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      "body": "The eastern pearl, manchu as \"tower\". The qing dynasty will come from the northeast pearl called eastern pearl (or north pearl), used for nan zhu distinction made in the south. It originated in the songhua river, heilongjiang, ussuri river, the yalu river and its basin. The qing rulers to the eastern pearl is regarded as treasures, set in the said rights and honor the crown of clothing. Queen, queen mother of the winter in the champions league, compose ACTS the role of the eastern pearl and pearl of about 300, crown of eastern pearl 13, pearls 51. Such as earrings, court beads, also in eastern pearl inlay, appeared to indicate the identity and the royal authority.\n![IMG_20180301_212259.jpg](https://cdn.steemitimages.com/DQmVqZ6StztrsuMYFasFWTspKVRFyTMYQK25fYDffSj6x1G/IMG_20180301_212259.jpg)",
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      "body": "There is a kind of deformity in the history of Chinese aesthetic temperament and interest: men's and women's clothing accessories \"upside down\" Yin and Yang as beauty. Woman often men, while men act the role of \"of\" to the woman, especially the upper social celebrities, too much pay attention to the appearance of the modifiers and makeup, with surface grease, lipstick, ZanHua female cosmetic powder such as tire surface, become fashionable for a time. But as a man loved women makeup, she ACTS the role of women. Network illustrated this abnormal aesthetic temperament and interest, GuYueQing according to think with the \"actually worse! On each of the various generations of this culture in sui tang five dynasties are most definitely!\n\n\nThere is a kind of deformity in the history of Chinese aesthetic temperament and interest: men's and women's clothing accessories \"upside down\" Yin and Yang as beauty. Woman often men, while men act the role of \"of\" to the woman, especially the upper social celebrities, too much pay attention to the appearance of the modifiers and makeup, with surface grease, lipstick, ZanHua female cosmetic powder such as tire surface, become fashionable for a time. But as a man loved women makeup, she ACTS the role of women.\nThis deformity aesthetic temperament and interest, GuYueQing according to think with the \"actually worse! On each of the various generations of this culture in sui tang five dynasties are most definitely!\n\nIt is easy to find from the history books, sui tang five dynasties period of the man in the \"small\". Wu zetian of male pet Zhang Yizhi, Zhang Changzong brothers is a typical \"small white\". \"Old tang book\" said zhang brother is \"powder zhu, splendid dress\", the Zhang Changzong is reputation for \"human speech six lang (Zhang Changzong ranking in the six) face like a peach blossom, and thought that the lotus is like six lang, not six lang like lotus also.\" Man dressy or foppish, seemed like a modern \"freak\", probably to be fond of of wu zetian, princess taiping, datang power lady has a lot to do with \"small\". Wu zetian selected escort boys and beauty of the standard is \"white man\".\n![IMG_20170808_130929.jpg](https://cdn.steemitimages.com/DQmbiSZNWXnfGqVyrNGAQhkz7QRy4hqxVnu1EeEBVuqUZG2/IMG_20170808_130929.jpg)",
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      "author": "merrytalent",
      "body": "Culture is the treasure of the Chinese nation traditional culture, Chinese dynasties royal nobles, taste sweet sweet love letters. Incense burner is essential instruments of \"teachers\", in Chinese incense culture has an irreplaceable position.\nThe pre-qin period, the incense that is regarded as a kind of life enjoyment, a way to remove him keeping in good health. The warring states period when the well-made furnace boshan ship furnace, since the western han dynasty, the life development, all the way with ointment at this time, sweet fume furnace popularity. At the beginning of the emperor, the widely popular among the nobles. To the eastern han dynasty, xiang species more abundant; Wei and jin dynasty, the incense atmosphere extended to the literati class; When the northern song dynasty, it may be said \"lanes fragrance\", throughout all aspects of social life, the period of yuan Ming the incense culture completely into the ordinary people. Han dynasty has \"brown glaze porcelain furnace boshan ship\", have \"talc furnace\" in the tang dynasty, song dynasty \"magnetic state kiln furnace\", have \"\" green white glazed porcelain smoked furnace, yuan dynasty people state-owned copper fuming furnace. Mainstream war period is the Bronze Age, and also the late age of pottery in China, represented by bronze aroma stove, the royal nobles use, at the same time a large number of ceramic aroma stove is still popular.\n\nWei jin southern and northern dynasties, China entered the era of porcelain, the kiln mouth have arisen, cooperate with incense activities by the nobles to local tyrants cremation, there is growing demand for aromatherapy furnace, with a large number of ceramic aroma stove is refreshing. Sui and tang dynasties society unify, great gains, incense activity gained popularity. Aromatherapy furnace with the development and innovation. Song dynasty is aroma stove epoch-making innovation stage, porcelain technology superb, and large amount. Both modelling structure and innovation for the master and the terminator. Most folk are using porcelain incense burner. The song dynasty porcelain incense burner style is concise and simple, has a high aesthetic value. Some censer distinctive modelling, such as jade incense burner, the furnace by a like yuanyang waterfowl crouches, put up two layers of shaft lotus-shaped lines, dig a small hole, can make the aroma from the beak to escape. There is a kind of bean shaped incense burner, like footed cup, also more popular... Song dynasty is the most famous is the \"official\", \"elder brother\", \"set\", \"ye\", \"wood\" five kilns. All five kilns produced a large number of incense burner. Yuan Ming era, and cultural development, aroma stove \"popularization\". Followed, and da Ming xuande furnace, qing royal furnace production. Throughout all previous dynasties culture background and the use of smoked incense burner and production style, han times more smoked incense burner mountain qi, sui and tang dynasties era of aromatherapy furnace gas, the temple of the song era of aromatherapy furnace gas, the scholars of qing dynasty in the era of more artisan aromatherapy furnace gas, the gas of the aromatherapy furnace more than ordinary of the republic of China era, the era of scented the gas of the furnace more strange...\nAppreciate various dynasties incense burner, from the ancient people love the taste is sweet, sweet, all kinds of incense burner, meticulously for incense activities, make us of aloes \"fragrance\" qi \"can be brushed filth,\" to \"raise the nose\", \"yangxin\", \"gender\" magical effect, and have more understanding of culture history.\n![IMG_20170808_131021.jpg](https://cdn.steemitimages.com/DQmUcwP8GBmoDjFj1D97pbEweZFEXyaXsUbEHsTDKwaHbVu/IMG_20170808_131021.jpg)![IMG_20170808_131021.jpg](https://cdn.steemitimages.com/DQmUcwP8GBmoDjFj1D97pbEweZFEXyaXsUbEHsTDKwaHbVu/IMG_20170808_131021.jpg)",
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      "body": "Ancient porcelain in underground thousands of years of time, due to the reason of heat bilges cold shrink, the formation of ceramics glaze cracking, cracking line edge horn is calcification, formed the obvious whitening. On the crack line is clear. The collection market of archaize porcelain, soft copy of line, really ancient porcelain line is blunt, this is one of the difference between the appraisal of ancient porcelain and antique porcelain.\n![IMG_20180505_213503.jpg](https://cdn.steemitimages.com/DQmUqCP9cu2tjpkFZSduxdUdMkTtnPAVmMgmWYA3WadkjYj/IMG_20180505_213503.jpg)",
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      "body": "明代瓷器落款的特征\n明代瓷器落款有哪些特征？随着景德镇官窑的建立和发展，款识多种多样，纷繁复杂。主要以书写为主，极少有刻印的。那么明代瓷器落款都有哪些呢，下面让盛世小编给你介绍介绍。\n明代瓷器落款\nThe characteristics of the Ming dynasty porcelain dated\nWhat are the characteristics of porcelain of Ming dynasty, dated? With the establishment and development of jingdezhen kilns, inscriptions are diverse, complex. Mainly to write, very few signet. So what is in the Ming dynasty porcelain, dated, age let below small make up to introduce.\nIn the Ming dynasty porcelain, dateda\n\n明代瓷器落款特征一：关于洪武时期的特征\n迄止目前，尚末见到署洪武官窑年款的瓷器，但却有具本朝纪年的民窑器，如前述刻有“洪武七年七月二十七日造此”纪年款的青白釉罐。明代正德、嘉靖和清代康熙、道光年间，均有仿洪武年款的的仿品。至于洪武官窑中究竟有无署款的器物？这个待考的问题，有待发现实物，始可释疑。建文时期，也末见到署官窑年款的瓷器。\nCharacteristics of porcelain of Ming dynasty, dated a: on the characteristics of the hongwu period\nEffect check at present, is seen at the end of the agency in hongwu official kilns porcelain, but with this calendar people kiln wares, such as the aforementioned engraved with \"hongwu 7 July 27 to build the\" era of green white glazed pot. Zhengde and jiajing of Ming dynasty and qing dynasty, kangxi, light years have imitated HongWuNian of replicas. As for the it department in hongwu official kilns of artifacts? This need checking problems, needs to be found, can trust. His time, also meet agency official kiln at the end of the year of China.\n\n明代瓷器落款特征二：永乐时期款识的特征\n明、清两代于官窑器上冠以帝王年号款识者，始于永乐，后成定制。但永乐官窑器署款并不普遍，传世品中仅见到青花、釉里红、白釉、红釉、冬青釉等几个品种，一些无款的琢器和圆器，制作也很精细，这在当时御用器与民用器严格区别的情况下，看来也应属官窑制品。\nCharacteristics of porcelain of Ming dynasty, dated 2: yongle period characteristic of the inscription\nIn Ming and qing dynasties imperial wares on title as imperial inscriptions, began in the yongle, after into custom. But yongle imperial wares department are not common, is handed down in the blue and white, youligong, white glaze, only to see the red glaze, Holly glaze, such as several varieties, some paragraph no cut and round, production is also very fine, the emperor at the time and strict distinction of civil cases, also seems to be kiln products.\n\n明代瓷器落款特征三：宣德、正统时期款识特征\n宣德时期瓷器上盛行书帝号款，曾有“宣德款识满器身”的说法。对比明、清两代，在款识上有相仿情部况，如明初洪武一朝不书款识，而清初康熙早期禁写年号款，二者情况类同；又如明代宣德皇帝能写会画，对制瓷深有影响，在其旨意下，宣德瓷所书款识夫固定位置；而清代乾隆皇帝多才多艺，常授意于瓷器上题写御诗，二者又极其相似。宣德瓷器遍写本朝年款，固然有为当朝皇帝树碑立传之意，但也为我们款识鉴定创造了方便的条件，提供了有力的依据。\n明代瓷器落款\nCharacteristics of porcelain of Ming dynasty, dated 3: jintong features inscriptions, orthodox period\nPopular books emperor number money on porcelain xuande period, there was the \"jintong of inscription full body\". Compared to the Ming and qing dynasties, on the inscriptions have similar feeling condition, such as Ming hongwu once don't book inscriptions, and early qing dynasty kangxi the write reign-mark \", both is similar; And as in the Ming dynasty xuande emperor can write will draw, influential to porcelain making deep, under its ideas, jintong porcelain inscriptions written, fixed position; And emperor qianlong in the qing dynasty versatile, often directed at China inscribed on poetry, are very similar. Jintong porcelain again write a model, is for monuments dedicated dynasty emperor, but also inscriptions identification for us to create the convenient condition, provided the powerful basis.\nIn the Ming dynasty porcelain, dated\n\n明代瓷器落款特征四．天顺时期款识特征\n仅见两件青花阿拉伯文三足筒炉，其中一署款“天顺七年大同马氏书”，另一仅书“天顺年”三字款识。字体中锋用笔，苍劲有力；其后的成化官窑款识用笔之十分相似。\nInscribe features four Ming dynasty porcelain. Tianshun inscription characteristics\nOnly two blue Arabic tube furnace with three legs, one of the agency \"tianshun seven years datong markov book\", the other only book \"tianshun year\" three characters inscriptions. Font center pen, vigorous; Is similar to the subsequent chenghua imperial inscriptions of pen.\n\n明代瓷器落款特征五．成化时期款识特征\n成化款识，以圆润的中锋运笔，苍劲有力，起落笔处无虚尖。这种独具特色的款识，似一人所写，为历代仿写所不及。仅管明代万历时仿写得颇为形似，但仔细審度，却显笔划粗重，排列稀疏，圈栏过人，仍有破绽可寻。\n写款部位，于器口边的，有黄釉青花盘；于器足襄边沿上，有高足把杯；最常见的。多是写在器物底足里面。有些官窑罐类，多在底足写有“天”字，制作非常精细。所见天字罐，有画海马的，也有画缠枝莲、蟠螭缠枝瓜图案的。这种天字罐，后代历的仿造，但器型常是非大即小，并且所书款字也不相同。\n民窑款识，或写“大明成化年制”，或写“大明成化年造”、“大明年造”、“成化年造”。结构较为紧凑。所见画双圈写“年造”的成化民窑瓷片，其制作精细与官窑不相上下。大件器物款字特别浓重有力，小器则淡雅深沉。色泽极淡者，有磨款或改款为“大明隆庆年造”的现象。\nInscribe features five Ming dynasty porcelain. Features inscriptions chenghua period\nChenghua inscription to round center brush, vigorous, since no virtual pointed put pen to paper. This unique inscriptions, as one person wrote, for all previous dynasties imitation writing instruction. Despite the thousands of Ming dynasty took copy written quite similar to, but close scrutiny, but heavy strokes, sparse, pens, still has a flaw.\nWrite parts, to implement mouth, have yellow glaze QingHuaPan; On foot to make on the edge, some are footed the cup; The most common. Much is written in the book of implements bottom foot inside. Some officer YaoGuan class, many in the bottom of foot with \"day\" word, make very fine. The entry word cans, painting in the hippocampus, also have draw winding lotus flower, PanChi branch pattern of melon. The day tank, offspring through imitation, but the shape is big or small, often to come by and word is not the same.\nPeople kiln inscription, or write \"da Ming chenghua year\", or write \"made in da Ming chenghua years\", \"big\" next year, \"chenghua years\". Structure is more compact. Can see picture double circle write \"year\" chenghua civilian kiln ceramics, its sophisticated kilns. Big-ticket items word special thick strong, so cheap, quietly elegant is deep. Colour and lustre is very weak, there is a mill or change for the phenomenon of \"Ming longqing years\".\n\n明代瓷器落款特征六．弘治时期款识特征\n款识格式沿用旧制，但字体却清秀，笔划纤细柔和，一改成化时浑厚刚健风格。以楷书为主，字体小而规整，亦用中锋写出。青花款色调淡雅泛灰而稳定，有四或六字两行竖写款，并带有双圈。而篆书款者，仅见黄地绿彩高足碗，为四字篆书，刻于器里。除刻款、青花款外，常见有以红彩写“上用”及“弘治年制”款的御用器。\n明代瓷器落款\nPorcelain of Ming dynasty, dated features six. Features inscriptions hongzhi period\nInscription format used old, but the font is delicate and pretty, strokes and fine soft, when a change to vigorous and energetic style. Is given priority to with regular script, the font is small and neat, also with a center to write. Blue and white tonal quietly elegant is suffused with ash and stable, there are four or six two vertical writing style, and with a double circle. Paragraph and the seal character, only yellow color self-identify footed bowl, seal character for four word, carved in device. Besides KeKuan, blue and white style, common with red color to write \"in\" and \"hongzhi years\" of imperial.\nIn the Ming dynasty porcelain, dated\n\n明代瓷器落款特征七．正德时期款识特征\n正德官窑瓷以四字或六字楷书款为主，其中又以四字居多。字体一般较弘治款略大，结构比弘治款松散。青花色泽分浓深浅淡两种，浅淡者呈色灰暗，与青花纹饰色调一致。亦有阿拉伯文、八思巴文和红彩梵文书写的款识。\nPorcelain of Ming dynasty, dated features seven. Features inscriptions zhengde period\nZhengde to four or six words between regular script style is given priority to, in the majority with four words again among them. Slightly larger font is generally hongzhi, loose structure than \n明代瓷器落款特征八．嘉靖时期款识特征\n嘉靖时，款识字体的笔划较粗，苍劲中藏秀逸，颇能刚柔相济。有青花、红彩、刻字涂金等几种款识，均为楷书体，末见篆书。\n青花楷书款,其色泽浓艳,或浅淡,也有较灰暗的：写款的位置,于器口边书写六字横款者少见,一般多见于底足书写六字双行款,或带有双圈：双圈的圈栏有的也很开阔,己近足边：有的砂底器足仅于写款处覆釉,其余不上釉：而斗彩盘不及小杯之类,却为方框六字双行竖写款,颇具仿成化的效果;有的框外边围以花朵形。还见有书于器底部如钱币格式的十字形款和环行六字款。另有写“金录大蘸坛制”款的器物，仅当时的道场用器。\nJiajing, the inscription font stroke coarser, vigorous and hides the message, quite sofe. There are blue and white, red color, lettering paint gold, such as several inscriptions, are regular script, see at the end of the seal character.\nBlue-and-white regular script, its colour and lustre is more, or shallow weak, also has the dark: the location of the writing style, in the mouth written six cross section were rare, see more commonly at bottom of foot written six double HangKuan, or with double circle: double circle circle bar is open, has nearly feet: some sand bottom is sufficient only to write appeal glaze in the rest of the not glaze: the bucket color plate as small cup and so on, but for six double line vertical writing style, the box's imitation chenghua effect; Some outside box surrounded with flowers. Also saw a book on the bottom like coin format paragraphs cross and hoop six. While writing \"Jin Lu big dip in the altar system\" of artifacts, only then use dojo.\n\n明代瓷器落款特征九．万历时期款识特征\n万历一朝历时较长，官窑写款亦多，字体书法颇似颜体，端庄工整，敦厚刚劲。格式多六字双行，少用四字双行。同时青花盘底上，还有中心署四字篆书“德化长春”，围以方框，框外再以浅终形式，环以“万历年造”四字篆书的款识。万历早、中、晚期款式有所不同：早期青花款识与隆庆时期相似，色调浓艳，字体挺拔有力；中、晚期除部分浓重外，大部分出现浅淡或灰暗的色调，且有败笔现象。\n明代瓷器落款\nPorcelain of Ming dynasty, dated features nine. Features inscriptions wanli period\nWanli once lasted longer, kiln also more writing, calligraphy font as ou, dignified neat, and stiffness. Format more than six double line, double line with four word less. QingHuaPan bottom at the same time, the agency and center the seal character \"dehua changchun\" four word, surrounded by square, outside the box in the form of a shallow end, again ring to seal character of inscription \"Wan Linian build\" four word. Early, middle and late wanli style is different: early blue-and-white inscriptions and longqing period are similar, color more, font tall and strong; Of late, in addition to the part of the thick, most appear pale or dark tonal, and failure phenomenon.\nIn the Ming dynasty porcelain, dated\n\n明代瓷器落款特征十：天启时期款识特征\n明代天启器物较少。款识青花色调不一，或很明快，或浅淡，或浓深，还有的显黑褐或灰暗色。字体于刚劲中透出柔媚，笔道粗重浓深的大都写得很有功力，浅淡的则清晰雅宜。款字一般写于器底，个别的则写在底面中心凹脐处。未见天启有彩款。\nThe porcelain of Ming dynasty, dated features 10: apocalypse inscriptions\nLess apocalyptic implements in Ming dynasty. Inscription in blue and white color, very lively, or pale, or thick, and black, brown or grey color. Font in the stiffness in the gentle and lovely, fully calligraphy so heavy thick deep well capability, shallow light, clear and appropriate. Words are written on the bottom, the individual is written in the center of the bottom concave navel. Did not see a color of the apocalypse.\n\n明代瓷器落款特征十一：崇祯时期款识特征\n崇祯一朝为明末清初过渡的时期，不仅在器物上兼具明、清两代的特点，而且在款识上出带有两代的习惯和风格。\nCharacteristics of porcelain of Ming dynasty, dated 11: inscription in chong zhen period characteristics\nChongzhen once a transition between Ming dynasty and early qing period, not only on the objects the characteristics of both the Ming and qing dynasties, and in the inscription on the habits and style with two generations.",
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