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      "author": "iceartz",
      "body": "Hey everyone! Long time no see! I'm back again with another drawing breakdown. This time, we're going to be breaking down a colored piece I did for my drawing class. The assignment was to draw a plate of pastries using pastels. First we were required to do a smaller gray-toned version in charcoal as a tone study, then we had to mimic those tones in our colors for the final piece. This is my result:\n\n![naftzgerm_4_pb2.jpg](https://steemitimages.com/DQmWUvHtRMpJuxt1ovoJsw3jc1g7At1qy3kGqPDRbFggSA8/naftzgerm_4_pb2.jpg)\n\nSo, let's get started!\n\n<b>STAGE 1 - COLOR AND TONE STUDIES</b>\n![pastries.jpg](https://steemitimages.com/DQmZyAibtdJoMMHtiE6nsoFWao8m81zmj3et1xcfYY63u5W/pastries.jpg)\n![naftzgerm_bw4_pb1.jpg](https://steemitimages.com/DQmNyxVKMDbn23rJtsFe1TZQqHrMT8Z7BG6H3Nf8t7WyJyG/naftzgerm_bw4_pb1.jpg)\n![naftzgerm_et4_pb1old2.jpg](https://steemitimages.com/DQmPtYMeQHgtT1QujQ4NHCEM9Rus3ozBrrkeMbdZ4E49wUm/naftzgerm_et4_pb1old2.jpg)\n\nBefore starting on the actual piece, we were instructed to make miniature earth-toned color and tone studies for our drawings. Above is the original reference photo, plus two different studies done on 10 x 12 inch gray-toned paper with a 1 inch boarder. These studies didn't have to be exact, but the idea was to first do a black and white charcoal tone study and then mimic those tones using earth-toned pastels. This would help us better plan out and visualize what colors should be used in the final full-colored piece.\n\n<b>STAGE 2 - BEGINNING</b>\n![naftzgerm_1_pb2.jpg](https://steemitimages.com/DQmZG72AL98QtahjVCU9PfzPtYEKy8oSqshFRmFNfXDtsBT/naftzgerm_1_pb2.jpg)\n\nHere is where the real drawing begins! Using 18 x 24 inch gray-toned paper, I began drawing out the basic shapes of everything in the piece, making precise measurements to ensure everything is in its accurate scale and proportions. I even included a horizon line as reference to make sure my perspective was accurate. Much like my  <a href=\"https://steemit.com/art/@iceartz/drawing-breakdown-spheres-and-cylinders-charcoal-on-paper\">\"Spheres and Cylinders\" breakdown</a> I did previously, I used the following technique to draw ellipses like the cupcakes, pies, and plate in this 3D space: \n![Drawing an elipse in 3D space.png](https://steemitimages.com/DQmQhzi18r5soQXnkvbYwvNWum7ckbomnKrXAeiDuvzTo7E/Drawing%20an%20elipse%20in%203D%20space.png)\n\n<b>STAGE 3 - FORMULATING</b>\n![naftzgerm_2_pb2.jpg](https://steemitimages.com/DQmXswAXjPXZzGuGoTCvttZ6qkfdKYhwtYKgYGqtYysT4dM/naftzgerm_2_pb2.jpg)\n\nAfter planning out all of my basic structures and measurements, I began going in and detailing and refining my sketch to be clean and ready for coloring and shading.\n\n<b>STAGE 4 - DEFINING</b>\n![naftzgerm_3_pb2.jpg](https://steemitimages.com/DQmUehpiRVCys2tfYbdLXBF25GsHMhnoV2yxJ4gRqGcCkvW/naftzgerm_3_pb2.jpg)\n\nThis is the stage where I started laying out my base colors. The defining stage starts to give the objects more dimension, but texturing is limited. The main idea is to get your basic colors and structures into a 3D and colored form. You can worry about details in the next step!\n\n<b>STAGE 5 - REFINING</b>\n![naftzgerm_4_pb2.jpg](https://steemitimages.com/DQmWUvHtRMpJuxt1ovoJsw3jc1g7At1qy3kGqPDRbFggSA8/naftzgerm_4_pb2.jpg)\n\nRefining is the final step of the process. it's exactly as it sounds. After defining my 3D shapes to have the colors and lighting I was looking for, I went in and began adding smaller details, like textures, highlights, and small color adjustments. This also includes darkening shadows, exaggerating lighting, and making any minor adjustments wherever they're due. This is the longest step of the process, because an artist can find theirself continuously detailing a piece for hours! It all depends on when you feel you're ready to stop.\n\nAnyway, that's it for this blog entry. If you enjoyed it, don't forget to toss me an upvote, and feel free to follow me for more content like this! If you have any questions, ask below and I'll answer as soon as I can. \n\nSee ya! <3",
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      "body": "Hey everyone! Long time no see! I'm back again with another drawing breakdown. This time, we're going to be breaking down a colored piece I did for my drawing class. The assignment was to draw a plate of pastries using pastels. First we were required to do a smaller gray-toned version in charcoal as a tone study, then we had to mimic those tones in our colors for the final piece. This is my result:\n\n![naftzgerm_4_pb2.jpg](https://steemitimages.com/DQmWUvHtRMpJuxt1ovoJsw3jc1g7At1qy3kGqPDRbFggSA8/naftzgerm_4_pb2.jpg)\n\nSo, let's get started!\n\n<b>STAGE 1 - COLOR AND TONE STUDIES</b>\n![pastries.jpg](https://steemitimages.com/DQmZyAibtdJoMMHtiE6nsoFWao8m81zmj3et1xcfYY63u5W/pastries.jpg)\n![naftzgerm_bw4_pb1.jpg](https://steemitimages.com/DQmNyxVKMDbn23rJtsFe1TZQqHrMT8Z7BG6H3Nf8t7WyJyG/naftzgerm_bw4_pb1.jpg)\n![naftzgerm_et4_pb1old2.jpg](https://steemitimages.com/DQmPtYMeQHgtT1QujQ4NHCEM9Rus3ozBrrkeMbdZ4E49wUm/naftzgerm_et4_pb1old2.jpg)\n\nBefore starting on the actual piece, we were instructed to make miniature earth-toned color and tone studies for our drawings. Above is the original reference photo, plus two different studies done on 10 x 12 inch gray-toned paper with a 1 inch boarder. These studies didn't have to be exact, but the idea was to first do a black and white charcoal tone study and then mimic those tones using earth-toned pastels. This would help us better plan out and visualize what colors should be used in the final full-colored piece.\n\n<b>STAGE 2 - BEGINNING</b>\n![naftzgerm_1_pb2.jpg](https://steemitimages.com/DQmZG72AL98QtahjVCU9PfzPtYEKy8oSqshFRmFNfXDtsBT/naftzgerm_1_pb2.jpg)\n\nHere is where the real drawing begins! Using 18 x 24 inch gray-toned paper, I began drawing out the basic shapes of everything in the piece, making precise measurements to ensure everything is in its accurate scale and proportions. I even included a horizon line as reference to make sure my perspective was accurate. Much like my  <a href=\"https://steemit.com/art/@iceartz/drawing-breakdown-spheres-and-cylinders-charcoal-on-paper\">\"Spheres and Cylinders\" breakdown</a> I did previously, I used the following technique to draw ellipses like the cupcakes, pies, and plate in this 3D space: \n![Drawing an elipse in 3D space.png](https://steemitimages.com/DQmQhzi18r5soQXnkvbYwvNWum7ckbomnKrXAeiDuvzTo7E/Drawing%20an%20elipse%20in%203D%20space.png)\n\n<b>STAGE 3 - FORMULATING</b>\n![naftzgerm_2_pb2.jpg](https://steemitimages.com/DQmXswAXjPXZzGuGoTCvttZ6qkfdKYhwtYKgYGqtYysT4dM/naftzgerm_2_pb2.jpg)\n\nAfter planning out all of my basic structures and measurements, I began going in and detailing and refining my sketch to be clean and ready for coloring and shading.\n\n<b>STAGE 4 - DEFINING</b>\n![naftzgerm_3_pb2.jpg](https://steemitimages.com/DQmUehpiRVCys2tfYbdLXBF25GsHMhnoV2yxJ4gRqGcCkvW/naftzgerm_3_pb2.jpg)\n\nThis is the stage where I started laying out my base colors. The defining stage starts to give the objects more dimension, but texturing is limited. The main idea is to get your basic colors and structures into a 3D and colored form. You can worry about details in the next step!\n\n<b>STAGE 5 - REFINING</b>\n![naftzgerm_4_pb2.jpg](https://steemitimages.com/DQmWUvHtRMpJuxt1ovoJsw3jc1g7At1qy3kGqPDRbFggSA8/naftzgerm_4_pb2.jpg)\n\nRefining is the final step of the process. it's exactly as it sounds. After defining my 3D shapes to have the colors and lighting I was looking for, I went in and began adding smaller details, like textures, highlights, and small color adjustments. This also includes darkening shadows, exaggerating lighting, and making any minor adjustments wherever they're due. This is the longest step of the process, because an artist can find theirself continuously detailing a piece for hours! It all depends on when you feel you're ready to stop.\n\nAnyway, that's it for this blog entry. If you enjoyed it, don't forget to toss me an upvote, and feel free to follow me for more content like this! If you have any questions, ask below and I'll answer as soon as I can. \n\nSee ya! <3",
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      "title": "Drawing Breakdown: Pastel Pastries! (Pastels on Toned Paper)"
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      "author": "iceartz",
      "body": "@@ -3388,20 +3388,8 @@\n ing \n-for looking \n for,\n",
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      "body": "Hey everyone! Long time no see! I'm back again with another drawing breakdown. This time, we're going to be breaking down a colored piece I did for my drawing class. The assignment was to draw a plate of pastries using pastels. First we were required to do a smaller gray-toned version in charcoal as a tone study, then we had to mimic those tones in our colors for the final piece. This is my result:\n\n![naftzgerm_4_pb2.jpg](https://steemitimages.com/DQmWUvHtRMpJuxt1ovoJsw3jc1g7At1qy3kGqPDRbFggSA8/naftzgerm_4_pb2.jpg)\n\nSo, let's get started!\n\n<b>STAGE 1 - COLOR AND TONE STUDIES</b>\n![pastries.jpg](https://steemitimages.com/DQmZyAibtdJoMMHtiE6nsoFWao8m81zmj3et1xcfYY63u5W/pastries.jpg)\n![naftzgerm_bw4_pb1.jpg](https://steemitimages.com/DQmNyxVKMDbn23rJtsFe1TZQqHrMT8Z7BG6H3Nf8t7WyJyG/naftzgerm_bw4_pb1.jpg)\n![naftzgerm_et4_pb1old2.jpg](https://steemitimages.com/DQmPtYMeQHgtT1QujQ4NHCEM9Rus3ozBrrkeMbdZ4E49wUm/naftzgerm_et4_pb1old2.jpg)\n\nBefore starting on the actual piece, we were instructed to make miniature earth-toned color and tone studies for our drawings. Above is the original reference photo, plus two different studies done on 10 x 12 inch gray-toned paper with a 1 inch boarder. These studies didn't have to be exact, but the idea was to first do a black and white charcoal tone study and then mimic those tones using earth-toned pastels. This would help us better plan out and visualize what colors should be used in the final full-colored piece.\n\n<b>STAGE 2 - BEGINNING</b>\n![naftzgerm_1_pb2.jpg](https://steemitimages.com/DQmZG72AL98QtahjVCU9PfzPtYEKy8oSqshFRmFNfXDtsBT/naftzgerm_1_pb2.jpg)\n\nHere is where the real drawing begins! Using 18 x 24 inch gray-toned paper, I began drawing out the basic shapes of everything in the piece, making precise measurements to ensure everything is in its accurate scale and proportions. I even included a horizon line as reference to make sure my perspective was accurate. much like my  <a href=\"https://steemit.com/art/@iceartz/drawing-breakdown-spheres-and-cylinders-charcoal-on-paper\">\"Spheres and Cylinders\" breakdown</a> I did previously, I used the following technique to draw ellipses like the cupcakes, pies, and plate in this 3D space: \n![Drawing an elipse in 3D space.png](https://steemitimages.com/DQmQhzi18r5soQXnkvbYwvNWum7ckbomnKrXAeiDuvzTo7E/Drawing%20an%20elipse%20in%203D%20space.png)\n\n<b>STAGE 3 - FORMULATING</b>\n![naftzgerm_2_pb2.jpg](https://steemitimages.com/DQmXswAXjPXZzGuGoTCvttZ6qkfdKYhwtYKgYGqtYysT4dM/naftzgerm_2_pb2.jpg)\n\nAfter planning out all of my basic structures and measurements, I began going in and detailing and refining my sketch to be clean and ready for coloring and shading.\n\n<b>STAGE 4 - DEFINING</b>\n![naftzgerm_3_pb2.jpg](https://steemitimages.com/DQmUehpiRVCys2tfYbdLXBF25GsHMhnoV2yxJ4gRqGcCkvW/naftzgerm_3_pb2.jpg)\n\nThis is the stage where I started laying out my base colors. The defining stage starts to give the objects more dimension, but texturing is limited. The main idea is to get your basic colors and structures into a 3D and colored form. You can worry about details in the next step!\n\n<b>STAGE 5 - REFINING</b>\n![naftzgerm_4_pb2.jpg](https://steemitimages.com/DQmWUvHtRMpJuxt1ovoJsw3jc1g7At1qy3kGqPDRbFggSA8/naftzgerm_4_pb2.jpg)\n\nRefining is the final step of the process. it's exactly as it sounds. After defining my 3D shapes to have the colors and lighting I was looking for looking for, I went in and began adding smaller details, like textures, highlights, and small color adjustments. This also includes darkening shadows, exaggerating lighting, and making any minor adjustments wherever they're due. This is the longest step of the process, because an artist can find theirself continuously detailing a piece for hours! It all depends on when you feel you're ready to stop.\n\nAnyway, that's it for this blog entry. If you enjoyed it, don't forget to toss me and upvote, and feel free to follow me for more content like this! If you have any questions, ask below and I'll answer as soon as I can. \n\nSee ya! <3",
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      "body": "Hey everybody! Long time no see! I'm back again with another charcoal drawing done as an assignment for school. The assignment was to make a composition out of various spheres and cylinders with visible ellipses. The piece was done on 18\" x 24\" gray-toned paper using black and white charcoal. Here is the result:\n\n![naftzgerm_4_ex4.jpg](https://steemitimages.com/DQmSNP6dV9PrJJQo9A642WCnnBvo4UNQCLeDNXvn1qyNNrH/naftzgerm_4_ex4.jpg)\n\nLet's get started!\n\n<b>STAGE 1 - BEGINNING</b>\n![naftzgerm_1_ex4.jpg](https://steemitimages.com/DQmSBWsn699N2auHrtHyr9BwGHLNca5UNznwvdjwq3W88vP/naftzgerm_1_ex4.jpg)\n\nThis is where I began roughing out my drawing. I had to get a general feel for where objects are placed, as well as their scale and proportions. I also used a ruler to created accurate measurements for the various objects I drew. \n\nHere is a quick diagram showing how to draw proper foreshortening on circles in a 3D space:\n![Drawing an elipse in 3D space.png](https://steemitimages.com/DQmQhzi18r5soQXnkvbYwvNWum7ckbomnKrXAeiDuvzTo7E/Drawing%20an%20elipse%20in%203D%20space.png)\n\n<b>STAGE 2 - FORMULATING</b>\n![naftzgerm_2_ex4.jpg](https://steemitimages.com/DQmSXbh6PfTsgnwr49Cko7K1WeVVSsRMEnwRi4tpmxqrjL6/naftzgerm_2_ex4.jpg)\n\nAfter taking all measurements into consideration and roughing out my piece, I began darkening in details and cleaning up my sketch, as well as drawing out where shadows will be cast. This stage solidified my objects to prepare for shading.\n\n<b>STAGE 3 - DEFINING</b>\n![naftzgerm_3_ex4.jpg](https://steemitimages.com/DQmdQRE7bpT52N3P8zDFjcXLK9p9QZNW4vgjMJP51u9FwjR/naftzgerm_3_ex4.jpg)\n\nIn this stage, I began placing down my basic shading. Simply put, I drew in my main highlights and shadows to be detailed in the final stage of the process. The method of shading I used is called cross-hatching, where an artist uses lines to create darker values. \n\n<b>STAGE 4 - REFINING</b>\n![naftzgerm_4_ex4.jpg](https://steemitimages.com/DQmSNP6dV9PrJJQo9A642WCnnBvo4UNQCLeDNXvn1qyNNrH/naftzgerm_4_ex4.jpg)\n\nIn this final stage of the process, I darkened my values, brightened my highlights, and added in final textures and details to the piece. This final step of the process can potentially be the longest part, as the artist meticulously picks away at detail upon detail until the piece feels complete enough to present. I actually still feel I could have darkened the 8-ball a bit more in this piece, but I'm still pretty happy with the result!\n\nAnyway, I hope you enjoyed this blog! If you did, don't forget to toss me an upvote, and feel free to follow me for more posts like this one. If you have any questions, ask below and I'll answer as soon as I can!\n\nSee ya later! <3",
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