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      "body": "![garden-19830_1920.jpg](https://cdn.steemitimages.com/DQmUhnfm4Jv4pc84d1RGMMVoQcF9TbdrvLWQRXpt5kWhfbM/garden-19830_1920.jpg)\n\n\nफोटोग्राफी में रोजमर्रा को कुछ असाधारण बनाने का जादू है।\n\nफ़ोटोग्राफ़र Vari Caramés को \"दिखने के लिए सीखने के 30 साल की समीक्षा, एक ऐसा काम जो आपको जीवन भर ले जाता है\" करने की भावना के साथ अपने पहले पूर्वव्यापी का सामना करना पड़ता है। प्रदर्शनी रिटमो मारेरो, समय बीतने का एक रूपक, 20 अप्रैल को रेकाल्डे कमरे में शुरू होता है, जो 2013 में अपनी धुंधली तस्वीरों को ए कोरुना (कियोस्को अल्फोन्सो) में ले जाएगा।\n\nप्रश्न। क्या समय बीतने के साथ आपकी तस्वीरों को देखने का तरीका बदल गया है?\n\nउत्तर। हाँ, वे दिल लेते हैं। अब जब यह इतना फैशनेबल है, तो मैं कहूंगा कि वे विंटेज हैं। यह एक प्यारी प्रदर्शनी है, यह मेरे बालों को सभी कामों को एक साथ देखने के लिए खड़ा करती है। हम प्रदर्शनी को कलेक्टर कैबिनेट, मोज़ेक के रूप में माउंट करना चाहते हैं। मैं क्रम में नहीं हूं।\n\nपी। लेकिन यह श्रृंखला में काम करता है।\n\nए हाँ। मैं आमतौर पर कहता हूं कि वे डीएनए पेड़ की तरह एक साथ फिट होते हैं, जो अणुओं को एक अराजक क्रम में जोड़ता है लेकिन अंततः एक व्यक्तित्व को निर्धारित करता है। यह प्रदर्शनी की भावना है: अणुओं से जुड़ना जो एक कोष बनाते हैं। इस तरह मैं दुनिया को एक खिड़की से देखता हूं।\n\nQ. कौन सी खिड़की?\n\nआर. यह देखने के लिए एकदम सही रूपक है। हम हमेशा अंदर से बाहर की ओर या बाहर से अंदर की ओर देखते हैं, लेकिन किसी चीज के माध्यम से। छोटी सी खिड़की के माध्यम से दुनिया की खोज करने की सुखद अनुभूति होती है जो कि कैमरे का दृश्यदर्शी है। दुनिया उन रूपों, परिदृश्यों, रोज़मर्रा के रहस्यों के इर्द-गिर्द घूमती है जो वहाँ दिखाई देते हैं। मैं अपने करीब की चीजों के साथ काम करता हूं। मैं बहुत सहज हूं और मुझे अपने अंतर्ज्ञान पर भरोसा है, हालांकि कभी-कभी मैं गलत होता हूं। संभावना निश्चितता से अधिक रोमांचक है, और दूसरों को आश्चर्यचकित करने के लिए, आपको खुद को आश्चर्यचकित करना होगा। फोटोग्राफी में एक जादुई घटक होता है, जो रोजमर्रा को कुछ असाधारण बना देता है। यह आकर्षक चुनौती है, कि छवि को देखते समय, जाहिरा तौर पर, किसी अन्य आयाम पर कोई दिलचस्पी नहीं है।\n\nप्र. क्या तकनीकी पहलू गौण हैं?\n\nउ. हां, लेकिन जानबूझकर नहीं। खाना पकाने का समय बहुत महत्वपूर्ण है और मैंने हमेशा यह सुनिश्चित किया है कि तस्वीरों को सर्वोत्तम संभव तरीके से प्रस्तुत किया जाए, बिना तालिबान के पूर्णता को देखे बिना। मुझे दिलचस्पी है कि फोटो बोलती है, कि यह कहानियां बताती है, अगर यह अच्छी तरह से सकारात्मक है, तो बेहतर है। एक बार जब मैंने कई मुद्दों को हल कर लिया, तो मैं फोटोग्राफी के साथ हमेशा एक ठग रहा हूं।\n\nQ. ठग?\n\nमैंने इसे कभी भी गंभीरता से नहीं लिया. वह शुद्धता या गुणवत्ता की तलाश में नहीं था। मैं मज़े करना चाहता था और फोटोग्राफी का उपयोग करना चाहता था जैसे कि यह एक तूलिका हो।\n\n> एक तस्वीर जो पेंटिंग के करीब है?\n\nए हाँ, हाँ। मेरे पास पेंटिंग के कई संदर्भ हैं, जब से मैं एक बच्चा था मैंने इसे अपने परिवार में देखा था। बाद में, मैं भाग्यशाली था कि मैं कलाकारों के संपर्क में रहा। मुझे पेंटिंग और सिनेमा पसंद है। यह स्पष्ट है कि सिनेमा के प्रति मेरे आकर्षण के कारण मेरा सिनेमाई दृष्टिकोण है। मैं कभी ठेठ फोटोग्राफर नहीं रहा, मैंने थोड़े से बहुत कुछ किया है। मुझे यह दिखाना अच्छा लगता है कि फोटोग्राफी सिर्फ तकनीकी चीजों से ज्यादा नहीं है।\n\nपी. तो आप डिजिटल बहस में प्रवेश न करें।\n\nउ. सभी उपकरण उपयोगी हैं, लेकिन महत्वपूर्ण बात यह है कि आप उनका उपयोग कैसे करते हैं। और यह आप पर फिट बैठता है। मैं अब भी पुराने या पुराने कैमरों के साथ मस्ती करता हूं और फिल्मों को पागल कर देता हूं। मैं प्रयोग करता हूं, मैं फोटोग्राफी को एक खेल के रूप में देखता हूं। मुझे बहुत आनंद आया। मैंने डिजिटल करने की कोशिश की और यह बहुत अजीब था। वह मैं नहीं था। मैं अपने मजबूत झंडे के साथ जाना पसंद करता हूं। मुझे वैसे ही छोड़ दो।",
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      "body": "![woman-1807533_1920.jpg](https://cdn.steemitimages.com/DQmYKBKfLU1qpuBxihzBYKM3AS248uwV3KrKocB7co5VV8v/woman-1807533_1920.jpg)\n\nPhotography has the magic of making the everyday something extraordinary.\n\nThe photographer Vari Caramés faces his first retrospective with the feeling of doing “a review of 30 years learning to look, a job that takes you a lifetime”. The exhibition Ritmo mareiro, a metaphor of the passage of time, starts in the Rekalde room on April 20 a tour that will take its misty photos to A Coruña in 2013 (Kiosco Alfonso).\n\nQuestion. Has the passage of time changed the way you see your photos?\n\nAnswer. Yes, they take heart. Now that it is so fashionable, I would say they are vintage. It is an endearing exhibition, it makes my hair stand on end to see all the work put together. We intend to mount the exhibition as a collector's cabinet, a mosaic. I am not in order.\n\nP. But it works in series.\n\nA. Yes. I usually say that they fit together like the DNA tree, which joins the molecules in a chaotic order but ultimately determines a personality. That is the spirit of the exhibition: joining molecules that make up a corpus. It's how I see the world, through a window.\n\nQ. What window?\n\nR. It is the perfect metaphor for looking. We always look, from the inside to the outside or from the outside inside, but through something. There is the pleasant sensation of discovering the world through the small window that is the camera's viewfinder. The world revolves around those looks, scenarios, mysteries of the everyday that appear there. I work with things close to me. I am very intuitive and I trust my intuition, although sometimes I am wrong. Chance is more exciting than certainty, and to surprise others, you have to surprise yourself. Photography has a magic component, which makes the everyday something extraordinary. That is the fascinating challenge, that when seeing the image things that, apparently, have no interest take on another dimension.\n\nQ. Are the technical aspects secondary?\n\nA. Yes, but not on purpose. The cooking time that things have is very important and I have always made sure that the photos were presented in the best possible way, without reaching the Taliban point of looking at perfection. I am interested that the photo speaks, that it tells stories, if it is well positive, the better. Once I have solved a series of issues, I have always been a bit of a thug with photography.\n\nQ. Thug?\n\nA. I never took it too seriously. He was not looking for purity or quality. I wanted to have fun and use photography as if it were a paintbrush.\n\nQ. A photograph that is close to painting?\n\nA. Yes, yes. I have many references to painting, since I was a child I saw it in my family. Later, I was lucky to be in contact with artists. I love painting and cinema. It is obvious that I have a cinematic vision because of my fascination with cinema. I have never been a typical photographer, I have done a lot with little. I love to show that photography is more than just technical stuff.\n\nP. So you do not enter the digital debate.\n\nA. All the tools are useful, but the important thing is how you use them. And that fits you. I still have fun with old or throwaway cameras and drive the movies crazy. I do experiments, I see photography as a game. I had a great time. I tried to do digital and it was very strange. That wasn't me. I prefer to go with my sturdy flag. Leave me as I am.",
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      "body": "Ahmed lived in a sunny city next to the sea. He was the youngest of four siblings, and the biggest troublemaker. He loved to hide and suddenly scare his mother when she least expected it. He also loved chasing pigeons and climbing trees. He loved to go on walks with Mohammed, his oldest brother, who was twelve years old and knew everything.\n\nSome afternoons they walked to the seaport and they sat watching the boats come and go. They imagined themselves aboard one of those huge ships, crossing the Mediterranean Sea, docking in other cities and other countries.\n\nMohammed wanted to be a sailor, and Ahmed pictured him as a captain of a large boat, dressed in a blue suit full of medals and ordering\neveryone around. Ahmed also wanted to be a captain, but of his soccer team, because he was the best of all the children who played in the narrow alley where they lived.\n\nAhmed didn’t really like going to school. So when his mom made him stay home and not go outside, Ahmed was happy. But he soon he became bored with being stuck at home day after day, listening to the noise of the sirens and the yelling of the people. It was horrible.\n\nOnly his mom left the house occasionally, always to buy food for the family. When she arrived home, pale, exhausted, and sad, Ahmed asked her if the constant noise that came from the sky had anything to do with it.\n\n“They’re bombs” Mohammed told him solemnly.\n\n“If they’re bombs, it must be a war,” thought Ahmed.\n\nAhmed felt scared.\n\n“We’re leaving,” Mom announced one night.\n\nEveryone silently gathered the few belongings that they wanted to bring with them, and left so early that the sun hadn’t even come up. The sun was just rising as they reached the seaport.\n\n“We’re going on a boat!” exclaimed Ahmed.\n\nThe whole seaport was full of families who, like them, wanted to go aboard the ship. Mohammed took his little brother by the hand, and together they managed to board the ship with their family. Shortly afterward, the ship launched.\n\n“Where are we going?” Ahmed asked.\n\n“To a place where bombs don’t fall from the sky,” explained his brother.\n\nAhmed breathed deeply, relieved.\n“And wherever it is we’re going, can we play soccer in the street there?” Ahmed asked.\n\n“Of course!”\n\nAhmed rested his head on his brother’s shoulder and smiled happily. Before the city disappeared into the horizon, Ahmed began to dream about the new place where there were no sirens or people yelling. And where, of course, the children could play soccer in the street without worrying about anything.",
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      "body": "The best friend of Beto was his cow Paca. It sounds weird that it was a cow, but Beto lived in a farm surrounded by animals. Even more, Paca the cow had saved his life, and that is a thing you don’t forget…\n\nIt occurred when Beto was only 3 years old. He was playing ball next to a den of rabbits when the ball shot toward the road. Beto ran after it right at the moment when a truck filled with bushels of wheat was passing by. Paca the cow, who grazed tranquilly in the next meadow, saw the whole scene, and left running towards the boy.\n\nThe driver, who had not seen Beto, so small and fast, was stunned to see this enormous cow running towards the road. And stopped short.\n\nADVERTISING\n\nThat was the beginning of a very special friendship. Beto spent hours with Paca the cow, he only drank the milk that came from her utters, and sometimes, when he couldn’t sleep, he snuggled with her. At her side he was never scared.\n\nBecause of this, no one was surprised to see them always together. They were as thick as thieves, so close that it seemed impossible to tell where ended Beto’s smile and where began the playfully wagging tail of Paca the cow. And so it always was, until Beto grew up and had to go to school.\n\nThe school was in the city and was very big. It was full of boys and girls, but didn’t have rabbits, nor meadows, nor horses, and of course no Paca the cow. Why could he not take his friend to school, share a desk and play together at recess?\n\n– Because she is a cow, Beto – Mama told him – cows don’t go to school, nor do they do chores, nor do they trade cards at recess.\n\nBut Beto insisted so much that Mama finally agreed. And Beto came the following day mounted on his cow Paca. All the kids wanted to pet her, play with her, drink her milk and climb her back.\nBut, after a while, Paca the cow tired of grazing that cement meadow and decided to sit. Nothing more occurred than sitting herself right under one of the goals of the soccer field:\n\n– With her as goalie; we will win all the games! – exclaimed an enthusiastic Beto.\n\nBut the opposing team quickly tired of playing with Paca the cow.\n\n– This is unfair, we want a goalie our size!\n– So wins either…\n– This is cheating\n\nSo Beto had no choice but to convince Paca the cow to move from the goal.\n\n– It will be better to stay in the hallway – he said – because now I have math class and I can’t stay with you.\n\nPaca the cow obeyed Beto and remained tranquilly lying in the hallway, but after a while, she began to tire of staying there alone and began to call to her friend. The moos of the cow were so strong that the teacher Daniel had to stop the class.\n\n– What is this scandal? We cannot continue the class like this…\n\nAnd he left for the hallway to see what happened. Paca the cow was very content to finally see someone with whom to talk…she was so bored there alone! So happy was she, that with all her affection, she licked the bald shiny head of the teacher Daniel.\n\n– Aaaaagh. How disgusting! This is a shame. Take this cow home.\n\nAnd there went Beto and Paca the cow, very rueful for having orchestrated all of this mess. Carmen, the principal, almost had a fit when she saw Paca the cow enter the door to her office.\n\n– What is a cow doing here?\n– It’s just that she is my best friend and I wanted to bring her to learn about school, about my other friends, about the professors…\n\nThe principal saw how hopeful Beto was, and how embarrassed the poor cow was, that she had an idea.\n\n– Beto, the school is not a place for a cow. Your friend has to stay in our farm while you are in class. But since she has already come here, let’s teach all the kids…\n\nCarmen’s idea was simple: give a class that no alumnus would ever forget again. Paca the cow, Beto and Carmen were passing through all the classes. Carmen taught them all that there was to know about cows and about the animals like her: the mammals. Further, many children milked a cow for the first time, discovered how cows ate, what customs they had and how they lived. It had been the best kind of knowledge of the environment they all had ever had.\n\nWhen the day ended, Beto and Paca the cow returned to the farm and told all to Mama, who, with the face that mothers always wear when they are about to tell you something important, affirmed:\n\n– I already told you, Beto. Cows don’t go to school.",
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      "body": "The elephant Amaranta was one of the biggest stars of the Great Worldwide Circus “The Whale.” With her enormous trunk she was able to juggle more spectacularly than had ever been seen in the circus tent. Also, the elephant Amaranta was happy and fun and everyone loved her very much in the circus.\n\nShe only had one problem: mice made her panic. But this, in reality, was a very small problem, because no mouse had ever been seen in the Great Worldwide Circus “The Whale.” But one day, a family of mice appeared there. They had escaped from a town in which a strange flautist rounded them all up and threw them out via the river. Once the flautist arrived, he emitted a magical sound, and every mouse that heard it lost all sense of reason.\n\n– Lucky for us, we were sleeping when this happened. The only one that was awake was grandfather; and since he is deaf…nothing happened to him!\n\nSo that family of mice had to flee. And so, walking and walking, they had arrived at the circus.\n\n– You can all stay here – said the ringmaster – but you have to be careful with the elephant Amaranta. She gets panicked around mice, so it will be best that she doesn’t see you.\n\nBut the Circus Worldwide “The Whale” was very small and the elephant Amaranta didn’t take long in discovering this family of mice.\n\n– Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaah! – she yelled afraid.\n– Don’t you worry – assured the ringmaster – Surely she will become accustomed…\n\nBut Amaranta did not become accustomed and each time that she crossed one of the mice, she climbed atop the first thing she found.\n\n1. The stool the ringmaster used in the lion spectacle.\n2. The trapeze where Calixta, the trapeze artist monkey, left all the kids marveling at her pirouettes.\n3. Including the tightrope, which Nicolasa, the giraffe aerialist, climbed.\n\nWhichever site was good enough for her to be far from those tiny, speedy and bothersome animals that gave her so much fear. So, those who had to get used to the situation were the other members of the circus.\n\nThe animals, convinced that this absurd fear had to end, decided one day to search for a way to end it. The first to propose something was the clown Miguelín, always so ingenious…\n\n– I have found in my suitcase full of joke supplies, a fake mouse…\n– I don’t see how this will help us with Amaranta – groaned a grumpy lion.\n– Very easy: we gift her the mouse, and when she sees that it is fake and realizes that you can wind it when you want, she will feel like she can control mice, and with that, her own fear.\n\nNo one was very convinced with this plan, but as they did not have another, they decided to give it a chance. So they hid the fake mouse in a box, wrapped it up in floral paper and gave it to Amaranta.\n\n– A gift? For me? But it isn’t my birthday – exclaimed the elephant Amarantha happily when she saw the package.\n\nBut her smile disappeared when inside the package she saw the mouse.\n\n– Aaaaaaaaaaaaaaaaaaaaaaaaaahh… – she screamed as she climbed a stool scared to death.\n– Amaranta, it’s a fake mouse! It is nothing more than a toy. Touch it!\n\nBut the elephant didn’t want to know anything more about the gift. The plan had failed.\n\n– We have to leave – exclaimed the mice. – At the end of the day, we are only a family of mice and Amaranta is the star of the circus. We can’t compete with her!\n– Don’t say that! – exclaimed the upset Calixta, the monkey trapeze artist – if we cannot end her fear, we have to accustom ourselves to it.\n– But, what happens with my stools? I can’t perform my show if every few minutes she is breaking them. – protested the ringmaster.\n– Well, yes the problem with the stools…let us buy one of her size! – suggested Greta, the oldest lion of the circus.\n\n– Great, one that can withstand her on all parts so she will be able to climb it, when she sees a mouse, and won’t break anything.\n\nTo the elephant Amaranta, they gave a new gift that she like much more than the anterior. She promised all her peers that she would not return to breaking their work tools and that she would try to control her attacks of fear.\n\nWhat is certain is that Amaranta never was able to control her fear, but at least the Great Worldwide Circus “The Whale” never again was a disaster. And of course, the family of mice remained there always. Eventually, even they had a circus performance that became very very very famous.\n\nBut this, my friends, is another story…",
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