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      "body": "![Dalian, China.jpg](https://steemitimages.com/DQmSo2MNB3miaWdZAHM7oax94AfDR91Ypyng3cKbt9xwt9q/Dalian%2C%20China.jpg)\n-the port and resort city of Dalian, China\n\nA few months ago, I saw an interview with the comedian Louis C.K. He had gotten back from Beijing, where he was filming an episode of his show, Louie. The host asked what Beijing was like. Louis C.K. said something along these lines: “It looks like an enormous version of Dayton, Ohio.”\n\nThere is a sense in the Western media and thinkosphere that we are being left in the dust technologically and perhaps in other ways, too, by regions like East Asia, in particular China, where we see immense cities of steel and glass rising against a backdrop of rice paddy fields, and whole villages of agrarian peasants transforming into office workers and consumers. The rapidity and scale of progress (China now has fifteen metropolitan areas with populations over 10 million, compared to our two, New York and LA) especially boggle the American mind. And because most of these structures, including things like 50-lane highways and dams that can be seen from space, have been built in the last 20 years, it is all new, featuring the latest developments and architectural trends.\n\nWe're jelly. Compared to this futuristic juggernaut, our built landscape looks stagnant and antiquated. But it wasn’t always thus: one thinks of the Art Deco Chrysler Building, the Interstate highway system, the NASA space program and the moon landings. Now, as our space program stagnates amid funding issues, China and Russia are planning moon missions. Less than fifty years ago, we were the juggernaut, and our cities and technology were the envy of the world. Why aren’t we still number one- what has changed?\n\nPerhaps we feel left behind not because China is covering new territory, but because China is young and living this dream for the first time. We already landed on the moon (or did we??), almost fifty years ago. Most of our cities were built out sixty or seventy years ago, and now they’re falling apart. Most of us have had air conditioning for decades. Maybe a society only goes through that invigorating metamorphosis once, in the same way that American teenagers only go through the four-year journey/utopia/bacchanal of college once in their lives. What if each country only gets one infrastructure build? Once you build out your infrastructure, it’s built. We’ve gorged ourselves on the low-hanging fruit, and higher fruits are, for the moment, out of reach, and almost out of view.\n\nI've been reading a book by Northwestern University Professor Robert J. Gordon, \"The Rise and Fall of American Growth.\" His core thesis is that most of American progress took place in a special century, 1870-1970, and was the result of a miraculous and closely clustered series of great inventions and their widespread adoption: the internal combustion engine, automobile, airplane, refrigerator, mainframe computer, indoor climate control, and electric lighting are but a few. He argues that the tremendous improvements in quality of life afforded by these devices are a one-time, unrepeatable boon. A particular observation of his hit me: excepting the presence of computers, larger televisions, and the microwave, we are living in the houses of the 1950s.\n\n![pontiac ad.jpg](https://steemitimages.com/DQmYvc8upQLMs85G2tfsRWsvW2rs3HHeUhWPXNQLcTBS6Fh/pontiac%20ad.jpg)\n\nLooking forward, what do we have to look forward to? Self-driving cars. Gee, that’s pretty neat-o! But getting an automated car is not quite as tear-your-clothes-and-shout earth-shattering as just plain getting a car for the first time. It’s hard to top the initial experience of tearing out of a drive-through onto the wide-open American road with a Coca-Cola in one hand and a Big Mac in the other, fast-food refuse fluttering in your noble wake. Blows your hair back. Now, our roads are clogged with traffic, and soon our cars will be ferrying us around, digitally kibitzing with one another to navigate around areas of deadlock. But where will we be going in these autocars? Amazon’s drones will be dropping our daily necessities on our doorstep. Feels a bit like a devolution. The Pixar film WALL-E comes to mind, where the people have become infantilized blobs cruising past one another in ride 'em carts with screens permanently fixed before their faces, sipping on big canisters of who-knows-what. The robots, given purpose by their collective labor, have become more human than the humans.\n\n\n\nIt's not that the rest of the world is blowing past us and we're losing the race, it's that we got to the finish line forty years before they did, had our victory party, and now we're just wheeling around giddily in a circle in the parking lot.![wall-e.png](https://steemitimages.com/DQmNNd6GsHB3dVVwwBNXgcgGGdYMj6eKM8ZoW5cG5pNVyCw/wall-e.png)",
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      "body": "“As a small child, something crystallized in her character, making her clear and finished, and as impervious as crystal…She was always grown up; she never really grew up.”\n\n-D.H. Lawrence, The Princess\n \nWilliam Basinski is one of those composers who experiments with outdated audio equipment and songs whose names have been forgotten, crafting something strange and new out of the midden heap. Another is The Caretaker, whose album An Empty Bliss Beyond this World, reminiscent of The Shining’s soundtrack, mixes clips of 1930s songs into loops that mimic the repetitions and slow deterioration of thought that someone with Alzheimer’s Disease experiences. It pushes the definition of music- the songs are more like ideas or moods embodied in waves. They are haunting. Their nostalgia and beauty creeps into your psyche the way the cold gets into your bones. Listening feels like a surrender.\n\nhttps://www.youtube.com/watch?v=XzUVoisdfVw\n\nOn September 11, 2001, William Basinski was in Brooklyn recording his album, The Disintegration Loops. It consists of song loops on crinkly magnetic tape that repeat as they fall apart, and go through a reverb. As the story goes, he and a group of friends played this on the roof of his apartment building as they watched the World Trade Center towers fall.\n\nThe wiffle ball scene from Tim Heidecker’s pitch-black satire of aging youth adrift, The Comedy. A warm summer day. The lens is oversaturated with yellows, giving the shot a sepia tone. A troupe of hipster man- and woman- children, arrayed in all their high-waisted mom jeans, short shorts, Ray-Ban regalia, frolick on a rooftop tennis court in Williamsburg, enjoying a Pabst Blue Ribbon-soaked game of wiffle ball while Disintegration Loops 1.1 (Excerpt II) plays in the background. Above the game is the Manhattan skyline. Midway though the scene, the camera zooms in on the Chrysler Building. Tim and Eric hop onto their bicycles and the game degenerates. The shot ends with all the youths riding down a street, weaving about each other, sipping their beer.\n\nWhat does it do to a kid to live through an event as massive and profound as the September 11 attacks? Probably nothing obvious, at first. He will be aware that there is tension in the air, that he is being let out of school for some reason. An adult will tell him that the United States has been attacked. He’ll watch the newscasts, and be able to grasp what they’re saying, but it won’t really sink in, not until later. As the months and years pass, as the wars come and go (all mediated through the television screen), people will cease to talk about it, and the memory of the attack will fade into the background of his psyche.\n\nVictims of a trauma will often dissociate from their bodies, remembering the event as if they witnessed it from the outside. They sometimes describe a sense of unreality. There was a sense of unreality about September 11, 2001. It jarred the nation into a state of perpetual tension, it created a symbolic boundary, after which came only crisis after crisis. The public was eventually numbed to everything, wrapped in and strangely comforted by a sense of ending, assigned the blameless role of spectators to the derailment of their culture.\n\n That child who began his conscious life around 2001 may be barely able to remember life under any other national mood. He has grown up enveloped by disintegration. Maybe when he comes of age, he’ll appear much more like a child than an adult. Perhaps the long-term effect of witnessing the World Trade Center fall through the medium of television is an enduring sense of surreality, a sense (that runs far deeper than what one consciously affirms as the truth) that everything is a film, that all is entertainment. A disengagement from the world as anything but a game.\n\nThe Comedy is a depiction of that generation, grown up. There is no responsibility, for there is nothing one can do, about anything. They live their days under a perpetual twilight, warm the way it is warm after a nuclear blast, taking refuge from terrible knowledge in childish amusements.",
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