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      "permlink": "handwriting-analysis-know-about-how-much-personal-space-one-needs-by-the-size-of-the-script-a-writer-writes",
      "title": "HANDWRITING ANALYSIS- know about how much personal space one needs by the size of the script a writer writes",
      "body": "How much personal space do you need?And much actual do you allow yourself in which to live, and move,and grow?\nThe size of script tells you the writer's range of feeling and interest:the variety of specialization of thought and expression.And while it does not tell you what his specific talents may be,it does give you your first clue as what kind of the writer might be happiest doing. \nWe have two samples of script by the same writer .The first was done on a full sheet of paper : the second in personnel form which allowed limited space for self expression .Sample one is largest script and sample is two small-scale two opposite personalities!\n![2129EFE0-079A-49EF-A2B0-159026947BB7.jpeg(https://cdn.steemitimages.com/DQmQEhFQwLupA6wedNhMnNE1F1h2LfmChpapWR6atAt5n85/2129EFE0-079A-49EF-A2B0-159026947BB7.jpeg)\n\nThe script size tells you,as a graphologist,how much a writter a is allowed to himself in which to move : whether he is capable of multiple enthusiasms( large); prefer to concentrate   on specifics(small) or is basically conservative bit can be adaptable to either end of spectrum (medium).The size of handwriting is not necessarily a picture of behaviour.Like any other is indicated by herself it shows potential,but it is a picture of how much a writer wants to include in his life.The larger the script the more the writter is to different interests,ideas and people;the smaller script the more he is shutting things out of his life or limiting his own self expression. \n\nLet's take a look at specific meaning of the different sizes of script:\nA. Overall size\n1. The large script\nA large handwriting indicates the potential for extroverted , confident, energetic behaviour.The person who writes this way , likes to be noticed and enjoys the variety of life and the company of different people. A large writer tends to be outspoken and gregarious, will be happiest in professions or activities which include the greatest number of other people or which demand \" something doing\" show business or politics, civil and social organisation,big business.\nBecause the large writter is open to new experience and change simulating, rather than threatening ,he can often put things in unique and seemingly impossible ways; in a well organized script , this kind of person makes a good and imaginative manager or coordinator. Most writter generally do not do well in work which require monotonous repetition , concentrated attention to details or lack of personal recognition.\nOn a personal level,the large writter can often seems boisterous some what overwhelming to other types of people but he is not necessarily a show off- he simply needs to know and go and see and do,his exuberance is more often than  not and its flamboyance can simply be called as theritical\nAlways check for other signs in the script, however.Very often who is shy or has a low self image will put on a big front to cover up. \n\n![08F4BD5B-91D5-48B4-B908-3893CA4DB3B3.jpeg](https://cdn.steemitimages.com/DQmacPty28qKy134966oRaNxeJuASxRrCmm8PDViggecQzM/08F4BD5B-91D5-48B4-B908-3893CA4DB3B3.jpeg)\n\nWhen a script is too large, it pictures a writer who is spreading himself too thin; he has so many enthusiasms that he has no time to co-ordinate to make sure of his varied experiences. This is the person who is concerned only with generalities and can’t be pinned down to specifics. Jack of all trades and master of none can be interesting to know and handy to have around. This writer seems to know something about everything but his knowledge is usually shallow. The oversize script can also be sign of exaggerated self confidence or ever egotism, and here you have two more traits which spell insecurity! When an overlarge handwriting is combined with other attention haters, such as this one is (note the large i-dots) you are dealing with someone who, more than anything else, desperately needs to be noticed. ![AC6921F7-DE7B-4D0F-8E14-10D63FC47D9C.jpeg](https://cdn.steemitimages.com/DQmQj5rQ8xM9G8nGhKnw6uGd5pCiuBPpYKXLJRynGvryESm/AC6921F7-DE7B-4D0F-8E14-10D63FC47D9C.jpeg) \n\n\nThe medium size writter tends to be conservative, conscientious and careful;he prefers to strike a balance ,to see things running smoothly without conflicts and he has a greater concern for appearances and legatics.Of the three script sizes , however this writer is the most valuable ,he has a room for reasonable Verity of interests and experiences and yet if circumstances prevent him exploring alternative possibilities ,he can cope with day to day sadness for however long it is necessary.\n\nThe medium writer likes life and move towards it , appreciates its possibilities and bearing its burden as it arise.All other things being equal ,these writers as a group make the most reliable employees, the best marriage patterns and parents, the most supportive neighbors and friends; they are more likely either than the large and small writer to guinenely care about the effects of their own actions and feelings of other people. In term of profession the medium writter has a great range of possibilities to him than either the large or small writer. Here again the key word is adaptibility,he can tolerate the repetition and monotony that is the part of any job better than the large writter and he can display versatility which would uncomfortable and out of character for the small writer .Job which call for the practical application of ideas and discovers and for corporation between people,are the best possibilities  here;  depending on other signs in the script,they can mean  anything from advertising  or sales work ,to public services to social services ,to the medical profession,to teaching.\n![2F3C67A5-B923-4172-9EE2-B083F695E5E4.jpeg](https://cdn.steemitimages.com/DQmTqoiUW8u1hhFbbXNFeMZkVCdi93MiGDHEgUj3EnJScin/2F3C67A5-B923-4172-9EE2-B083F695E5E4.jpeg)\n\n\nThe small writer tends to view life through microscope rather than a telescope.He usually has very less interest in people and events outside his interests .The type of people can be analytical precise and in a detached or uninvolved  way, very interested in what makes things thick.He can be just incredible creative as a large writter and just as practical as medium . this is the scientists script and many of the world most intentive invention have been made by people who write in just the way.\n\n![EA3D8716-0FDC-4116-AA77-4AD1C321CF5D.jpeg](https://cdn.steemitimages.com/DQmUW5oHXNtkdWQbLhNE6zXvNizyZ3deMFuhvubprjGgWSH/EA3D8716-0FDC-4116-AA77-4AD1C321CF5D.jpeg)\n\n\nWhen the writter is too small,it shows someone who is literally boxinhimself in, shutting off everyone, everything else.For the normal small writter ,his work is an end in itself ;but the excessively small script indicates that the writter may be using his work as a mean of escape, especially when it is combined with other signs of introversions.shown as left tlilt shown in the sample above.\nThe smaller the script, greater the withdrawal; when I becomes extremely small it is way of hidding your head in the sand.\n\n\n![9928149F-FB14-49BA-B2E1-60A625D83B89.jpeg](https://cdn.steemitimages.com/DQmZ3zjv6VJMtqs9mTCSi8cbUj49tmGYpWcpPdzG4wEP6Cy/9928149F-FB14-49BA-B2E1-60A625D83B89.jpeg)\n\n\n\nThe script that bounces back and forth show a writer who is doing the same; concentrating all its energies on the enthusiasm at one moment and flying off in a completely unrelated tangent the next in any of those cases , you are dealing with someone who knows that something which is basic is wrong with his life,but who hasn't figure out what it is,or what to do about it.\n![4045F152-8071-45DF-98B6-444DE1BF9652.jpeg](https://cdn.steemitimages.com/DQmcxbvN4EEbX9zhgjpA2jbjFUNu9d2fmQVFyN5jUwtg3jx/4045F152-8071-45DF-98B6-444DE1BF9652.jpeg)\n\nWhen you see these size variations, you know that the writer has unresolved questions about his lifestyle or chosen field, that he is in kindle of a conflict between what he is and what he can be or needs to be or wants to be. In the case of size variation, the conflict is most often professional ; the writer who accidentally or by force circumstances wound up in the wrong job for his talents or personality. This is true primarily because, for most people; what someonen does for a living takes up so much of his time, and has tremendous impact on the quality and circumstances of his Personal lifestyle as well.  If, however a writer whose scripts shows size of variation insists  that he loves his job, then you can assume there is something in his personal lifestyle that is beginning to drive him around the bend. \nEither way , this co flic is a very serious one, and can affect everything else in the writer’s life. \n\nNext , we will learn about pen pressures.",
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      "title": "HANDWRITING ANALYSIS- know what a person feels about his ability to deal with other people by THE ANGLE OF SCRIPT",
      "body": "Is anybody out there listening to you? What do you want them to hear?\n\nThe angle of script tells how the writer feels about his ability to deal with other people. And the ability to deal with other people is not the same as the ability to make friends or even the desire to have them. The direction of the tilt (right,left or vertical) tells you the writer's need to relate to others, or avoid them; the degree of tilt (moderate or extreme) tells you the intensity of that need.\n \nA right tilt is other-oriented , the vertical tilt tends to be self-sufficient, and a left-leaning tilt shows a writer who is drawing back from outside contacts. The further the script tilts, the more important other people are  to the writer; the further left it leans, the more that writer is shutting other people out of his life. \nAn extreme tilt shows someone who is overreacting to the effects of their contacts with others. There is more leeway in a right tilt because this language and especially in this country, encourages a right tilt to begin with. In this case of a right tilt, over-reaction means increased dependence on others, in the case of left tilt, it means increased withdrawal. \nA variable tilt is a picture of what psychology calls an \"approach-avoidance\" conflict:  the writer who cannot make up his mind whether to be outgoing or reserved.\n\n\nNow lets take a look at what each degree of tilt tells us about the writer. \n\n\nA. Angle right \nA right angled script is used by writers who are other-oriented: interested in people and events outside themselves.\n1. Controlled right \n![11.jpg](https://cdn.steemitimages.com/DQmWnHvfaFbhQR1fdygAFuyPAuhyFqUUDNmQ9GVykJcNmiG/11.jpg)\nThe controlled right tilt shows someone who gets along well with other people; this writer is able to express his own ideas, and is interested in the ideas of others. Such a person is basically friendly, and can be warm and affectionate; but his behavior is controlled by his intelligence, rather than dependent on support or approval from others. \nGraphology calls this the \"Ideal Tilt\" It shows rational behavior and unoppressive self control. The person who writes like this way may have as many problems communicating as anyone else, but he basically likes others anf gets along reasonably well with them. If included in social activities, he can enjoy himself without going overboard; and if he can't make a connection with someone else, he doesn't take it as a reflection on his own value as a person. \n\n\n2. Pronounced right \n![12.jpg](https://cdn.steemitimages.com/DQmR39y8iHfH1eyatNbzpnrfYX2x8U1dzNXvujLCdyut4fK/12.jpg)\n\nWith a pronounced tilt, you have a writer who is much more interested in others, much more expressive of his thoughts and feelings, and who has a greater need for the company of others. He likes parties, social and community activities, and getting involved. Such a writer can also be sympathetic and affectionate, but while the pronounced tilt still retains a fair measure of self-control ,its user also tends to be more emotional, and more likely to indulge in impulsive behavior. Depending on other signs in the script, these people generally like to spend their energies on activities involving others; they do not like to be alone, needs lot of praise and a return of attention  and affection they give; and they tend to judge both others and themselves more by feelings than by facts. \n\n3. Extreme right.\n![13.jpg](https://cdn.steemitimages.com/DQmeh4jNAbF88ECim1PCqpCxyY5sWBgPNV6RktRXjgFYhfV/13.jpg)\n\n\nThe extreme tilt writer is less rational and more excitable. He doesn't simply want other people in his life; he depends on them for ego-support and for guidelines in building his own self-image. Insecurity is a dominant trait which can be expressed in many ways, and jealousy is often one of them; most people who write this way are also extremely sensitive. The extreme right shows a writer who laughs and cries easily, is much more impulsive in decisions and reactions and much more  demonstrative about likes and dislikes. Such people can be unstable and unpredictable in behavior, they are trying to pick up their cues on how they \"should\" act from what they sense as the approval or disapproval of the people around them, and they are much more likely to put on a mask. This writer can latch onto someone else with a smothering grip, and can therefore sometimes be forcibly rejected; he needs help in understanding that the security he's looking for must come from within, not from others.\n4. Very extreme right \n\nEven extremes have extremes: the further right the tilt, the more totally dependent the writer is on other people for ego-support. When the right tilt lays down flat, you're dealing with someone who has lost control. Unless there are tempering positive signs in other elements of the script, this type of writer can be an hysteric , capable of intense and sometimes dangerous emotional outbursts, unpredictable and erratic behavior, and violent jealousy.  Such people are ruled almost entirely by their emotions, which can range from intense excitement to black despair; they wear themselves out and demand too much of others. They get over-involved, over-stimulated, over-excited. The problem is that they don't really know what it is they are running to, they just know they want to get there in fastest way possible; it's also very important to them to make sure they are not \"left out\" of anything. They are exhausting to live with, an its difficult if not impossible to explain to them that they are actively alienating, by the intensity of their emotional demands, the very people whose attention and support they are trying to gain. This writer should be dealt with carefully; it won't take much to push him over the edge. \n\nB. Angle vertical \n\nThe vertical writer is self-sufficient, and usually self-contained. This is not to say that he has no interest in anyone or anything else. But he can get along without you very well and often prefers to. ![14.jpg(https://cdn.steemitimages.com/DQmZmyCeEZJkHjq9aNA4ui75wwP1cE2tg26dJGqxxd8JCgw/14.jpg)\n\nNext, we will see how much personal space a writer requires by size of their script.",
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      "body": "Hi there! \nAlthough I've had two posts on graphology study, yet I decided to make a INTRODUCTION post to it. \nIt's never too late to start , right? \nI've been practicing graphology for a while and now I decided to make sessions on it. \n![steem.jpg](https://cdn.steemitimages.com/DQmbeaC6AC13qRsepZGdyngBZiRyoguBZoN2u7JU7R5Ei9H/steem.jpg)\n\nWhat is Graphology? \nGraphology is the study of character and personality through the analysis of penstroke formations used in handwriting. \nSo much for the scientific definition. What it means, quite simply, is that you can use graphology to find out what people are like under their masks; and you can use graphology to help people cope with their hurts. Is that life of the party really as happy and self-confident as she seems?  and how about that guy over there   in the corner. Is he really stuck up, or just painfully shy? Penstrokes can tell you what people can't: how they really feel. \nThe connection between your thoughts and feelings and the way you form  your handwriting is the one you can prove for yourself. \n\n\nWHAT ARE YOU REALLY SAYING WHEN YOU WRITE? \nYou may think that you're composing a thank you note, telling a friend that latest news, or even just jotting down a reminder to yourself about some unfinished business.  Whatever the case, all you're concerned with are the words; the verbal message. \nBut each stroke of pen sends a hidden message- to someone who knows how to read it.  And the way you combine those penstokes reveals what kind of person you really are: how you feel about yourself and others around you; what kinds of talents and abilities you have, and whether or not you can or will make use of them; how you're likely to react in different situations, especially under stress; even facts about yourself that you may not be aware of until they're pointed out. To someone who knows how to real penstrokes, your handwriting is the mirror of your soul.",
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      "body": "Hi there! \nAlthough I've had two posts on graphology study, yet I decided to make a INTRODUCTION post to it. \nIt's never too late to start , right? \nI've been practicing graphology for a while and now I decided to make sessions on it. \n![steem.jpg](https://cdn.steemitimages.com/DQmbeaC6AC13qRsepZGdyngBZiRyoguBZoN2u7JU7R5Ei9H/steem.jpg)\n\nWhat is Graphology? \nGraphology is the study of character and personality through the analysis of penstroke formations used in handwriting. \nSo much for the scientific definition. What it means, quite simply, is that you can use graphology to find out what people are like under their masks; and you can use graphology to help people cope with their hurts. Is that life of the party really as happy and self-confident as she seems?  and how about that guy over there   in the corner. Is he really stuck up, or just painfully shy? Penstrokes can tell you what people can't: how they really feel. \nThe connection between your thoughts and feelings and the way you form  your handwriting is the one you can prove for yourself. \n\n\nWHAT ARE YOU REALLY SAYING WHEN YOU WRITE? \nYou may think that you're composing a thank you note, telling a friend that latest news, or even just jotting down a reminder to yourself about some unfinished business.  Whatever the case, all you're concerned with are the words; the verbal message. \nBut each stroke of pen sends a hidden message- to someone who knows how to read it.  And the way you combine those penstokes reveals what kind of person you really are: how you feel about yourself and others around you; what kinds of talents and abilities you have, and whether or not you can or will make use of them; how you're likely to react in different situations, especially under stress; even facts about yourself that you may not be aware of until they're pointed out. To someone who knows how to real penstrokes, your handwriting is the mirror of your soul.",
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      "body": "Hola everyone !\nHow do you feel about the way your life is going? and more importantly, how do you feel about your ability to decide where's it going to go? \nThe baseline of a writer tells you whether or not a writer has adequate guidelines; if he feels competent to make decisions , if he feels secure in the decisions he make. \n\n![1.jpg](https://cdn.steemitimages.com/DQmXDaYPiHrS8FjnG6ecY2pPvB9r2vLi7eMKkCrkXvUCbsy/1.jpg)\n\nA steady baseline indicates that a writer has a clear sense of objectives. A level baseline( the one which stays fairly parallel to the top and bottom of the page) indicates a realistic approach to life's situation. A person who writes this way may encounter as many problems as anyone else,  but believes in  his ability -and, more important, he believes in his right- to make decisions that will effect the course of his life. \nThe writer who uses a rigid baseline is someone who need to believe his guidelines are the only right answer. \n\nThere are some type of baselines and their meanings:\n1. Rigid: The baseline is as perfectly straight as a line of type. \n![2.jpg](https://cdn.steemitimages.com/DQmZsGP7pzBBrL4TtpKmVSw6xTeMkb9emndsj8SWXuVMXTE/2.jpg)\n\nThis is hard to do even on lined paper, and it takes a special effort to make the baseline so absolutely perfect. The person who writes this way never allows himself to doubt, never questions his own motives, never hesitates in making a decision. It must be nice to always be so sure of yourself! But what do you do if you are suddenly confronted by a situation in which your rules don't work? \nThe rigid baseline indicates a writer who is literally walking a tightrope. He cannot afford a single misstep because he cannot permit himself to be wrong. \n\n2. Steady or firm: The baseline is fairly straight , though there may be either slight or occasional irregularity. \n![3.jpg](https://cdn.steemitimages.com/DQmc5vG92KNnbQCm3vbHRVaqMQqZmc7UXmcqqx8Uh49RPn8/3.jpg)\n\nWithin the line of script , the firmer the baseline, the firmer the writer's sense of objectives: the more clearly he can visualize what he wants to do, and the more certain he is that what he is doing and the way he is doing it is right for him, and these are the requisites for doing it well. Most baselines will vary to some extent , or at least some of the time: within a steady baseline , however a slightly irregular means that the writer can make a mistake, and is aware of it. \n\n3. Waver: Some letters dip below the line or float above it. The baseline is still fairly steady ( the writer is obviously aware of and is following an invisible guideline) but the irregularity is more pronounced.\n![4.jpg](https://cdn.steemitimages.com/DQmRPLwKrCdm27tjBk7UT3ga1Sy6hPwyso5pEsGaVwLrYpv/4.jpg)\n\nWhen the baseline wavers, it means that the writer had doubts or questions about this goals, profession, or lifestyle, As we discussed above, a baseline waver can occur following a radical change in the person's life ; most often, it indicates conflict with established guidelines (i.e the person who has chosen a lifestyle or goals which are in conflict with society's norms)When enough people tell you you're wrong, you may still do what  you think is right,but you are going to feel shaky ground! and its also a fact when you step outside established rules, you have to create your own guidelines, and the person in this position may always question just how valid and useful those guidelines are. These minor doubts are normal, and if not extreme, they do not impede the writer's ability to function. But they do mean that the writer has serious questions about his ability to succeed, and however successful he may actually be, there will always be that undercurrent of self- doubt. \n\n4. Temporary Fluctuations: One-time or occasional variations inside a given baseline shape. \na. Baseline Bounce: A section of the time, perhaps even an entire word or phrase, curves or jumps upward: the remainder of the baseline keeps the usual form. \n![5.jpg](https://cdn.steemitimages.com/DQmY3D66uMBDd2B25M3K6NMb8v1XQi4pv45vbARAWsEa3KC/5.jpg)\n\nYou may see a lot of this in your samples. A sudden baseline bounce is the script equivalent of a giggle. It means that at the moment of writing, the writer experienced a sudden feeling of elation or just thought something was funny. \n\nb. Baseline Sag: A section of the line curves or dips below the baseline. \n![yo.jpg](https://cdn.steemitimages.com/DQmNZG7TrMKcfqGeorVgJ3w3zGNTZa6PkRkQMcEJYbNAggg/yo.jpg)\n\nThis is the sign of depression: at the moment of writing , the writer was reminded of something that is making him unhappy. \n\n4. ERRATIC: The baseline jumps all over the place. ![yooo.jpg](https://cdn.steemitimages.com/DQmW98Tj8JguvxrhWNgCXrwsqWqvQjWxfELNWhXKJA4XAWr/yooo.jpg)\n\nThe erratic baseline shows confusion, emotional change. The feeling is called insecurity and its the most common form of fear there is . The person who writes like this feels that his life has no coherent direction at all; and hat he has no idea what to do about it. \n\nB. THE DIRECTION OF THE BASELINE: overall formation \nThis measurement considers the general direction of the entire line of script, no matter the internal organization. There are three possible directions a baseline can take:\n1. Level :  The line of script is horizontal, and both the beginning and the end of the line are roughly parallel to the top and  bottom of the page. ![8.jpg](https://cdn.steemitimages.com/DQmcRxcsZbmHW4Ra5S9cyUDSrQAZyYWiguDseaoXeoeZ6z3/8.jpg)\n\nThis writer is realistic  and he tends to be as level-headed about fate and luck as his writing shows. He understands that life normally has its ups and downs , and he depends on his own efforts to get him where he wants to go. And if he does not succeed , his attitude is likely to be that he has no one to blame but himself.\n\n2. UPSWING: The line of script slants or curves upward.; it ends higher on the page than it began.\n![9.jpg](https://cdn.steemitimages.com/DQmQFzfzxVVr18CrRauhLbgjhQ1QpyYyw3o2PLeGixQN6FU/9.jpg)\n\nThe writer is optimistic . No matter what goes on in his life, he believes that eventually everything is going to work out for the best. Depending on other factors in his script, this may mean that he is more disappointments in stride. He may also be kidding himself. \n\n3. DOWNSIVING: The line of script slants or curves downward; it ends lower on the page than it began. \nThis writer is a pessimist. He suspects that no matter what his effects, the bottom is likely to drop out from under him; no matter what happens in his life, he expects the worst. He is hardly ever content. \n\nThat's all for now! \nNext time, we'll find out how our subjects deal with other people.",
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      "parent_permlink": "handwritinganaysis",
      "author": "meehkaur09",
      "permlink": "handwriting-analysis-know-how-much-a-person-is-organized-through-his-her-style-of-writing",
      "title": "HANDWRITING ANALYSIS- know how much a person is ORGANIZED through his/her STYLE OF WRITING",
      "body": "I'm posting after a long time because I was digging up all this stuff of graphology. \nSo now, here I am, introducing GRAPHOLOGY course, in which you would be able to know a lot about of person by having a look at his/her handwriting. \nInteresting! Isn't it?\nSo lets get started! \n\nOrganization- The style of script\n\nThe organization or lack of it in a handwriting sample is a picture of the clarity or confusion of the writer's mind at the time of writing.  It means the writer's control over his own behavior: whatever the script style the writer has adopted, it much show that he is capable of effectively performing task (in this case, writing a message)  which he has set for himself.\n\nYour style of writing is a pattern of behavior; a picture of how you think, and therefore what you are likely to do, under given circumstances.\nHere's what you're looking for:\n1. A well organized script shows consistent usage.\nConsistency is measured by comparing similar penstrokes or letterforms to each other. For example, you compare the angel ( or slant) of one letter in script to the angel of other letters; the pen stroke is one part of the sample to the pen pressure in other parts; the penstrokes used to form any given letter to the penstrokes used to form similar letters.\nVariation in penstrokes usage can show up in many or all parts of the script, such as:\n\nletter size and shape:\n![1.jpg](https://cdn.steemitimages.com/DQmVVeUfxzvXFVcbJcwbL25Yix3QQnnU7sq5WcPUUZR9rEU/1.jpg)\n\nslant (or angle) and\npenpressure \n![2.jpg](https://cdn.steemitimages.com/DQmStkm5aFS6559URMtHthwrZgVXF6bsUELzmPUzMjBaC59/2.jpg)\n\n\nand so forth. \nIf the variation affects only one kind of formation in the hand writing, then the writer is experiencing problems in only that one area of his life. When persistence variations show up  in many or all parts of the script you are looking at the evidence of changeability, inconsistency, instability, in short a writer who is unpredictable , often to himself.\nour analysis of each script formation will tell you the cause of the writer's confusion. But in erratic style and the erratic behavior it illustrates, is one of the surest signs in handwriting of someone who is under stress and unable to cope.\n\nNow , \nTwo samples from opposite ends of the spectrum. \n![3.jpg](https://cdn.steemitimages.com/DQmcSi3TNSoRy2Y94b85Z7dimjCoLRLxZDzk8uefLyD3yVy/3.jpg)\n\nA clear , well organized script, showing original formations ( i.e original thoughts) and definitely independent options.\n\n![4.jpg](https://cdn.steemitimages.com/DQmVwozmviGZcMnRLrbjGjMPkqYWr67SfAnb7CCc3tB4Eim/4.jpg)\n\nThis handwriting has some original formations, too, but we would have to characterize it as confused and disoriented. In this case, poor physical health is at least one of the causative factors, but it is obvious even too the untrained eye that something is troubling this writer. \n\n2. A well-organized script avoids extremes. \nAn extreme in script can be on either side of center. For example : an extreme tilt is one that leans all the way to the right or all the way to the left. \nThe writer who avoids extremes, is showing not so much moderation as balance; the ability to take things as they come, and deal with them on their own level of importance.  Any extreme in script, even when it is consistent, shows a writer who is over reacting to situations or events. \nAn extreme, in handwriting means the same thing as an extreme in behavior , dress , or speech; it identifies a person who has tendency to go overboard in his actions or reactions, certainly in that area and possibility in others. When interpreting extremes, be aware that too much of a good thing is also a over-reaction. Even extremely well-organized script  will show signs that the writer has relinquished control over his life to someone or something else. \n \nFIGURE 2 \nEXTREME ORGANIZATION\n![5.jpg](https://cdn.steemitimages.com/DQmYYskRNHyMQWCAtF512rpVgrLHBu5Stovodfk6XrWTLp6/5.jpg)\n\nA formal styled script , much more concerned with appearances (\"What will people think?\") than with content. The organization here is almost professional- I would let this writer engrave my invitations any day- but when it is used in writing a letter, it should make you wonder whether or not the writer is sincere. Note that the strong right tilt: which contradicts , as you will learn , loops that start in the upper zone( variation in intent) \n\n3. A well - organized script will show simplicity of form. \nSimplicity means elimination of unnecessary or distracting penstroke formations. \nComplications in the script( any unnecessary strokes or additions to the letterform) show mental confusion translated in to action: the person who cannot get anything done because he is too involved with non-essentials. for example, knots and ties, fanciful scrolls or curlicues, extra lead -in or ending strokes- any unnecessary ornamentation or accessories to the basic letter form are all things which interfere with the smooth flow of thought. Most people think faster than they can write: if the writer has time to add these unnecessary decorations to his script , then something matters more to him than what he is doing. \n\nFigure 3 \nunnecessary accessories to the script. \n![6.jpg](https://cdn.steemitimages.com/DQmUDQvug7skeYJcFZakEFhPXwaYYMB7g9F5hv3x2ZMc2vy/6.jpg)\n\nExtra strokes  and an attempt at least , at elegance. The circled i-dots are something this writer has probably seen somewhere else and copied as a way of being artistic and different. The script shows someone who will try to do anything to be noticed. \n\n\n4. A well organized script will show an overall clarity of style. \nThe style  of script sample is a graphic picture of the writer's  thought processes. \n\n![7.jpg](https://cdn.steemitimages.com/DQmYARKEwyNjzjmj37Rqh4Fv5EVDURUbJtyNihy1JDeJpM3/7.jpg)\n\nTangled script , showing confusion , depression, instability. \n\n![8.jpg](https://cdn.steemitimages.com/DQmY5gFNLc8wPdTfKpGS7bcUYrefDfmaGeCeHbh4Ec1C668/8.jpg)\n\nCo-operative and conforming ; also somewhat immature\n\n![9.jpg](https://cdn.steemitimages.com/DQmXQEf2N8Rd4hCdPk6Bic1GG6Stwv7qcvuqBmoG1zh578Q/9.jpg)\n\nFlamboyant but crude. This writer is putting up a front. \n\n![10.jpg](https://cdn.steemitimages.com/DQmZPSh2FMom6VaZ1MyiXT12zZbobTbLHRBbC8sFukmRYBF/10.jpg)\n\nSensitive, reserved, defensive. \n\nThat's all folks! (for now) \nIn the next articles, we will break down script style into its component parts: the major trait indicators, and the penstroke formations. We'll also begin to build an outline that you can use in doing your own analyses.\nGood-day!",
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