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      "body": "@@ -1,15 +1,15 @@\n I hear\n-t\n+d\n  it thro\n",
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      "author": "spindle",
      "body": "I heart it through the grapevine,  surfing the net, and  from alternative journalists on Youtube, that it was possible to join a new community called Steemit, post there and  monetize the participation with a particular cryptocurrency called Steem. Wow, what a cool idea, I thought. So I hopped into it, started posting and after a while I realized that the effort wasn't worth the gain. In fact the amount of monetization is ridiculous and the system pretty complex.  Crumbs for the birds. Were my expectations too high or am I too narcissistic for this platform?\nHere is my Narcissus. Oil on canvas cm 100 x 70.\n\n![Narcissus2.jpg](https://steemitimages.com/DQmT4cxD9ZUcGiGN4KCbSfai5uL52kYvRXPbp6b9GVfJ5AA/Narcissus2.jpg)",
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      "author": "kresnix",
      "body": "Thank you :)",
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      "body": "This looks great, good job!",
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      "body": "Cool!",
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      "author": "spindle",
      "body": "Your rant suggests  higher expectations.  After illusion, delusion follows.\nI have had similar feelings, for that reason I like your post, my friend.",
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      "body": "![goldfinch.jpg](https://steemitimages.com/DQmRTWS3E1mToTiNnR3JZsKwxAGFxajXv6MLmMbjGDDZBGB/goldfinch.jpg)\n\n\nOne of my art teachers used to say that since the invention of photography the role of figurative artstists  was over.  So they should now concentrate on exploring new fields of mostly abstract creativity.\nOf course I don't adhere to that school of thought.\nThe fact that art in all its forms is a human need close to faith is evident in the fact that since the abandonment of    churches by the artists, new temples for art have been built, in the form of museums and galleries. These institutions in fact do not have the sole purpose of preserving  the furniture of history and providing  moments of pleasure on a Sunday afternoon but also feeding the soul with beauty and satisfaction.",
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      "author": "spindle",
      "body": "Check out my \"urban inconceivable\" https://steemit.com/art/@spindle/private-property",
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      "body": "![portraits.jpg](https://steemitimages.com/DQmesvk6EftMXhaeK2ZeA38kqkwCmW7VdZeeeabdszyDtzy/portraits.jpg)\n\n\nIt is time now to take into consideration my portraiture painting. \nThere is a consistency and some sort of vibration in it that deserves some reflection.\nMy intention is precisely to point at the psychological dimension within the characters and to disregard the notions around the traditional artistic parameters concerning the great portraiture.\n\nMy art, despite being carried out with the same tools of the old masters (painting meant as a handy skill), is deeply influenced by the images proposed by the electronic media since the beginning of the third millennium. It is not by chance that my studio is occupied and shared by the tools of the artistic atelier together with the components of the electronic laboratory: two hemispheres belonging to the same planet.\n\nHow is the short circuit between traditional reality and virtual hologram triggered?  By offering a pictorial image of the same penetrating effect as an electronic picture, with an extra dimension, a revolutionary one,  freezing the virtual image onto the canvas using old techniques.\n\nIn a world dominated by fictitious media, declaring one thing but actually meaning another, our minds seem trapped in a dichotomy between illusion and delusion. Deliverance comes to me from   craftsmanship, which gives me the ability, with provocative nonchalance , to flaunt the image of contemporary illusion and convert it in a pictorial \"manufactured\" physical reality.",
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      "author": "spindle",
      "body": "Creativity, some say, is “the ability to see what is there.”  Do I personify that definition? I hope so.\n\nSeen through my eyes and portrayed by my brush, the common is never mundane and simple things are never plain.  Nothing in life is immune to wry observation and careful craftsmanship, as   meaning and beauty are everywhere.\n\nVariety.  Beauty.  Intelligence.  Humor.  My work has got to be striking and subtle, and not predictable.  Everything is of interest, and fun to find in almost everything a story worth telling.\n\nOld and new, clean and dirty, light and shadow – I like to play with contrast and juxtaposition.  My paintings move from placid country landscapes to congested streets, where formal print appears beside scrawled graffiti and works of nature shadow acts of man.  It is a world of drama and tranquility, life and light cast in various shades.  \n\nMy suggestion is to look for irony.  Protest posters, once loud and bold, are now themselves torn down by someone who did not like them.  Illegal squatters preempt and amend the sign posted to forbid access to the land they are using.  An incinerated car is inspected nonchalantly by a police officer holding a cigarette.\n\nThe intention is to keep the beholders surprised and draw them back again and again to see what they may have missed.  Both the general impact and the minute details  are there to impress and intrigue, I hope.  And there is always more to be seen than may first meet the eye.\nCharacters in portraits should look alive. They should almost converse with their viewers instead of merely staring back at them.  \nWhat kind of an artist am I? A realist, trying not to be pedantic, skilled technician and acute observer of life.  But if true art conceals artistry, let me draw you in and engage with my friends, my city, and my stories and please forget about techniques or styles. My subjects should speak for themselves and stimulate your fantasy.\n\nAdmire.  Study.  Smile.  You can experience art on many levels: appreciate the beauty, notice the use of color and light, look for the story, what has so far happened and what will happen next, ask of the artist, why this thing to be shown in this way?\n\nAbove all, please enjoy with me the celebration of the unpredictable, unbelievable, inconceivable world in which we live, as well as the people who surround us.  \n\nWith affection.\nAndrea\n\n\n![panico.jpg](https://steemitimages.com/DQmQ2zMg9utz9dnrrBTv6FQmNyVNz6CVa5R1U2nYNy1u2zy/panico.jpg)                                                                                                                                                                                                                                                   \n\n![me in the studio closeup.jpg](https://steemitimages.com/DQmbTUaws6DichuqxMGya4Zk8X2ZpsZqotrvex3H3kbycko/me%20in%20the%20studio%20closeup.jpg)",
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      "author": "spindle",
      "body": "![propietà privata.jpg](https://steemitimages.com/DQmSUr84jrKTfUs8t1ySPp7a8UBx6B936CR2PdKMKfB5MUa/propiet%C3%A0%20privata.jpg)\n\n      Continuing the description of some paintings in my show titled \"Urban Inconceivable\".\n\n      In \"E' Vietato L'Accesso - Propieta' Privata\"\n      we see a scene of almost  Brechtian dimensions.  Set upon a background of clean,\n      sterile apartment buildings immersed in the hazy atmosphere of a typical Florentine \n      smog-laden day, we witness as if superimposed, an absurd yet humanly \n      scaled collection of little sheds and constructions topped with \n      miscellaneous, random patchworks of corrugated tin. Nearby in the fields, \n      as if anonymous serfs, people are bent over, toiling.  Shockingly large in \n      the foreground is a manufactured \"No Trespassing\" sign upon which \"Private \n      Property\"is hand-scribbled. Rust-worn and creepy,  it appears a bit like a \n      modern version of Dante's warning: \"All hope abandon, ye who enter \n      here...\"  Yet I observe this scene not with cynical superiority, \n       but rather with melancholic empathy for these people who inhabit it,  for \n      they are the salt of the earth.  Who knows what stories they would tell if \n      they could... one imagines old traditional tales: of the ancestors, of the \n      war, of other times... the last vestiges of a sapient agrarian culture set \n      within an urban sea...\n       \n      There is also however  the humorist, the commentator, the \n      philosopher in me,  who enjoys telling jokes and observing little foibles of the \n      society which surrounds me.  Without malice, tempered by compassion, but \n      most definitely playful… note the large sign in the foreground with an Italian \n      orthographic mistake: \"propieta\"  instead of  \"proprietà\", that I reproduced on purpose.",
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      "body": "Thanks my friend. It seems harder than I thought to pick up steam here on Steemit!",
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      "body": "![city sightseeing.jpg](https://steemitimages.com/DQmR7VrDigNFwctZ8Qteqxi2Wjqokf5ZKYi75QXGJJygRR9/city%20sightseeing.jpg)\n\n\nAnother painting from my show \"urban incoceivable\".\n\nThis droll and self-effacing humor which comes from being a contemporary in a city so strongly associated with its glorious past, is quite apparent in this painting of “Ponte Santa Trinita in Florence” \nWe are attempting to look at the elegant scenery which has long delighted visitors and natives alike. We are trying to behold the bucolic vision of the historic center of Florence beyond a bridge designed by a great renaissance master… but the geometric assemblage of golden ochres and terra cottas nestled above the Arno, presided over by the proud and majestic presence of the Palazzo Vecchio, is irreverently slashed by an awful cacophony of a tacky moving billboard ! Replete with the ubiquitous image of David ( pilfered yet once again for Florentine branding, as if we still didn’t know…) a tourist bus goes crashing through the sacred scene. Adding insult to injury, in neat Renaissance perspective, is a topping of gaudy plastic garbage dumpsters and jarring white street markings, all that one could hope for in such an elegant setting!",
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