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      "author": "steemitboard",
      "body": "Congratulations @soundape! You received a personal award!\n\n<table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@soundape/birthday1.png</td><td>Happy Birthday! - You are on the Steem blockchain for 1 year!</td></tr></table>\n\n<sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@soundape) and compare to others on the [Steem Ranking](http://steemitboard.com/ranking/index.php?name=soundape)_</sub>\n\n\n###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!",
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      "author": "soundape",
      "body": "<html>\n<p>Creating a video game can be emotionally demanding, especially when you dedicate your life to developing your own story, game play mechanics, and researching development methodologies and technologies. Individuals who continually inspire me to develop my own games are Edmund Mcmillen, Chad and Jared Moldenhauer, and Markus Persson.</p>\n<p><img src=\"https://image.ibb.co/nkh4jn/game_collage.png\" width=\"1200\" height=\"800\"/></p>\n<p><br></p>\n<p>&nbsp;In recent years, countless indie game developers from all over the world have spawned thanks to the advancement of technology and the ability to find open source learning platforms. Popular game engines like Unreal Engine 4, Unity, Game Maker Studio, and even RPG Maker enable anyone with a computer and internet connection to develop their own video games.&nbsp;</p>\n<p><br>\n<img src=\"https://preview.ibb.co/ehgaqS/engines.png\" width=\"640\" height=\"427\"/></p>\n<p><br></p>\n<p>This Saturday, I am going to host a panel at PAX East -- Surviving Indie Presents: Surviving Development Failure, my story of trying to create my first video game but ultimately failing because of mismanagement, poor business decisions, and the lack of funds to complete it. In the interest of time and subject matter, I want my discussion at PAX East to be centered around tips on how to survive development failure rather than the backstory of my video game. I decided to create an account here because I want to take this opportunity to tell about my game, where I went wrong, and the mental anguish that I went through to end up where I am now. I also invite you to join me on my journey as I continue to move forward in my career. <em>If you’re interested in attending, here’s the official schedule that lists the time and location: </em><a href=\"http://east.paxsite.com/schedule/panel/surviving-indie-presents-surviving-development-failure\"><em>http://east.paxsite.com/schedule/panel/surviving-indie-presents-surviving-development-failure</ins></em></a><em>)</em>&nbsp;</p>\n<p><br></p>\n<p><img src=\"https://image.ibb.co/kQ9vqS/28279970_2010088562646805_2995378853776075000_n.jpg\" width=\"960\" height=\"539\"/></p>\n<p>It all started when my friend showed me his first build of what was then called City of Fallen Angels. The demo was created in Game Maker 8 and heavily inspired by older first-person-shooters like DOOM and Duke Nukem 3D. Its theme… mood… the gameplay… I instantly grew attached to it. It was already gaining a decent following on GameJolt; he had people constantly asking my friend when the game was going to be released. I saw a lot of potential in this game, so I decided to join in and help develop it.</p>\n<p><br>\nHere’s footage from that build: <a href=\"https://www.youtube.com/watch?v=BrOtVG47BQM\">https://www.youtube.com/watch?v=BrOtVG47BQM</a><br>\n&nbsp;</p>\n<p><img src=\"https://image.ibb.co/fOXgVS/City_Of_Angels_GIF_source.gif\" width=\"360\" height=\"270\"/></p>\n<p><br></p>\n<p>I was surprised when I found voice acting in the demo that I played. I think this is what really made me want to help develop this tame. In my option, utilizing voice actors adds emotion to the story that’s being told. I felt like that’s exactly why we needed to find professional voice actors for every single character of ours. I decided to call several friends who were more than happy to join. These are guys who’ve worked on games like <em>Metal Gear Solid, Fallout 4, TellTale’s Walking Dead, </em>and <em>The Sims 3. </em>I felt like this would give us an advantage, especially since I wanted to find a publisher or investor to help me with development.&nbsp;</p>\n<p>As we were developing the game, we both realized that using Game Maker 8, a very dated and limited game engine, wouldn’t allow us to fully create the game we had in mind. As someone who believes in “going big or going home,” I made a bold proposal: let’s develop this game using Unreal Engine 4. Considering it was still relatively new at the time, we were both excited about the possibilities this game engine allowed us to imagine. I went to want eLance, which is now known as Upwork, to hire qualified programmers and artists to help us create the game of our dreams.</p>\n<p><br>\nWe ended up with a nearly complete 3D model of our main character, Detective Michael Thane, a incomplete build of the game, and several various objects that were meant to be used in the vertical slice. Things were looking good, but a harsh reality would eventually sink in -- I was trying to develop a AAA style first-person-shooter with the lack of knowledge and experience in game development.</p>\n<p><br>\nAs time went on, more money was required to pay my developers. I was the only one on the team working a full-time job because my friend was going to school, so I was eventually unable to fund our developers. But I wasn’t ready to give up just yet. My friend and I decided to use an open source version of the DOOM engine to develop our game. We decided that the industry needs a retro-inspired first-person-shooter because we felt the ones that are currently available are bland.</p>\n<p><br>\nDevelopment was looking promising. We actually started to make progress. We decided to create the vertical slice in this engine instead because it allowed us to mix in our own artstyle with one that fans are familiar with. Plus, the lever editor allowed someone like me to easily design levels.</p>\n<p><br></p>\n<p><img src=\"https://image.ibb.co/hPkeH7/14080044_1289390821073694_7800791334374557334_n_d2jjwgma.jpg\" width=\"960\" height=\"542\"/></p>\n<p><img src=\"https://image.ibb.co/ncqqPn/14045599_1291483584197751_1759996282271883724_n_trnit3ja.jpg\" width=\"960\" height=\"542\"/></p>\n<p><img src=\"https://image.ibb.co/jTyMVS/15403854_1396546207024821_1928683990236124573_o_5qmbbukf.jpg\" width=\"1360\" height=\"768\"/></p>\n<p>I was scrolling through Facebook one day when I came across a post from the Austin IGDA letting its members know that SXSW is looking for indie games to be included in their Gaming Pitch Competition. I saw that as an opportunity to grew interest and learn more about how publishers and developers invest time and resources into video games, so I decided to submit our game. Once I received the confirmation that we were in, my friend and I began to prepare our pitch material.&nbsp;</p>\n<p><br>\nWe never prepared a pitch deck before, so it was pretty nerve wracking. I basically had to research various methods on Google while my friend was preparing a mock trailer to present to the judges (<em>you can find that trailer here: </em><a href=\"https://drive.google.com/open?id=0BydkpP5WOYTqemh1OW9hSlZoOFU\"><em>https://drive.google.com/open?id=0BydkpP5WOYTqemh1OW9hSlZoOFU</ins></em></a>). We didn’t have much time to prepare either. Lack of time, inexperience, and nerves made it nearly impossible for me to complete the pitch, but I was able to do with only hours to spare. My friend flew down from Pennsylvania and stayed at my house for the duration of the event-- it was also the first time that we’d met in person.&nbsp;</p>\n<p><br></p>\n<p><img src=\"https://image.ibb.co/nCdoAS/16507952_1463778043634666_2694703127769734079_n.jpg\" width=\"960\" height=\"960\"/></p>\n<p><br></p>\n<p>At the event, we were basically told that no one would invest in our game because it’s not like other games that are currently on the market like Call of Duty and Battlefield. By then, we’d already put in 2 years of our time into this project; our morale began to sink. My friend and I would constantly argue and fight about design choice and the direction of the story. We were both tired after 3 builds and seemingly no progress being made. As a final ditch effort, we decided to completely change the game mechanics to something we felt was more realistic within our abilities. Sadly, we didn’t get further than creating a simple stage and a bunch of concept images.&nbsp;</p>\n<p><br></p>\n<p><img src=\"https://image.ibb.co/cK7tc7/Gameplay_Test_1.jpg\" width=\"499\" height=\"378\"/></p>\n<p><img src=\"https://image.ibb.co/iRdc4n/Gameplay_Test_5.jpg\" width=\"1360\" height=\"704\"/></p>\n<p><img src=\"https://image.ibb.co/bwntc7/Gameplay_Test_3.jpg\" width=\"300\" height=\"128\"/></p>\n<p><br></p>\n<p>In the 4th quarter of 2017, I decided to put our game on an indefinite hiatus.</p>\n<p><br></p>\n<p>I allowed my pride to overtake me. I simply didn't want to admit that I wasn't ready to develop this game yet. I did everything in my power to not end at here, but I knew it was inevitable. I don't want to start a crowdfunding campaign because I feel like that wouldn't be fair to those who are contributing their hard-earned money to a game that's already had 4 builds, none of them being no where near complete.</p>\n<p><br></p>\n<p>I lost my best friend because of my behavior. I lost tens of thousands of dollars because of my poor choices. However, instead of dwelling on my regrets, I want to move forward to become a better person. I know that sounds cliche, but that's how my heart truly feels.</p>\n<p><br>\nFailure plays a very important role in life. Yes, the feeling of not being able to accomplish something can eat you away, you must remember that failure is how we learn to better ourselves for the future. If you are able to let go of a little pride and accept your failure, you’ll be able to move on to create something amazing.</p>\n<p><br></p>\n<p><strong>Fallen Angels - The Ultimate Noire Experience®</strong><br>\n</p>\n<p>The ultimate noir first-person-shooter.<br>\n<br>\nStep into the shoes of private detective Michael Thane as he sets off on the biggest investigation of his life. The year is 1938 - a mob war has consumed Umburgh, whose citizens live in constant fear as the warring crime syndicates vie for control of the city. Amid the chaos, a mysterious masked killer, known only as Whitman, has returned to the city after a ten-year absence.<br>\n<br>\nExplore the frozen streets of Umburgh, where violence is just a fact of life and every back alley is the site of another macabre crime. The city's sprawling streets offer a multitude of paths and solutions as you take the fight to the remorseless crime syndicates that haunt its shadows.<br>\n<br>\n<strong>CAST</strong><br>\n- Michael \"Mike\" Thane - River Kanoff<br>\n- Whitman - Jon St. John<br>\n- Delia - Marissa Lenti<br>\n- Young Delia - Olivia Shone<br>\n- Don Tocasno - Paul Eiding<br>\n- Pete - Owen Thomas<br>\n- Stoneface - Kamran Nikhad<br>\n- Tom Wisely - Lee Shone<br>\n- Ralph - David Dixon<br>\n- The Orphaner - Duffy Weber<br>\n- Various - James Larabee<br>\n- Various - Joe Zieja<br>\n- Various - Charlie \"Cr1tikal\" White</p>\n<p><br>\n<strong>CREW</strong><br>\n- Game Director - Trey Powell<br>\n- Executive Producer - John Montoya<br>\n- Producer - John Sochor<br>\n- Producer - River Kanoff<br>\n- Story Producer - Trey Powell<br>\n- Production Supervisor - John Montoya<br>\n- Community Manager - Ismael Celonio<br>\n- Programming - Devlin Willis<br>\n- Art Director - David Montoya<br>\n- Pixel Art - Matias Kinderman<br>\n- Pixel Art - Trey Powell<br>\n- Storyboarding - Guido Salto<br>\n- 2D Animation - Dana Corrigan<br>\n- 3D Modeler - Lucas Bezerra<br>\n- 3D Modeler - Brain Collin<br>\n- 3D Modeler - Lance Seme<br>\n- 3D Modeler - Lee Stansbury<br>\n- 3D Modeler - Terry Whittingham<br>\n- Concept Art - Trey Powell<br>\n- Concept Art - David Montoya<br>\n- Wwise Consultant - Matthew Dear<br>\n- Music Supervisor - John Montoya<br>\n- Sound Director - John Montoya<br>\n- Music Composed By - Josh Barron<br>\n- Additional Music - Sebastien Romero<br>\n- Assistant Editor - Kathrine Bradshaw<br>\n- Assistant Editor - John Montoya<br>\n- Assistant Editor - Connor Hamilton<br>\n<br>\nStory By Trey Powell &amp; John Sochor<br>\n<br>\n<em>Copyright © 2015 - 2017 Affinity Pixel Entertainment. All Rights Reserved. Fallen Angels - The Ultimate Noire Experience® is a registered trademark in the United States and pending in other countries.</em></p>\n<p><br></p>\n<p><em>IMDb: http://www.imdb.com/title/tt4898816/?ref_=nm_knf_i1<br>\n </em><br>\n&nbsp;</p>\n</html>",
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