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      "body": "Latest FIFA ratings have just been pushed out\n\nInteresting reading given the recent tournaments\n\nMen's top 20\n\nLast rankings released 14 July 2016\n\nRank    Country    Points\n1 (-)    Argentina    1585\n2 (-)    Belgium    1401\n3 (-)    Colombia    1331\n4 (-)    Germany    1319\n5 (-)    Chile    1316\n6 (+2)    Portugal    1266\n7 (+10)    France    1189\n8 (-2)    Spain    1165\n9 (-2)    Brazil    1156\n10 (+2)    Italy    1155\n11 (+15)    Wales    1137\n12 (-3)    Uruguay    1130\n13 (-2)    England    1107\n14 (+2)    Mexico    1044\n15 (+12)    Croatia    1022\n16 (+11)    Poland    1011\n17 (-4)    Ecuador    1002\n18 (-3)    Switzerland    957\n19 (-1)    Turkey    915\n19 (+1)    Hungary    915\nSelected others\n\nOverall Rank    Uefa rank    Country    Points\n28 (-3)    46    Northern Ireland    822\n31 (-)    41    Republic of Ireland    800\n50 (-7)    25    Scotland    584",
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      "title": "The Frightnrs - Nothing More To Say - Daptone  Out September 2nd",
      "body": "The Frightnrs -  Nothing More To Say -  Out September 2nd\n \n\nThis certainly grabbed my ears on first play, out September the 2nd, audio and the Daptone bumf below...\n\n\nThe Frightnrs escort Daptone into the world of long-playing reggae with both the sweetest and the roughest record of the decade.\n\n \n\nCrafted under the meticulous eye of black-belt reggae mastermind/producer Victor Axelrod (AKA Ticklah), Nothing More to Say is a rocksteady masterpiece the likes of which has not reared it’s head since the golden era of Studio One. However, you’ll find no imitation here - none of the faux-jamaican cliches of lesser reggae bands. Like all things Daptone, this record is above all soulful and honest. With the exception of two soul covers (both from the Daptone catalog: Bob & Gene’s \"Gotta Find a Way” and Saun and Starr’s “Gonna Make Time”,) the record is populated by original compositions of the highest order. They are simply great songs, and though their treatment here is masterful, each one of them has the melodic and lyrical substance to hold it’s own in any genre. “Till Then” invokes the coquettish hyper-rhymes of top-form Smokey Robinson, while “Hey Brother” sounds like it fell off the desk of Gamble and Huff, and “Purple” defies any comparison at all. From the first cracking snares of “All My Tears” through the final pulsing echoes of “Dispute,” the murderous rhythms of Rich Terrana (drums,) and brothers Preet and Chuck Patel (bass and piano, respectively) can be heard chunking mercilessly towards oblivion as Dan Klein pours his endearing poetry over over the top like some other-worldy falsetto potion. The combination is a sound birthday-suit raw, mesmerizing, infectious, and above all, lovely. This record will long be treasured by lovers of reggae, lovers of soul and lovers of love.\n\n\"From the start, both the band’s sound and presentation stood out from common Caribbean interpretations by other young American bands...favoring instead earnest ballads with a deep soul groove.\" Jim Farber, The New York Times \n\nhttp://www.soul-source.co.uk/articles/news-soul/frightnrs-daptone-album/\n\nhttps://soundcloud.com/daptone-records/the-frightnrs-nothing-more-to-say",
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