VOTING POWER100.00%
DOWNVOTE POWER100.00%
RESOURCE CREDITS100.00%
REPUTATION PROGRESS0.00%
Net Worth
0.443USD
STEEM
0.000STEEM
SBD
0.242SBD
Own SP
5.980SP
Detailed Balance
| STEEM | ||
| balance | 0.000STEEM | STEEM |
| market_balance | 0.000STEEM | STEEM |
| savings_balance | 0.000STEEM | STEEM |
| reward_steem_balance | 0.000STEEM | STEEM |
| STEEM POWER | ||
| Own SP | 5.980SP | SP |
| Delegated Out | 0.000SP | SP |
| Delegation In | 0.000SP | SP |
| Effective Power | 5.980SP | SP |
| Reward SP (pending) | 0.137SP | SP |
| SBD | ||
| sbd_balance | 0.000SBD | SBD |
| sbd_conversions | 0.000SBD | SBD |
| sbd_market_balance | 0.000SBD | SBD |
| savings_sbd_balance | 0.000SBD | SBD |
| reward_sbd_balance | 0.242SBD | SBD |
{
"balance": "0.000 STEEM",
"savings_balance": "0.000 STEEM",
"reward_steem_balance": "0.000 STEEM",
"vesting_shares": "9737.407837 VESTS",
"delegated_vesting_shares": "0.000000 VESTS",
"received_vesting_shares": "0.000000 VESTS",
"sbd_balance": "0.000 SBD",
"savings_sbd_balance": "0.000 SBD",
"reward_sbd_balance": "0.242 SBD",
"conversions": []
}Account Info
| name | ivanlp |
| id | 80789 |
| rank | 205,248 |
| reputation | 926720768 |
| created | 2016-09-01T19:02:30 |
| recovery_account | steem |
| proxy | None |
| post_count | 8 |
| comment_count | 0 |
| lifetime_vote_count | 0 |
| witnesses_voted_for | 0 |
| last_post | 2017-06-29T11:33:51 |
| last_root_post | 2017-06-29T11:16:18 |
| last_vote_time | 2017-12-03T20:05:48 |
| proxied_vsf_votes | 0, 0, 0, 0 |
| can_vote | 1 |
| voting_power | 9,800 |
| delayed_votes | 0 |
| balance | 0.000 STEEM |
| savings_balance | 0.000 STEEM |
| sbd_balance | 0.000 SBD |
| savings_sbd_balance | 0.000 SBD |
| vesting_shares | 9737.407837 VESTS |
| delegated_vesting_shares | 0.000000 VESTS |
| received_vesting_shares | 0.000000 VESTS |
| reward_vesting_balance | 283.348876 VESTS |
| vesting_balance | 0.000 STEEM |
| vesting_withdraw_rate | 0.000000 VESTS |
| next_vesting_withdrawal | 1969-12-31T23:59:59 |
| withdrawn | 0 |
| to_withdraw | 0 |
| withdraw_routes | 0 |
| savings_withdraw_requests | 0 |
| last_account_recovery | 1970-01-01T00:00:00 |
| reset_account | null |
| last_owner_update | 1970-01-01T00:00:00 |
| last_account_update | 2017-06-29T09:58:54 |
| mined | No |
| sbd_seconds | 0 |
| sbd_last_interest_payment | 1970-01-01T00:00:00 |
| savings_sbd_last_interest_payment | 1970-01-01T00:00:00 |
{
"id": 80789,
"name": "ivanlp",
"owner": {
"weight_threshold": 1,
"account_auths": [],
"key_auths": [
[
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1
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]
},
"active": {
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"account_auths": [],
"key_auths": [
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},
"posting": {
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"account_auths": [],
"key_auths": [
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},
"memo_key": "STM8koxTpReLFmbGuc4RKAW2ZvR6fmffvCApGwqKzWuATBts8d32A",
"json_metadata": "{\"profile\":{\"profile_image\":\"http://i.imgur.com/bosFE99.jpg\",\"name\":\"Ivan LP\",\"location\":\"Madrid\",\"website\":\"https://www.goodreads.com/user/show/15071551-ivan-lp\",\"about\":\"Rio de Janeiro > Madrid\"}}",
"posting_json_metadata": "{\"profile\":{\"profile_image\":\"http://i.imgur.com/bosFE99.jpg\",\"name\":\"Ivan LP\",\"location\":\"Madrid\",\"website\":\"https://www.goodreads.com/user/show/15071551-ivan-lp\",\"about\":\"Rio de Janeiro > Madrid\"}}",
"proxy": "",
"last_owner_update": "1970-01-01T00:00:00",
"last_account_update": "2017-06-29T09:58:54",
"created": "2016-09-01T19:02:30",
"mined": false,
"recovery_account": "steem",
"last_account_recovery": "1970-01-01T00:00:00",
"reset_account": "null",
"comment_count": 0,
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"voting_manabar": {
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"last_update_time": 1512331548
},
"downvote_manabar": {
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"last_update_time": 1472756550
},
"voting_power": 9800,
"balance": "0.000 STEEM",
"savings_balance": "0.000 STEEM",
"sbd_balance": "0.000 SBD",
"sbd_seconds": "0",
"sbd_seconds_last_update": "1970-01-01T00:00:00",
"sbd_last_interest_payment": "1970-01-01T00:00:00",
"savings_sbd_balance": "0.000 SBD",
"savings_sbd_seconds": "0",
"savings_sbd_seconds_last_update": "1970-01-01T00:00:00",
"savings_sbd_last_interest_payment": "1970-01-01T00:00:00",
"savings_withdraw_requests": 0,
"reward_sbd_balance": "0.242 SBD",
"reward_steem_balance": "0.000 STEEM",
"reward_vesting_balance": "283.348876 VESTS",
"reward_vesting_steem": "0.137 STEEM",
"vesting_shares": "9737.407837 VESTS",
"delegated_vesting_shares": "0.000000 VESTS",
"received_vesting_shares": "0.000000 VESTS",
"vesting_withdraw_rate": "0.000000 VESTS",
"next_vesting_withdrawal": "1969-12-31T23:59:59",
"withdrawn": 0,
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"curation_rewards": 0,
"posting_rewards": 272,
"proxied_vsf_votes": [
0,
0,
0,
0
],
"witnesses_voted_for": 0,
"last_post": "2017-06-29T11:33:51",
"last_root_post": "2017-06-29T11:16:18",
"last_vote_time": "2017-12-03T20:05:48",
"post_bandwidth": 0,
"pending_claimed_accounts": 0,
"vesting_balance": "0.000 STEEM",
"reputation": 926720768,
"transfer_history": [],
"market_history": [],
"post_history": [],
"vote_history": [],
"other_history": [],
"witness_votes": [],
"tags_usage": [],
"guest_bloggers": [],
"rank": 205248
}Withdraw Routes
| Incoming | Outgoing |
|---|---|
Empty | Empty |
{
"incoming": [],
"outgoing": []
}From Date
To Date
2019/09/03 05:30:54
2019/09/03 05:30:54
| parent author | ivanlp |
| parent permlink | ruben-jacobs-everyone-is-an-artist-book-review |
| author | steemitboard |
| permlink | steemitboard-notify-ivanlp-20190903t053054000z |
| title | |
| body | Congratulations @ivanlp! You received a personal award! <table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@ivanlp/birthday3.png</td><td>Happy Birthday! - You are on the Steem blockchain for 3 years!</td></tr></table> <sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@ivanlp) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=ivanlp)_</sub> ###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes! |
| json metadata | {"image":["https://steemitboard.com/img/notify.png"]} |
| Transaction Info | Block #36090489/Trx 81b58abcbf3132fe4252072945c5237e3cbea500 |
View Raw JSON Data
{
"trx_id": "81b58abcbf3132fe4252072945c5237e3cbea500",
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"timestamp": "2019-09-03T05:30:54",
"op": [
"comment",
{
"parent_author": "ivanlp",
"parent_permlink": "ruben-jacobs-everyone-is-an-artist-book-review",
"author": "steemitboard",
"permlink": "steemitboard-notify-ivanlp-20190903t053054000z",
"title": "",
"body": "Congratulations @ivanlp! You received a personal award!\n\n<table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@ivanlp/birthday3.png</td><td>Happy Birthday! - You are on the Steem blockchain for 3 years!</td></tr></table>\n\n<sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@ivanlp) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=ivanlp)_</sub>\n\n\n###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!",
"json_metadata": "{\"image\":[\"https://steemitboard.com/img/notify.png\"]}"
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}ivanlpupvoted (100.00%) @flamingirl / 5-consejos-para-aprender-un-nuevo-idioma-rapido2017/12/03 20:05:48
ivanlpupvoted (100.00%) @flamingirl / 5-consejos-para-aprender-un-nuevo-idioma-rapido
2017/12/03 20:05:48
| voter | ivanlp |
| author | flamingirl |
| permlink | 5-consejos-para-aprender-un-nuevo-idioma-rapido |
| weight | 10000 (100.00%) |
| Transaction Info | Block #17770850/Trx 7f661e6a07fe049c503831ed2e12655531c1738d |
View Raw JSON Data
{
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"timestamp": "2017-12-03T20:05:48",
"op": [
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{
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"author": "flamingirl",
"permlink": "5-consejos-para-aprender-un-nuevo-idioma-rapido",
"weight": 10000
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]
}2017/09/01 23:29:51
2017/09/01 23:29:51
| parent author | ivanlp |
| parent permlink | ruben-jacobs-everyone-is-an-artist-book-review |
| author | steemitboard |
| permlink | steemitboard-notify-ivanlp-20170901t232953000z |
| title | |
| body | Congratulations @ivanlp! You have received a personal award! [](http://steemitboard.com/@ivanlp) Happy Birthday - 1 Year on Steemit Happy Birthday - 1 Year on Steemit Click on the badge to view your own Board of Honor on SteemitBoard. For more information about this award, click [here](https://steemit.com/steemitboard/@steemitboard/steemitboard-update-8-happy-birthday) > By upvoting this notification, you can help all Steemit users. Learn how [here](https://steemit.com/steemitboard/@steemitboard/http-i-cubeupload-com-7ciqeo-png)! |
| json metadata | {"image":["https://steemitboard.com/img/notifications.png"]} |
| Transaction Info | Block #15098182/Trx f7450b8412e698821d1a6028de5cf031e77bc294 |
View Raw JSON Data
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"body": "Congratulations @ivanlp! You have received a personal award!\n\n[](http://steemitboard.com/@ivanlp) Happy Birthday - 1 Year on Steemit Happy Birthday - 1 Year on Steemit\nClick on the badge to view your own Board of Honor on SteemitBoard.\n\nFor more information about this award, click [here](https://steemit.com/steemitboard/@steemitboard/steemitboard-update-8-happy-birthday)\n> By upvoting this notification, you can help all Steemit users. Learn how [here](https://steemit.com/steemitboard/@steemitboard/http-i-cubeupload-com-7ciqeo-png)!",
"json_metadata": "{\"image\":[\"https://steemitboard.com/img/notifications.png\"]}"
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}ivanlpreceived 0.223 SBD, 0.159 SP author reward for @ivanlp / ruben-jacobs-everyone-is-an-artist-book-review2017/07/06 11:16:18
ivanlpreceived 0.223 SBD, 0.159 SP author reward for @ivanlp / ruben-jacobs-everyone-is-an-artist-book-review
2017/07/06 11:16:18
| author | ivanlp |
| permlink | ruben-jacobs-everyone-is-an-artist-book-review |
| sbd payout | 0.223 SBD |
| steem payout | 0.000 STEEM |
| vesting payout | 258.529971 VESTS |
| Transaction Info | Block #13444337/Virtual Operation #24 |
View Raw JSON Data
{
"trx_id": "0000000000000000000000000000000000000000",
"block": 13444337,
"trx_in_block": 4294967295,
"op_in_trx": 0,
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"timestamp": "2017-07-06T11:16:18",
"op": [
"author_reward",
{
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"permlink": "ruben-jacobs-everyone-is-an-artist-book-review",
"sbd_payout": "0.223 SBD",
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"vesting_payout": "258.529971 VESTS"
}
]
}2017/07/06 10:43:57
2017/07/06 10:43:57
| author | ivanlp |
| permlink | crapola |
| sbd payout | 0.019 SBD |
| steem payout | 0.000 STEEM |
| vesting payout | 24.818905 VESTS |
| Transaction Info | Block #13443720/Virtual Operation #8 |
View Raw JSON Data
{
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"timestamp": "2017-07-06T10:43:57",
"op": [
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{
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"sbd_payout": "0.019 SBD",
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"vesting_payout": "24.818905 VESTS"
}
]
}2017/06/30 10:22:36
2017/06/30 10:22:36
| parent author | ivanlp |
| parent permlink | ruben-jacobs-everyone-is-an-artist-book-review |
| author | steemitboard |
| permlink | steemitboard-notify-ivanlp-20170630t102238000z |
| title | |
| body | Congratulations @ivanlp! You have completed some achievement on Steemit and have been rewarded with new badge(s) : [](http://steemitboard.com/@ivanlp) You made your First Comment Click on any badge to view your own Board of Honnor on SteemitBoard. For more information about SteemitBoard, click [here](https://steemit.com/@steemitboard) If you no longer want to receive notifications, reply to this comment with the word `STOP` By upvoting this notification, you can help all Steemit users. Learn how [here](https://steemit.com/steemitboard/@steemitboard/http-i-cubeupload-com-7ciqeo-png)! |
| json metadata | {"image":["https://steemitboard.com/img/notifications.png"]} |
| Transaction Info | Block #13270775/Trx 955d899808dae025bc798c687a0ad902b821187a |
View Raw JSON Data
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"author": "steemitboard",
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"body": "Congratulations @ivanlp! You have completed some achievement on Steemit and have been rewarded with new badge(s) :\n\n[](http://steemitboard.com/@ivanlp) You made your First Comment\n\nClick on any badge to view your own Board of Honnor on SteemitBoard.\nFor more information about SteemitBoard, click [here](https://steemit.com/@steemitboard)\n\nIf you no longer want to receive notifications, reply to this comment with the word `STOP`\n\nBy upvoting this notification, you can help all Steemit users. Learn how [here](https://steemit.com/steemitboard/@steemitboard/http-i-cubeupload-com-7ciqeo-png)!",
"json_metadata": "{\"image\":[\"https://steemitboard.com/img/notifications.png\"]}"
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}2017/06/29 11:52:09
2017/06/29 11:52:09
| parent author | ivanlp |
| parent permlink | human-and-nonhuman-agency |
| author | thailand-funfun |
| permlink | re-ivanlp-human-and-nonhuman-agency-20170629t115230880z |
| title | |
| body | Nice pictures, following you now. |
| json metadata | {"tags":["art"],"app":"steemit/0.1"} |
| Transaction Info | Block #13243783/Trx 963ef3dbaaeb381fca4f219e8df652d025ed574f |
View Raw JSON Data
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"parent_permlink": "human-and-nonhuman-agency",
"author": "thailand-funfun",
"permlink": "re-ivanlp-human-and-nonhuman-agency-20170629t115230880z",
"title": "",
"body": "Nice pictures, following you now.",
"json_metadata": "{\"tags\":[\"art\"],\"app\":\"steemit/0.1\"}"
}
]
}2017/06/29 11:33:51
2017/06/29 11:33:51
| parent author | bonvivan |
| parent permlink | re-ivanlp-ruben-jacobs-everyone-is-an-artist-book-review-20170629t112550829z |
| author | ivanlp |
| permlink | re-bonvivan-re-ivanlp-ruben-jacobs-everyone-is-an-artist-book-review-20170629t113350435z |
| title | |
| body | Thank you ;) |
| json metadata | {"tags":["bookreview"],"app":"steemit/0.1"} |
| Transaction Info | Block #13243417/Trx 347aefcea4c4abde192067292aeb981de66ab6fd |
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"permlink": "re-bonvivan-re-ivanlp-ruben-jacobs-everyone-is-an-artist-book-review-20170629t113350435z",
"title": "",
"body": "Thank you ;)",
"json_metadata": "{\"tags\":[\"bookreview\"],\"app\":\"steemit/0.1\"}"
}
]
}2017/06/29 11:25:51
2017/06/29 11:25:51
| parent author | ivanlp |
| parent permlink | ruben-jacobs-everyone-is-an-artist-book-review |
| author | bonvivan |
| permlink | re-ivanlp-ruben-jacobs-everyone-is-an-artist-book-review-20170629t112550829z |
| title | |
| body | Great text! Thanks for the effort and welcome to Steemit. I hope to find this book once to check it out. Real interesting stuff. |
| json metadata | {"tags":["bookreview"],"app":"steemit/0.1"} |
| Transaction Info | Block #13243257/Trx afb820a123e966b1a621decf8a3011b058a3dc62 |
View Raw JSON Data
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"title": "",
"body": "Great text! Thanks for the effort and welcome to Steemit. I hope to find this book once to check it out. Real interesting stuff.",
"json_metadata": "{\"tags\":[\"bookreview\"],\"app\":\"steemit/0.1\"}"
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]
}bonvivanupvoted (100.00%) @ivanlp / ruben-jacobs-everyone-is-an-artist-book-review2017/06/29 11:24:30
bonvivanupvoted (100.00%) @ivanlp / ruben-jacobs-everyone-is-an-artist-book-review
2017/06/29 11:24:30
| voter | bonvivan |
| author | ivanlp |
| permlink | ruben-jacobs-everyone-is-an-artist-book-review |
| weight | 10000 (100.00%) |
| Transaction Info | Block #13243230/Trx 269106abe41f7e9c7c5d8e8b4fc91849d3893ab5 |
View Raw JSON Data
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}adrianwastagupvoted (100.00%) @ivanlp / ruben-jacobs-everyone-is-an-artist-book-review2017/06/29 11:19:21
adrianwastagupvoted (100.00%) @ivanlp / ruben-jacobs-everyone-is-an-artist-book-review
2017/06/29 11:19:21
| voter | adrianwastag |
| author | ivanlp |
| permlink | ruben-jacobs-everyone-is-an-artist-book-review |
| weight | 10000 (100.00%) |
| Transaction Info | Block #13243127/Trx f2e42bce87adec9d2434153b19b7079c52f86ceb |
View Raw JSON Data
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]
}2017/06/29 11:18:21
2017/06/29 11:18:21
| parent author | ivanlp |
| parent permlink | ruben-jacobs-everyone-is-an-artist-book-review |
| author | cheetah |
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| body | Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in: https://medium.com/neue-blog/ruben-jacobs-everyone-is-an-artist-6e33fb6bc1dd |
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}cheetahupvoted (1.00%) @ivanlp / ruben-jacobs-everyone-is-an-artist-book-review2017/06/29 11:18:18
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}ivanlpupvoted (100.00%) @ivanlp / ruben-jacobs-everyone-is-an-artist-book-review2017/06/29 11:16:18
ivanlpupvoted (100.00%) @ivanlp / ruben-jacobs-everyone-is-an-artist-book-review
2017/06/29 11:16:18
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}ivanlppublished a new post: ruben-jacobs-everyone-is-an-artist-book-review2017/06/29 11:16:18
ivanlppublished a new post: ruben-jacobs-everyone-is-an-artist-book-review
2017/06/29 11:16:18
| parent author | |
| parent permlink | bookreview |
| author | ivanlp |
| permlink | ruben-jacobs-everyone-is-an-artist-book-review |
| title | RUBEN JACOBS: EVERYONE IS AN ARTIST (BOOK REVIEW) |
| body |  We are facing a new awakening on the urgent need to understand the role of the arts in contemporary society. The book “Everyone is an Artist”, written by Ruben Jacobs, freelance writer and lecturer in Cultural Sociology and Philosophy at University of the Arts Utrecht, presents an innovative perspective in this matter starting from a thorough and profound criticism of the assumptions that support the creative industries as morally beneficial, and economically sustainable. The path taken by the author begins in the Romanticism of the eighteenth century, through an analysis of the roots of authenticity concept. This concept, which surprisingly (or maybe not) persists today, promotes the image of the autonomous individual: artist, entrepreneur, creative professional, etc. Through classical authors of Romanticism like Rousseau was born the idea of replacing faith in one God (the God-Nature-man scheme) by the preponderance of human nature, and the artist as its impersonation. Man should live according to the originality of their individual expression, which in the contemporary world has become an obsession: “Consumers, tourists and citizens — they are all, more than ever before, looking for “authenticity and real, not mediated, experiences.” Ironically, however, forced attempts to be “genuine” and have “real experiences” lead only to artificiality. Politicians who try to prove their integrity before the cameras in every possible way, hipsters in big cities who try to go back to a nostalgic past, the enormous number of ads that evoke ideas of originality and genuineness: in every aspect of everyday life, the hunger for authenticity is expressly visible. Look and you’ll see it everywhere.” These romantic ideas, so firmly ingrained in our culture that they seem to have always existed, are very convenient to the current economic system, in which everything is arranged around the individual work, but in fact it is the financial sector that controls almost everything. The heart of the so-called classical capitalism was the manufacture of the object. But today before making the object it is necessary to create the desire for the object, which is to say the yearning for the pleasure of owning something special, authentic and original. Apple provides what may be a paradigmatic example of this structure, starting with the campaign that encouraged us to “Think Different.” The real point is not to make people “think different”, but to make them identify themselves with the brand’s idea of different and to make them believe that they are being original when they express their individuality through consumption. In this sense, it as if the individual also becomes the product. But there are other important aspects. The hype around the figure of the “creative entrepreneur” is clearly an expression of this status quo, in which goods and people share the same social space: the market. Entrepreneurship turns the person into a brand. Simultaneously, people have moved from being consumers to being prosumers with far more influence than ever before. Rather than ordinarily “consuming” products, people are becoming the voices of those products and significantly impacting the success or collapse of companies, products, and brands, especially through their involvement on the social media. Hence the importance of “taming” this prosumer, linking the brand to the desire of identification with the figure of the “creative entrepreneur. The brand offers itself as a framework for such desire. Another way to “tame” is through sophisticated mechanisms by which they don’t tell you exactly what to do, but they create an environment where your conduct seems to have a limited margin of maneuver. Each person is considered autonomous and free, but at the same time he has to operate within an environment built to encourage certain behaviors, avoid others, generating trends. Not so free after all… Creativity has become a key value for current capitalism, a sort of “artistic capitalism”, in which aesthetics is configured as a powerful tool in the sphere of multinationals. It is a post-modern economy that has appropriated artistic production values such as a focus on concepts, ideas and perceptions. The problem is that the appropriation of these values has the purpose of associating consumption with the creation of subjectivity. Marketing operates to convince us that our desires can only be directed to the products that are available in the market. But how consumption can be identified with creation? If we consider desire as a power of creation, and consumption as an essentially passive action, there is no way to sustain this identification. The creative industries — which according to official statistics in so many countries are one of the fastest growing sectors and has become a global phenomenon — is an important expression of this “artistic capitalism” and of the romantic ideal. UNESCO’s definition in a way reveals an immense difficulty in placing art within the industrial perspective: “The term creative industries encompasses a broader range of activities which include the cultural industries plus all cultural or artistic production, whether live or produced as an individual unit. The creative industries are those in which the product or service contains a substantial element of artistic or creative endeavour and include activities such as architecture and advertising. In this article, these terms are used precisely and are not synonymous nor interchangeable.” [1] In an economic and industrial system, the annulment of the differences is a necessity, because it is what enables economic exchange. But the artist is someone who announces the possibilities, expands the boundaries of thinking. His objective is movement, the transformation of motionless thinking, the violation of dominant thought, and because of this his work is grounded on difference as a constitutive principle of nature. The difference precedes identity and similarity and also dissolves all determination and stability in a world that only in appearance is solid and permanent. Therefore, by its nature, it seems impossible that art could be subjected to the designs of an economic system which always aims reproduction instead of creation. A key issue, addressed in this book in a very precise way, is the substancial “confusion” between art and design, innovation and creativity. These concepts, placed under a utilitarian framework, are important pillars of support not only for the creative industries, but for the organization of society: “(…) the scope of design has long since ceased to be limited to living room interiors and computer exteriors and plays an ever-wider role in everyday life. Design thinking, social design, food design, bio design, interaction design, transition design — the term “design” is used in a growing number of fields. Not only finished products but creative processes, distribution chains, and the general organization of things can be designed. And that’s not all: increasingly, the problems of the world are viewed as design issues. Design can be defined as problem-solving. The What Design Can Do organization “calls on designers to take responsibility and consider how their work can impact the wider society.” (…) The general aestheticization of contemporary life has placed design at the center of modern capitalist culture. The designer-artist role fits the ideals of industrial creative discourse, because it links perfectly to a rationalist interpretation of creativity: it is applicable, steerable and controllable. (…) “Being creative,” in modern parlance, means “being innovative.” Of course, the reality is more complicated than that. Creativity as such has no direction or purpose; innovation is a concrete striving to create something new. Innovating means effecting change, and for that, creativity is needed.” Jacobs’ brilliant unveiling of these structures shows in a very assertive way how the concept of creative industries aims the reproduction of the current economic system. In a broader sense, we have here an indication that the political task ahead is much more complex than we could imagine. We must affirm art as the creation of what did not exist before, as something that eludes the limits imposed by the dominant economic groups. It is important to say that this practice can be performed by artists as much as by ordinary people, and also within the limits of the academia. This is not a matter of knowing the solution beforehand, but of being continually committed to working hard in this direction. Peter Pál Pelbart, one of the most important thinkers in Brazil, made an important warning about this: “what we consume today, more than shoes and refrigerators, are ways of being, ways of living, life styles, senses, subjectivity. Thus, from one end to the other of the economic circuit, that is, from production to consumption, what is extorted and stolen from us today, sometimes invested and intensified, at other times reformatted and resold, is life itself. We can’t help being surprised by this.” [1] Understanding Creative Industries Cultural statistics for public-policy making, UNESCO — http://portal.unesco.org/culture/en/files/30297/11942616973cultural_stat_EN.pdf/cultural_stat_EN.pdf Ivan LP |
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"body": "\n\nWe are facing a new awakening on the urgent need to understand the role of the arts in contemporary society. The book “Everyone is an Artist”, written by Ruben Jacobs, freelance writer and lecturer in Cultural Sociology and Philosophy at University of the Arts Utrecht, presents an innovative perspective in this matter starting from a thorough and profound criticism of the assumptions that support the creative industries as morally beneficial, and economically sustainable.\n\nThe path taken by the author begins in the Romanticism of the eighteenth century, through an analysis of the roots of authenticity concept. This concept, which surprisingly (or maybe not) persists today, promotes the image of the autonomous individual: artist, entrepreneur, creative professional, etc. Through classical authors of Romanticism like Rousseau was born the idea of replacing faith in one God (the God-Nature-man scheme) by the preponderance of human nature, and the artist as its impersonation. Man should live according to the originality of their individual expression, which in the contemporary world has become an obsession:\n\n“Consumers, tourists and citizens — they are all, more than ever before, looking for “authenticity and real, not mediated, experiences.” Ironically, however, forced attempts to be “genuine” and have “real experiences” lead only to artificiality. Politicians who try to prove their integrity before the cameras in every possible way, hipsters in big cities who try to go back to a nostalgic past, the enormous number of ads that evoke ideas of originality and genuineness: in every aspect of everyday life, the hunger for authenticity is expressly visible. Look and you’ll see it everywhere.”\n\nThese romantic ideas, so firmly ingrained in our culture that they seem to have always existed, are very convenient to the current economic system, in which everything is arranged around the individual work, but in fact it is the financial sector that controls almost everything. The heart of the so-called classical capitalism was the manufacture of the object. But today before making the object it is necessary to create the desire for the object, which is to say the yearning for the pleasure of owning something special, authentic and original. Apple provides what may be a paradigmatic example of this structure, starting with the campaign that encouraged us to “Think Different.” The real point is not to make people “think different”, but to make them identify themselves with the brand’s idea of different and to make them believe that they are being original when they express their individuality through consumption. In this sense, it as if the individual also becomes the product. But there are other important aspects.\n\nThe hype around the figure of the “creative entrepreneur” is clearly an expression of this status quo, in which goods and people share the same social space: the market. Entrepreneurship turns the person into a brand. Simultaneously, people have moved from being consumers to being prosumers with far more influence than ever before. Rather than ordinarily “consuming” products, people are becoming the voices of those products and significantly impacting the success or collapse of companies, products, and brands, especially through their involvement on the social media. Hence the importance of “taming” this prosumer, linking the brand to the desire of identification with the figure of the “creative entrepreneur. The brand offers itself as a framework for such desire. Another way to “tame” is through sophisticated mechanisms by which they don’t tell you exactly what to do, but they create an environment where your conduct seems to have a limited margin of maneuver. Each person is considered autonomous and free, but at the same time he has to operate within an environment built to encourage certain behaviors, avoid others, generating trends. 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If we consider desire as a power of creation, and consumption as an essentially passive action, there is no way to sustain this identification.\n\nThe creative industries — which according to official statistics in so many countries are one of the fastest growing sectors and has become a global phenomenon — is an important expression of this “artistic capitalism” and of the romantic ideal. UNESCO’s definition in a way reveals an immense difficulty in placing art within the industrial perspective:\n\n“The term creative industries encompasses a broader range of activities which include the cultural industries plus all cultural or artistic production, whether live or produced as an individual unit. The creative industries are those in which the product or service contains a substantial element of artistic or creative endeavour and include activities such as architecture and advertising. In this article, these terms are used precisely and are not synonymous nor interchangeable.” [1]\n\nIn an economic and industrial system, the annulment of the differences is a necessity, because it is what enables economic exchange. But the artist is someone who announces the possibilities, expands the boundaries of thinking. His objective is movement, the transformation of motionless thinking, the violation of dominant thought, and because of this his work is grounded on difference as a constitutive principle of nature. The difference precedes identity and similarity and also dissolves all determination and stability in a world that only in appearance is solid and permanent. Therefore, by its nature, it seems impossible that art could be subjected to the designs of an economic system which always aims reproduction instead of creation.\n\nA key issue, addressed in this book in a very precise way, is the substancial “confusion” between art and design, innovation and creativity. These concepts, placed under a utilitarian framework, are important pillars of support not only for the creative industries, but for the organization of society:\n\n“(…) the scope of design has long since ceased to be limited to living room interiors and computer exteriors and plays an ever-wider role in everyday life. Design thinking, social design, food design, bio design, interaction design, transition design — the term “design” is used in a growing number of fields. Not only finished products but creative processes, distribution chains, and the general organization of things can be designed. And that’s not all: increasingly, the problems of the world are viewed as design issues. Design can be defined as problem-solving. The What Design Can Do organization “calls on designers to take responsibility and consider how their work can impact the wider society.”\n\n(…)\n\nThe general aestheticization of contemporary life has placed design at the center of modern capitalist culture. The designer-artist role fits the ideals of industrial creative discourse, because it links perfectly to a rationalist interpretation of creativity: it is applicable, steerable and controllable.\n\n(…)\n\n“Being creative,” in modern parlance, means “being innovative.” Of course, the reality is more complicated than that. Creativity as such has no direction or purpose; innovation is a concrete striving to create something new. Innovating means effecting change, and for that, creativity is needed.”\n\nJacobs’ brilliant unveiling of these structures shows in a very assertive way how the concept of creative industries aims the reproduction of the current economic system. In a broader sense, we have here an indication that the political task ahead is much more complex than we could imagine. We must affirm art as the creation of what did not exist before, as something that eludes the limits imposed by the dominant economic groups. It is important to say that this practice can be performed by artists as much as by ordinary people, and also within the limits of the academia. This is not a matter of knowing the solution beforehand, but of being continually committed to working hard in this direction. Peter Pál Pelbart, one of the most important thinkers in Brazil, made an important warning about this: “what we consume today, more than shoes and refrigerators, are ways of being, ways of living, life styles, senses, subjectivity. Thus, from one end to the other of the economic circuit, that is, from production to consumption, what is extorted and stolen from us today, sometimes invested and intensified, at other times reformatted and resold, is life itself. We can’t help being surprised by this.”\n\n[1] Understanding Creative Industries Cultural statistics for public-policy making, UNESCO — http://portal.unesco.org/culture/en/files/30297/11942616973cultural_stat_EN.pdf/cultural_stat_EN.pdf\n\nIvan LP",
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}ivanlpupvoted (100.00%) @spinbitz / omni-evolution-trans-dynamics-and-the-anatom2017/06/29 11:07:39
ivanlpupvoted (100.00%) @spinbitz / omni-evolution-trans-dynamics-and-the-anatom
2017/06/29 11:07:39
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}ivanlpupvoted (100.00%) @garvofe / la-meseta-oceanica-el-capitan-freud-al-acecho-de-la-ballena-deleuze2017/06/29 11:06:27
ivanlpupvoted (100.00%) @garvofe / la-meseta-oceanica-el-capitan-freud-al-acecho-de-la-ballena-deleuze
2017/06/29 11:06:27
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}ivanlpupvoted (100.00%) @antonellacoello / el-sucio-tacto-escrito2017/06/29 11:03:00
ivanlpupvoted (100.00%) @antonellacoello / el-sucio-tacto-escrito
2017/06/29 11:03:00
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}ivanlpupvoted (100.00%) @exeesays / demente-2017624t14346764z2017/06/29 11:02:18
ivanlpupvoted (100.00%) @exeesays / demente-2017624t14346764z
2017/06/29 11:02:18
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}ivanlpupvoted (100.00%) @anarcoiris / verso-cromatico2017/06/29 11:01:33
ivanlpupvoted (100.00%) @anarcoiris / verso-cromatico
2017/06/29 11:01:33
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}ivanlpupvoted (100.00%) @ivanlp / david-toop-e-os-sons-do-seculo-xxi2017/06/29 10:59:06
ivanlpupvoted (100.00%) @ivanlp / david-toop-e-os-sons-do-seculo-xxi
2017/06/29 10:59:06
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}ivanlppublished a new post: david-toop-e-os-sons-do-seculo-xxi2017/06/29 10:59:06
ivanlppublished a new post: david-toop-e-os-sons-do-seculo-xxi
2017/06/29 10:59:06
| parent author | |
| parent permlink | arte |
| author | ivanlp |
| permlink | david-toop-e-os-sons-do-seculo-xxi |
| title | David Toop e os sons do século XXI |
| body | Tradução para a revista Outros Críticos: http://outroscriticos.com/david-toop-e-os-sons-do-seculo-xxi/ |
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"title": "David Toop e os sons do século XXI",
"body": "Tradução para a revista Outros Críticos:\n\nhttp://outroscriticos.com/david-toop-e-os-sons-do-seculo-xxi/",
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}2017/06/29 10:54:06
2017/06/29 10:54:06
| parent author | |
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| author | ivanlp |
| permlink | crapola |
| title | Crapola |
| body | @@ -45,29 +45,16 @@ ith -printers and scanners +O DIVINO .%0A%0Ah |
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}ivanlpupvoted (100.00%) @ivanlp / horror-horror2017/06/29 10:52:36
ivanlpupvoted (100.00%) @ivanlp / horror-horror
2017/06/29 10:52:36
| voter | ivanlp |
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}ivanlppublished a new post: horror-horror2017/06/29 10:52:36
ivanlppublished a new post: horror-horror
2017/06/29 10:52:36
| parent author | |
| parent permlink | art |
| author | ivanlp |
| permlink | horror-horror |
| title | Horror Horror |
| body | I played synthesizers and samplers in this soundtrack. https://vimeo.com/158735769 |
| json metadata | {"tags":["art","videoart"],"links":["https://player.vimeo.com/video/158735769"],"app":"steemit/0.1","format":"markdown"} |
| Transaction Info | Block #13242592/Trx 58116e9260b37407a0ee877ebb1b9d6d178032d3 |
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}2017/06/29 10:44:12
2017/06/29 10:44:12
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2017/06/29 10:43:57
| voter | ivanlp |
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2017/06/29 10:43:57
| parent author | |
| parent permlink | art |
| author | ivanlp |
| permlink | crapola |
| title | Crapola |
| body | I made the sound design for this film made with printers and scanners. https://vimeo.com/131692492 |
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}ivanlpupvoted (100.00%) @marinauzelac / monochrome-thursday2017/06/29 10:37:12
ivanlpupvoted (100.00%) @marinauzelac / monochrome-thursday
2017/06/29 10:37:12
| voter | ivanlp |
| author | marinauzelac |
| permlink | monochrome-thursday |
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}ivanlpupvoted (100.00%) @marinauzelac / steemit-portrait-photography-contest-musician-portrait2017/06/29 10:36:51
ivanlpupvoted (100.00%) @marinauzelac / steemit-portrait-photography-contest-musician-portrait
2017/06/29 10:36:51
| voter | ivanlp |
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| permlink | steemit-portrait-photography-contest-musician-portrait |
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}ivanlpupvoted (100.00%) @ivanlp / human-and-nonhuman-agency2017/06/29 10:31:42
ivanlpupvoted (100.00%) @ivanlp / human-and-nonhuman-agency
2017/06/29 10:31:42
| voter | ivanlp |
| author | ivanlp |
| permlink | human-and-nonhuman-agency |
| weight | 10000 (100.00%) |
| Transaction Info | Block #13242174/Trx 2828672b9e0822d3c4c5e10b9bbe6791a064b1d2 |
View Raw JSON Data
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}ivanlppublished a new post: human-and-nonhuman-agency2017/06/29 10:31:42
ivanlppublished a new post: human-and-nonhuman-agency
2017/06/29 10:31:42
| parent author | |
| parent permlink | art |
| author | ivanlp |
| permlink | human-and-nonhuman-agency |
| title | Human and Nonhuman Agency |
| body | art project based on google maps' glitches                         |
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}divilatireplied to @ivanlp / re-ivanlp-reflejo-20170629t100626923z2017/06/29 10:06:27
divilatireplied to @ivanlp / re-ivanlp-reflejo-20170629t100626923z
2017/06/29 10:06:27
| parent author | ivanlp |
| parent permlink | reflejo |
| author | divilati |
| permlink | re-ivanlp-reflejo-20170629t100626923z |
| title | |
| body | Quality content. Keep it up. Followed! |
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}cheetahreplied to @ivanlp / cheetah-re-ivanlpreflejo2017/06/29 10:03:06
cheetahreplied to @ivanlp / cheetah-re-ivanlpreflejo
2017/06/29 10:03:06
| parent author | ivanlp |
| parent permlink | reflejo |
| author | cheetah |
| permlink | cheetah-re-ivanlpreflejo |
| title | |
| body | Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in: https://medium.com/@vertigens/reflejo-9e2287a037b9 |
| json metadata | |
| Transaction Info | Block #13241602/Trx 63a1d50d7921db9f2059e216755d3736188380e1 |
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"body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttps://medium.com/@vertigens/reflejo-9e2287a037b9",
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}2017/06/29 10:02:57
2017/06/29 10:02:57
| voter | cheetah |
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| weight | 100 (1.00%) |
| Transaction Info | Block #13241599/Trx a94cb98bc07c1871cd19fc64dee4ddec11f2a68d |
View Raw JSON Data
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}2017/06/29 10:01:39
2017/06/29 10:01:39
| voter | ivanlp |
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View Raw JSON Data
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}2017/06/29 10:01:39
2017/06/29 10:01:39
| parent author | |
| parent permlink | arte |
| author | ivanlp |
| permlink | reflejo |
| title | REFLEJO |
| body | <html> <p><img src="https://cdn-images-1.medium.com/max/800/1*vHShWaO8-NaaEk5oEwPB1w.jpeg" width="800" height="600"/></p> <p>Todo lo reflexible desaparece. No vemos el espejo, solamente lo que en él se refleje. Si el espejo está sucio, vemos la suciedad sobre él depositada y no vemos muy bien las imágenes reflejadas. Cuanto más impura y opaca la superficie, más identidad ella gana. Toda la superficie, sin embargo, refleja de algún modo la luz, o no seríamos capaces de verla. Hay algo de reflejado, y de invisible por lo tanto, en todo lo que vemos: aquello que es reflejado, la luz que abre los objetos a la mirada y a las relaciones con otros objetos. Si todas las cosas se reflejasen como espejos, viviríamos en un mundo de relaciones ininterrumpidas: todo remitiría a todo, como cuando ponemos un espejo delante de otro (¡qué monótono sería!). La identidad de un objeto depende antes que nada de su opacidad. Es ella la que lo separa de los demás y guarda para sí sus propiedades. Llamamos un fieltro de fieltro por lo que en el no refleja (o se convertiría en un espejo, un cristal idéntico a los demás). Lo que vemos de fieltro en el fieltro es un grado determinado de incapacidad para reflejar, un coeficiente de opacidad que llamamos fieltro. Si pudiéramos hacer un índice de la visibilidad, escalonándola, estaríamos de acuerdo en que el fieltro parece menos visible que los metales, que parecen menos visibles que los espejos, que parecen menos visibles que la luz del sol y así sucesivamente. La escala de visibilidad seria, por lo tanto, inversa a de las propiedades. Cuanto más reflejos, menos propiedades tiene un objeto, menos se distingue de los demás. La conclusión a la que llegamos tiene sabor de paradoja: cuanto mayor el número de reflejos, más relaciones un objeto produce y cuantas más relaciones, más semejante se convierte. <br> Tres modos de invisibilidad: a) totalmente reflectante (nunca vemos los propios espejos, solamente las imágenes reflejadas); b) nada reflectante (objetos absolutamente opacos, como los agujeros negros, absorben enteramente la señal luminosa); c) transparencia.</p> <p>Cuyo, Nuno Ramos, Pag. 49</p> <p>Traducción: Ivan LP</p> <p><br></p> </html> |
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}ivanlpupdated their account properties2017/06/29 09:58:54
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2017/06/29 09:58:54
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}ivanlpupdated their account properties2017/06/29 09:57:27
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2017/06/29 09:57:27
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}ivanlpupdated their account properties2017/06/29 09:57:12
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2017/06/29 09:57:12
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}2017/06/29 09:56:36
2017/06/29 09:56:36
| parent author | ivanlp |
| parent permlink | capitulo-i-como-desaparecer |
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| permlink | cheetah-re-ivanlpcapitulo-i-como-desaparecer |
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| body | Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in: https://medium.com/@vertigens/como-desaparecer-9aa304e69678 |
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}cheetahupvoted (1.00%) @ivanlp / capitulo-i-como-desaparecer2017/06/29 09:56:30
cheetahupvoted (1.00%) @ivanlp / capitulo-i-como-desaparecer
2017/06/29 09:56:30
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}ivanlpupvoted (100.00%) @ivanlp / capitulo-i-como-desaparecer2017/06/29 09:55:21
ivanlpupvoted (100.00%) @ivanlp / capitulo-i-como-desaparecer
2017/06/29 09:55:21
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}ivanlppublished a new post: capitulo-i-como-desaparecer2017/06/29 09:55:21
ivanlppublished a new post: capitulo-i-como-desaparecer
2017/06/29 09:55:21
| parent author | |
| parent permlink | arte |
| author | ivanlp |
| permlink | capitulo-i-como-desaparecer |
| title | CAPÍTULO I - COMO DESAPARECER |
| body | Este manual publicado originalmente pela editora Kayfa Ta e escrito por Haytham EI-Wardany, apresenta uma série de exercícios auditivos (em sete capítulos) aos leitores, com o objetivo de ensinar como desaparecer, reaparecer, participar de um grupo, deixar um grupo e outras habilidades necessárias. CAPÍTULO I - COMO DESAPARECER Procure um local público como um café, jardim ou praça e sente-se sozinho. Tente mudar o foco dos pensamentos da sua mente para os sons do espaço que o cerca. Preste atenção nos sons que chegam aos seus ouvidos, som por som, sem dar mais significância a um som em detrimento de qualquer outro. Contemple as formas e as texturas dos sons que você agora ouve. Quando ouvir a voz de um transeunte, contemple o tom e a profundidade do tom dessa voz e não apenas o significado das palavras. Quando o som perturbador de um carro passando chegar aos seus ouvidos, contemple o som áspero do motor e o espectro sônico que reverbera. Quando ouvir o som vindo de um rádio distante, não foque meramente na voz da cantora ou no nome da música, mas ao contrário, contemple a clareza de sua frequência e ouça a sua estática. Impeça que esses sons formem uma hierarquia; impeça que eles ocupem o primeiro plano ou se retirem para o fundo. Lembre que você deve colocar todos os sons na mesma distância de você. Você vai perceber que a grande dificuldade é se concentrar puramente nos sons. Os pensamentos, impressões e memórias que esses sons conjuram irão persistentemente tirar a sua concentração, levando os sons para o fundo. Faça esforços substanciais para focar nos sons que emergem no momento presente, pois sua missão é apenas ouvi-los e não pensar sobre os seus significados. Ao passar do tempo e com atenção no que ouve, você vai descobrir um número cada vez maior de detalhes sônicos ao seu redor. Cada um desses detalhes vai te levar a outro; cada som vai te levar a um outro som na vizinhança deste. Ao chegar neste ponto, você vai perceber que a sua voz interior vai diminuindo gradativamente conforme você vai mergulhando nesse ambiente sônico. Quando finalmente for bem sucedido em ouvir o lugar em sua totalidade, você perceberá que a distância entre você e os sons do espaço diminuiu, e você se tornou parte do lugar. Você vai perceber que ninguém a sua volta nota a sua presença; todos vão passar sem vê-lo. - Tradução: Ivan LP |
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"body": "Este manual publicado originalmente pela editora Kayfa Ta e escrito por Haytham EI-Wardany, apresenta uma série de exercícios auditivos (em sete capítulos) aos leitores, com o objetivo de ensinar como desaparecer, reaparecer, participar de um grupo, deixar um grupo e outras habilidades necessárias.\n\nCAPÍTULO I - COMO DESAPARECER\n\nProcure um local público como um café, jardim ou praça e sente-se sozinho.\n\nTente mudar o foco dos pensamentos da sua mente para os sons do espaço que o cerca.\n\nPreste atenção nos sons que chegam aos seus ouvidos, som por som, sem dar mais significância a um som em detrimento de qualquer outro.\n\nContemple as formas e as texturas dos sons que você agora ouve. Quando ouvir a voz de um transeunte, contemple o tom e a profundidade do tom dessa voz e não apenas o significado das palavras. Quando o som perturbador de um carro passando chegar aos seus ouvidos, contemple o som áspero do motor e o espectro sônico que reverbera. Quando ouvir o som vindo de um rádio distante, não foque meramente na voz da cantora ou no nome da música, mas ao contrário, contemple a clareza de sua frequência e ouça a sua estática.\n\nImpeça que esses sons formem uma hierarquia; impeça que eles ocupem o primeiro plano ou se retirem para o fundo. Lembre que você deve colocar todos os sons na mesma distância de você.\n\nVocê vai perceber que a grande dificuldade é se concentrar puramente nos sons. Os pensamentos, impressões e memórias que esses sons conjuram irão persistentemente tirar a sua concentração, levando os sons para o fundo. Faça esforços substanciais para focar nos sons que emergem no momento presente, pois sua missão é apenas ouvi-los e não pensar sobre os seus significados.\n\nAo passar do tempo e com atenção no que ouve, você vai descobrir um número cada vez maior de detalhes sônicos ao seu redor. Cada um desses detalhes vai te levar a outro; cada som vai te levar a um outro som na vizinhança deste. Ao chegar neste ponto, você vai perceber que a sua voz interior vai diminuindo gradativamente conforme você vai mergulhando nesse ambiente sônico.\n\nQuando finalmente for bem sucedido em ouvir o lugar em sua totalidade, você perceberá que a distância entre você e os sons do espaço diminuiu, e você se tornou parte do lugar. Você vai perceber que ninguém a sua volta nota a sua presença; todos vão passar sem vê-lo.\n\n-\n\nTradução: Ivan LP",
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}ivanlpupdated their account properties2017/06/29 09:41:24
ivanlpupdated their account properties
2017/06/29 09:41:24
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"profile_image": "http://i.imgur.com/bosFE99.jpg",
"name": "Ivan LP",
"location": "Madrid",
"website": "https://www.goodreads.com/user/show/15071551-ivan-lp",
"about": "Rio de Janeiro > Madrid"
}
}
}Auth Keys
Owner
Single Signature
Public Keys
STM6XQKs6TXCbjgwecU5nBtAvtUMioAgnW7Q68wHjFAV9nJL75fB71/1
Active
Single Signature
Public Keys
STM568xnbsLrruPNtv4yetCBy7UJ1i6HTT4fThmYj2d5mEeyXJmxt1/1
Posting
Single Signature
Public Keys
STM7JHakj7VyDaoCs95jTEanQsXSMTBRmNxXzVJDPnkAaonFqEUST1/1
Memo
STM8koxTpReLFmbGuc4RKAW2ZvR6fmffvCApGwqKzWuATBts8d32A
{
"owner": {
"weight_threshold": 1,
"account_auths": [],
"key_auths": [
[
"STM6XQKs6TXCbjgwecU5nBtAvtUMioAgnW7Q68wHjFAV9nJL75fB7",
1
]
]
},
"active": {
"weight_threshold": 1,
"account_auths": [],
"key_auths": [
[
"STM568xnbsLrruPNtv4yetCBy7UJ1i6HTT4fThmYj2d5mEeyXJmxt",
1
]
]
},
"posting": {
"weight_threshold": 1,
"account_auths": [],
"key_auths": [
[
"STM7JHakj7VyDaoCs95jTEanQsXSMTBRmNxXzVJDPnkAaonFqEUST",
1
]
]
},
"memo": "STM8koxTpReLFmbGuc4RKAW2ZvR6fmffvCApGwqKzWuATBts8d32A"
}Witness Votes
0 / 30
No active witness votes.
[]