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      "body": "![Night-School.jpg](https://cdn.steemitimages.com/DQmZM4NKD4UL8U6qX98ZLiGqxyMTCZ9HP3fJ7FD2Yzsjh8A/Night-School.jpg)\n\nWELCOME!. Watch Night School (2018) The It\n\nNight School (2018)\n\nDOWNLOAD: https://za.gl/3Lqb\n\nWATCH: https://za.gl/3Lqb\n\nSYNOPSIS: A group of misfits are forced to attend adult classes to prepare for the GED exam.\n\nCAST: Kevin Hart, Tiffany Haddish, Rob Riggle, Yvonne Orji, Mary Lynn Rajskub, Ben Schwartz, Megalyn Echikunwoke, Anne Winters, Keith David, Taran Killam, Mason Guccione, Jacob Batalon, Romany Malco, Bresha Webb, Brooke Butler, Matilda Del Toro, Melissa LeEllen, Al Madrigal, Donna Biscoe, David Dunston, Owen Harn, Brian Kayode-Patrick Johnson\n\nGENRE: Comedy\n\nPRODUCTION:\n\nKEYWORD:\n\nNight School (2018)\n\nNight School (2018)\n\nNight School (2018)\n\nSTEPS TO WATCH\n\n1: REGISTER FOR FREE\n\nCHOOSE NIGHT SCHOOL (2018) MOVIE\n\nWATCH THIS LIVE STREAM IN HD.\n\nENJOY WATCHING THIS MOVIE GUYS\n\nCLICK HERE To Watch Night School (2018) NOW!\n\nWatch Night School (2018)\nWatch Night School 2018\nNight School (2018) Movie 2018\nNight School (2018) Full Watch\nNight School (2018) 123 Movies\nNight School 2018 Movie HD Free Online\n2 days ago WATCH HD 1080p Full 2018 WATCH Night School Online Free Streaming\nNight School 2018 Free Videos Full Episodes\nAll my videos Putlocker Night School (2018)\nFull Episode Video Streaming Free Title Night School (2018)\nWatch ONLINE Night School (2018)\nFull Movie Watch Online GNSI Night School (2018)\nWatch Night School 2018 movie beta ray bill Night School 2018\nFull Watch 123 Night School 2018 Movie HD Free Online on\n2 days ago WATCH HD 1080p Full 2018 WATCH Night School Online Free Streaming\nWatch Night School 2018 Free Videos Full Episodes\nAllmyvideos Putlocker Night School (2018)\nFull Episode Video Streaming Free Title Night School (2018)\nGenre Action Adventure Drama Science Night School (2018)\nFull Movie Watch Online GNSI Night School (2018)\nNight School (2018) Mp4\nNight School (2018) Mov\nNight School (2018) Stream\nNight School (2018) Stream Now\nNight School (2018) Netflix\nNight School (2018) Amazon\nNight School (2018) Free\nNight School (2018) Torrent\nNight School (2018) Share\nNight School (2018) Blu Ray\nNight School (2018) DVD\nKevin Hart Tiffany Haddish Rob Riggle Night School (2018)",
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      "permlink": "vegan-lentil-sloppy-joes-recipe",
      "title": "Vegan Lentil Sloppy Joes Recipe",
      "body": "Sloppy joes are known for being hearty, delicious, and well... sloppy! But even if you don't eat meat or other animal products, it's possible to enjoy this classic comfort food. The trick is to use lentils, a legume that's rich in protein and fiber. Plus, by making sauce with fresh and flavorful ingredients, you won't have to buy the canned stuff. The result is a wholesome, filling meal that's perfect for vegans and plant-based eaters alike.\n\n![9421a3170d0a4a008d55dd7114acfa0f.jpg](https://cdn.steemitimages.com/DQmc9sy7RiSBqu5S3XjuHMN1JMaJ2ocXmpEVx4PX6MtXQgm/9421a3170d0a4a008d55dd7114acfa0f.jpg)\n\n![b6677ccabb2b4ef99cbde50175c8192b.jpg](https://cdn.steemitimages.com/DQmVLc4Ayw7M5J5PJRKboqvdXjKJknSNrcQ29jXyrzBpXRo/b6677ccabb2b4ef99cbde50175c8192b.jpg)\n\nStep 1\nCook the lentils according to the package's directions. Pay attention to the amount of liquid needed, as different brands and types have different requirements. However, if you want slightly mushier sloppy joes, use a little more liquid. You can also mash up the lentils once they're cooked.\n\n![4cb16249cf774d418cd7c947e231a2f0.jpg](https://cdn.steemitimages.com/DQmPpkY3mG4GYEbix4ciKSXmY4oS3KVA5NcEBtU23Ci6MiH/4cb16249cf774d418cd7c947e231a2f0.jpg)\n\nStep 2\nSet aside the lentils. In a pan, heat 1 tablespoon of olive oil over low-medium heat. Sauté the minced garlic for 3 to 5 minutes or until fragrant. Add the diced peppers and onions, drizzling on more olive oil as needed. Cook until soft, about 8 to 10 minutes.\n\n![a514fe5b76f848979f6713b7a79d76d0.jpg](https://cdn.steemitimages.com/DQmV9kkMKY13Ue9io7K7WkkijWthuyMsmWpgRBc62gssJ27/a514fe5b76f848979f6713b7a79d76d0.jpg)\n\nAdd the lentils and remaining ingredients.\n\n![700d78e3d0fa4fdfac8ccd808b3c4f85.jpg](https://cdn.steemitimages.com/DQmQunjrFAMCr59jfvneJRHnyqPU9pKU16JhKQtDCDEtcTa/700d78e3d0fa4fdfac8ccd808b3c4f85.jpg)\n\nStep 4\nMix well. Simmer over medium heat for 15 to 20 minutes. Give it a taste and add more spices or condiments, if needed.\n\n![37e869785ee14bf99e61f580502ad219.jpg](https://cdn.steemitimages.com/DQmUZtpE88GZzpCrGCw2FmWYrC5osnyDWCVBxQng1N5ogiE/37e869785ee14bf99e61f580502ad219.jpg)\n\nStep 5\nServe on whole wheat or gluten-free buns. This recipe makes enough for about eight sloppy joe sandwiches. Don't forget the pickles and sweet potato fries, too!\n\n![280aa0eec9f747ab917cfa84ba2f3def.jpg](https://cdn.steemitimages.com/DQmNVVFYjTmPgMq6DYwKGWqWh2LaxgHXDzDXgEyh3MFerLU/280aa0eec9f747ab917cfa84ba2f3def.jpg)\n\nWasn't that easy? If you're all out of buns, this vegan lentil sloppy joe recipe is also tasty on top of salad or quinoa. You can even eat it in taco shells or on top of tortilla chips. No matter your style, we bet you'll want seconds (and thirds) of this delicious dish.",
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      "title": "",
      "body": "Get in free 3 steem https://1link.one/Free3steem (instal telegram and click https://1link.one/Free3steem",
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      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttp://theconversation.com/research-shows-old-age-is-getting-younger-all-the-time-38556",
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{
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      "parent_permlink": "life",
      "author": "mikewood",
      "permlink": "research-shows-old-age-is-getting-younger-all-the-time",
      "title": "Research shows old age is getting younger all the time",
      "body": "![image-20150414-24640-fn2vco.jpg](https://cdn.steemitimages.com/DQmULNfMLKkZmYA7YsRt15SEDXdjk4KMQbTPXK7mzP28yvc/image-20150414-24640-fn2vco.jpg)\n\nIn 1985, American Richard Bass accomplished an amazing feat. He had set for himself the task of climbing the world’s highest mountains in all seven continents. In that year, at age 55, he completed the climb of the last of his seven mountains, Mt Everest and in doing so became the first person to climb all seven mountains and the oldest person ever to successfully climb Mt Everest.\n\nBut now Mr Bass’s record has been eclipsed.\n\nThe oldest person to climb Mt Everest is Yuichiro Miura of Japan, who reached the summit of Mt Everest in 2013 at age 80. And the oldest person to have climbed all seven mountains in seven continents is Takao Arayama of Tanzania who climbed the last of those mountains at age 74 in 2010.\n\nOver time, as life expectancy increases and people become healthier, older people can do things which were previously the domain of those younger. Indeed, no one would be surprised if, within the next decade, both the above records were broken.\n\nWell, perhaps not exactly no one.\n\nPeople who analyze population aging using conventional measures assume that none of the attributes that are important for understanding aging change over time or differ in localities. But a wide variety of attributes can be used to study aging. An important one for 65-year-olds, for example, is their projected remaining life expectancy. Another one is how well those 65-year-olds can remember things.\n\nOur research findings challenge the view that the only thing that matters in the study of aging is chronological age; we also dispute the idea that the attributes of elderly people do not matter.\n\nWe believe that it is time for aging measurements to account for the new reality of today’s old age, including how well the elderly actually function.\n\nLimitations of the conventional view on aging\nIn the conventional view used by most demographers and policy-makers it is irrelevant that life expectancy at older ages is increasing. Such views don’t account for the observation that older people are healthier and are achieving ever higher scores on cognitive status tests than in the past.\n\nAnd many find no relevance in the fact that people in their mid-80s and beyond will be able to climb the world’s highest mountains in the future.\n\nWe seek to challenge this misconception.\n\nAn analysis of population aging has two aspects.\n\nFirst, based on chronological age, most countries of the world are in the process of growing older. The proportions of populations 65+ years old are increasing. The proportions 80+ are increasing even faster and median ages of the populations are also increasing.\n\nThe conventional approach to the study of population aging ends here, but in doing so, it ignores the second and equally important aspect of aging.\n\nToday’s elderly are not your father’s grandparents\nThe characteristics of people at each age are changing.\n\nFor example, in 1950, 65-year-old Swedish men had a life expectancy of 13.5 more years. In 2011, their life expectancy was 18.4 years more, almost 5 years longer.\n\nIn contrast in 2010, 65-year-old Russian men had a life expectancy of 11.9 more years, which is less than that of Swedish men in 1900.\n\nBy ignoring changes in the attributes of people and looking only at chronological age, the conventional approach provides a misleading picture of the future.\n\nIn a series of articles we show how to incorporate the changing characteristics of people into measures of population aging.\n\nIn particular, we have defined a new measure called “prospective age.”\n\nProspective age is a measurement based on the average number of years that people have left to live. We categorize people as being “old” not at age 65, but when people at their age have an average of 15 more years to live.\n\nUsing this criterion, a Swedish man in 1900 would be considered old at age 60. In 1960, he would have been considered old at age 63, and in 2010 at age 69. Russian men would have been considered old at age 62 in 1960, about the same age at which Swedish men would have been considered old at that time. In 2010, however, Russian men would have been considered old at age 59, 3 years younger than in 1960. This reflects the mortality crisis in Russia after the dissolution of the Soviet Union.\n\n![image-20150414-24650-158ftr1.jpg](https://cdn.steemitimages.com/DQmTHKuNLHAni9wLPZncW9EHynNhqfT5nbiuAj72J4uKbci/image-20150414-24650-158ftr1.jpg)\n\nIn our article in PLOS ONE we describe our discovery of a new and counterintuitive aspect of population aging based on those new measures.\n\nUsing measures of aging based on prospective age, we found that these measures of aging increase more slowly when life expectancy increase is faster.\n\nFor example, we looked at what would happen to measures of aging based on prospective age, if life expectancy were to continue to increase at its current pace in many developed countries of around 1.5 additional years of life per decade. We also looked at what would happen if increases in life expectancy were to stop. We found that our measures of aging were lower in the scenario in which life expectancy was increasing.\n\nIn other words, if people lived longer, healthier and more productive lives, we would have less to worry about, in terms of population aging, than if they if they lived shorter, less healthy and less productive lives.\n\nWorries about increases in life expectancies\nWhen people think about aging from the conventional perspective, they tend to fear rapid increases in life expectancy for four reasons.\n\nFirst, rapid increases in life expectancy may affect the sustainability of pension systems. But more and more countries are adopting pension systems that automatically adjust for changes in life expectancy. For this growing list of countries, the challenge of sustaining pension systems has already been successfully addressed. The United States, unfortunately, is not one of those countries, but it could be in the future.\n\nThe second fear centers on health-care costs. But health-care costs are highest in the last few years of life and these years occur later as life expectancy increases.\n\nThe third fear is that there will be so many seriously disabled people in the future that it will be difficult to care for all of them. The evidence, however, tends not to support this concern because the rates of severe disability at each stage of older age tend to decrease with increasing life expectancy.\n\nThe last fear is that when life expectancy increases there will be more people not working. However, simultaneous with the increases in the life expectancy and health of Americans, the labor force participation rates of 65- to 69-year-olds has jumped (according to figures from the US Bureau of Labor Statistics) from 21.8% in 1990 to 30.8% in 2010 ‘\n\nThe life expectancy of a child born in a wealthy country today could well be 100 years. By the end of the century, the populations of many of those countries could have median ages above 65.\n\nWe need to think about a future in which more than half of the population would be older than the age at which most people retire today. Pension systems, tax systems, educational systems, and labor markets will all have to adjust.\n\nPopulation aging does produce challenges. It does us no good, however, to misunderstand those changes based on insufficient measurements. It is time for us to understand aging not just on the basis of how many years people have lived, but on the basis of how well they function. When we understand this, we will be in a better position to plan for the changes that we will have to make.",
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      "permlink": "pulling-away-from-pessimism",
      "title": "Pulling away from pessimism",
      "body": "We often talk about the things that we want out of life. We talk about the house we will one day buy, the car of our dreams, the family. But in reality that conversation is just the practice of daydreaming and sometimes nothing more. Curiously though daydreaming is a mental tool that helps us face our realities a little bit better.\n\n![1383750446-602x400.jpg](https://cdn.steemitimages.com/DQmRUFJU6qYqFSWujxgCD6GutGnfrjJmHTuYMSGDeCNu5NA/1383750446-602x400.jpg)\n\nust think about it for a minute here. Have you ever been in a stressful situation, dealing with a problem you have absolutely no solution to? At least not one that you can see easily? Have you also not imagined a perfect outcome to solve it, even if it doesn’t make sense? Like winning a bet, money all of the sudden appearing in your bank account. What are the triggers making us smile? If nothing has changed, why are we smiling?\n\nThere is a small trick to learn from these interesting events: Our ability to shape our reality. Not physically of course, but our perception of reality. Now I’m not making a case for living in a world of delusions, I’m simply pointing out how this curious mental feature we all have works.\n\nIt’s often because of this little trick that our mind can play that I think of problems in a different way, specially if they are the type to keep me from my sleep. You could say I’m practicing dishonesty, self brainwashing, but the intention behind the mental exercise is to pull myself from the precipice of pessimism.\n\nIn a recently spoke with a good friend that is going through some rough times. Many of the things that are happening are the type of problems that can’t be helped. The economy not being ideal, a relationship that ended are issues that sheer will can’t just fix. I was trying to explain to him the idea behind the mental trick: The ability to project ourselves in positive light.\n\nSometimes it takes very little imagination to see ourselves overcoming the challenges. Other times it requires a lot of mental work, but the challenge is almost always worth it. Ask yourself one thing. What could I possibly do if I was too stressed, too afraid to move? The answer is obvious, nothing. The cloud that we fall into, the confusing dust that now fills the room is too suffocating for us to attempt to think.\n\nMaybe the goal of the mental trick is to find an emotional balance from which to build from. To achieve some clarity in order to make the right decisions. I suspect something very similar happens to one’s mind when we take vacations, and probably that’s why we seem to need them that often.\n\nAs they say, food for thought.",
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      "title": "10 Principles Of Beautiful Photography",
      "body": "![2035748576_1c15eba0d7_b.jpg](https://cdn.steemitimages.com/DQmXkjkEtwqDyrdc6fAVYFUBnTDxcH2TFC9tGWv1Sh61qCW/2035748576_1c15eba0d7_b.jpg)\n\nThe backside of the Taj during a summer sunset\n\nINTRODUCTION\nA camera does not work like an eye; memory does not work like film.\n\nThere is a fine line between a photo that is quite nice and one that is quite breathtaking. At some undefined point, a photo can cross the Rubicon and be forever a piece of beautiful art. That hinterland between a regular photo and evocative art is a moving target from person to person and taste to taste. However, that zone of wonderment can be narrowed a bit once you start to consider about the way the brain stores memories and emotions.\n\nAnd, yes, it gets a bit touchy-feely here to determine if you have been able to cross that line. With rigorous practice and peer feedback, you can start to appreciate where that zone is and consequently improve your hit ratio.\n\nThe good news is that it does not require rune rites of scapulimancy to divine your way to a more beautiful photo. There are some basic things and mantras to keep in mind as you practice and fail then practice and succeed then practice and fail and then rinse and repeat. I’ll detail a few of these below.\n\n![529110230_312580bd63_b (2).jpg](https://cdn.steemitimages.com/DQmcCxPVeXeuYu7jUtydJUoN9ZQF1X6ySzSpdKmUC6j8k6o/529110230_312580bd63_b%20(2).jpg)\n\nSwallowing the Ruins – a remote temple of Angkor Wat in Cambodia\n\n1)\tTHINK ABOUT THE BRAIN\nI’ve always thought about photography differently. I grew up only seeing out of one eye, thanks to several botched surgeries in the 1970’s, when the state of the art was refurbished archaeological tools of Australopithecus medicine men.\n\nWhen you see out of one eye your whole life and then start using a camera in your mid 30’s for the first time, something happens to you! You come to realize that a camera works nothing like the eye. Forget 3D; I’m talking about the way the brain stores images and scenes.\n\nAfter birth, you have legs, but it takes a few years for your legs to get along with your brain enough to actually walk you around the savanna a bit. The eyes are the same way. They get wired faster than the legs, but the neural pathways from the optic nerve into the parts of the brain that matter take a while to find their chemical trails. You start to sense light levels, then shapes, then edges, then relative positions, and the like. And then, around age two or three, you finally come up with a tagging system to know generally what a “barn” looks like. Your brain has been working nonstop over that time to give you the visual and memory infrastructure to enable that watershed event.\n\nNow let’s fast forward to today. You are older, your brain is more or less fully formed (!) and you happen upon a barn in a field. But it’s not just any barn – it’s the barn you’ve been wanting to see your entire life. And in the distance, there is a storm brewing as a gentle sun is setting. It’s beautiful –- you LOCK it into memory. The way you lock it into memory is nothing like the way a camera records the image on film (or CCD). This is what I quickly came to realize as I sat there, looking at a photo I took with a fabulously expensive Nikon as I was showing a friend, “Well, you really had to be there.” I’m sure you’ve all said that!\n\nNow, this step 1 is a big step – it’s a philosophical re-assessment of how the camera works versus how the memory maps a scene, layering the visual reality with the emotions and previous memories that are linked to the scene. You see, you are not just remembering that barn, but you are remembering every barn; you are not just remembering that storm, but you are remembering every storm. A beautiful photo must tell the epic tale of the memory linked with other emotive memories that fold into whole.\n\n![182191565_0537107963_b.jpg](https://cdn.steemitimages.com/DQmbwPgLrfgiibqqFhKE1x7wcrEv38d1EsVarj2Mogz8yKm/182191565_0537107963_b.jpg)\n\nFourth on Lake Austin – the first HDR photograph to hang in the Smithsonian\n2)\tENGAGE IN THE NEO-GLOBAL SALON\nIn the 1860’s, all art roads led to the Salon in Paris, which was the most important judged competition of art in the western world. In a period of just over 10 years, the Impressionist masters like Renoir, Monet, Pisarro, and Caillebotte battled it out in a competitive and cooperative tour de force that created a panoply of creations that we cannot imagine the world without.\n\nThe reason Paris became the center of the art world to enable an explosion of new art was a combination of new technology in travel and communications combined with Napoleon III’s focus on the infrastructure around the Salon.\n\nToday the same thing is happening – only no one really seems to realize it in a grand historical sense. It’s called Flickr. Flickr has become a techno-Salon, allowing the world to use the Internet to easily enter the competition and force them to evolve and improve their art. The automated “Explore Algorithm” does a pretty good job of automatically choosing the best photos that are uploaded every day. Go ahead and look at the current some of the best in the last 7 days. Click RELOAD a few times and I promise you will see something that impresses. It is quite unbelievable the level of art and beauty that is created every single day. Now, all of this amazing art on Flickr can either inspire or intimidate you depending on your mindset for competition. I hope it inspires you to upload one photo a day and see if you can make it in the top 500 or the top 10 for the say — and don’t give up. Competition makes everyone better; this is an undeniable truth and you are not realizing your full potential if you keep yourself removed from the process.\n\nNow, I can think of a number of tangible things Flickr can do to improve this new global competition. Their AI algorithm to find the most interesting new artists still makes many mistakes – maybe I will save that for another article! In many ways, Flickr is squandering an amazing opportunity to set the art world on fire.\n\n![219819675_678764c911_b.jpg](https://cdn.steemitimages.com/DQmYjawNeXDEdxYnPLoY3V8DkEdemA3qATjDCZoAwkVzD4U/219819675_678764c911_b.jpg)\n\nAn elderly woman, who has never cut her hair, ascends the stairs to her daily Hindu pilgrimage\n3) GET RID OF YOUR TOY CAMERA\nOh, look at that camera you have! It’s so tiny and slim and techno-looking. Look! It fits right in your pocket! Oh my, you can take it to parties and to sporting events and it’s so convenient. Oh – it does 10 megapixels too! Oh my. Well that is a good camera then!\n\nNo it’s not. It’s a toy – give it to your kids or the nearest Japanese gradeschooler (for whom it was designed) and get serious. I know that 19-year-old blue-shirted-Best-Buy-boy told you that your compact camera was really neat and just what you needed. But are you gonna listen to him, or me?\n\nGet yourself a good camera. I have a list of HDR camera suggestions that aren’t very expensive for people just starting out or ready for an upgrade. For those of you that don’t know, a DSLR is one of those cameras you have seen pros carrying, but it doesn’t have to be one of those giant ones you see in NFL endzones.\n\nSorry to be rude about the toy thing, but you want to take more beautiful pictures, yes? Well a decent DSLR has such a good sensor chip, combined with more flexible lenses, that your batting average will dramatically improve.\n\nAlso, (people with DSLRs already know this) it is important you have a good wide-angle lens for landscapes. Beautiful photography does not have to be a landscape, but they commonly are, and this is what people envision when they want to make their own “beautiful” photos. Thus, we should talk about wide angle lenses here for a moment. If you are used to a toy camera, the you have never really seen the world through a good 10-24mm lens. It’s almost the difference between regular TV and HDTV. The vistas are wide and bold, the clouds and the sun and the mountains all FIT, the river and the bridge are easy to compose, and the like. Once you go wide-angle, the landscape will never be the same!\n\n![2342380918_d4c8a29e15_b.jpg](https://cdn.steemitimages.com/DQmYAuVAwsHDmrjBXEyhU8sXseBENfzDSqgnsr5qfKg6Tqj/2342380918_d4c8a29e15_b.jpg)\n\nAn ancient Hindu temple at sunset in the jungles of Indonesia\n4)\tCARRY A TRIPOD FOR THOSE BEAUTIFUL SUNSETS AND SUNRISES\nOh, what’s that? You don’t want to carry a tripod? Are you a 9-year-old girl?\n\nNo, come on now – you are a grown up and you want to take some seriously beautiful photos. Do you think pros carry around tripods because they just like carrying extra weight? No, of course not – they know what the heck they are doing.\n\nIf you bit off on getting a DSLR above, then you are going to need a tripod, especially for sunset and night shots. Unless you have the steady hand of a T-2000, then you are going to get some camera shake.\n\nA tripod allows you to do the following things for landscape photography (in no particular order): set up and take your time to compose a photo with serious intent; enables low noise as the shutter stays open longer; look cool while you carry it around; allows you to keep the shutter open for 5+ seconds for the fleeting sunrise and sunset shots; and it can be used as a weapon in a tight spot while traveling (not kidding).\n\nSo, you are still worried about carrying it around? The problem is mostly with your attitude, you understand. Let me give you a new perspective. Nothing in life is worth doing unless you are going to be serious about it. You are going to shoot that sunset, and you are going to take your nice DSLR and your tripod out there and make it happen and no one is going to stop you. You’re carrying that tripod because your serious about this. Otherwise, you can just go sit on a pretty beach at sunset and drink beer with your friends and not be serious about it… go ahead… but you won’t be getting any beautiful photography.\n\n![2237377093_33aced038e_b.jpg](https://cdn.steemitimages.com/DQmWAMPBFKZWTk1HScFYxCkLi8yRwpm5PVRgaevU6hUfjAE/2237377093_33aced038e_b.jpg)\n\nThe Bridge of Unholy Death in Dresden, Germany\n5) ADMIRE IMPRESSIONISM\nI spoke earlier about the Salon of Paris and what happened in the Impressionist movement. While the process and history of what happens when artists begin cooperating and competing is interesting from a social-group evolution perspective, this section is more about the art itself.\n\nEarly critics of the artform found it crude, sloppy, and unconventional to the point where it didn’t even deserve to be placed alongside classical masters. But the public was awestruck by the new art form. It doesn’t take a critic to know good art, but it does take a careful and discerning eye.\n\nConsider the colors and the styles of Degas, Cézanne, Monet, and Renoir. There is not a single thing about any well-known Impressionist painting that is the slightest bit realistic. But yet, the rough shapes and colors still make sense. What do we mean by that? There is something there that just feels right. What is it?\n\nTo me, what feels right about Impressionism is what was discussed in part one above. These Impressionist images get deep into the viewers brain and evoke memories of shared scenes and events. The memory is in fact an Impressionist playground of fleeting colors, shapes, and edges. A face here, a blur there, a hint of something almost there but not quite.\n\nLook at the Monets. Think about how the yellows of a sun in the distance is the same yellow as in a nearby flower, but something about the nearby colors makes the sun feel brighter than the flower. How does he do that? Can you get closer to achieving this with your photography?\n\nAs you look at Impressionist paintings, juxtapose them to your own photography. If you want to evoke the same sorts of feelings, then consider the realism that is not there.\n\n![2893346171_0d3b5643c9_b.jpg](https://cdn.steemitimages.com/DQmeiXVhXxuVbXZzk3FFBSNeGoJmbfcbmkkzVtmxT1jshUW/2893346171_0d3b5643c9_b.jpg)\n\nAn icy lake at sunrise, fed from the seasonal melt at Glacier National Park, a pano of 90 shots\n6) PRACTICE WITH HDR\nWhat is HDR? It’s short for High Dynamic Range photography and it’s all the rage. I have an HDR Tutorial right here on my blog. I will explain with HDR is in the following paragraphs in a circuitous but meaningful way.\n\nAbout 80% of my photos use HDR, but I do something a little different. As you start looking into HDR (many of you already have), you will begin to notice how absolutely horrible most HDR looks. When many people begin experimenting with it (myself included!), it was overdone and looked too psychedelic. Over time, mine have improved via rigorous self-examination and evolving methodology.\n\nRemember that bit me growing up and seeing the world with one eye? Now we come to part two in this daring mini-biography as we are cross the stepping stones to my point. My background in college was Computer Science and Math, so I’ve always thought about things in terms of algorithms and software. After the very first time I used a DSLR camera when I was 35 or so, I very quickly came to the realization that there was something missing.\n\nThe missing something was the “software” layer between the eye and the memory. Consider what you do on the scene with the barn, and juxtapose the following sequence of events with how the camera works. You survey the scene. Your eye jumps around from interesting object to interesting object, sometimes moving slowly, sometimes moving quickly. Your eye lets in more light in some areas, less light in others as your pupil dilates. You squint into the setting sun and see warm colors splashed across the clouds, the grass, and the barn. You remember other barns, other storms, other sunsets. You are with someone or your are alone, but you certainly remember. You lock it all up in your mind’s eye forever.\n\nSince we are all visual creatures, a photo or a painting can evoke great memories, just like a song or a smell. But the only way to trigger some of those intense memories on a deep level is to adjust the light levels in the photograph, so that the effective light levels and color match those that are buried in your head. The HDR process can help achieve these goals.\n\n![198735994_bab41730c2_b.jpg](https://cdn.steemitimages.com/DQmdj4kR5YJy5UYSAAMDRg2pBSMysgXEr4WTWpGxDZw8obZ/198735994_bab41730c2_b.jpg)\n\nA young Amish boy allows me to freeze time after I help him carry wood with his sisters.\n7) TAKE YOUR CAMERA EVERYWHERE\nDon’t just take your camera out on those rare occasions when you actually decide to set aside a portion of your day for photography. Face it: we’re all busy people with real lives and setting aside 3-4 hours for anything extracurricular is rough. But it only takes a few seconds to get inspired for a photo, and it’s no good if your camera is back at home.\n\nKeep it in the trunk of your car in a fun little photo backpack with a small selection of lenses. You never know when you will see something wonderful.\n\nUse this opportunity to take at least one photo a day. It doesn’t have to be a grand landscape – just something small and nice that you really should have noticed before.\n\n![742622875_NRf7A-X2.jpg](https://cdn.steemitimages.com/DQmeDGKwaSkUc3Uk29bJn6TcjrU6VA7JTHEdUF7ETDfp9bf/742622875_NRf7A-X2.jpg)\n\nDante’s Gates of Hell, a sculpture by Rodin, captured in proper lighting\n8 )\tUNDERSTAND THE FANTASY/REALITY MEMBRANE\nDo you have kids? Are you a kid at heart? Think about being a kid and what happened when you turned into a jaded old grown up. Maybe by the end of this section you can ask yourself some new questions about reality.\n\nKids have this remarkable “membrane” between fantasy and reality. They can jump back and forth between the two in an effortless way. In fact, the membrane is wonderfully “thick”, in that there is a vast dreamstate wilderness where the world is both fantasy and reality. When pressed, the kids will tell you what is real and what is pretend, but that is often a painful process that extracts them from the escapism that was so visceral just a few moments before.\n\nWhen we are all grown up and serious, that membrane is razor-thin, and there is little tolerance of what is “pretend” and “fantasy”. Why is this? Is it because we are surrounded by other serious people and we want to conform? Is it because fantastical events and escapades are what “kids” do, and thus is not pertinent to the practical?\n\nObviously we all still can get into that fantasy zone and we all love it. That’s why movies are still such a potent force; they give us social permission to be like a kid for 2 hours, once a week. It also explains the waxing relevance of online games.\n\nBut when we start talking about photography – well now, that is a different subject! Photography is a serious art form, practiced by classically trained masters whose reality is quite serious indeed! There mustn’t be anything fantastical introduced via the art form. The process is the camera straight to the film, you see!\n\nPoppycock.\n\n![3059825731_2e877cdf5c_b.jpg](https://cdn.steemitimages.com/DQmdyFCrCBcWMsPHYbPdQJnGx28n5Cvj5Y7uKBx2me2DQQq/3059825731_2e877cdf5c_b.jpg)\n\nMy personal foray over the last year into learning how to draw\n9) LEARN TO DRAW\nHey this is a weird one, eh? Who on Earth has time to learn to draw? Well, you would have time if you stopped wasting time on nonsensical activities. You’ve got one life here so you might as well start applying yourself.\n\nI didn’t have any time! Heck I have a load of kids, a full time job, a bunch of cool games to play, books to read, I have to go exercise, I do a bit of photography, and blah blah blah… So, as a personal experiment, I was going to see if anyone can learn to draw. This is similar to another experiment I did on myself to see if I could take something I hated and turn it into something I enjoy. Only that experiment was coffee, and I was afraid learning to draw would be harder, particularly because of the jitteryness introduced from the first experiment.\n\nI’ve always admired people that can just grab a pencil and paper and make something amazing. Man, I always wanted to do that! I went into the experiment with the hypothesis that there are great natural artists that can draw anything with zero instruction whatsoever. These are true masters and I was unlikely to achieve that goal. However, I thought I could get passable at drawing and get to a point of satisfaction. A great side effect, I envisioned, is that it would give me new insight into photography – into line, shape, light, and composition.\n\nAll of this turned out to be true. So, if you have hit a rough spot or the doldrums with your photography, take up drawing. There are a few instructional books out there that are practical hands-on guides that can get you the basic pointers you need. I think you will be quite impressed on how it starts to bleed into your photography art!\n\n![394713395_7851d0c366_b.jpg](https://cdn.steemitimages.com/DQmduiCeuSN79ASkan68DkwT71rB8p9i1VaAFLJiiKHnCHK/394713395_7851d0c366_b.jpg)\n\nA wild-haired tame horse on the windy fjords of Iceland\n10)\tMAKE MISTAKES\nLast, make a lot of mistakes. Throw yourself and your art out there and see what works and what doesn’t work. Get your stuff looked at by real friends that give you frank feedback.\n\nDon’t be like those sorry saps on American Idol who make fools of themselves in big auditions because they’ve spent their whole life with their tone-deaf mom telling them they are incredible at singing “Over the Rainbow”, because Aunt Mabel enjoyed it so much during that 2nd grade play. Get yourself online and begin making friends by finding other photographers that you respect. Beg and plead for them to come look at one or two of your photos and get their frank feedback. They will cut you apart, but just take your medicine, lick your wounds, and go out there and improve.\n\n—\n\nFIN\nAnd there we have ten things to shake up your world a little bit. I’m no Baudelaire when it comes to writing these sorts of polemics. However, just as he drove Manet to be Manet, perhaps I can do my own little part to stoke the fires and drive a new art revolution forward; evolve and evoke, or whither into nothingness.\n\nEXTRA CREDIT\nVitaly, the kind guru at Smashing Magazine, asked me to include a some other photos because readers love the sweet eye candy.  So here is a random selection of some of my favorites, which is somewhat of a canard because I get caught up in an endless loop of recursive objective self-objectivity.\n\n![2945608377_1dc89ee3b5_b.jpg](https://cdn.steemitimages.com/DQmTL2udW11asM8wxWBbAfyUoLzJ91RcKgYAMFgp6ZiZvbr/2945608377_1dc89ee3b5_b.jpg)\n\n![3134976060_062f31b8d3_b.jpg](https://cdn.steemitimages.com/DQmUjJGFmLCauZi6cR8LTeFevGy3834cUwiQhW6mGjAzin7/3134976060_062f31b8d3_b.jpg)\n\n![375832178_02b1b0e4b1_b.jpg](https://cdn.steemitimages.com/DQmTxmSzUqkL4F2SYHAQnTZAKqnngfhF3x9S8s9PNrW1hEp/375832178_02b1b0e4b1_b.jpg)\n\n![1940187826_cc402ca75e_b.jpg](https://cdn.steemitimages.com/DQmU4DEkMCfcn4rJgx1nxx9917MKNwrLmt9jgjRK1g1fUCu/1940187826_cc402ca75e_b.jpg)\n\n![3028326881_c20a51c839_b.jpg](https://cdn.steemitimages.com/DQmWQ9Ac8rFhFA25KWDrXojQj7Zfhqm5usYPYG1749c2wtZ/3028326881_c20a51c839_b.jpg)\n\n![310074290_8c6e70b050_b.jpg](https://cdn.steemitimages.com/DQmUzEV1MTdhaPqQBrruVTMpjyHJMtYuASywXMv8QxECTke/310074290_8c6e70b050_b.jpg)\n\n![2984988919_5f5a768fb3_b.jpg](https://cdn.steemitimages.com/DQmQg9UveXEGRJenU2cqTBmpAq7SwN4x2AEh7Vx8Pgk34yi/2984988919_5f5a768fb3_b.jpg)",
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      "permlink": "3-crowdfunding-platforms-i-d-recommend-based-on-3-years-of-investing-across-35-projects",
      "title": "3 Crowdfunding Platforms I’d Recommend Based on 3 Years of Investing Across 35 Projects",
      "body": "![handcity-702x336.jpg](https://cdn.steemitimages.com/DQmbS6mL3A6rbGJKNcsmvp42TfYBYmTY2k8kVdfDsrkpGsr/handcity-702x336.jpg)\n\nThis is an advertisement. We have partnered and are compensated by RealtyShares. RealtyShares is a funding platform who has partnered with North Capital Private Securities (NCPS), member FINRA/SIPC. Private securities on the RealtyShares platform are offered through NCPS. Private investments are highly illiquid and are not suitable for all investors. Neither RealtyShares nor NCPS makes any recommendations or provides advice about investments.\n\nAs a physician, podcasts have been an absolutely critical component in my journey in learning about alternative assets, with BiggerPockets leading the way when it comes to real estate. I had the honor to be a guest on episode 219 where Brandon, Josh, and I focused on some of the more passive investing strategies suitable for time-constrained busy professionals like me, including things like turnkey rentals, private mortgage lending, and real estate crowdfunding\n\n![podcast-300x257.jpg](https://cdn.steemitimages.com/DQmXWpwGCLtGceVoRkkegg7nzV5bDMEgJNu24SMLSftwA2q/podcast-300x257.jpg)\n\nI was an early adopter in the crowdfunding arena, having invested since late 2013, and many of you have reached out to me on the heels of the podcast interview wanting to know a few more details regarding which platforms I use and what my results have been, so I thought I would write this blog post to address these points.\n\nOut of the nine different sites I am currently on, I am going to highlight three platforms that have distinct profiles in terms of the types of deals they offer. Each meets the following criteria:\n\n1.The platform has been in existence for a minimum of three years.\n2.I have been investing on it for at least two years.\n3.I have had at least one successful exit on a deal.\n\n3 Crowdfunding Platforms I’d Recommend Based on 3 Years of Investing\n\n1. RealtyShares\n\nSo let’s start with RealtyShares (click here to learn more about RealtyShares), which I would consider a sort of jack-of-all-trades in that they offer a wide variety of deals, including multifamily residential and commercial projects.\n\n![Screen-Shot-2018-02-15-at-1.42.08-PM-768x265.png](https://cdn.steemitimages.com/DQmYbuV3h5LZR79pg4s7QLttMuAR3C9s7CzbsVb1ZhVb8n8/Screen-Shot-2018-02-15-at-1.42.08-PM-768x265.png)\n\nThey offer first and second position debt, including fixed-rate and floating rate bridge loans, small balance permanent loans, and triple-net construction loans as well as plenty of equity opportunities (common and preferred equity). Depending on the type of project and deal size, their investment minimums vary greatly, and while their website banner says the minimum is $5,000, in actuality, they have projects you can participate in for as little as $2,000, ranging up to $30,000. This is been my number one site by volume, and they have an ample diversity of offerings that can suit a number of investing styles.\n\n2. Patch of Land\n\nNext up is PatchofLand.com, and from the beginning, they have been focused exclusively on single family residential properties with first position debt for fix and flip projects.\n\n![Patch-768x289.png](https://cdn.steemitimages.com/DQmYwLjnDEqVMcH3aQFN6gu3kRcMRzpQSvAngtSz5fMuVcw/Patch-768x289.png)\n\nAccordingly, these are all short 6-to-18 month duration loans with typical interest rates in the 9 to 12% range. The minimum investment is $5,000. Patch of Land is a particular favorite of mine because when it comes to crowdfunding, I only do first position loans.\n\nRelated: Why Crowdfunding is Becoming a Widespread Way for Investors to Enhance Their Finances\n\nFor now, both RealtyShares and Patch of Land are limited to accredited investors. According to the SEC, that means you either earn more than $200,000 annually as an individual, $300,000 as a married couple, or have a net worth of $1 million minus the value of your primary home. With only 4% of the population meeting these criteria, it obviously limits the number of people who can participate, as the vast majority of platforms have this restriction. There is one platform I know of that doesn’t have this restriction, and it is called Groundfloor.com.\n\n3. GroundFloor\n\nTheir mission has always been to cater to the non-accredited investor with residential fix and flip projects using both first and second position debt with an investment minimum at an unbelievable $10 to participate! They advertise average returns of 10% since their founding in 2013—and since January of 2018, GroundFloor has become available nationwide.\n\nSo, when I’m going on a site looking for a debt deal, there are some pretty standard elements presented to you in the user interface. Besides the standard array of pictures, you will see the overall loan size, which in this case is $147,000 with an interest rate of 10.25% and a 12-month term. You will also be presented with the after repair value (ARV) percentage, which ideally should be below 65% to 70%. There’s a graph indicating what percentage of the loan has been funded, and from my experience, most projects will fund anywhere from a few days to a week from the time they are listed.\n\n![interFace-768x345.png](https://cdn.steemitimages.com/DQmT1yHidfAST33i8dVzBPSHKuU9cNy2NGN8R4SPxnGQpHu/interFace-768x345.png)\n\nThe platforms also provide an abundance of electronic documentation, allowing investors to perform a thorough “digital due diligence” prior to committing any money. Items typically included are the developer’s track record of past projects, renovation scope of work, and some form of price analysis, such as an appraisal or market comparable. On the more long-term equity projects, the capital structures can be more complex and may include components like preferred equity and mezzanine debt.\n\nI have certainly seen many projects get funded in a matter of hours, particularly if they’re in favorable geographic locations or the interest rate offered is very attractive. Of course, this sometimes makes it impossible to go through all of the due diligence documents and highlights one of the fundamental limitations about real estate crowdfunding: You have to trust the platforms underwriting processes. When it’s all said and done, you must have confidence that all of the deals listed have been scrutinized thoroughly. The platforms certainly have the incentive to do this because if too many deals fail to perform, investor confidence and capital would be quickly lost with very little chance of earning it back.\n\nRelated: 7 Elements to Look for in a Real Estate Crowdfunding Portal\n\nThus far, I think my experience validates solid underwriting. Out of the 35 projects I participated in, I’ve had 17 successful exits, 15 are current and performing as expected, while 3 are in some various stage of the foreclosure process. My overall returns have averaged a very satisfactory 11% annually for 3 years. With the foreclosures, I’m getting regular email updates from the platforms, and in all cases, they are confident that my original capital will be returned after taking possession and a subsequent liquidation sale. These relatively few negative experiences reinforce my original decision to stick with first position debt, as ultimately this is the safest place to be in the capital stack when inevitably some deals don’t perform as expected.\n\nIn summary, real estate crowdfunding represents an exciting and emerging asset class that is bringing an unprecedented level of access to the retail investor by leveraging the power of the internet. It represents a welcome way for me to diversify my lending portfolio and deserves a serious look for the studios investor willing to learn about the industry.",
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      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttps://steemit.com/gardenofeden/@gardenofeden/sphku-today-s-sustainable-feast-in-the-garden-of-eden",
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      "body": "We're celebrating another wonderful day in the Garden of Eden with another delicious feast! \n\nFor our full time volunteers, we prepared a melty, gooey, fat stacked sandwich bonanza feast over our handmade earthen rocket stoves in our sustainable outdoor kitchen! They were warm, crispy, creamy, cheesy, comforting and totally delicious!!! \n\n![1_36.png](https://cdn.steemitimages.com/DQma2WEEmeA9jAfe4VUDG1nyix2RDR6oUNFcNGvSjA9Xmb1/1_36.png)\n\nWe cranked out mouthgasmic sandwich after mouthgasmic sandwich after mouthgasmic sandwich from a wide array of über dank ingredients! We cut them into smaller pieces so everyone could taste a little of this one and a little of that one, and we kept making sandwiches until everyone had their fill. Every variety was awesome, and everyone had their own favorite for best sandwich of the day! \n​\nFirst up, we made a drippy, saucy turkey and mushroom sandwich by layering organic 9 grain bread, our incredible homemade spicy garlic mayo (check out the formula - it's so fast & easy!), organic free range turkey breast, sautéed mushrooms and onions, organic spinach, baby Swiss cheese, and a drizzle of dijon mustard sauce. Incredible!\n\nOur second sandwich was a meaty, cheesy marvel also built on organic 9 grain bread with lots of sautéed green bell peppers and onions, aged prosciutto, organic uncured salami, sharp provolone cheese, fontina cheese, and more of our homemade spicy garlic mayo! 😍\n​\n Picture\n\nLast sandwich in this sustainable feast was a farm fresh wonder on sprouted wheat bread with a fried egg right from our own chickens, green onions pulled straight out of the ground, fresh organic garden spinach, melty muenster cheese, fresh mozzarella, sautéed mushrooms and onions, and our homemade kimchi for a special, unique flavor & texture that you'll never find at those boring old chain sub sandwich shops! EPIC!!! \n​\n Picture\n\nOur Eden Knights were pretty evenly split for which sandwich was the best of the night, with roughly the same votes for our incredible turkey & mushroom, our dreamy cheesy & fancy meats, and the epic fried egg with homemade kimchi. Which one do you think is the best??",
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      "permlink": "3-reasons-you-should-never-work-from-home",
      "title": "3 Reasons You Should Never Work From Home",
      "body": "![dont-work-from-home.jpg](https://cdn.steemitimages.com/DQmQzHjZaXgB7S5YLqHP3dkpNzFPbGgfdeR16oozNsZVNyd/dont-work-from-home.jpg)\n\nWant to achieve any kind of significance within your business or just a high level of success? You won’t be able to do that from home. I’m sorry. Home is for your personal, private life. As much as you want to portray that you have this home office, desk, internet, separate entrance, and all of that mumbo jumbo, I just don’t believe it. I don’t believe it because you are not in an environment where there are other business professionals on the same page as you.\n\n\n\n\n3 Reasons You Should Never Work From Home\n1. You won’t interact with other professionals in a professional environment.\nIf you want to achieve success in business or in your real estate, you need to surround yourself with the right people. You need to have people on the same page as you who are going where you are going. You can’t be sitting in your underwear on a couch at home saying that you are working from home. There are just too many distractions like your TV, the great view from your balcony, the pool, the tennis court, whatever. In my opinion, it just doesn’t work because you’re not in a professional environment. You should want to be with other people, be in the zone, focusing on business, on doing the next deal, making the next dollar. You need to surround yourself with whiteboards, write down your goals, write down your to-do lists. Yes, you can do it from home, but it’s just not the same.\n\nRelated: Why Virtual Reality is About to Revolutionize the Real Estate Industry\n\n2. You won’t create a company culture.\nHow about company culture? How are you going to create a company culture from home? It’s almost impossible. You need an office, a landmark within your business so people can recognize who you are and what you do from a branding perspective. So if you want to achieve anything significant in your real estate endeavors, if you want to create a business that will last with a great culture, you can’t do that from home.\n\n3. You’ll encounter distractions and won’t have the same motivation.\nAnother thing that I don’t believe in is virtual assistance or working virtually. I don’t want anyone working for my companies to be a virtual employee. It’s just not happening. As I said, there are too many distractions at home. I don’t believe in performance from afar. I believe in performance within the same walls, where we can all push each other, motivate each other, and understand each other. And if we all have the same bigger picture goals in mind, then we’re all headed in the same direction.",
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      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttps://www.biggerpockets.com/renewsblog/6-things-youll-need-when-getting-into-diy-landlording/",
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