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      "body": "![](https://cdn.steemitimages.com/DQmXNa8SfXRM56HnRuVoYJude5ogTgZLmBrvzydDv9aHTvS/image.png)\nFirst, What is Runescape Old school? This is a video game that falls into the category of MMORPG, RuneScape was created by Andrew Gower, the creator of DeviousMUD, predecessor of RuneScape, in 1998. Once rewritten and renamed, the first version of RuneScape (this is the Old School that was released in its full version in 2007, this is what we will talk about) was released to the public on January 4, 2001 in beta. Currently, RuneScape is in its third version (RuneScape 3) since July 22, 2013. It has the option to play for free and the option to pay. The game interface is simple and can be accessed from most browsers.\n\nSince we know it's runescape, for those who didn't know, let's move on to the topic\n\nRunesCape and its RACISM towards the Venezuelans, why racism? As we all know, if you do not know this you must live under a rock, Venezuela has plunged into a crisis economically speaking well in many aspects has fallen into a crisis in almost all values ​​and aspects that make up and maintain a country. But here we will focus on the economic, thanks to all these problems Venezuelans have opted to find other ways to survive avoiding having a \"normal\" job.\n\nA large percentage of Venezuelan youth has dedicated to work and get money through video games such as RSOS (RuneScape Old School). This for advanced players can have an income of 2 to 3 dollars an hour, that a dollar equals  almost 3 million \"Bolivares Fuertes\" , this makes an advantage for Venezuelan players to have a very good income of money. This seems fine, right? So far no problem, are a group of people playing to survive in their country. There would be no problem ... but it really exists and that's why this publication.\n\nAs we know an MMORPG you need to have a lot of hours played to be able to have a very advanced character and with good items, skills and everything else, but it rages when a player arrives who has the opportunity to buy gold unlike others which will generate a great advantage over the old school, this is called \"pay to win\" and is very hated by the entire \"gamer\" community because it is unfair. This is what happens in RSOS Venezuelans with the \"gold farming\" create a gap in the game regarding their level of learning and difficulty because they farmean gold and sell it to pages which resell it to players, this to The game company does not like it and they choose to penalize it with a perma-ban,\n\nBut the problem is when you as a company or moderator of the game indiscriminately accuses an entire community of being a gold farmer, in RSOS you can not say that you are Venezuelan because you get a ban, the players begin to insult you, report you and I have seen extreme cases who follow you to grab you in a PVP zone. I have met a large majority of Venezuelans who did start with the game to earn money but eventually became fond of it and started playing it just for fun because the truth is that it is a fairly complete and entertaining game. But it is sad that one can not be \"free\" in a certain way because of this racism against Venezuelans. because if it is a racism to exclude someone for only being of a nationality but they will say\n\n- \"Oh, they are doing gold farming and that goes against the politics of the game\"\n\nyes but not all Venezuelans are like that, as I said before, they banned me I played for fun I had a score of over a thousand skills that is too much in that game and only because they saw me once speaking in Spanish with a corduroy and clearly using Venezuelan dialect banned us both.\n\nIf you are a RS player, please be aware and do not report just because you see someone from Venezuela see if he does gold farming first because some of us like or liked the game. \nTHX\n\n![](https://cdn.steemitimages.com/DQmVxSJxqZ1yxyGCdXDuxUQ6o7ET63GCytZYC3B57roLRRs/image.png)",
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      "body": "![](https://cdn.steemitimages.com/DQmXNa8SfXRM56HnRuVoYJude5ogTgZLmBrvzydDv9aHTvS/image.png)\n\nPrimero lo primero ¿Qué es Runescape Old school? este es un videojuego que entra en la categoría de MMORPG, RuneScape fue creado por Andrew Gower, el creador de DeviousMUD, predecesor de RuneScape, en 1998. Una vez reescrito y renombrado, la primera versión de RuneScape (esta es la Old School que fue lanzada en su versión full en 2007, esta es de la cual hablaremos) fue lanzada al público el 4 de enero de 2001 en versión beta. Actualmente, RuneScape se encuentra en su tercera versión (RuneScape 3) desde el 22 de julio de 2013. Dispone de la opción de jugar gratis y la opción de pago. La interfaz del juego es simple y se puede acceder desde la mayoría de los navegadores. \n\nYa que sabemos que es runescape, para aquellos que no lo sabían, pasemos al tema a tratar\n\nRunesCape y su **RACISMO** hacia los Venezolanos, ¿Por qué racismo? como todos sabemos, si no sabes esto debes vivir bajo una roca, Venezuela se ha sumergido en una crisis importante economicamente hablando bueno en bastantes apectos ha caido en una crisis en casi todos los valores y aspectos que componen y mantienen a un país. Pero aquí nos centraremos en lo economico, gracias a todos estos problemas los venezolanos han obtado por buscar otras maneras de sobrevivir evitando tener un trabajo \"normal\".\n\nUn gran porcentaje de la juventud venezolana se ha dedicado a trabajar y obtener dinero por medio de videojuegos como lo es RSOS (RuneScape Old School) este para jugadores avanzados puede tener un ingreso de 2 a 3 dolares la hora, lo cual un dolar equivale a casi 3 millones de bolívares fuertes, esto hace una ventaja para jugadores venezolanos tener un muy buen ingreso de dinero. Esto parece bien, no? hasta aquí no hay problema, son un grupo de gente jugando para poder sobrevivir en su país. No habría problema... pero en realidad si lo hay y por eso este post. \n\nComo sabemos un MMORPG necesitas tener una gran cantidad de horas jugadas para poder tener un personaje bastante avanzado y con buenos items, habilidades y todo lo demás, pero da rabia cuando llega un jugador que tiene la oportunidad de comprar oro a diferencia de otros lo cuales generara una gran ventaja sobre los old school, esto se llama \"pay to win\" y es muy odiado por toda la comunidad \"gamer\" debido a que es injusto. Esto es lo que pasa en RSOS los venezolanos con el \"gold farming\" crean un desnivel en el juego al respecto de su nivel de aprendizaje y dificultad debido a que estos farmean oro y lo venden a paginas las cuales lo revenden a jugadores, esto a la compañía del juego no les gusta y optan con penalizarlo con un perma-ban, esto no tiene ningún problema de hecho se agradece para que no haya ningún pay to win en el juego. \n\nPero el problema esta cuando tú como empresa o moderador del juego acusas indiscriminadamente a toda una comunidad de ser gold farmer, en RSOS no se puede decir que eres venezolano porque te cae un ban, los jugadores empiezan a insultarte, reportarte y he visto casos extremos que te siguen para agarrarte en una zona PVP. He conocido una gran mayoría de venezolanos que si empezaron con el juego para ganar dinero pero que a la larga se encariñaron con el y lo empezaron a jugar únicamente por diversión porque la verdad que si es un juego bastante completo y entretenido. Pero es triste que no se pueda ser \"libre\" en cierta manera por este racismo que se tiene contra los venezolanos. porque si es un racismo excluir a alguien por solo ser de una nacionalidad pero dirán\n\n-\"ay es que están haciendo gold farming y eso va contra las políticas del juego\"\n\nsi pero no todos los venezolanos son así como dije antes, a mi me banearon yo jugaba por diversión tenia una cuenta de mas de mil skills que es demasiado en ese juego y solo porque una vez me vieron hablando en español con un pana y claramente usando dialecto venezolano nos banearon a ambos.\n\nsi eres jugador de RS por favor ten consciencia y no reportes solamente porque ves a alguien venezolano ve si hace gold farming primero porque algunos si nos gusta o gustaba el juego. \nTHX\n![](https://cdn.steemitimages.com/DQmVxSJxqZ1yxyGCdXDuxUQ6o7ET63GCytZYC3B57roLRRs/image.png)",
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      "body": "-Note: this is my first post and I think this is the opportunity to talk about my favorite game saga, God of War, I played all my life in this game and this is like my way of thanking you for all the fun that They have given me during all these years. next I will tell you my opinion about the last game of the saga because it is the best game in the saga and of this 2018\n\nThere’s a scene in God of War where Kratos decapitates someone to free them from a magical cage within the mangled roots of a tree. The original games would have relished in the act, pulling the camera close for each grisly axe swing, zooming in as the tendons snap back like stretched elastic bands. In God of War 2018, the camera pans away instead, and the act itself takes just one clean cut.\n\nThe pantheon-punching God of War series has always been as subtle as a demigod’s boot to the face, but this sequel has more class, more confidence than ever. It allows things to go unseen or unsaid.\n\nIn one early cutscene, Kratos’s wrist bandages untangle. He stares down at the dangling cloth as his hand instinctively tries to catch some invisible hilt, grasping at nothing. There’s no flashback to explain what he is thinking – everything you need to know is right there in his face: he has left the Ghost of Sparta, and the Blades of Chaos, behind.\n\nWe join Kratos in the frozen, craggy land of Norse mythology, a place ruled over by deities Odin and Thor. He did not come here to carve up the gods, however. No. He came here to start a new life – a new life as a man.\n\nThe adventure begins with the funeral of Kratos’s wife, shortly before he and his son, Atreus, take a journey to the tallest peak in all the realms to scatter her ashes. Rather than kicking off with a massive boss fight – though you punch someone through a mountain within an hour – God of War 2018 begins with a slow walk.\n\n![](https://cdn.steemitimages.com/DQmWk7aJmRjRLkfabUVKjti6nqY8NVZxdutqp336FdnGyjm/image.png)\n\nThis is a story about the sins of the father – a central theme wrapped around the experience like a flaming chain and mirrored in the characters you meet. God of War has always been thematically consistent, but rage is not the sole driving force here.\n\nKratos is still a sullen slaphead whose brain is probably made of a bicep (he punches certain chests – treasure chests, not pectorals – open for Christ’s sake). He is also still a brutally efficient murderer who moisturises his ashen skin with the blood of his foes. Kratos is just more world-weary, mindful of the consequences of his Greek revenge spree, and now he has something to lose.\n\nJust as there’s a steadfast commitment to its themes, God of War is unmoving in its style. It is filmed in a single shot, the camera dancing in and out of the action with no visible loading between areas. There is a trade-off – it means that you can never see what is happening off-screen – but it all comes together to make the journey feel more personal. You have to admire Sony Santa Monica’s devotion to such a novel artistic choice.\n\nDuring cutscenes that seamlessly transition between exploration and combat, the camera dollies out or becomes a drone that hovers around the action, swooping in and following the carnage. When you are in control, the camera hugs Kratos’s back, allowing you to look around freely – unlike in the older games where fixed camera angles amped up the drama of your grandiose surroundings, often reducing Kratos to a spec against the environment. If anything, the fact you have to angle the camera up to take in some of the game’s huge creatures and ornate contraptions makes everything seem grander still.\n\n![](https://cdn.steemitimages.com/DQmZba4go4MHG4HKd8S8Vw1vyss6j1Lsvqi3yTLVy4pysEA/image.png)\n\nKicking a dragon in the face is just best experienced up-close, you know? As for the violence itself, combat is comfortably familiar despite the change of perspective. You have a light and heavy attack – though now they are on R1 and R2 – and you can mix them together to create combos, or pause between attacks to switch stances and perform different strikes, once unlocked. Stagger an enemy and you can perform a grisly and satisfying execution with R3. For incoming attacks, you can dodge, guard, or – with the right timing – parry. Fill up your rage meter and you go into a fury and pound your enemies to a pulp while recovering health with successful strikes.\n\nThe main difference is your toolkit. Your primary weapon (others come later) is an ice axe capable of freezing enemies or mechanisms in place. Squeeze L2 and it functions like a gun in a third-person shooter, allowing you to fling it at speed and bury it into an enemy’s face or a part of the environment – this is useful in both combat and puzzles.\n\nWhen the axe is out of your hands, you fight with your fists, feet, and a shield. Tap triangle at any time and the axe whizzes through the air like Thor’s hammer, hitting any enemies it passes through on its return to your hand where it lands with a lovely clunk. Yes, it is as cool as it sounds. No, it never gets old.\n\nAtreus also helps out in combat, grabbing enemies by the neck and holding them in place, loosing volleys of arrows at your command, or summoning spectral animals to trample on your foes. Combat isn’t as deep as some action games, but there’s a real heft to every attack as Kratos spins like a hurricane that just swept through a knife shop, and new abilities unlock at a rapid rate.\n\n![](https://cdn.steemitimages.com/DQmXgDy8sRVoXWfibP1VH8ijKyyq9pnjG1SN9uzMsGwXKpq/image.png)\n\nAs well as pulling his weight in battles, Atreus acts as a cipher for the player’s curiosity. He has spent his entire life squirrelled away in a shack in the woods, and now he’s seeing the land of Norse mythology with fresh eyes, just as you are. As you row between islands or explore on foot, the father and son pair chat (well, Kratos grunts) about your goals. Atreus is happy to go off and explore, while Kratos is concerned only with your quest and making sure Atreus doesn’t develop his father’s temper and go all dad-stabby.\n\nOther than one clumsy bit of character development in the final third, the writing is excellent. Atreus is in awe of his father, a burly baldy who can flip an entire temple upside down with his hands, while Kratos himself treats Atreus as a student, rather than a son. Their relationship matures over the 20-odd hours the main story takes to complete, and both are different people by the time the credits roll. The same goes for the supporting cast, who are trying to reconcile their own family bonds.\n\nSitting alongside the snappy and at times genuinely funny dialogue are the ridiculous, bombastic set-pieces you expect from a God of War game. I won’t spoil them, but there are moments here that rival God of War 3’s opening scene, only now they have something to contrast against – the moments of downtime make these wonderfully choreographed action sequences and environmental oddities really stand out.\n\n![](https://cdn.steemitimages.com/DQmULVRhthF2Ndk14j5pwLXdWqKMSV6RtUa8togXCEiDp5k/image.png)\n\nGod of War comes with all the trappings of a video game released in 2018, letting you loose into a small open-world, filling it with sidequests, and layering it in light RPG elements, but it’s such a beautiful, awe-inspiring landscape that even simply exploring is enjoyable. Sony Santa Monica makes great use of the space, too, opening up new areas with dropping water levels, or allowing you to discover looping shortcuts, so there always feels like there is something new to discover when you want a distraction from your main quest.\n\nPartway through the game, you get access to a teleporting machine that allows you to access other realms, opening up the world even more. My only real criticism is how that contraption promises more than it delivers. A handful of the realms are locked throughout – presumably put aside for DLC – while two of them are essentially fighting arenas, distractions where you can battle to grab legendary loot.\n\nOnly two of the other realms contain a ‘proper’ new landscape to explore. Still, it’s a credit to the quality of what is there that I didn’t want to leave its world after the credits rolled and instantly headed back into the world to punch werewolves again.\n\nGod of War has grown up. It is violent, but it’s not excessive. It is angry, but there is something to contrast it against. There is a flash of nipple, but it’s Kratos’s. Kratos is older, and he feels remorse for his past, but it feels like Sony Santa Monica also wants to atone. If that was God of War’s goal, the studio deserves a standing ovation. This isn’t only the best God of War game, it’s one of the best games of the current generation.",
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