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      "body": "So Thunderbirds are Go (1964-1966), is a beloved TV show created in the 1960's by a small group of creatives led by chief creator Gerry Anderson and his wife Sylvia who was the role model and voice for the wonderful Lady Penelope. \n\nChildren (and some adults), have tuned in enthusiastically over the decades to see the original puppets with strings clearly visible. To the current day remakes of digitally enhanced cartoons and animated adventures.\n\nBut it's the thinking behind the creation and the power behind the destruction that makes the story more interesting. \n\nThose who worked on the original Thunderbird productions were a mixed bag of individuals. No one expected the original success, it was not created as a money maker enterprise although it started  the journey towards complete merchandising of films and tv shows.\n\nMost of the prop designers had never designed props before, they were the perfect band of enthusiastic creatives led by Gerry ( of Twizzle & Battery boy fame); and held together by Sylvia (who in the first instance turned down the role of secretary as she thought the set up was strange to say the least)\n\nThe creators even shared the same house, spending huge amounts of hours on set and with each other, enjoying the process and the company of each other without even a share or any expectation in profits.\n\nLook closely at the original Thunderbird  programmes and you will see much more than the strings, there is an egg box in the set of Thunderbird 2's launch pad, tin foil in abundance, artificial trees and models that were clearly paper mache. The scenery was often shaken by an over enthusiastic prop designer to simulate a bad landing or rushed take off, but as an audience we believed it all.\n\nVoice over parts were fought over and generally over the top in terms of accents and tones.\n\n![shutterstock_216638152.jpg](https://cdn.steemitimages.com/DQmVnyooFBU28WZyJWjzQVtkHFEvVXFFqRV8JXVq397jNRr/shutterstock_216638152.jpg)\nThe story shone through, the bravery of the characters, a charming millionaire father on a desert Island; the evil lurking within the bald headed man, who sometimes wore a wig but was always the baddie. \n\nThe classical elegance of Lady Penelope  and the shadiness of Parker the chauffeur. The concept of watching Supermarionation, a word coined by Jerry Anderson referring to the audio links that made the puppets lips move in syncranisation leading to the birthing of believable characters.\n\nAudiences loved the concept of a family taking on the responsibility of rescuing people across the globe, with the sons named after beloved american astronauts, the storylines took on a cold war backdrop with a mix of ethnicities intertwined. Across the world children and adults enjoyed watching the exploits of international rescue.\n\nAfter a few years of success Gerry wanted to move onto to new concepts many of which never worked in reality, a venture with Stanley Unwin that thankfully never made it onto our screens; some success with Captain Scarlet, Joe 90 and Space 1999; but he never recaptured the early success of Thunderbirds.\n\n![I need to stop looking in my rear view mirrow its not where I am going (1).png](https://cdn.steemitimages.com/DQmXZ6bedsgpEZaRP72sajVxYEVP4A3cdH9owxqEHmiG9we/I%20need%20to%20stop%20looking%20in%20my%20rear%20view%20mirrow%20its%20not%20where%20I%20am%20going%20(1).png)\n\nAt the end of filming the last scene of Thunderbirds Gerry gave the order to destroy the original sets, don't save anything for prosperity just smash up and dump the lot.\n\n It's the thinking behind this action that we need to rekindle. A sense of leave it all behind, avoid taking anything with you it's just clutter (or in this cast as time would prove this clutter  would be very valuable clutter).\n\nNothing illustrates the 1960's focus of don't look back in the rear view mirror that's not where we are going more than this action. \n\n\"Get rid of all of the props, the physical memories of the production, let's move onto something better.\"\n\nThe 1960s' decision makers are always criticised for their careless treatments of past heritage; lets knock down that Georgian building and build some concrete monstrosity; let's take down the dado rail and the victorian pine doors and replace them with formica. \n\nA total ethos of how to get rid of the past and let's look forward. Let's ditch the petticoats and wear miniskirts, wear our hair in bobs or shoulder length and avoid looking like our Mothers and Fathers. The Beatles, Stones and Beach Boys reigned and everything that came before became obsolete. Students marched and young people rioted to gain justice for all and did not believe that everything could be learnt from past history.\n\nFor its only when we look ahead and not behind that we can truly generate the focus we need to be creative and not merely rehash what we have done before. Take a look at the top 10 movies showing now, many are remakes or episodes 2 and 3, we crave originality and conversely also fear it. \n\nIn the 1960's we had the first showings of Star Trek, The Monkees, Batman, The Avengers, Bewitched, The Beverly Hillbillies, The Addams family. It is hard to believe that shows like Batman were on for the first time, mixed generations enjoyed the Man from Uncle (1964-1968), and we were thrilled to be tested by the storyline to the cult show Prisoner which is still being argued about 50 years on.\n\nFilms such as Guess who is coming to dinner? The Dirty Dozen, Mary Poppins, A Fistful of Dollars, the Great Escape, In the Heat of the Night, screenplays written by young writers, crammed with unknown actors who would become movie stars.\n\nWhere are the original shows now that bring such growth such freshness of thought and inspired thinking? Whole generations are now hooked on remakes and re hashing of 1960's originality, the money makers fear change and innovation and are pleased to fund something that someone has succeeded with before.  \n\nIn our politics, economics, wealth distribution, environmental management and education systems we need to be braver, be bolder and not just rehash and remake. We need to tear down and cut through the systems and processes created to keep us stuck and mouldering away with our feet neither in nor out of the festering waters.\n\nWe need to ditch the clutter, the debris and the detritus around our thinking and clear our heads in order to actually make something new, think creatively and look for future solutions not based on past mistakes.\n\nAs the Xmas turkey painfully understood just because you get fed every day doesn't mean this action or behaviour can  be relied on; sometimes you just have to let go of past habits and confused behaviours and move on in order to truly live.\n\nDitch the clutter and look ahead!",
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      "body": "So Thunderbirds are Go (1964-1966), is a beloved TV show created in the 1960's by a small group of creatives led by chief creator Gerry Anderson and his wife Sylvia who was the role model and voice for the wonderful Lady Penelope. \n\nChildren (and some adults), have tuned in enthusiastically over the decades to see the original puppets with strings clearly visible. To the current day remakes of digitally enhanced cartoons and animated adventures.\n\nBut it's the thinking behind the creation and the power behind the destruction that makes the story more interesting. \n\nThose who worked on the original Thunderbird productions were a mixed bag of individuals. 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The scenery was often shaken by an over enthusiastic prop designer to simulate a bad landing or rushed take off, but as an audience we believed it all.\n\nVoice over parts were fought over and generally over the top in terms of accents and tones.\n\n![shutterstock_216638152.jpg](https://cdn.steemitimages.com/DQmVnyooFBU28WZyJWjzQVtkHFEvVXFFqRV8JXVq397jNRr/shutterstock_216638152.jpg)\nThe story shone through, the bravery of the characters, a charming millionaire father on a desert Island; the evil lurking within the bald headed man, who sometimes wore a wig but was always the baddie. \n\nThe classical elegance of Lady Penelope  and the shadiness of Parker the chauffeur. The concept of watching Supermarionation, a word coined by Jerry Anderson referring to the audio links that made the puppets lips move in syncranisation leading to the birthing of believable characters.\n\nAudiences loved the concept of a family taking on the responsibility of rescuing people across the globe, with the sons named after beloved american astronauts, the storylines took on a cold war backdrop with a mix of ethnicities intertwined. Across the world children and adults enjoyed watching the exploits of international rescue.\n\nAfter a few years of success Gerry wanted to move onto to new concepts many of which never worked in reality, a venture with Stanley Unwin that thankfully never made it onto our screens; some success with Captain Scarlet, Joe 90 and Space 1999; but he never recaptured the early success of Thunderbirds.\n\n![I need to stop looking in my rear view mirrow its not where I am going (1).png](https://cdn.steemitimages.com/DQmXZ6bedsgpEZaRP72sajVxYEVP4A3cdH9owxqEHmiG9we/I%20need%20to%20stop%20looking%20in%20my%20rear%20view%20mirrow%20its%20not%20where%20I%20am%20going%20(1).png)\n\nAt the end of filming the last scene of Thunderbirds Gerry gave the order to destroy the original sets, don't save anything for prosperity just smash up and dump the lot.\n\n It's the thinking behind this action that we need to rekindle. A sense of leave it all behind, avoid taking anything with you it's just clutter (or in this cast as time would prove this clutter  would be very valuable clutter).\n\nNothing illustrates the 1960's focus of don't look back in the rear view mirror that's not where we are going more than this action. \n\n\"Get rid of all of the props, the physical memories of the production, let's move onto something better.\"\n\nThe 1960s' decision makers are always criticised for their careless treatments of past heritage; lets knock down that Georgian building and build some concrete monstrosity; let's take down the dado rail and the victorian pine doors and replace them with formica. \n\nA total ethos of how to get rid of the past and let's look forward. Let's ditch the petticoats and wear miniskirts, wear our hair in bobs or shoulder length and avoid looking like our Mothers and Fathers. The Beatles, Stones and Beach Boys reigned and everything that came before became obsolete. Students marched and young people rioted to gain justice for all and did not believe that everything could be learnt from past history.\n\nFor its only when we look ahead and not behind that we can truly generate the focus we need to be creative and not merely rehash what we have done before. Take a look at the top 10 movies showing now, many are remakes or episodes 2 and 3, we crave originality and conversely also fear it. \n\nIn the 1960's we had the first showings of Star Trek, The Monkees, Batman, The Avengers, Bewitched, The Beverly Hillbillies, The Addams family. It is hard to believe that shows like Batman were on for the first time, mixed generations enjoyed the Man from Uncle (1964-1968), and we were thrilled to be tested by the storyline to the cult show Prisoner which is still being argued about 50 years on.\n\nFilms such as Guess who is coming to dinner? 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      "body": "So Thunderbirds are Go (1964-1966), is a beloved TV show created in the 1960's by a small group of creatives led by chief creator Gerry Anderson and his wife Sylvia who was the role model and voice for the wonderful Lady Penelope. \n\nChildren (and some adults), have tuned in enthusiastically over the decades to see the original puppets with strings clearly visible. To the current day remakes of digitally enhanced cartoons and animated adventures.\n\nBut it's the thinking behind the creation and the power behind the destruction that makes the story more interesting. \n\nThose who worked on the original Thunderbird productions were a mixed bag of individuals. No one expected the original success, it was not created as a money maker enterprise although it started  the journey towards complete merchandising of films and tv shows.\n\nMost of the prop designers had never designed props before, they were the perfect band of enthusiastic creatives led by Gerry ( of Twizzle & Battery boy fame); and held together by Sylvia (who in the first instance turned down the role of secretary as she thought the set up was strange to say the least)\n\nThe creators even shared the same house, spending huge amounts of hours on set and with each other, enjoying the process and the company of each other without even a share or any expectation in profits.\n\nLook closely at the original Thunderbird  programmes and you will see much more than the strings, there is an egg box in the set of Thunderbird 2's launch pad, tin foil in abundance, artificial trees and models that were clearly paper mache. The scenery was often shaken by an over enthusiastic prop designer to simulate a bad landing or rushed take off, but as an audience we believed it all.\n\nVoice over parts were fought over and generally over the top in terms of accents and tones.\n\n![shutterstock_216638152.jpg](https://cdn.steemitimages.com/DQmVnyooFBU28WZyJWjzQVtkHFEvVXFFqRV8JXVq397jNRr/shutterstock_216638152.jpg)\nThe story shone through, the bravery of the characters, a charming millionaire father on a desert Island; the evil lurking within the bald headed man, who sometimes wore a wig but was always the baddie. \n\nThe classical elegance of Lady Penelope  and the shadiness of Parker the chauffeur. The concept of watching Supermarionation, a word coined by Jerry Anderson referring to the audio links that made the puppets lips move in syncranisation leading to the birthing of believable characters.\n\nAudiences loved the concept of a family taking on the responsibility of rescuing people across the globe, with the sons named after beloved american astronauts, the storylines took on a cold war backdrop with a mix of ethnicities intertwined. Across the world children and adults enjoyed watching the exploits of international rescue.\n\nAfter a few years of success Gerry wanted to move onto to new concepts many of which never worked in reality, a venture with Stanley Unwin that thankfully never made it onto our screens; some success with Captain Scarlet, Joe 90 and Space 1999; but he never recaptured the early success of Thunderbirds.\n\n![I need to stop looking in my rear view mirrow its not where I am going (1).png](https://cdn.steemitimages.com/DQmXZ6bedsgpEZaRP72sajVxYEVP4A3cdH9owxqEHmiG9we/I%20need%20to%20stop%20looking%20in%20my%20rear%20view%20mirrow%20its%20not%20where%20I%20am%20going%20(1).png)\n\nAt the end of filming the last scene of Thunderbirds Gerry gave the order to destroy the original sets, don't save anything for prosperity just smash up and dump the lot.\n\n It's the thinking behind this action that we need to rekindle. A sense of leave it all behind, avoid taking anything with you it's just clutter (or in this cast as time would prove this clutter  would be very valuable clutter).\n\nNothing illustrates the 1960's focus of don't look back in the rear view mirror that's not where we are going more than this action. \n\n\"Get rid of all of the props, the physical memories of the production, let's move onto something better.\"\n\nThe 1960s' decision makers are always criticised for their careless treatments of past heritage; lets knock down that Georgian building and build some concrete monstrosity; let's take down the dado rail and the victorian pine doors and replace them with formica. \n\nA total ethos of how to get rid of the past and let's look forward. Let's ditch the petticoats and wear miniskirts, wear our hair in bobs or shoulder length and avoid looking like our Mothers and Fathers. The Beatles, Stones and Beach Boys reigned and everything that came before became obsolete. Students marched and young people rioted to gain justice for all and did not believe that everything could be learnt from past history.\n\nFor its only when we look ahead and not behind that we can truly generate the focus we need to be creative and not merely rehash what we have done before. Take a look at the top 10 movies showing now, many are remakes or episodes 2 and 3, we crave originality and conversely also fear it. \n\nIn the 1960's we had the first showings of Star Trek, The Monkees, Batman, The Avengers, Bewitched, The Beverly Hillbillies, The Addams family. It is hard to believe that shows like Batman were on for the first time, mixed generations enjoyed the Man from Uncle (1964-1968), and we were thrilled to be tested by the storyline to the cult show Prisoner which is still being argued about 50 years on.\n\nFilms such as Guess who is coming to dinner? The Dirty Dozen, Mary Poppins, A Fistful of Dollars, the Great Escape, In the Heat of the Night, screenplays written by young writers, crammed with unknown actors who would become movie stars.\n\nWhere are the original shows now that bring such growth such freshness of thought and inspired thinking? Whole generations are now hooked on remakes and re hashing of 1960's originality, the money makers fear change and innovation and are pleased to fund something that someone has succeeded with before.  \n\nIn our politics, economics, wealth distribution, environmental management and education systems we need to be braver, be bolder and not just rehash and remake. We need to tear down and cut through the systems and processes created to keep us stuck and mouldering away with our feet neither in nor out of the festering waters.\n\nWe need to ditch the clutter, the debris and the detritus around our thinking and clear our heads in order to actually make something new, think creatively and look for future solutions not based on past mistakes.\n\nAs the Xmas turkey painfully understood just because you get fed every day doesn't mean this action or behaviour can  be relied on; sometimes you just have to let go of past habits and confused behaviours and move on in order to truly live.\n\nDitch the clutter and look ahead!",
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      "body": "From our very first memories we are reminded of the importance of time. \"It's your bedtime, time to come in now, time for your afternoon nap\" We grow up with the concept of time being like gravity. Always there nothing to be done about it. \n\nBut Dementia can rob our mind of this understanding, alongside stealing our thoughts, our dreams and memories. Dementia can take just about anything from us including who we are. Its deadly dance shuts out the sound of time, \n![ioana-casapu-279832.jpg](https://cdn.steemitimages.com/DQmSnNX7Rr42t4QsP5XfHQBrKjJa2qTta72UHp9tb9DQTMn/ioana-casapu-279832.jpg)\n\nWithout dementia our lives roll along beside the sound of time, we are conscious of time restraints, time passing and our ticking body clocks. We know when to sleep, eat and show up. But Dementia silences the sounds of that clock and in the vacuum it leaves a cushion of confusion and  ultimately its anxiety that reigns.\n\nWithout the sounds of time we are never sure if it's day or night, \"where does that darkness come from? when did I last eat? no it's not my bedtime I just got up\" \n\nOn a daily basis the confusion deepens, there are now more clocks, digital and analogue, speaking and alarmed but their secret code cannot be cracked. The clocks are taken down and altered, for they are always just beyond our limits of understanding, they represent time which is running away from us. They lay with their backs open, their batteries dislodged and the growing detritus of clocks becomes just one more sign of the deadly dance.\n![vintage-1950s-887272__340.jpg](https://cdn.steemitimages.com/DQmPu5udsoLKbUNkyXgVieu2tzApxQAYD9R8YK6AoHozrZS/vintage-1950s-887272__340.jpg)\n\nThis confusion leads to fear and fear leads to annoyance, rudeness, and uncharacteristic violence. The world is no longer on its safe orbit it has left the moorings and is heading for unknown territory. The mind fights back and somehow despite the odds there are moments of clarity and remembering but time is always lost, its presence never again felt.\n\nWhen life is being lived to the full Dementia enters by the back door and starts its lethal dance, not sparing the good or bad, the wealthy or poverty stricken. Dementia  is indiscriminate and has no boundaries, no shame in who it takes, no looking back for survivors.\n\nSo if you know someone with Dementia who always seems lost or late, or seem to be forever asking what the time is remember that they may have lost time.",
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      "body": "So in my defence I have downsized, closed a workplace and emptied a storage unit all in the space of one month. Which only partly explains why I am now overcrowded and living in a muddled, untidy mess. A close relative actually had the temerity to suggest I may actually be a hoarder!\n\nBut haven't we all become hoarders and collectors of clutter? Hasn't hoarding become almost obligatory?\n\nDon't we all suffer from drawers full of colorful lost leads and wires, batteries that are always somehow not the ones we seek. Ironing baskets overladen, never enough time to manage those difficult garments, just buy something simpler. Cupboards full of longlife rice packets, well past their use by date, just in case!\n\nThen let's look at our in the cloud hoarding. How many emails have you read and saved for later, playlists downloaded and never played, apps never used despite their shiny come play me calls?\n\n So its not only the physical clutter, we steadfastly collect invisible clutter too. Online classes, subscription and membership sites, upfront fees paid for photos, discount deals all used so intermittently it was never worth our while.\n\n![apple-business-computer-4158-526x350.jpg](https://cdn.steemitimages.com/DQmcxtkjPKnDoEyyPSgTWR752enG5igRVdHxYWmomumKtx7/apple-business-computer-4158-526x350.jpg)\n\nSo how to decide what to keep and what to lose. Or maybe the question should be, what to keep and what to share?\n\nIt feels so much easier to declutter if we feel others will benefit, that work suit brought in the sale which proved to be so uncomfortable to wear that it only had the one outing. The picnic bag that was weatherproof and perfectly pink, that somehow was always replaced by the idea of eating out. These are items that could be used later but are in reality taking up our physical space and our attention every time we have to move them to get to something else.\n\nWould it be easier to let go of these potentially useful items and share with someone who needs them? Donate to a charity or goodwill shop, or give direct to someone who will be pleased to be able to use them?\n\n Its this concept of sharing with the universe that helps us to finally let go. For now  we see there is a determined benefit in letting go. Someone else will gain and we will avoid  showering ourselves with feelings of being financially careless. All thoughts of self recrimination of being wasteful and a spendthrift or worse being capable of bad buying decisions can now all be safely avoided.\n\n![daiga-ellaby-699108-unsplash.jpg]\n(https://cdn.steemitimages.com/DQmdcmVPAMkBZzLcMGZ6mrqb6oNtk5NyHiYWCCFXsQWVf9y/daiga-ellaby-699108-unsplash.jpg)\n\nWe can treasure what we keep and get to enjoy the space around the items, all the while knowing our previous items are still out there somewhere, for isn't it true that nothing ever leaves the universe. Not even our clutter?",
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      "body": "@@ -132,16 +132,18 @@\n o make a\n+ny\n  differe\n@@ -199,16 +199,26 @@\n sitting \n+patiently \n waiting \n@@ -340,16 +340,63 @@\n  charges\n+, all with individual air fans directly on them\n .%0A%0AThe c\n@@ -878,155 +878,3495 @@\n  not\n-.%0A!%5Bkenrick-mills-699355-unsplash.jpg%5D(https://cdn.steemitimages.com/DQmfCRKZwNtLkBs4fxJHDZUwuvAMBQn1XCjfrUk72HBa2Aw/kenrick-mills-699355-unsplash.jpg)\n+, who am I to judge? I was not there and these I know are good people, so despite the physical evidence I am convinced they are innocent, I just need the jury to follow my thinking.%0A%0A!%5Bgrass-hands-moss-4627-525x350.jpg%5D(https://cdn.steemitimages.com/DQmZ1iFM74ZNT57YArJuF11rnDqzqazP7SY3HT21EFyzzQJ/grass-hands-moss-4627-525x350.jpg)%0A%0ASo despite the arguing and posturing on points it was amusing when sitting there awaiting the return of the judge to hear some good hearted conversation turned into humorous banter. %0A%0AIn the UK banter is described as jovial, humour with an edgy touch, sometimes insulting, often an insider joke. The word banter was originally introduced into the english language around 17th century,  its had a resurgence of use of late as the word banter somehow perfectly describes the easy going exchange of comments and remarks.%0A%0AWho would have believed the rottweiler crown prosecution service would have a sense of humour and engage in banter? That his fierce teeth would be muzzled and a softer game dogs soft mouth would appear.%0A%0AWho would have believed the previously adversarial group all jostling to be heard would engage in light hearted humour. Unexpected banter could be found in a place dripping in routine, protocols and prescribed behaviours.%0A%0AIts this ability to change our manner and behaviour in an instant that may be our salvation, to recognise dialogue may not be personal, not aimed at defeating us, not intended to make us look small. The ability to be able to carry on, walk further on our journey without taking any personal offence, it is this that sets us apart, this ability to move on that enables us to fly high as human beings.%0A%0A%0A!%5Bphoto-1427348693976-99e4aca06bb9.jpg%5D(https://cdn.steemitimages.com/DQme4YmK1sugmDb9nd4wNkR6wtXEqSbvtdNWzC3jASXMdeL/photo-1427348693976-99e4aca06bb9.jpg)%0A%0AWhilst long lasting relationships are built on foundations of trust they are sometimes ended prematurely by misjudged comments, off the cuff remarks not intended to cause harm. How many loving relationships have circled the drain due to a miscommunication issue, a badly told joke, a seemingly personal slight, an off the cuff remark. Or banter that went too far.%0A%0ABanter has some rules, unwritten and unread which must be observed. Within this courtroom on this hot humid day, the banter was a welcome relief, like a cool breeze reminding us of the humanness of the process. So despite the wigs and gowns, the theatrical behaviours and protocols there was still some room for humour.%0A%0AThe rules of banter within this courtroom were absolutely nothing personal, nothing about the case being heard, nothing about the place we are in. No bullying, no bantering with someone who cannot give it back. For it to be banter it must be reciprocated otherwise it can be bullying, or something else entirely.%0A%0AFor a few minutes a feeling of normality seeped through the walnut lined walls and down through the glass barriers, moving across the  empty dock and settling down eventually around the spectators gallery. %0A%0AFor a few moments normality reigned and man's ability to ascend personal differences won. Lighthearted banter reminded everyone Hey, we are all still human here, despite our differences and motives.%0A%0AA moment that was not to last as the jury returned and the cool breeze was lost forever. The jury in their wisdom clearly failed to agree with my thinking around coincidences, and unexplained happenings; sadly everyone charged was found guilty.\n",
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      "title": "Bizzare moments in a court of law and banter!"
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      "body": "So there we were on a Friday afternoon in London, all sweltering in the courtroom, the air conditioning was obviously set too low to make a difference. The barristers in their wigs and gowns were sitting waiting for the judge to reappear. Seven barristers in total, all adversarial, all on point to get their clients off of all charges.\n\nThe crown prosecution barrister was particularly authoritative, his manner and body language indicating he carried the moral  right to assert justice on behalf of the people. Despite the great manners, courtroom courtesy and the court protocols he acted as top dog, he who should be listened too, with sighs and shrugs of shoulders indicating his unhappiness whenever a defence barrister requested, clarification or a point to be made.\n\nThere were 3 defendants, maybe guilty maybe not.\n![kenrick-mills-699355-unsplash.jpg](https://cdn.steemitimages.com/DQmfCRKZwNtLkBs4fxJHDZUwuvAMBQn1XCjfrUk72HBa2Aw/kenrick-mills-699355-unsplash.jpg)",
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