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      "body": "Sejarah Fotografi\nSejarah Fotografi dimulai pada abad ke-19. Tahun 1839 merupakan tahun awal kelahiran fotografi. Pada saat itu, di Perancis dinyatakan secara resmi bahwa fotografi adalah sebuah terobosan teknologi. Saat itu, rekaman dua dimensi seperti yang dilihat mata sudah bisa dibuat permanen.\n\nSejarah fotografi bermula jauh sebelum Masehi. Pada abad ke-5 Sebelum Masehi (SM), seorang pria bernama Mo Ti mengamati suatu gejala. Jika pada dinding ruangan yang gelap terdapat lubang kecil (pinhole), maka di bagian dalam ruang itu akan terefleksikan pemandangan di luar ruang secara terbalik lewat lubang tadi. Mo Ti adalah orang pertama yang menyadari fenomena kamera obscura. \n\nBerabad-abad kemudian, banyak yang menyadari dan mengagumi fenomena ini, sebut saja Aristoteles pada abad ke-3 SM dan seorang ilmuwan Arab Ibnu Al Haitam (Al Hazen) pada abad ke-10 SM, yang berusaha untuk menciptakan serta mengembangkan alat yang sekarang dikenal sebagai kamera. Pada tahun 1558, seorang ilmuwan Italia, Giambattista della Porta menyebut ”camera obscura” pada sebuah kotak yang membantu pelukis menangkap bayangan gambar.\n\nNama kamera obscura diciptakan oleh Johannes Kepler pada tahun 1611. Johannes Kepler membuat desain kamera portable yang dibuat seperti sebuah tenda, dan memberi nama alat tersebut kamera obscura. Didalam tenda sangat gelap kecuali sedikit cahaya yang ditangkap oleh lensa, yang membentuk gambar keadaan di luar tenda di atas selembar kertas.\n\n![gambar-kamera-obscura.jpg](https://steemitimages.com/DQmfW8FRFU27sFnWSX1BZEGp3UD35yCQsZxYZnTxAkkCTbK/gambar-kamera-obscura.jpg)\n\nBerbagai penelitian dilakukan mulai pada awal abad ke-17 ,seorang ilmuwan berkebangsaan Italia – Angelo Sala menggunakan cahaya matahari untuk merekam serangkaian kata pada pelat chloride perak. Tapi ia gagal mempertahankan gambar secara permanen. Sekitar tahun 1800, Thomas Wedgwood, seorang berkebangsaan Inggris bereksperimen untuk merekam gambar positif dari citra pada kamera obscura berlensa, hasilnya sangat mengecewakan. Humphrey Davy melakukan percobaan lebih lanjut dengan chlorida perak, tapi bernasib sama juga walaupun sudah berhasil menangkap imaji melalui kamera obscura tanpa lensa.\n\nAkhirnya, pada tahun 1824, seorang seniman lithography Perancis, Joseph-Nicephore Niepce (1765-1833), setelah delapan jam meng-exposed pemandangan dari jendela kamarnya, melalui proses yang disebutnya Heliogravure (proses kerjanya mirip lithograph) di atas pelat logam yang dilapisi aspal, berhasil melahirkan sebuah gambar yang agak kabur, berhasil pula mempertahankan gambar secara permanen. Ia melanjutkan percobaannya hingga tahun 1826, inilah yang akhirnya menjadi sejarah awal fotografi yang sebenarnya. Foto yang dihasilkan itu kini disimpan di University of Texas di Austin, AS\n\n![view_from_the_window_at_le_gras_joseph_nicc3a9phore_nic3a9pce.jpg](https://steemitimages.com/DQmPgwYxbQc8xPyUXfy4XaNEWKhmjasZxmjFqSzD3WfwFDi/view_from_the_window_at_le_gras_joseph_nicc3a9phore_nic3a9pce.jpg)\n\nPenelitian demi penelitian terus berlanjut hingga pata tanggal tanggal 19 Agustus 1839, desainer panggung opera yang juga pelukis, Louis-Jacques Mande’ Daguerre (1787-1851) dinobatkan sebagai orang pertama yang berhasil membuat foto yang sebenarnya: sebuah gambar permanen pada lembaran plat tembaga perak yang dilapisi larutan iodin yang disinari selama satu setengah jam cahaya langsung dengan pemanas merkuri (neon). Proses ini disebut daguerreotype. Untuk membuat gambar permanen, pelat dicuci larutan garam dapur dan asir suling. Januari 1839, Daguerre sebenarnya ingin mematenkan temuannya itu. Akan tetapi, Pemerintah Perancis berpikir bahwa temuan itu sebaiknya dibagikan ke seluruh dunia secara cuma-cuma\n\n![15177166-grand-format-les-premieres-photos-de-paris-au-xixe-siecle.jpg](https://steemitimages.com/DQmexySWgg669U8YWmNmbBdjgXAzCczbjARno9ovfuCKXnZ/15177166-grand-format-les-premieres-photos-de-paris-au-xixe-siecle.jpg)\n\nFotografi kemudian berkembang dengan sangat cepat. Melalui perusahaan Kodak Eastman, George Eastman mengembangkan fotografi dengan menciptakan serta menjual roll film dan kamera boks yang praktis, sejalan dengan perkembangan dalam dunia fotografi melalui perbaikan lensa, shutter, film dan kertas foto.\n\nTahun 1950, untuk memudahkan pembidikan pada kamera Single Lens Reflex maka mulailah digunakan prisma (SLR), dan Jepang pun mulai memasuki dunia fotografi dengan produksi kamera Nikon yang kemudian disusul dengan Canon. Tahun 1972 kamera Polaroid temuan Edwin Land mulai dipasarkan. Kamera Polaroid mampu menghasilkan gambar tanpa melalui proses pengembangan dan pencetakan film",
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      "body": "![LOUIS-JACQUES-MONDE-DA-GUERRE-EDWIN-LAND.jpg](https://steemitimages.com/DQmUfUixTbr3qKhGkQXjoV6vZPM7kzcNmVF6RXpTJ6QEENk/LOUIS-JACQUES-MONDE-DA-GUERRE-EDWIN-LAND.jpg)\n\nCameras from year to year continue to experience developments along with more sophisticated technology. It used to be when it was first discovered that the shape of the camera that serves to capture and produce this image is still very large and still difficult to operate but along with the times, the camera model is now more sophisticated and there is a large and also small and very easy to use. This time we will discuss about the history of camera discovery as well as profiles and inventors of the Camera namely Louis Jacques Monde Da Guerre and Edwin Land.\n\n• Louis Jacques Monde Da Guerre\nLouis Jacques Monde da Guerre was born in France, on November 18, 1787. Louis is a French artist and chemist. Louis was a young artist in the arts. He became famous since his discovery of the Daguerreotype photography process.\nInventor, Camera, Louis Jacques Monde Da Guerre In his mid-thirties, he has succeeded in designing a diagram, a line of landscape paintings that can show beautiful looking paintings with the help of light effects. He began to develop a way to automatically re-paint the scene without using brush and paint.\n\nLouis had failed in the first draft, he began experimenting to create images in 1824 and showed the diorama in France, England and Scotland. He had opened the Diorama in Paris in 1822, an exhibition display images with various effects caused by changes in light.\n\nREAD: Inventor Mobile - Martin Cooper\nIn 1827 Louis met with Joseph Nicephore Niepce who was making a camera with the first photo work in 1826, but the picture is still blurred. Louis entered into cooperation in 1829 to develop the camera, but in 1833 Niepce died. He succeeded in creating a practical system of photography called daguerreotype.\n\nDaguerreotype is the method of making the first photo published in the world. This method was invented in 1834 by Louis and Niepce. The resulting image of the Daguerrotype system is made of amalgam or a mixture of silver and mercury. Mercury vapor produced from heated mercury pools is used to develop copper plates with a thin silver coating that is rolled in contact.\n\n\n \nBut the image of the Daguerrotype system is easily erased by air and fingers, so it is done in a closed room and the result is inserted into the glass frame. The results of the image can be copied again with the original redaguerrotype. Louis continued his research by experimenting with chemicals and mechanical processes in recording images by coating copper and silver plates.\n\nIn 1835, he had found a way to develop the images for 30 minutes, so as to improve the resulting image. This method is able to prevent the embezzlement of silver plate used. In 1837, he managed to perfect from the process of exposure to fixation.\nThe French government rewards Louis and the Niepce family for a lifetime pension. Louis died in Brysur Marne, France, on July 10, 1851, at the age of 63 years.",
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      "author": "fachrizikrillah",
      "body": "thanks",
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      "body": "I learn well.\nI will wait for good skills next time.",
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      "body": "Lighting is a very vital thing in photography, so you can better understand the various lighting techniques, please read the explanation of each technique below.\n\n- Daylight\n\nDaylight and sunlight are not constant sources of light, because they change according to the clock and weather, season, location, and latitude. The color of sunlight changes most rapidly at the extreme end of the day at dawn and dusk. Strong color changes also occur during storms, fogs, and on winter days. The quality of sunlight depends on strength and direction. The strong direct sunlight produces a \"hard\" light as it produces a dark, clear shadow with a strong image of shape. Sunlight is the most difficult lighting on clear summer days during the day. The strong sunlight makes the stronger color more brilliant, but the pale color becomes weak.\n\n![IMG_1081.JPG](https://steemitimages.com/DQmVa7P4X9maCrpoqpwx5DYL8UWKdYZiFegjLS3eAzJqiUh/IMG_1081.JPG)\n\n- frontlight\n\nThe type of lighting created when the cahya source is behind the photographer is called the front light. Lighting over your shoulders is probably your first photography lighting technique. This seems to be a universal recipe to produce good photography. However, the case against lighting on the shoulder that produces a flat effect, does not show details or give a deep impression. Therefore, to give the impression of shape, depth, and texture on the subject, ideally you should have light coming from the side or at least from the angle.\n\n![Teknik Pencahayaan (Lighting) Dalam Fotografi.jpg](https://steemitimages.com/DQmT4Bpq99nn92xj1bq8oWHmwsXZu3sPXAyBcUKT1R4AV4q/Teknik%20Pencahayaan%20(Lighting)%20Dalam%20Fotografi.jpg)\n\n- sidelight\n\nSide light is very important in black and white photography that relies on gray, not color, to capture the subject. Shadows caused by the illumination from the side reveal details that can make photos interesting from the mediocre. This applies to color photos as well. Color gives the appearance of additional information about the subject that can make up for the deficiencies when the photo with the front light. Images created with side light usually have a hard shadow and contrast. To lighten the shadows and reduce the contrast, you may want to use some kind of reflector or use the flash.\n\n- backlight\n\nWhen the light source is in front of the photographer, coming directly to the camera, you have what is called a back light; that is, the subject is backlit. This type of lighting is very effective for someone's photo outdoors in bright sunlight. In bright sunlight, when subjects are illuminated from the front or side, they may be uncomfortable and squint. Back light helps to eliminate this problem. Back light may also require the use of a reflector or flash to brighten dark shadows and enhance the subject's details. Back light is also used to produce silhouette effect.\n\nIf you use a back light, avoid sunlight from falling directly onto the lens (except for special effects). A lens hood or some other way of shading the lens should be used to prevent lens flares.\n\n- Existing Light\n\nSometimes also called available light or natural light photography, is the creation of images with light that happen to be on the scene. These include light from tables, floors, ceiling lights, fluorescent lights, windows, candles, automatic mobile lights, and other types of light. With the existing light, photographers have the opportunity to create creative and dramatic images. Existing light allows freedom of movement for the photographer because additional lighting equipment is not required. Subject distance, when not using flash, does not affect exposure / exposure. For existing light photos, your camera should be equipped with a fast lens of at least f / 2.8, but preferably about f / 1.4. The camera shutter should have a B or T setting, and for exposures of over 1/60 sec, you need a tripod or something else to support the camera.\n\n![Unknown.jpg](https://steemitimages.com/DQmSCG3pg2WjE5fyYbofLDTK7JbFYmQnAjEpHRxw1P6DQzb/Unknown.jpg)\n\n- Outdoor Photos at Night\n\nA good time to create colorful outdoor night photos is before it gets really dark. At this moment, some blue (or even orange) is in the sky. This deep color in dusk provides a dramatic background for your photos. Many buildings look rather ordinary during the day, but at night, they often look attractive. Try shooting hangars at night, with the lights on and the hangar open.",
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      "body": "![alex-frans-mendur-234999_560x420.jpg](https://steemitimages.com/DQme6AxgcmTmHbYQPAPj7k8mVuNSs7MMNHa3XGgGyv23ZGG/alex-frans-mendur-234999_560x420.jpg)\n\nThe entry of photography in Indonesia began in 1840 by Louis Jaques Mande Daquerre) when a medical officer Jurrian Munnich who came from the land of the windmills to bring photography to the first earth in the land. According to Anneke Groeneveld in the book \"Toekang Portrait\" (Fragmen Uitgeverij, Amsterdam and Museum voor Volkenkunde, Rotterdam, 1989), Jurrian Munnich was sent by the Dutch Colonies for the information objects in Central Java. Historically it wrote \"Kali Madioen\" to be one of Munnich's most successful photographs at the time (though the photos he made were very blurred). After that the assignment was forwarded to Adolph Schaefer who arrived in Batavia (currently named Jakarta) in 1844. Schaefer also managed to photograph objects such as photographs of Hindu-Javanese statues and photographs of Borobudur Temple. Until the presence of two brothers of British nationality named Albert Walter Woodbury and James Page to the country in 1857 became the starting point of the complete history of documentation of Indonesia. Photo recording (carte de-visite) recordings of Woodbury & Page such as traditional ceremonies, inland tribes and ancient buildings in Indonesia are very loved by the children of the time.\n\n![sejarah-fotografi-indonesia.jpg](https://steemitimages.com/DQme9pWepM22DbVBnRGD8pyaYWbVAe46b8aMLRG12sTTTjQ/sejarah-fotografi-indonesia.jpg)\n\nEnchantment of Indonesia increasingly inspire the world community to stop in our archipelago especially after the publication of the novel \"Max Havelaar\" by Multatuli in 1860. Call it the name of the figure of Franz Wilhem Junghun a physicist who made about 200 photographs of flowers and stones Indonesia since 1860- 1863. Then there Isidore van Kinsbergen who replaced the task of Adolf Schaefer to photograph all the ancient objects that exist in Indonesia since 1862. Speaking of the first indigenous photographer who recorded the image of Indonesia, inevitably can not be separated from the presence of a character named Kassian Cephas. Kinsbergen's presence in Central Java attracted Cephas's interest to pursue the photographer's profession. Since Cephas was appointed by Sultan Hamengkubuwono VII as an official photographer of the Yogyakarta palace in 1870, Indonesia's stunning image is like a traditional dance, grebeg ceremony, ancient Hindu-Javanese sites and Borobudur temple in Central Java became the unforgettable traces of his work. For example, the book about the life of the palace and the community of Java, \"In den Kedaton te Jogjakarta, Oepatjara en Tooneeldansen\" (Leiden, 1888) and \"De Wajang People Pregiwa in den Kedaton Jogjakarta\" (Semarang, 1899) made by Cephas with a physicist , Isaac Groneman. The fruit of Cephas's work has finally raised the interest of indigenous peoples to study the world of photography. In 1893, Raden Ngabehi Basah Tirto Soebroto, a Javanese interpreter at the Lanraad Court of Batavia published a Malay photography tutorial \"Hikajat Ilmoe Menggambar Photographie\" (Soebroto, 1893). Until now photography in Indonesia became a book of light civilization for people who never tired to continue to perpetuate all the events that will become the history of the nation.",
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      "body": "Music concerts are exciting objects to hone our photography skills, from their dynamic nature, forcing us to quickly adapt in reading mood changes to the challenging lighting properties we have to face when setting the camera settings. For those of you who have never tried to photograph a music concert, here are some brief tips that hopefully can help to make your photo more interesting:\n\n![IMG_9839 01.jpg](https://steemitimages.com/DQmP7TMnsVGwBtwemhBQd2aCVHD3i3bYtxj1v9mLknkH1uF/IMG_9839%2001.jpg) 1/250sec. f/5.6 iso3200\nPhoto by: @fachrizikrillah\n\n- Start from a concert near your neighborhood.\nHave you ever started learning soccer and immediately dreamed of being called the national team PSSI? mystical is not it? Well this is true also in the world of music concert photography. If you are just beginning to take pictures of music concerts, start small ones first. If you happen to be a student, try to find a music event at your own school or your friend's school. If you happen to be an employee, start from an event at the office. Only then went to a larger music concert, such as a regional music contest. Do not jump too high, start small.\nLocal music events make us less nervous and help us be more familiar with the atmosphere of music concerts in general. Large-scale music concerts usually require an official photographer ID mark, so for those of you who are just starting to get hampered by it.\n\n- Recognize the order of events.\nTry before leaving, we know the outline of the arrangement of events. That way we can save energy and concentration, know when to approach the stage and when to leave it. If we know what will happen in the next few moments, our anticipation must be much better.\n\n- Packed as necessary.\nDo not bring equipment and supplies beyond what we need. You do not need to carry a tripod, no need to carry more than two lenses (even one is enough) and no need to carry a charger. The cumbersome, compact letters allow us to move agile and concentrate.\n\n- Story.\nA good photo is a photo that can tell by itself. Example: while covering rock concerts, make sure the photos can tell you that the vocalist is singing with all his strength until his neck veins go all out, while the guitarist demonstrates his ability as a substitute for Steve Vai by raising his guitar up high. Without you giving a title in the photo, people also know that the concert you are photographing is a rock concert.\n\n![IMG_9699.JPG](https://steemitimages.com/DQmTyxgXisL5vzLT77rXk3mh9pqrz3CqsNDRqXeYMHYr8H6/IMG_9699.JPG) \n1/250sec. f/5.6 iso3200\nPhoto by: @fachrizikrillah\n\n- Elevate the ISO setting.\nOften music concerts are held in buildings with minimal lighting, or even in the evenings. If the lighting on the stage is not sufficient, elevate the ISO in your DSLR settings. Despite the noise, at least the picture can be quite sharp. What is ISO?\n\n- Setting white balance in auto position.\nThe stage for music concerts is usually decorated with strikingly colorful lights to make the atmosphere dramatic. With this often changing color, I make sure you will run out of time if you want to change the white balance settings. Therefore, use the auto white balance setting in your DLSR. What is white balance?\n\n- Use the fastest lens you have.\nIf you have f / 1.4 lens use it for most of your photos. If your fastest lens has a f / 2.8 aperture, what can make this one. Photo music concerts usually rest on an interesting moment, which can only be achieved when we have enough speed. With a combination of fast lenses and high ISO (but reasonable), we can capture the good moments with a fairly sharp picture quality, which could have missed if our shutter is too slow. Recall the notion of exposure.\n\n- Do not forget the audience.\nEach song has a unique reaction to the listener, as well as the action of musicians and singers on the stage definitely raises its own reaction. Capture the audience's reaction in your catapult.\n\n- Do not forget the environment.\nDo not forget to also portray the environment around the stage, do not just fixated on the singer and his musicians only. Portrait is also when the guitar on the stem, when the drum is set, when the sound system is in the test, when the lighting guys trying to light or cable roll in the corner may also be interesting?\n\n![IMG_9994.JPG](https://steemitimages.com/DQmehrD8YPvSVPUsJmSWxaDEyGpGdjPigBgH2NWpH2993Yz/IMG_9994.JPG) 1/250sec. f/5.6 iso3200\nPhoto by: @fachrizikrillah\n\n- Recommend yourself.\nMake yourself known in the circle of concert people. Introduce yourself politely to band members, try to chat with people sound system / lighting. Recommend yourself to the organizer and also fellow photographers. Ask for an email address and send your photos to them. Who knows you will start to be well received by the people who used to be involved in concert affairs, even with the musicians as well. With so the future affairs will be much more smoothly, you will get a leak next event and more freely roam the concert stage.",
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      "body": "banyak yang dari kita belum tau siapa yang memfotoi sang proklamator ketika sedang membaca teks proklamasi, padahal kita sendiri sering melihat hasil fotonya.",
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      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttp://nirwan-hendrajat.blogspot.com/2010/05/sejarah-singkat-awal-fotografi-di.html",
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      "body": "![sejarah-fotografi-indonesia.jpg](https://steemitimages.com/DQme9pWepM22DbVBnRGD8pyaYWbVAe46b8aMLRG12sTTTjQ/sejarah-fotografi-indonesia.jpg)\n\nMasuknya fotografi di Indonesia dimulai pada tahun 1840 (setahun setelah fotografi ditemukan di Perancis tahun 1839 oleh Louis Jaques Mande Daquerre) yaitu tatkala seorang petugas medis Jurrian Munnich yang berasal dari negeri kincir angin memboyong fotografi untuk pertama kalinya di bumi pertiwi. Menurut Anneke Groeneveld yang tertuang dalam buku “Toekang Potret” (Fragment Uitgeverij, Amsterdam dan Museum voor Volkenkunde, Rotterdam, 1989), Jurrian Munnich diutus oleh Kementrian Urusan Wilayah Jajahan Belanda untuk merekam obyek di daerah Jawa Tengah. Sehingga sejarah akhirnya menulis bahwa “Kali Madioen” menjadi salah satu karya foto Munnich yang dianggap paling sukses pada saat itu (meski foto yang dibuatnya sangat kabur). Setelah itu penugasan diteruskan kepada Adolph Schaefer yang tiba di Batavia (saat ini bernama Jakarta) pada tahun 1844. Schaefer pun berhasil memotret obyek-obyek seperti foto patung Hindu-Jawa dan foto Candi Borobudur. Hingga hadirnya dua bersaudara kebangsaan Inggris yang bernama Albert Walter Woodbury dan James Page ke Tanah Air pada tahun 1857 menjadi titik terang dimulainya sejarah pendokumentasian Indonesia secara lengkap. Foto kenang-kenangan (carte de-visite) hasil rekaman Woodbury & Page seperti upacara-upacara tradisional, suku-suku pedalaman dan bangunan-bangunan kuno di Indonesia sangat digandrungi oleh para pelancong dari Eropa kala itu.\n​\n![alex-frans-mendur-234999_560x420.jpg](https://steemitimages.com/DQme6AxgcmTmHbYQPAPj7k8mVuNSs7MMNHa3XGgGyv23ZGG/alex-frans-mendur-234999_560x420.jpg)\n\nPesona Indonesia makin mengilhami masyarakat dunia untuk singgah di Bumi Nusantara kita terutama setelah terbitnya novel “Max Havelaar” karya Multatuli pada tahun 1860. Sebut saja nama tokoh Franz Wilhem Junghun seorang ahli fisika yang membuat sekitar 200 foto tentang bunga dan bebatuan Indonesia sejak tahun 1860-1863. Lalu ada pula Isidore van Kinsbergen yang menggantikan tugas Adolf Schaefer untuk memotret seluruh benda kuno yang ada di Indonesia sejak tahun 1862. Berbicara tentang fotografer pribumi pertama yang merekam citra Indonesia, mau tidak mau tidak bisa lepas dari keberadaan seorang tokoh yang bernama Kassian Cephas. Kehadiran Kinsbergen di Jawa Tengah memikat ketertarikan Cephas untuk menekuni profesi fotografer. Sejak Cephas ditunjuk oleh Sultan Hamengkubuwono VII sebagai fotografer resmi keraton Yogjakarta pada tahun 1870, citra Indonesia yang mempesona seumpama tarian tradisional, upacara grebeg, situs-situs Hindu-Jawa kuno dan Candi Borobudur di Jawa Tengah pun menjadi jejak karyanya yang tak terlupakan. Misalnya saja buku tentang kehidupan keraton dan masyarakat jawa, “In den Kedaton te Jogjakarta, Oepatjara en Tooneeldansen” (Leiden, 1888) dan “De Wajang Orang Pregiwa in den Kedaton Jogjakarta” (Semarang, 1899) yang dibuat oleh Cephas bersama seorang ahli fisika, Isaac Groneman. Buah karya Cephas akhirnya memunculkan minat masyarakat pribumi untuk mempelajari dunia fotografi. Pada tahun 1893, Raden Ngabehi Basah Tirto Soebroto, seorang juru bahasa Jawa di Pengadilan Lanraad Batavia menerbitkan tutorial fotografi bahasa melayu “Hikajat Ilmoe Menggambar Photographie” (Soebroto, 1893). Hingga kini fotografi di Indonesia menjadi sebuah kitab peradaban cahaya bagi orang-orang yang tak pernah lelah untuk terus mengabadikan segala peristiwa yang kelak menjadi sejarah bangsa.",
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