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      "body": "Congratulations @joebest! You received a personal award!\n\n<table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@joebest/birthday2.png</td><td>Happy Birthday! - You are on the Steem blockchain for 2 years!</td></tr></table>\n\n<sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@joebest) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=joebest)_</sub>\n\n\n###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!",
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      "body": "Hello @joebest! This is a friendly reminder that you can **download Partiko today and start earning Steem** easier than ever before!\n\nPartiko is a fast and beautiful mobile app for Steem. You can login using your Steem account, browse, post, comment and upvote easily on your phone!\n\nYou can even **earn up to 3,000 Partiko Points per day**, and easily convert them into Steem token!\n\n**Download Partiko now using the link below to receive 1000 Points as bonus right away!**\n\nhttps://partiko.app/referral/partiko",
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      "body": "[Source](https://jerz.setonhill.edu/writing/creative1/poetry-writing-tips-how-to-write-a-poem/comment-page-4/)\nCopying/Pasting full or partial texts without adding anything original is frowned upon by the community. Repeated copy/paste posts could be considered spam. Spam is discouraged by the community, and may result in action from the [cheetah bot](https://steemit.com/faq.html#What_is__cheetah).\r\n\r\n[More information and tips on sharing content.](https://steemcleaners.org/copy-paste-plagiarism/)\r\n\r\nIf you believe this comment is in error, please contact us in [#disputes on Discord](https://discord.gg/YR2Wy5A)\r\n",
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      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttps://jerz.setonhill.edu/writing/creative1/poetry-writing-tips-how-to-write-a-poem/comment-page-4/",
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      "permlink": "3n7yqj-how-to-write-a-good-and-creative-poems",
      "title": "How to write a good and creative poems.",
      "body": "How to write a good and creative poems.\n\n\nIf you are writing a poem because you want to capture a feeling that you experienced, then you don’t need these tips. Just write whatever feels right. Only you experienced the feeling that you want to express, so only you will know whether your poem succeeds.\n\nIf, however, your goal is to communicate with a reader — drawing on the established conventions of a literary genre (conventions that will be familiar to the experienced reader) to generate an emotional response in your reader — then simply writing what feels right to you won’t be enough.\n\nThese tips will help you make an important transition:\n\naway from writing poetry to celebrate, commemorate, or capture your own feelings (in which case you, the poet, are the center of the poem’s universe)\n\ntowards writing poetry in order to generate feelings in your reader (in which case the poem exists entirely to serve the reader).\n\nKnow you goal\nAvoid Clichés\nAvoid Sentimentality\nUse Images\nUse Metaphor and Simile\nUse Concrete Words Instead of Abstract Words\nCommunicate Theme\nSubvert the Ordinary\nRhyme with Extreme Caution\nRevise, Revise, Revise\nTip #1 Know Your Goal.\n\nIf you don’t know where you’re going, how can you get there?\n\nYou need to know what you are trying to accomplish before you begin any project. Writing a poem is no exception.\n\nBefore you begin, ask yourself what you want your poem to “do.” Do you want your poem to explore a personal experience, protest a social injustice, describe the beauty of nature, or play with language in a certain way? Once your know the goal of your poem, you can conform your writing to that goal. Take each main element in your poem and make it serve the main purpose of the poem.\n\nTip #2 Avoid Clichés\n\nStephen Minot defines a cliché as: “A metaphor or simile that has become so familiar from overuse that the vehicle … no longer contributes any meaning whatever to the tenor. It provides neither the vividness of a fresh metaphor nor the strength of a single unmodified word….The word is also used to describe overused but nonmetaphorical expressions such as ‘tried and true’ and ‘each and every'” (Three Genres: The Writing of Poetry, Fiction and Drama, 405).\n\nCliché also describes other overused literary elements. “Familiar plot patterns and stock characters are clichés on a big scale” (Minot 148). Clichés can be overused themes, character types, or plots. For example, the “Lone Ranger” cowboy is a cliché because it has been used so many times that people no longer find it original.\n\nA work full of clichés is like a plate of old food: unappetizing.\n\nClichés work against original communication. People value creative talent. They want to see work that rises above the norm. When they see a work without clichés, they know the writer has worked his or her tail off, doing whatever it takes to be original. When they see a work full to the brim with clichés, they feel that the writer is not showing them anything above the ordinary. (In case you hadn’t noticed, this paragraph is chock full of clichés… I’ll bet you were bored to tears.)\n\nClichés dull meaning. Because clichéd writing sounds so familiar, people can complete finish whole lines without even reading them. If they don’t bother to read your poem, they certainly won’t stop to think about it. If they do not stop to think about your poem, they will never encounter the deeper meanings that mark the work of an accomplished poet.\n\nExamples of Clichés:\n\nbusy as a bee\ntired as a dog\nworking my fingers to bone\nbeet red\non the horns of a dilemma\nblind as a bat\neats like a horse\neats like a bird\n\nHow to Improve a Cliché\n\nI will take the cliché “as busy as a bee” and show how you can express the same idea without cliché.\n\nDetermine what the clichéd phrase is trying to say.\nIn this case, I can see that “busy as a bee” is a way to describe the state of being busy.\nThink of an original way to describe what the cliché is trying to describe.\nFor this cliché, I started by thinking about busyness. I asked myself the question, “What things are associated with being busy?” I came up with: college, my friend Jessica, corporation bosses, old ladies making quilts and canning goods, and a computer, fiddlers fiddling. From this list, I selected a thing that is not as often used in association with busyness: violins.\nCreate a phrase using the non-clichéd way of description.\nI took my object associated with busyness and turned it into a phrase: “I feel like a bow fiddling an Irish reel.” This phrase communicates the idea of “busyness” much better than the worn-out, familiar cliché. The reader’s mind can picture the insane fury of the bow on the violin, and know that the poet is talking about a very frenzied sort of busyness. In fact, those readers who know what an Irish reel sounds like may even get a laugh out of this fresh way to describe “busyness.”\nTry it! Take a cliché and use these steps to improve it. You may even end up with a line you feel is good enough to put in a poem!\n\nTip #3 Avoid Sentimentality.\n\nSentimentality is “dominated by a blunt appeal to the emotions of pity and love …. Popular subjects are puppies, grandparents, and young lovers” (Minot 416). “When readers have the feeling that emotions like rage or indignation have been pushed artificially for their own sake, they will not take the poem seriously” (132).\n\nMinot says that the problem with sentimentality is that it detracts from the literary quality of your work (416). If your poetry is mushy or teary-eyed, your readers may openly rebel against your effort to invoke emotional response in them. If that happens, they will stop thinking about the issues you want to raise, and will instead spend their energy trying to control their own gag reflex.\n\nTip #4 Use Images.\n\n“BE A PAINTER IN WORDS,” says UWEC English professor emerita, poet, and songwriter Peg Lauber. She says poetry should stimulate six senses:\n\nsight\nhearing\nsmell\ntouch\ntaste\nkinesiology (motion)\n\nExamples.\n\n“Sunlight varnishes magnolia branches crimson” (sight)\n\n“Vacuum cleaner’s whir and hum startles my ferret” (hearing)\n\n“Penguins lumber to their nests” (kinesiology)\n\nLauber advises her students to produce fresh, striking images (“imaginative”). Be a camera. Make the reader be there with the poet/speaker/narrator.\n\nTip #5 Use Metaphor and Simile.\n\nUse metaphor and simile to bring imagery and concrete words into your writing.\n\nMetaphor\n\nA metaphor is a statement that pretends one thing is really something else:\n\nExample: “The lead singer is an elusive salamander.”\n\nThis phrase does not mean that the lead singer is literally a salamander. Rather, it takes an abstract characteristic of a salamander (elusiveness) and projects it onto the person. By using metaphor to describe the lead singer, the poet creates a much more vivid picture of him/her than if the poet had simply said “The lead singer’s voice is hard to pick out.”\n\nSimile\n\nA simile is a statement where you say one object is similar to another object. Similes use the words “like” or “as.”\n\nExample: “He was curious as a caterpillar” or “He was curious, like a caterpillar”\n\nThis phrase takes one quality of a caterpillar and projects it onto a person. It is an easy way to attach concrete images to feelings and character traits that might usually be described with abstract words.\n\nNote: A simile is not automatically any more or less “poetic” than a metaphor. You don’t suddenly produce better poems if you replace all your similes with metaphors, or vice versa. The point to remember is that comparison, inference, and suggestion are all important tools of poetry; similes and metaphors are tools that will help in those areas.\n\nTip #6 Use Concrete Words Instead of Abstract Words.\n\nConcrete words describe things that people experience with their senses.\n\norange\nwarm\ncat\nA person can see orange, feel warm, or hear a cat.\n\nPoets use concrete words help the reader get a “picture” of what the poem is talking about. When the reader has a “picture” of what the poem is talking about, he/she can better understand what the poet is talking about.\n\nAbstract words refer to concepts or feelings.\n\nliberty\nhappy\nlove\n“Liberty” is a concept, “happy” is a feeling, and no one can agree on whether “love” is a feeling, a concept or an action.\n\nA person can’t see, touch, or taste any of these things. As a result, when used in poetry, these words might simply fly over the reader’s head, without triggering any sensory response. Further, “liberty,” “happy,” and “love” can mean different things to different people. Therefore, if the poet uses such a word, the reader may take a different meaning from it than the poet intended.\n\nChange Abstract Words Into Concrete Words\n\nTo avoid problems caused by using abstract words, use concrete words.\n\nExample: “She felt happy.”\n\nThis line uses the abstract word “happy.” To improve this line, change the abstract word to a concrete image. One way to achieve this is to think of an object or a scene that evokes feelings of happiness to represent the happy feeling.\n\nImprovement: “Her smile spread like red tint on ripening tomatoes.”\n\nThis line uses two concrete images: a smile and a ripening tomato. Describing the smile shows the reader something about happiness, rather than simply coming right out and naming the emotion. Also, the symbolism of the tomato further reinforces the happy feelings. Red is frequently associated with love; ripening is a positive natural process; food is further associated with being satisfied.\n\nTip #7 Communicate Theme.\n\nPoetry always has a theme. Theme is not just a topic, but an idea with an opinion.\n\nTheme = Idea + Opinion\nTopic: “The Vietnam War”\n\nThis is not a theme. It is only a subject. It is just an event. There are no ideas, opinions, or statements about life or of wisdom contained in this sentence\n\nTheme: “History shows that despite our claims to be peace-loving, unfortunately each person secretly dreams of gaining glory through conflict.”\n\nThis is a theme. It is not just an event, but a statement about an event. It shows what the poet thinks about the event. The poet strives to show the reader his/her theme during the entire poem, making use of literary techniques.\n\nTip #8 Subvert the Ordinary.\n\nPoets’ strength is the ability to see what other people see everyday in a new way. You don’t have to be special or a literary genius to write good poems–all you have to do is take an ordinary object, place, person, or idea, and come up with a new perception of it.\n\nExample: People ride the bus everyday.\n\nPoets’ Interpretation: A poet looks at the people on the bus and imagines scenes from their lives. A poet sees a sixty-year old woman and imagines a grandmother who runs marathons. A poet sees a two-year old boy and imagines him painting with ruby nail polish on the toilet seat, and his mother struggling to not respond in anger.\n\nTake the ordinary and turn it on its head. (The word “subvert” literally means “turn upside down”.)\n\nTip #9 Rhyme with Extreme Caution.\n\nRhyme and meter (the pattern of stressed and unstressed words) can be dangerous if used the wrong way. Remember sing-song nursery rhymes? If you choose a rhyme scheme that makes your poem sound sing-song, it will detract from the quality of your poem.\n\nI recommend that beginning poets stick to free verse. It is hard enough to compose a poem without dealing with the intricacies of rhyme and meter.\n\nTip #10 Revise, Revise, Revise.\n\nThe first completed draft of your poem is only the beginning. Poets often go through several drafts of a poem before considering the work “done.”\n\nTo revise:\n\nPut your poem away for a few days, and then come back to it. When you re-read it, does anything seem confusing? Hard to follow? Do you see anything that needs improvement that you overlooked the first time? Often, when you are in the act of writing, you may leave out important details because you are so familiar with the topic. Re-reading a poem helps you to see it from the “outsider’s perspective” of a reader.\nShow your poem to others and ask for criticism. Don’t be content with a response like, “That’s a nice poem.” You won’t learn anything from that kind of response. Instead, find people who will tell you specific things you need to improve in your poem.\n\nNOTE:\n\nAm not the original author of this work. I found it online and it was useful to me and i decided to share it to my fellow steemians who might find it useful.\n\nOriginal work here:\n\nhttps://www.google.com/amp/s/jerz.setonhill.edu/writing/creative1/poetry-writing-tips-how-to-write-a-poem/amp/",
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      "body": "Congratulations @joebest! You received a personal award!\n\n<table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@joebest/birthday1.png</td><td>1 Year on Steemit</td></tr></table>\n\n<sub>_[Click here to view your Board](https://steemitboard.com/@joebest)_</sub>\n\n\n**Do not miss the last post from @steemitboard:**\n<table><tr><td><a href=\"https://steemit.com/christmas/@steemitboard/christmas-challenge-send-a-gift-to-to-your-friends-the-party-continues\"><img src=\"https://steemitimages.com/64x128/http://i.cubeupload.com/kf4SJb.png\"></a></td><td><a href=\"https://steemit.com/christmas/@steemitboard/christmas-challenge-send-a-gift-to-to-your-friends-the-party-continues\">Christmas Challenge - The party continues</a></td></tr><tr><td><a href=\"https://steemit.com/christmas/@steemitboard/christmas-challenge-send-a-gift-to-to-your-friends\"><img src=\"https://steemitimages.com/64x128/http://i.cubeupload.com/kf4SJb.png\"></a></td><td><a href=\"https://steemit.com/christmas/@steemitboard/christmas-challenge-send-a-gift-to-to-your-friends\">Christmas Challenge - Send a gift to to your friends</a></td></tr></table>\n\n> Support [SteemitBoard's project](https://steemit.com/@steemitboard)! **[Vote for its witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1)** and **get one more award**!",
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