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      "title": "¿Cómo entender la poesía? - Notas del taller POESÍA: LIBERTAD BAJO PALABRA",
      "body": "@@ -194,17 +194,16 @@\n lo, \n-soci%C3%B3logo\n+profesor\n  ven\n@@ -358,17 +358,20 @@\n tardes. \n-E\n+Al e\n scuchar \n@@ -1017,17 +1017,16 @@\n **, **El\n-l\n iot**, *\n@@ -1138,17 +1138,17 @@\n *Dar%C3%ADo L\n-i\n+a\n ncini**,\n@@ -1234,17 +1234,17 @@\n extina (\n-N\n+n\n o, no un\n@@ -1297,16 +1297,17 @@\n etras. %0A\n+%0A\n De este \n@@ -1335,24 +1335,33 @@\n  lectura de \n+diversos \n autores, les\n@@ -1361,23 +1361,22 @@\n es, les \n-compart\n+refier\n o estos \n@@ -1798,23 +1798,31 @@\n nguaje, \n-d%C3%A1ndole\n+al que se le da\n  forma c\n@@ -1958,18 +1958,41 @@\n  al \n-que se lee\n+resultado que se lee. Va m%C3%A1s all%C3%A1\n . De\n@@ -4038,16 +4038,54 @@\n critor. \n-\n \n+A partir de un texto de Garc%C3%ADa Lorca, \n Freddy n\n@@ -5562,16 +5562,19 @@\n  orfebre\n-\n \n+r%C3%ADa\n  y ella,\n",
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      "title": "",
      "body": "Ahhhhh, pero ¿qué se necesita? No sé si con organización se puede arreglar eso. Sería un espacio brutal para la formación. 😍",
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      "title": "",
      "body": "Es cerca del Jirajara, pero es la casa de Luisa Teresa, la situación país no le permitió seguir con la intención de abrir sus puertas ): Por eso fue para mi necesario escribir esto, para que no quedara ese proyecto en el olvido, y otros pudiesen nutrirse de lo que yo pude vivir ese día.",
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      "title": "",
      "body": "Es complicado!  Al escribir esto es que me di cuenta del trabajón mental que implica. Pero nada, es como la primera frase de Freddy que cité aquí, hay es que dejarse llevar.",
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      "body": "Y vaya que me cuesta despertarlo, puras luchas con la mente al escribir jajaja. Muchas gracias Jessie. Deberías intentarlo y me lo pasas <3 Es autobiografiarse pero con poesía, en prosa o verso. \nUn abrazooooo",
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      "title": "",
      "body": ":O ¡Luuuuu! ¿Dónde es la Casa Corocora! \n\nQué espectacular experiencia debió hacer sido este curso. Pffff. Me identifiqué tanto que creo que _me voy a jubilar_     jajajaja. Increíble como detrás de cada párrafo e historia pueda haber un ser magnificado como la musa y otro, un tanto despreciado, como el duende. Qué bonito leer esto. ♥",
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      "body": "Interesante que hables sobre eso porque entender la poesía no es tarea fácil, más si lees sin el poder de analizar la lectura.",
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      "body": "Se nota que fue un curso diferente, lleno de personas asombrosas que tienen mucho que dar, eso de autoretratarnos en letra suena definitivamente algo que yo amaría hacer, no sólo un reto sino también una forma de crecer y mejorar. \n\nSin emoción no hay duende, y tu si tienes.",
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      "author": "luisanazavarce",
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      "title": "¿Cómo entender la poesía? - Notas del taller POESÍA: LIBERTAD BAJO PALABRA",
      "body": "\"*Hay que leer con afecto y capacidad de dejarse llevar. Es decir, entregarse.”* \n**Freddy Castillo**\n\nEstas son mis notas del taller “Poesía: libertad bajo palabra” realizado por Freddy Castillo, sociólogo venezolano. Luisa Teresa Yépez de Cárdenas abrió las puertas de Casa Corocora, y permitió que su hogar fuese una caverna de creación poética durante 4 tardes. Escuchar sus palabras, luego de saber lo que sucedió con su esposo, entendí que uno es más de sus haberes que de sus pérdidas. \n\n> “De todas las riquezas que almaceno, la mejor es saber que estoy cerca de alguien que está por darme algo de sí mismo. Tengo suerte de ver cómo manoseamos las palabras y ver cómo esto les servirá para tantas cosas. Inventémonos algo, volemos papagayos. Aquí no hay libreto y todos tenemos algo que decir. \nEn este momento, soy Casa Corocora. Y nombro siempre a mi familia, porque uno es de las raíces que lo forman.”\n\nFreddy nos dejó escarbar en *la comarca de muertos de su biblioteca*, al reencarnar a **Octavio Paz**, **Elliot**, **Arnaut Daniel**, **Borges**, **San Juan de la Cruz**; nos dejó ver los juegos de palabras recordando a **Darío Lincini**, el ilustre venezolano de los palíndromos; y propició el reto de escribir una sextina (No, no un sexteto) y nos invitó a autorretratarnos en letras. \nDe este compartir mediante la lectura de autores, les comparto estos apuntes que servirán no solo para acercarnos a la poesía, sino para sentirla, leerla e intentar escribirla.  \n\n![17635190_10154546678748576_1027739225768085309_o.jpg](https://steemitimages.com/DQmZP9Lav6Gg6kyvcEQcQW9wJQXEbcuit8eVQH7jAB1jigi/17635190_10154546678748576_1027739225768085309_o.jpg)\n\n# Poiesis: orfebrería de la palabra\n---\nLa poesía se va haciendo en la medida en que se escribe. Es una alquimia del lenguaje, dándole forma con la mano, tal como los panaderos le dan forma al pan. Ella tiene potencialidad creadora, pues su motivo o intención no es igual al que se lee. Decía Freddy “*detrás de cada palabra, se esconde otra palabra, y ‘setenta rostros tiene cada letra.’*”\n\nLa palabra poética se desprende de la función comunicativa, por lo tanto, es esa que ya no dice cosas. Está allí, secretamente, sin hacer ruido, sin violencia, lejos de las candilejas. Es la que no se dice, sino la que se hace sentir. Un ejemplo compartido por Freddy:\n\n**Jaime Gil de Biedma**\n(…) Llegaban noches. Al amor de ellas\nnosotros encendíamos palabras,\nlas palabras que luego abandonamos\npara subir a más.\nEmpezamos a ser los compañeros\nque se conocen\npor encima de la voz o de la seña\nAhora sí. Pueden alzarse\n**las gentiles palabras\nesas que ya no dicen cosas (…)**\n-----\nLa poesía alude a un sentimiento, pues lo que dice algo en la poesía, no es poesía. La palabra debe ser libre, porque el lenguaje está al servicio de la poesía, éste tiene límite y ella nace para romperlo. \n\n# Metáfora: la presencia de la ausencia \n----\nLa metáfora es una amiga que nos permite entender una cosa con otra, transfiriendo sus significados, es decir, por el desprendimiento del significado cotidiano de una palabra.  Ella transporta un sentido a través de otro. Por eso es que la poesía es una búsqueda expresiva constante. Los poetas son creadores de imágenes que transportan un significado, diciendo nada, diciéndolo todo. \n\nEl último día del taller, Freddy nos presentó la película Paterson. Esta producción nos muestra la poesía en lo cotidiano al contarnos la historia de un conductor de autobús que escribe poesía. \n\nCon esto, entendemos que saber mucho no vale nada si no se ve la poesía de las cosas. Es difícil, pero solo se trata de descubrirla. Porque uno poetiza los objetos a través del contacto, y el contacto se da a través de los sentidos (recordemos que son 5). La poesía siempre está sucediendo, solo hay que dejarse hechizar sin pensarlo mucho y sentir el doble. \n\n# No hay emoción sin duende\n-----\nTodos hablan de la musa inspiradora, pero nadie habla del duende. De hecho, la musa puede ser una de las enemigas del escritor. Freddy nos ayudó a diferenciarlos. La musa es esa que nos dicta, nos sopla. Ella no le permite al creador conocer o descubrir a fondo lo que lleva dentro.  \n\nEl duende, por su parte, no llega como la musa, y la patea constantemente. Es quien nos brinda emoción, pero hay que despertarlo. Es un poder que sube desde adentro, es un estilo vivo, de sangre, un espíritu de tierra. Y solo se logra, evadiendo la inteligencia y dándole paso a la ignorancia; despojándose de todas las facultades. \n\t\nHay quienes engañan con un falso duende, que en realidad es una musa. Para llegar al duende, hay que empobrecer nuestra seguridad. Los que tienen duende no son bien vistos, pues con él las técnicas no importan, sino la emoción. Porque sin emoción no hay duende. \n\t\nEs importante conocerlo, porque nos dejará expresar nuestras luchas internas, que no son otra cosa que la marca de nuestra autenticidad. \n\n# Fragmentos finales \n-----\nPequeños rituales de improvisación, provocaban una bruma de solidaridad colectiva. De ellos, rescaté esta frase:\n\n> \"... Estoy jubilada. Me jubilé de hija, de madre y de esposa, y ahora que tengo el tiempo me estoy viendo. Ya no quiero hacer lo que otros me digan que haga.\"\n\nPalabras de Beatriz Zavarce, de quien lamentablemente sólo conocí que podríamos ser parientes. Pero estos 4 días, fue una mujer que con su sentir y sinceridad en los fonemas que pronunció, nos dio una lección a todos. Pues bien lo había dicho Freddy, la poesía es un trabajo de orfebre y ella, sin notarlo (o admitirlo), era una orfebre de la palabra con mucho, mucho duende.  \n\nDespedí entonces a Casa Corocora, al perfume de eucalipto, tocando con mis ojos el rosa del crepúsculo sobre El Turbio. Dichosa Luisa Teresa, por disfrutar de ese espectáculo todos los días en el patio de su casa. \n\nAgradecida estoy con Jairo García, por darme la oportunidad de asistir a este curso, confiando en mi escritura y mi esfuerzo por ejercerla. Y agradecida contigo por haber leído este post hasta el final ♥\n\n> *“Uno lleva escritos por dentro, que son la más pura escritura poética.\"* **Freddy Castillo**\n\n![DQmdN7xBPSEdCJanH21EzwkjkrWa2ASaoMXwXajXvLTT4xt.jpg](https://steemitimages.com/DQmaTbmMBoZWtYtjWxD7ZNGe5NBP6UFuMezXVv53kJgEw1Z/DQmdN7xBPSEdCJanH21EzwkjkrWa2ASaoMXwXajXvLTT4xt.jpg)\n\n# Resistir es crear. Crear es resistir. Stéphane Hessel\n---\n![Firma sin error.png](https://steemitimages.com/DQmQX8G1sVEidkSit7ioqEY5Bq9JXXqfa7ik6G2RyQDRzV1/Firma%20sin%20error.png)",
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      "body": "Luisana, tremenda publicación. De verdad que muchas frases de las que usaste me quedaron, muchas cosas que dices y que dijo Héctor son ciertas. Lamento mucho no haber leído esto en sus 7 días de recibir recompensas. Espero con ansias más publicaciones tuyas donde desafías las opiniones que podrían tener algunos, leerte es una dicha. \n\nMuchísimo éxito, estás hecha para Steemit.",
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      "body": "This made me feel so curious, how many stories would be on the walls of this house? I imagined meditation groups, some martial artists being trained here... So magical. This song was playing all along in my head while reading this.  \n\n https://www.youtube.com/watch?v=iOPRCCyQlz8&t=0s&list=PLv1dV1IRaMy7dtll2oodOzk1wBC4tRqm_&index=8",
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