)? Then **[Vote for its witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1)** and **get one more award**!",
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      "body": "Idols are hard to come by. When I started listening to music there seem to be plenty to go around, I was young and discovering a whole new world. As Kurt Vonnegut said: “Virtually every writer I know would rather be a musician,” so mine have mostly come from that area. As time went by and the spell wore off, most of them disappointed me one way or another. I realized they were humans after all. The few that remained Godly accompany me to this day.\n\nAs I got older the bar got higher and higher and my admiration started shifting to artists from the past, pioneers whose body of work was huge and couldn’t break my heart. My main interest, nevertheless, has always been the new and —as my tumblelog (in Spanish, sorry) can attest— I’ve been studying the cutting edge for as long as I can remember. So I wouldn’t say they don’t make musicians like they used to, but as far as idolatry goes, I’m much more careful on where I place my chips.\n\nhttps://www.youtube.com/watch?v=yh6QxtRpSH8\n\nEnter Kendrick Lamar. As soon as the hip hop websites persuaded me to listen to him, I knew. I acquired Section 80 and spent weeks with it, getting my mind blown on a regular basis as the deciphering process progressed. Then came the complex concept album Good Kid, M.A.A.D City, which he labeled as a “short film” and is one I still watch constantly. The singles that preceded it were lacking depth to me; little did I knew how meaningful they would become in the context of the whole collection, inside the full picture. In the years leading to his next release I studied the first two mixtapes and couldn’t believe how clear a vision he had from the beginning.\n\nWhen To Pimp a Butterfly dropped, on first listen, I almost cried when the Tupac interview ended what would become one of my favorite albums of all time. Lamar threw a curveball to the hip hop purists and released a dark, jazzy, avant garde piece of work with huge amounts of live instrumentation that was right up my alley. The sophistication and psychedelia of the work appealed to my sensibilities. The intricacies kept me busy all year. If I was completely insane I would have thought it was made specifically for me. I’m not and I didn’t. Shut up, I didn’t!\n\nhttps://www.youtube.com/watch?v=Z-48u_uWMHY\n\nEarlier this year, much faster than anticipated, two hard hitting singles announced the arrival of his fourth studio album DAMN. At first I thought Kendrick was going to release a more commercial party album to claim his throne at the top of the charts. He accomplished all that and more. With contemporary sounds Lamar surprised me once again with a beautifully crafted mystery I still can’t fully comprehend. I know he’s trying to say something nobody has deciphered yet. That much is obvious to me.\n\nWith all that said, I can now safely declare Kendrick as an idol of mine. A real artist who can sell albums, a complex individual who connects with a huge ammount people, a trickster, a puzzle, a success. The curious thing about it from my perspective is that he’s the first person I hold in that position that’s younger than me. Since I don’t follow sports except for the FIFA World Cup, this is the first time that this has happened, uncharted territory. It feels kind of gross, to be honest.\n\nIt leaves me with more questions than answers. Can I still talk shit about his generation? He’s one of those millennials, for God’s sake. Can I still consider them as brainwashed wastes of space and order them to keep off my fucking lawn? Does Kendrick validates them as people? The worst thing about all this ordeal is that it’s bound to keep happening as my life progresses. Even with the thinning hair and the memory loss, I had convinced myself that in general my faculties were getting better with age, that I had no problem with growing old. But this admiring on younger people is disgusting. I suspect this is one of the unacknowledged reasons old music fans stop following current trends.\n\nhttps://www.youtube.com/watch?v=tvTRZJ-4EyI",
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      "author": "riverbear",
      "body": "I love this guy. Ive been a plus member for two years now and managed to make it all the way back to his first videos and catch up on all of his interviews. Does the higherside chats have a channel on steemit?",
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      "author": "timothylyrics",
      "body": "<html>\n<p>If you're insane like me, meet Greg Carlwood. His show is about conspiracy and the paranormal, secret knowledge and possibility. I tried them all and he's my favorite interviewer in the game; his guest list is impeccable, he lets them expose their ideas free from ego driven interruptions - or interruptions of any kind -and he effortlessly steers the conversations to where you want it to go. He doesn't always agrees with the guest and neither should you, but the information is usually interesting.</p>\n<p>There are roughly five Higherside Chats produced each month and Carlwood has been at it a while, so there's almost infinite amount of material at your disposal. Almost everyone in the conspiracy community, if you can call it that, has been featured. And two steemit stars, James Corbett and Jeff Berwick, have been interviewed a couple of times. Still, I'll link you to my favorite episodes to help you get started:<br>\n<br>\n1.- &nbsp;Peter Levenda | Sinister Forces, Occult History, &amp; The Nine<br>\n<iframe width=\"853\" height=\"480\" src=\"https://www.youtube.com/embed/tDn4PlUE9Fk\" frameborder=\"0\" allowfullscreen></iframe>\n<br>\nThe craziest story I've heard about the JFK assassination, and Levenda is a serious gentleman.&nbsp;</p>\n<p>2.- &nbsp;Santos Bonacci | Syncretism, Ascension, Atomic Language, &amp; Triple Crown Control &nbsp;&nbsp;<iframe width=\"853\" height=\"480\" src=\"https://www.youtube.com/embed/0M7_POTsYgI\" frameborder=\"0\" allowfullscreen></iframe>\n<br>\nEven if he believes the earth is flat, which it may well be, Santos will forever be my favorite researcher. His work on syncretism is unparalleled.</p>\n<p>3.- &nbsp;Leo Zagami | Exposing The Illuminati &amp; The New World Order &nbsp;&nbsp;</p>\n<iframe width=\"853\" height=\"480\" src=\"https://www.youtube.com/embed/0Q5rBLp39Uw\" frameborder=\"0\" allowfullscreen></iframe>\n<p>You can't trust Leo Zagami and he doesn't stop promoting his damn book, but the gems he throws in this conversation makes it a worthwhile listen. He knows.</p>\n<p>There are a lot more here --&gt; <a href=\"https://www.youtube.com/user/TheHighersideChats/\">https://www.youtube.com/user/TheHighersideChats/</a><br>\nOr if you prefer you can download them in the official site here --&gt; <a href=\"http://thehighersidechats.com/\">http://thehighersidechats.com/</a><br>\n<br>\nI'll send this post to Greg Carlwood and try to get him to join steemit. Peace.<br>\n</p>\n</html>",
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      "author": "phoenixmaid",
      "body": "there is a website called udemy that has a lot of inexpensive short courses for pretty much everything, There are a lot about various aspects of blogging (some of which are Free). It might be worth a look to see if there is a SEO course that can help you.",
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      "author": "timothylyrics",
      "body": "I've been meaning to spend some time on that chat, but haven't got around to it. I'll move it to the top of my To Do list. Thanks for the reply.",
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      "body": "Thanks for the info. I don't know much about SEO and I didn't knew this.",
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      "body": "Thanks!",
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      "body": "That's a good idea, I'll start doing it. \nI don't have an audience yet though, I started writing in english a few weeks ago.\nI live in Venezuela and used to create content exclusively  in spanish.\nThanks for the reply.",
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      "author": "patrice",
      "body": "Actually, posting your content on steemit first is preferred to those that post on their external site first. As someone suggested I'd wait a few days to post to your blog but I don't see anything wrong with it. \n\nBoth projects have chat channels on [steemit.chat](https://steemit.chat) where you can probably find the answer to what those two projects accept.",
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      "author": "mada",
      "body": "Steemit exclusive content does command a premium around here, but there is absolutely nothing wrong with reposting your original  content to your own blog. \n\nOne thing you could do, though, would be to wait a day before reposting to your personal  blog, and make sure that every repost includes a link back to the content on steemit.  That way, your regular readers can be introduced to steemit - which is good for all of us.",
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      "author": "phoenixmaid",
      "body": "It's not a rule so much but it's not good for either steemit or your blog to have the exact same material on as it will effect google rankings, if everyone of your blog posts is appearing her on steemit your blog will eventually suffer for it.\n\nI personally don't know what qualifies you for either program but im guessing it would make you a less desirable candidate than someone who is posting stuff exclusivly for steemit.",
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      "author": "timothylyrics",
      "body": "@@ -29,16 +29,17 @@\n g about \n+%5B\n Project \n@@ -43,16 +43,163 @@\n ct Curie\n+%5D(https://steemit.com/steemit/@donkeypong/announcing-project-curie-bringing-rewards-and-recognition-to-steemit-s-undiscovered-and-emerging-authors)\n  and the\n@@ -199,16 +199,17 @@\n and the \n+%5B\n RobinHoo\n@@ -225,16 +225,123 @@\n itiative\n+%5D(https://steemit.com/robinhoodwhale/@robinhoodwhale/announcing-robinhoodwhale-the-steemit-deep-sea-savior)\n . I assu\n@@ -530,16 +530,17 @@\n  says: %22\n+*\n ... that\n@@ -575,16 +575,17 @@\n Internet\n+*\n %22.  As f\n@@ -625,16 +625,17 @@\n ting on \n+%5B\n my perso\n@@ -642,16 +642,60 @@\n nal blog\n+%5D(https://samplesandexamples.wordpress.com/)\n . Does t\n",
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      "author": "jlufer",
      "body": "thanks for sharing this material, I like what you posted. Thank you so much",
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      "author": "timothylyrics",
      "body": "This doubt came to me reading about Project Curie and the RobinHoodWhale initiative. I assume their goal checking the whole Internet is to avoid plagiarism, but the subtext I've picked up is that the content they're promoting should be steemit exclusive. Project Curie even says: \"... that appear nowhere else on the Internet\".  As for me, I've been reposting my writing on my personal blog. Does this action disqualify me as a candidate for those two very needed projects? Should I produce content exclusively for the steemit plataform? Are this rules written some place I haven't yet found?\n\nThanks in advance for your help, steemit community.",
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      "author": "timothylyrics",
      "body": "Is Robert Del Naja the real Banksy? --> http://www.dailymail.co.uk/news/article-3769115/Is-real-face-Banksy-Massive-Attack-member-named-shadowy-graffiti-artist-investigator.html",
      "json_metadata": "{\"tags\":[\"music\"],\"links\":[\"http://www.dailymail.co.uk/news/article-3769115/Is-real-face-Banksy-Massive-Attack-member-named-shadowy-graffiti-artist-investigator.html\"]}",
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      "author": "twitterbot",
      "body": "### ![mcdisi](https://pbs.twimg.com/profile_images/760667572710830080/eodXr7ex_normal.jpg) **[Emcee Di Si](https://twitter.com/@mcdisi/status/662770391753039872)** tweeted @ 06 Nov 2015 - 23:15 UTC\n\n> En mi opinion la primera estrella que surgira de \"Compton\": Anderson .Paak, vaya voz inusual.\n\n\n###### *Disclaimer: I am just a bot trying to be helpful.*",
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      "author": "timothylyrics",
      "body": "<html>\n<p><img src=\"http://67.media.tumblr.com/b7876888d3df8fe7a513c9caf7e2cc14/tumblr_ocp9pqZrkd1qz9nnlo1_1280.jpg\" width=\"800\" height=\"800\"/></p>\n<p>In November 2015, <a href=\"https://twitter.com/mcdisi/status/662770391753039872\" target=\"_blank\">I predicted <strong>Anderson .Paak</strong>'s rise to stardom</a> while discussing <strong>Dr. Dre</strong>'s \"<strong>Compton</strong>\". And I had no idea he was such a talented individual back then. I consumed a couple videoclips for the \"<strong>Venice</strong>\" singles and wasn’t particularly impressed but his voice was unique and got stuck in my head. Two days later, <a href=\"http://hugehefner.tumblr.com/post/132841172663/hace-unos-d%C3%ADas-predije-que-anderson-paak-ser%C3%ADa-la\" target=\"_blank\">\"<strong>The Season / Carry Me</strong>\" dropped</a> and I was floored. It was exactly what the world needed, it was obvious. As the release date approached, <a href=\"http://hugehefner.tumblr.com/post/137036124078/outstanding-por-tutatis-el-talento-de-anderson\" target=\"_blank\">\"<strong>Come Down</strong>\" appeared</a> and the funk was within us.</p>\n\n<p>Still, I wasn't expecting such a consistent and well-thought-out album. When \"<strong>Malibu</strong>\" arrived it was already over. <strong>Anderson .Paak</strong> won by knockout. As the year went by he became the vocalist to call and was invited to participate in virtually every project that came out of the USA. He began appearing as a musical guest in talk shows and, surprise!, Boom!, he played the drums and had a band. Later on, he stole the show at every music festival and his fate was sealed. In a move that surprised no one, <strong>Dr. Dre</strong> signed him to <strong>Aftermath</strong>. “<em>… and fuck fame/ That killed all my favorite entertainers</em>”… beware of your own words, Mr. <strong>.Paak</strong>.</p>\n<p>In <a href=\"https://www.youtube.com/watch?v=Kr_akDq7CMY\" target=\"_blank\"><strong>The Needle Drop</strong>'s \"<strong>Malibu</strong>\" review</a>, <strong>Fantano</strong> made a good point: even with the presence of superstar producers, the album sounds synthetic and relies too much on loops. It has some, but it could be even better with more live instrumentation. His <a href=\"http://hugehefner.tumblr.com/post/149009730323/ya-m%C3%A1s-que-una-estrella-anderson-paak-y-su-banda\" target=\"_blank\">\"<strong>Tiny Desk Concert</strong>\" is proof</a>, the already wonderful songs come alive and breath fresh air. Simple and sexy, butter and velvet. It's ridiculous. Still, I don't listen to \"<strong>Malibu</strong>\" that much. Maybe it's too R&amp;B for me. Maybe too happy. Maybe I'm waiting for a live album or one for the more aggressive <strong>Nx Worries</strong> project he has with producer <strong>Knxwledge</strong>. One thing's for sure, there are no filler songs in that album and <strong>.Paak</strong> more than proved himself as an artist. The kid is just starting, let him spread his wings and he'll burn the world down.</p>\n\n</html>",
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      "author": "timothylyrics",
      "body": "@@ -229,16 +229,71 @@\n ection%E2%80%9D \n+%3Ca href=%22https://en.wikipedia.org/wiki/Massive_Attack%22%3E\n in spite\n@@ -315,16 +315,20 @@\n dia says\n+%3C/a%3E\n . For th\n@@ -555,16 +555,72 @@\n oint on \n+%3Ca href=%22http://www.red-lines.co.uk/reading/qjan99.htm%22%3E\n they wer\n@@ -665,16 +665,20 @@\n parately\n+%3C/a%3E\n  and pub\n@@ -1462,32 +1462,157 @@\n ernet:%3Cbr%3E%0A%3C/p%3E%0A\n+%0A%3Ciframe width=%22853%22 height=%22480%22 src=%22https://www.youtube.com/embed/hWSt_q7M3zI%22 frameborder=%220%22 allowfullscreen%3E%3C/iframe%3E%0A%0A\n %3Cp%3EArtist: Massi\n@@ -2125,32 +2125,157 @@\n  idea:%3Cbr%3E%0A%3C/p%3E%0A\n+%0A%3Ciframe width=%22853%22 height=%22480%22 src=%22https://www.youtube.com/embed/ElvLZMsYXlo%22 frameborder=%220%22 allowfullscreen%3E%3C/iframe%3E%0A%0A\n %3Cp%3EArtist: Massi\n@@ -2507,32 +2507,157 @@\n he EP:%3Cbr%3E%0A%3C/p%3E%0A\n+%0A%3Ciframe width=%22853%22 height=%22480%22 src=%22https://www.youtube.com/embed/fhI5T_NKYxc%22 frameborder=%220%22 allowfullscreen%3E%3C/iframe%3E%0A%0A\n %3Cp%3EArtist: Massi\n@@ -2957,32 +2957,157 @@\n roshi:%3Cbr%3E%0A%3C/p%3E%0A\n+%0A%3Ciframe width=%22853%22 height=%22480%22 src=%22https://www.youtube.com/embed/KY0TZQTwwbk%22 frameborder=%220%22 allowfullscreen%3E%3C/iframe%3E%0A%0A\n %3Cp%3EArtist: Massi\n@@ -3540,24 +3540,149 @@\n t:%3Cbr%3E%0A%3C/p%3E%0A\n+%0A%3Ciframe width=%22853%22 height=%22480%22 src=%22https://www.youtube.com/embed/8r31DFrFs5A%22 frameborder=%220%22 allowfullscreen%3E%3C/iframe%3E%0A%0A\n %3Cp%3EArtist: M\n@@ -3936,17 +3936,16 @@\n Circus%E2%80%9C.\n- \n %3Cbr%3E%0A%3C/p\n",
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      "body": "<html>\n<p>&nbsp;Until a few weeks back, the only constant in their whole discography was 3D. The first one to run from the toxic and confrontational environment was Tricky, who was a member of the band until the phenomenal “Protection” in spite of what Wikipedia says. For the “Mezzanine” sessions they included live instrumentation; Mushroom wasn’t satisfied with the changes in sound they were experimenting with and, in spite of the success of the album, was the second one to go. From that point on they were flirting with the idea of working separately and publishing everything under the Massive Attack moniker, but what ended up happening was Daddy G entered in a coming and going that kept him out of \"100th Window\" and only semi involved in \"Heligoland\", in spite of being credited as a composer in all of those songs.</p>\n<p>In 2013 their name returned to the spotlight with unorthodox plans and good news: 1.- They were writing songs with Tricky; 2.- They were releasing EPs instead of an album and 3.- The first one was going to be the work of 3D and the second one Daddy G´s, each working with their own team. Then they disappeared for 3 years, Tricky released his worst album to date - \"Skilled Mechanics\" - and when the world was not looking, “Take It There”’s fantastic videoclip starring John Hawkes appeared all over the Internet:<br>\n</p>\n<p>Artist: Massive Attack, Tricky &amp; 3D<br>\nSong: “Take It There”<br>\nDirector: Hiro Murai<br>\n</p>\n<p>Personally, I consider it the only exceptional song in the “Ritual Spirit” EP, the other three are collaborations with the relatively new sensation Young Fathers, Roots Manuva the legend and singer Azekel. Nevertheless, the second single proved to be more popular, maybe fuelled by this terrifying videoclip in which Rosamund Pike - AKA the only wonderful thing about “Gone Girl” - contorts her body like you have no idea:<br>\n</p>\n<p>Artist: Massive Attack Ft. Young Fathers<br>\nSong: “Voodoo In My Blood”<br>\nDirector: Ringan Ledwidge<br>\n</p>\n<p>To finish the cycle they released this one, with less budget and spectacle but starring Kate Moss, for the song that names the EP:<br>\n</p>\n<p>Artist: Massive Attack Ft. Azekel<br>\nSong: \"Ritual Spirit\"<br>\nDirector: Medium / Robert Del Naja<br>\n</p>\n<p>Here, I expected them to disappear, to leave it like that for 2016, but a couple months later a new (massive) attack comes by the way of the hair-raising clip for “Come Near Me” starring Arta Dobroshi:<br>\n</p>\n<p>Artist: Massive Attack Ft. Ghostpoet<br>\nSong: “Come Near Me”<br>\nDirector: Ed Morris<br>\n</p>\n<p>The song didn’t particularly impressed me at first, but it’s growing on me. It came with an announcement: a new EP, \"The Spoils\", in fact with Daddy G at the helm, making this songs the first in their career without 3D’s hands on the mix. And without skipping a beat, they released another visual piece starring none other than Cate Blanchett:<br>\n</p>\n<p>Artist: Massive Attack Ft. Hope Sandoval<br>\nSong: “The Spoils”<br>\nDirector: John Hillcoat<br>\n</p>\n<p>My favorite of the lot, “The Spoils” marks their second collaboration with Mazzy Star’s Hope Sandoval, who lent them her voice for the stormy “Paradise Circus“. <br>\n</p>\n<p>And just like that we arrive at the present, the verdict: with two heads not interfering with each other and the presence of an old partner in crime, Massive Attack’s music sounds inspired. Their best in a decade. And 3D told Metro in 2013: “<em>Me and Tricky wrote some new tracks in Paris last year, which haven't seen the light of day yet – but that was fun. They should be on the next album</em>”. Here’s hoping we’ll get more than “Take It There”.&nbsp;</p>\n<p>Minds working independently, what a concept.&nbsp;</p>\n</html>",
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      "body": "<html>\n<p>It's so hard to be a <strong>Kanye</strong> fan nowdays. &nbsp;The idiot wrote the worst <em>thing</em> I've ever read for <strong>Frank Ocean</strong>'s zine \"<strong>Boys Don’t Cry</strong><em>\", </em>which accompanies \"<strong>Blonde</strong>\", which ended up being the title for his new album. I'm so appalled by it. I suppose it's some kind of sick joke, but in reality is fucking ridikeles. I guess it's like that sometimes, man, ridiculous. Life can be sometimes ridiculous. Read it bellow:</p>\n<p>&nbsp;<strong>The McDonald’s Man</strong><br>\n <strong>Calabassas, California</strong>&nbsp;</p>\n<p>McDonalds man<br>\n McDonalds man<br>\n The French fries had a plan<br>\n The French fries had a plan<br>\n The salad bad and the ketchup made a band<br>\n Cus the French fries had a plan<br>\n The French fries had a plan&nbsp;</p>\n<p>McDonalds man<br>\n McDonalds man<br>\n I know them French fries had a plan<br>\n I know them French fries had a plan<br>\n The cheeseburger and the shakes formed a band<br>\n To overthrow the French fries plan<br>\n I always knew them French fries was evil man<br>\n Smelling all good and shit<br>\n I don’t trust no food that smells that good man<br>\n I don’t trust it<br>\n I just can’t&nbsp;</p>\n<p>McDonalds man<br>\n McDonalds man<br>\n McDonalds, damn<br>\n Them French fries look good tho<br>\n I knew the diet Coke was jealous of the fries<br>\n I knew the McNuggets&nbsp;was jealous of the fries<br>\n I could see it through his artificial meat&nbsp;eyes<br>\n And he only be there some of the time<br>\n Everyone was jealous of them French fries<br>\n Expect for that one special guy<br>\n That smooth apple pie&nbsp;</p>\n<p><br></p>\n<p><img src=\"https://consequenceofsound.files.wordpress.com/2016/08/kanye-mcdonalds.jpg?w=806\" width=\"720\" height=\"960\"/></p>\n<p>This magnus-opus-work-of-art comes with photographs shot by Nabil.</p>\n</html>",
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      "body": "<html>\n<p><center><img src=\"https://i1.wp.com/67.media.tumblr.com/53af592e5d02a566401eefdabffc829b/tumblr_oc3jklyWla1qz9nnlo1_1280.jpg\" width=\"636\" height=\"634\"/></center></p>\n<p>At fist I thought this was the most rock <strong>Radiohead</strong> had put in al album in over a decade. I was wrong. I’m not an “<strong>In Rainbows</strong>” or “<strong>The King of Limbs</strong>” &nbsp;fan, but I love the rest of their output. This new one, I don’t feel &nbsp;like listening to it too much. There’s no deniying the high quality of &nbsp;the music inside “<strong>A Moon Shaped Pool</strong>“, but <strong>Thom Yorke</strong> is still in crying mode and <strong>Jonny Greenwood</strong> still won’t play guitar. In spite of that, they archieved something special. It just doesn’t appeal to me specifically.</p>\n<p>I’m still in awe about <a href=\"https://www.youtube.com/watch?v=yI2oS2hoL0k\">“<strong>Burn the Witch</strong>“, and the video</a> is probably my favorite of the year. I also enjoy “<strong>Decks Dark</strong>” and “<strong>Identikit</strong>” tremendously. I don’t like <a href=\"https://www.youtube.com/watch?v=TTAU7lLDZYU\">“<strong>Daydreaming</strong>”</a> at all, but I wouldn’t move the dial if it came up on the radio. “<strong>True Love Waits</strong>” &nbsp;grew on me, even though I’m not a ballad man. The rest is alright, and &nbsp;it has sublime moments, but I cant’t help but miss the old days, when &nbsp;they were a rock band. The album is still <a href=\"http://www.albumoftheyear.org/ratings/6-highest-rated/2016/1\">#2 among the critics</a> and <a href=\"http://www.albumoftheyear.org/ratings/user-highest-rated/2016/\">#1 among the public</a> according to <strong>Album of the Year</strong>, so I guess <strong>Radiohead</strong> will survive the judgement of my two or three paragraphs.&nbsp;</p>\n</html>",
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