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      "author": "pianograham",
      "body": "Thanks I'll take a look. Cheers",
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      "body": "Very well written - thanks for sharing. I too live with bipolar and am in the process of writing a full length book.  I am toying with the idea of putting a character in that reflects my bipolar traits.  I believe to normalize bipolar disorder that a secondary character would be very effective...the same was as say a foreign character for example.  keep going with the crusade. Again, I really appreciated reading what you wrote.",
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      "body": "Thank you :) I'm inspired by music in general but have a weakness for bassplayers. I listen to all kinds of music with focus on the bassplayer mostly :) As I mentioned in my article, he influenced me by listening to him a lot on all the Motown records. Pieces of his playing I try to put into my own bassplaying. I often listen to his beautifull basslines with my bassbuddy Danny Samar.  This morning I talked with another steemian ( @melbookermusic ) about Jamerson, that's how I got triggered and inspired to write a piece about him.",
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      "body": "Really enjoyed the article, by the way. What inspired you to write about one of Motown's secret hero's?",
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      "author": "verhp11",
      "body": "Thank you for your extensive reply. I totally agree with you. Music nowadays is much more volatile, it is all about the singer/artist individual. An artist get a song (more often won't write it themselves) and records it companied by anonymous musicians. although they get a cut in shares of income, the aren't recognized for the talent that they bring. But to be honest, in the present tense there aren't musical revolutions anymore like the 60's and 70's. One day your hot, the next day your place is taken by ten others. Ofcourse exceptions. But i sure agree, and I would love to see that turning into musicians getting the recognition they deserve..\n\nThanks again,\n\nTake care and have a nice day!!",
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      "body": "I saw the documentry 'Standing in the Shadows of Motown' in the theatre when it came out. I was riveted to it and facinated with the funk brothers. Since then I have learned of the \"Wrecking Crew\" in LA and the 'Swampers' back in Muscle Shoals Alabama. \nThe 'peaks behind the curtains' reveals some remarkable talents and characters. I have great respect for those who made the music and believe that they never got that they fair dues.\nI am a musician and composer myself so their stories hold a special place in my heart. \nAnyway, what may be decieving is that these documentaries come across saying that these sweat shops were a thing of the past and that today we don't treat the creators of beloved music in such a way. Well not true, as I am sure that many will conclude that there are hundreds of great studio musicians out there still 'standing in the shadows'. There always will be. \nPopular music went through a trend in the 60's and 70's where upstart musicians and composers were given more and more opportunity to write and record there own music - rather than have the lables and producers have it done for them.\nToday however, I think that that exchange of power is being reversed. Shows like American Idol and Amereica's got talent has put the focus on individual artists/stars and downplayed the roll of the back-up musicians. This has created an environement once again like the world of the funk brothers who would rather be paid a working wage for making music than making cars.\nWhat do people feel about this throw back trend. Are we once again putting the power in the hands of the few rather than the many and subsequently exploiting musicians like it was done 50 years ago?\nPlease let me know your opinions on this change in dynamics. \nThanks again for both posting the article but also for help shed some more light on how the music of that time was actually produced.",
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