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      "permlink": "steemitboard-notify-savvyfirstborn-20200129t155814000z",
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      "body": "Congratulations @savvyfirstborn! You received a personal award!\n\n<table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@savvyfirstborn/birthday2.png</td><td>Happy Birthday! - You are on the Steem blockchain for 2 years!</td></tr></table>\n\n<sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@savvyfirstborn) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=savvyfirstborn)_</sub>\n\n\n###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!",
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      "body": "You will find more infographics at Statista\n\nThis year, the number traveling to welcome the Year of the Dog will be approximately 385 million, marking a 12 percent increase on 2017 according to China News. \n\nComparing China's largest annual migration with North America's is a good way to gauge its sheer size.\n\nThanksgiving 2017 saw 50.9 million travelers negotiate long tailbacks on the interstate and overcrowded airports. Even though Thanksgiving is a major travel event, China's new year is still seven times bigger, with its massive population making a big difference of course.\n\nKnown as \"chunyun\", the annual new year migration in China also easily surpasses the world's biggest pilgrimages in scale with Arba'een and the Hajj not even coming close.![chartoftheday_12916_the_world_s_largest_migration_is_about_to_begin_n.jpg](https://steemitimages.com/DQmT5r7nBuVU5d3u3rHGwMTPadgHAN89w9MZjGeZ3dxAYtY/chartoftheday_12916_the_world_s_largest_migration_is_about_to_begin_n.jpg)\n\narticle source; zerohedge.com",
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      "body": "Isn't this misleading the purpose of the following and building up connections in the community?\nEspecially under a guide like this?\nThought its to start up chats and get connected through interests ect, having people follow the sort of known essential content?\n\ni just signed up here new, but i was hoping not to have this same childish run on followers like facebook, Instagram and co. \n\nPlease don't take it as an offence, it is just meant in general. What do you guys post about and what are your interests? Then of course I'd think about following. \n\nBy the way, thank you for the guide, it was very helpful.\n\nI am mainly interested in cryptocurrencies, investments, especially european point of view, literature, and openminded towards any interesting sounding suggestions. These will be my main posting subjects, too.\nIf you feel like replying, what your posted content will be about, i will pleasently think to follow you.\n\nThanks :)",
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      "body": "![IMG_20180203_185908_949.JPG](https://steemitimages.com/DQmeuFbgJFjy7mRSShbqTKrP9oK3cxAzE9nzFnDR9hm8qwv/IMG_20180203_185908_949.JPG)\nPen drawing, artwork executed wholly or in part with pen and ink, usually on paper. Pen drawing is fundamentally a linear method of making images. In pure pen drawing in which the artist wishes to supplement his outlines with tonal suggestions of three-dimensional form, modeling must necessarily be effected by the close juxtaposition of a series of strokes forming areas of hatching or cross-hatching. Many pen studies, however, are produced with the substitution of tonal washes (layers of colour spread over a broad surface) laid onto the drawing with a brush, in which case the outlines or other important definitions of the figures or landscape are established by the pen lines. See wash drawing.![IMG_20180203_185920_677.JPG](https://steemitimages.com/DQmQw6WXowSf518SCLhaZaUiDxtLPhqjHUfNHgbh6JHuxxM/IMG_20180203_185920_677.JPG)![IMG_20180203_185946_105.JPG](https://steemitimages.com/DQmd6jUGPysrCJcRcAXLUdud94oAUTxZheAf1cPexKDvsrv/IMG_20180203_185946_105.JPG)\nnks of various types used in pen studies contribute additional diversity to the final effects. Historically, three types of ink were most frequently used. One was black carbon ink, made from extremely fine particles of the soot of burnt oils or resins in a solution of glue or gum arabic. The finest type of black carbon ink was known as Chinese ink and was the prototype of the modern black India ink. A brown ink popular with the old masters because of its warm, luminous colour qualities was known as bistre. It was prepared by boiling wood soot to obtain a liquid, transparent brown extract. The third important ink was an iron gall, or chemical, ink. Its principal ingredients were iron sulfate, the extract of gall nuts, and a gum arabic solution. It was, in fact, the common writing ink for centuries and was employed for most early drawings. Its colour when first applied to the paper is bluish black, but it rapidly turns blackish and, over the years, a dull brown and tends to disintegrate.\n\nPens are the oldest and most popular of all the drawing media of the Western artist, in part because of the variety of linear effects provided by the three basic types of pens and their adaptability to the changing styles of draftsmanship over many centuries. These three basic types are quill pens, cut from the wing feathers of fowls and birds; reed pens, formed and trimmed from stems of bamboolike grasses; and metal pens, fabricated from various metals, especially fine steel. The outstanding master of the reed pen, the Dutch artist Rembrandt, used it often in combination with the quill pen and washes to produce the richly suggestive atmospheric illusionism of his works. The reed pen never had the widespread popularity of quill or metal pens, but for special effects it has served artists admirably; for example, the 19th-century Dutch artist Vincent van Gogh in his last years used it in his drawings to produce the blunt, powerful strokes that were counterparts of the heavy brush strokes typical of many of his canvases.\n\nUntil the acceptance of the modern steel pen, most Western master draftsmen used quill pens. During the Middle Ages the quill pen was used for the fine delineations of images in manuscripts; its nibs, which can be sharpened to extreme fineness, permit the craftsman to create small linear figures or ornamental decorations on the pages or along the borders of the parchment leaves. This characteristic, combined with the flexibility of the quill point, which responds to pressure for varying the widths of lines or forming accents, made it adaptable to the diverse personal styles of draftsmen from the 15th to the end of the 19th century.\n\nThe development of excellent steel pens by the Englishman James Perry in the 1830s and the mass production by stamping pens from steel blanks led to the metal pen’s supplanting the quill. Nevertheless, artists only reluctantly adopted the steel pen, and most drawings in pen and ink done before the 20th century were still produced with quills. The steel pen is now used for drawing almost exclusively and is available in many shapes, sizes, and degrees of stiffness or flexibility. It has become standard studio equipment of the illustrator, cartoonist, and designer. Pen drawings by such outstanding painters and sculptors as Pablo Picasso, Henri Matisse, and Henry Moore demonstrate the virtue of the steel pen in producing the sharp linear definitions generally preferred by modern masters.\n![IMG_20180203_185931_634.JPG](https://steemitimages.com/DQmULwMYXxhSBB9owE229vYia8A64kRRy4SinSJnujYL7NA/IMG_20180203_185931_634.JPG)\n![IMG_20180203_185959_730.JPG](https://steemitimages.com/DQmchFwTqbx2oXpLKH5X9twnRJxNFFsh5XUDRT2FVKfiZxR/IMG_20180203_185959_730.JPG)\n\nDrawings are originally created by me.\n\n\nARTICLE RESEARCH CREDIT\nThe Editors of Encyclopædia Britannica",
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      "body": "Pencil drawing, drawing executed with an instrument composed of graphite enclosed in a wood casing and intended either as a sketch for a more elaborate work in another medium, an exercise in visual expression, or a finished work. The cylindrical graphite pencil, because of its usefulness in easily producing linear gray-black strokes, became the successor of the older, metallic drawing stylus, with which late medieval and Renaissance artists and tradesmen sketched or wrote on paper, parchment, or wood.![IMG_20180203_133908_942.JPG](https://steemitimages.com/DQmd4VWNJk1VLfLLf2eLmejJMCyPVGMfBm4CqapbiC52dH8/IMG_20180203_133908_942.JPG)\n              pencil art\nAlthough pencil drawings were much less commonly produced by artists of those centuries than sketches in chalks, charcoal, and pen and ink, the use of graphite gradually increased among painters, miniaturists, architects, and designers. By the late 18th century, an ancestor of the modern pencil was constructed in the form of a rod of natural graphite fitted into a hollow cylinder of wood. Not until 1795, however, did the French inventor Nicolas-Jacques Conté devise a method of producing pencil rods from mixtures of graphite and clays, a true prototype of the modern graphite pencil. Conté’s technical improvement made possible the production of fine pencils the strokes of which could be controlled, varying from type to type in softness and hardness, darkness and lightness. These excellent quality graphite pencils encouraged wider use by 19th-century artists, and pencil drawing became commonly used for studies and preliminary sketches. The graphite pencil could be used on almost any type of drawing surface, a fact that helped make it indispensable in the artist’s studio.\n\nAlthough graphite pencils provided a substantial range of light–dark effects and the opportunity for tonal modeling, the greatest masters of pencil drawing always kept the elements of a simple linearism or limited shading that were appropriate to pencil drawing. This concept of pencil drawing contrasted with that sometimes employed in the 18th and 19th centuries in which extensive tonal modeling of three-dimensional forms and elaborate effects of light and shade were produced by artists and miniaturists by rubbing the soft graphite particles with a stump, a tightly rolled piece of soft paper or chamois.\n![IMG_20180203_133846_838.JPG](https://steemitimages.com/DQmdkXVoTBGraWDMg53s7m6MY64kuRctqXEvtZmbDoXwwje/IMG_20180203_133846_838.JPG)\n![IMG_20180203_133825_972.JPG](https://steemitimages.com/DQmVXj6TKUHppVYL5QRRyuqAz4W8izd7hpn75g92ct4cCVM/IMG_20180203_133825_972.JPG)\nAll sketches are originally mine. More coming your way. \nMY LITTLE RESEARCH ON PENCIL DRAWINGS \nI appreciate every form of support.",
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      "body": "Congratulations @savvyfirstborn! You have completed some achievement on Steemit and have been rewarded with new badge(s) :\n\n[![](https://steemitimages.com/70x80/http://steemitboard.com/notifications/firstpost.png)](http://steemitboard.com/@savvyfirstborn) You published your First Post\n\nClick on any badge to view your own Board of Honor on SteemitBoard.\nFor more information about SteemitBoard, click [here](https://steemit.com/@steemitboard)\n\nIf you no longer want to receive notifications, reply to this comment with the word `STOP`\n\n> By upvoting this notification, you can help all Steemit users. Learn how [here](https://steemit.com/steemitboard/@steemitboard/http-i-cubeupload-com-7ciqeo-png)!",
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      "body": "okay\nplease follow back",
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      "body": "thank you",
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      "body": "okay \nfollow back",
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      "author": "lopezdacruz",
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      "body": "Welcome to steemit savvyfirstborn!  just express yourself and the things that you enjoy and you will do fine here.",
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