{
  "trx_id": "f099c46300d3ed66ee4772bb3bb6e62ce4237376",
  "block": 48256241,
  "trx_in_block": 5,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-11-02T14:18:57",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "djbooff",
      "vesting_shares": "1920.017158 VESTS"
    }
  ]
}

{
  "trx_id": "f3c140fcc882db2a47f4e3738be049fb80ecee1c",
  "block": 43192250,
  "trx_in_block": 37,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-05-08T08:35:15",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "djbooff",
      "vesting_shares": "5859.933421 VESTS"
    }
  ]
}

{
  "trx_id": "9208381153da17db1f69b08108aab8291334f640",
  "block": 41178852,
  "trx_in_block": 9,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-02-27T06:57:27",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "community",
      "json": "[\"subscribe\",{\"community\":\"hive-196037\"}]"
    }
  ]
}

{
  "trx_id": "252c60c33e65f06953fbfd84d644be14a5e3027a",
  "block": 41178817,
  "trx_in_block": 13,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-02-27T06:55:42",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "notify",
      "json": "[\"setLastRead\",{\"date\":\"2020-02-27T07:24:51\"}]"
    }
  ]
}

{
  "trx_id": "6dbac48100de99a6739cd519dc51b0d536c451ee",
  "block": 41178799,
  "trx_in_block": 28,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-02-27T06:54:48",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "djbooff",
      "permlink": "mi-presentacion-es-steemit",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "1cc3a6d1a72e660c1304c6666da77a261c706413",
  "block": 41178787,
  "trx_in_block": 25,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-02-27T06:54:12",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"pasie15\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "8116334ac5f6a8cf8d9204365d2d375dcd934178",
  "block": 40906008,
  "trx_in_block": 4,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-02-17T19:02:24",
  "op": [
    "vote",
    {
      "voter": "agaian39agaian",
      "author": "djbooff",
      "permlink": "dancehall-culture-of-jamaica-breaking-y-cultura",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "55f5a52849250111ae5ced5752aad0d8a5552c50",
  "block": 40905982,
  "trx_in_block": 6,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-02-17T19:01:06",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "djbooff",
      "permlink": "dancehall-culture-of-jamaica-breaking-y-cultura",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "d72bf4552458922071f2c0e3f88cd788b25fbe74",
  "block": 40905973,
  "trx_in_block": 10,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-02-17T19:00:39",
  "op": [
    "comment",
    {
      "parent_author": "",
      "parent_permlink": "culrura",
      "author": "djbooff",
      "permlink": "dancehall-culture-of-jamaica-breaking-y-cultura",
      "title": "dancehall culture of jamaica (breaking y cultura)",
      "body": "**History**\nThe dance hall owes its name to the dance halls (in Spanish, \"dance hall\") common in Jamaica, where Jamaican folk music was played by local sound systems. These began towards the end of the 1940s among people from different neighborhoods of Kingston, Jamaica, who had no means to go to the halls of the affluent areas of the city. The social and political changes of the late 1970s in Jamaica were reflected in the musical displacement from the roots reggae with a clear international vocation towards a style more focused on local consumption, and in line with the music that Jamaicans experienced when the sound systems played live.6 When the socialist government of Michael Manley was replaced by the right-wing politician Edward Seaga3 the themes of social injustice, repatriation and the Rastafari Movement were replaced by letters about dance, violence and sexuality.\n\nMusically, the old rhythms of the late 1960s were recycled, with Sugar Minott credited as the originator of this trend since he began putting his new lyrics on old Studio One rhythms in the studio sessions, where he worked as a session musician  At the same time, producer Don Mais was reworking old rhythms at Channel One Studios, with the band Roots Radics.6 This group would work with Henry \"Junjo\" Lawes on some of the first dancehall recordings, among the that were those that turned Barrington Levy, Frankie Paul and Junior Reid into reggae stars.6 Other singers that emerged in the early days of dancehall were Don Carlos, Al Campbell and Triston Palmer, while other established names such as Gregory Isaacs and Bunny Wailer successfully adapted.3\n\n\nSoon different sound systems like Killimanjaro, Black Scorpio, Gemini Disco, Virgo Hi-Fi, Volcano Hi-Power and Aces International capitalized on the new sound and introduced a new wave of deejays The old toasters were replaced by new stars like Captain Sinbad , Ranking Joe, Clint Eastwood, Lone Ranger, Josey Wales, Charlie Chaplin, General Echo and Yellowman. This change is reflected in the album produced in 1981 by Junjo Lawes, A Whole New Generation of DJs, although some went to U-Roy for inspiration. The deejay albums were made, for the first time, as important as the albums in which singers sang.3 Another trend that prevailed was that of the sound clash albums (in Spanish, \"sound battles\"), which showed rival deejays or sound systems competing face to face for the appreciation of A live audience. Some of the underground cassettes that were distributed also showed the violence that sometimes broke out in these competitions\n\nTwo of the deejay stars of the first era of dancehall, Yellowman and Eek-a-Mouse, chose humor and not violence. Yellowman became the first Jamaican deejay to sign for a major American record company, and for a time he enjoyed recognition in Jamaica that rivaled that of Bob Marley The early 1980s also saw different female deejays emerge in Dancehall music, such as Sister Charmaine, Lady G, Lady Junie, Junie Ranks, Lady Saw, Sister Nancy and Shelly Thunder.\n\n\nThe dancehall also brought a whole new generation of producers, such as Junjo Lawes, Linval Thompson, Gussie Clarke and Jah Thomas\n\n**dancehall and ragga**\nThe hit \"(Under Me) Sleng Teng\" published in 1985 by King Jammy of Wayne Smith, with a totally elaborated riddim, caused an earthquake in the dancehall reggae. Many credit this song as the first to include a digital rhythm in reggae, having composed its rhythm with a Casio MT-40 keyboard. However, this is not entirely correct, since there are previous examples of digital production, such as the single \"Sensi Addict\" (Ujama) by Horace Ferguson produced by Prince Jazzbo in 1984. [citation needed] The rhythm of \"Sleng Teng \"was used in 200 subsequent recordings. This theme, directed by the song of deejay and intensely synthesized with musical accompaniment, moved away from the traditional conception of Jamaican folk music.\n\nThe poet dub Mutabaruka said, \"If the reggae of the 1970s was red, green and gold, in the following decade they were gold chains.\" He quickly moved away from the friendly culture and roots of reggae, and began an important debate among purists about whether that music could be considered an extension of reggae.\n\nThis new change in style saw another generation of artists emerge, such as Buccaneer, Capleton and Shabba Ranks, who became the biggest ragga star in the world. A new group of producers also gained prominence, such as Philip \"Fatis\" Burrell, Dave \"Rude Boy\" Kelly, George Phang, Hugh \"Redman\" James, Donovan Germain, Bobby Digital, Wycliffe \"Steely\" Johnson and Cleveland \"Clevie\" Brown ( aka Steely & Clevie) who threatened Sly & Robbie's position as leaders in making rhythms in Jamaica. The deejays were increasingly focusing on violence, with Bounty Killer, Mad Cobra, Ninjaman and Buju Banton becoming the main figures of this subgenre.\n\nTo complement the harsh deejay sound, a vocal style known as \"sweet sing\" (in Spanish, \"sweet song\") emerged from roots reggae and R&B. It was characterized by the falsetto and female intonation, with proponents such as Pinchers, Cocoa Tea, Sánchez, Admiral Tibet, Frankie Paul, Half Pint, Conroy Smith, Courtney Melody, Carl Meeks and Barrington Levy.\n\nIn the early 1990s, songs like \"No, No, No\" by Dawn Penn, \"Mr. Loverman\" by Shabba Ranks, \"Worker Man\" by Patra and \"Murder She Wrote\" by Chaka Demus and Pliers became the first megahits of dancehall in the United States and abroad. Tanya Stephens gave a female voice unique to the genre during the 1990s.\n\nThe early 2000s saw the success of a whole new wave of groups and artists such as Elephant Man and Sean Paul.\n\n**Ragga conscious**\nIn 1992, the international reaction to the violent and anti-homosexual \"Boom Bye-Bye\" of Banton, and the reality of the violence in the city of Kingston that led to the death of deejays like Pan Head and Dirtsman, brought about a new change, in this case towards cultural themes and Rastafari, with several of the toughest ragga artists finding religion, and turning the scene of \"conscious ragga\" into an increasingly popular movement. A new generation of singers and deejays emerged, such as Garnett Silk, Rocker T, Tony Rebel, Sánchez, Luciano, Anthony B and Sizzla. Some popular deejays, such as Buju Banton and Capleton, began citing the Rastafari movement and took their lyrics and music to a more conscious line and back to their roots, \"roots.\"\n![ragga_jam_couv.jpg](https://cdn.steemitimages.com/DQmPGTSpzzxyNTEDanhPUv99vEXmJLCCg4DPmGxVLNTszNR/ragga_jam_couv.jpg)",
      "json_metadata": "{\"tags\":[\"dancehall\",\"hiphop\",\"baile\"],\"image\":[\"https://cdn.steemitimages.com/DQmPGTSpzzxyNTEDanhPUv99vEXmJLCCg4DPmGxVLNTszNR/ragga_jam_couv.jpg\"],\"app\":\"steemit/0.1\",\"format\":\"markdown\"}"
    }
  ]
}

{
  "trx_id": "ce3e8d488dd1448570f255ad32c919ec4a4563bc",
  "block": 40905927,
  "trx_in_block": 14,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-02-17T18:58:21",
  "op": [
    "comment",
    {
      "parent_author": "",
      "parent_permlink": "culrura",
      "author": "djbooff",
      "permlink": "dancehall-culture-of-jamaica-breaking-y-cultura",
      "title": "dancehall culture of jamaica (breaking y cultura)",
      "body": "**History**\nThe dance hall owes its name to the dance halls (in Spanish, \"dance hall\") common in Jamaica, where Jamaican folk music was played by local sound systems. These began towards the end of the 1940s among people from different neighborhoods of Kingston, Jamaica, who had no means to go to the halls of the affluent areas of the city. The social and political changes of the late 1970s in Jamaica were reflected in the musical displacement from the roots reggae with a clear international vocation towards a style more focused on local consumption, and in line with the music that Jamaicans experienced when the sound systems played live.6 When the socialist government of Michael Manley was replaced by the right-wing politician Edward Seaga3 the themes of social injustice, repatriation and the Rastafari Movement were replaced by letters about dance, violence and sexuality.\n\nMusically, the old rhythms of the late 1960s were recycled, with Sugar Minott credited as the originator of this trend since he began putting his new lyrics on old Studio One rhythms in the studio sessions, where he worked as a session musician  At the same time, producer Don Mais was reworking old rhythms at Channel One Studios, with the band Roots Radics.6 This group would work with Henry \"Junjo\" Lawes on some of the first dancehall recordings, among the that were those that turned Barrington Levy, Frankie Paul and Junior Reid into reggae stars.6 Other singers that emerged in the early days of dancehall were Don Carlos, Al Campbell and Triston Palmer, while other established names such as Gregory Isaacs and Bunny Wailer successfully adapted.3\n\n\nSoon different sound systems like Killimanjaro, Black Scorpio, Gemini Disco, Virgo Hi-Fi, Volcano Hi-Power and Aces International capitalized on the new sound and introduced a new wave of deejays The old toasters were replaced by new stars like Captain Sinbad , Ranking Joe, Clint Eastwood, Lone Ranger, Josey Wales, Charlie Chaplin, General Echo and Yellowman. This change is reflected in the album produced in 1981 by Junjo Lawes, A Whole New Generation of DJs, although some went to U-Roy for inspiration. The deejay albums were made, for the first time, as important as the albums in which singers sang.3 Another trend that prevailed was that of the sound clash albums (in Spanish, \"sound battles\"), which showed rival deejays or sound systems competing face to face for the appreciation of A live audience. Some of the underground cassettes that were distributed also showed the violence that sometimes broke out in these competitions\n\nTwo of the deejay stars of the first era of dancehall, Yellowman and Eek-a-Mouse, chose humor and not violence. Yellowman became the first Jamaican deejay to sign for a major American record company, and for a time he enjoyed recognition in Jamaica that rivaled that of Bob Marley The early 1980s also saw different female deejays emerge in Dancehall music, such as Sister Charmaine, Lady G, Lady Junie, Junie Ranks, Lady Saw, Sister Nancy and Shelly Thunder.\n\n\nThe dancehall also brought a whole new generation of producers, such as Junjo Lawes, Linval Thompson, Gussie Clarke and Jah Thomas\n\n**dancehall and ragga**\nThe hit \"(Under Me) Sleng Teng\" published in 1985 by King Jammy of Wayne Smith, with a totally elaborated riddim, caused an earthquake in the dancehall reggae. Many credit this song as the first to include a digital rhythm in reggae, having composed its rhythm with a Casio MT-40 keyboard. However, this is not entirely correct, since there are previous examples of digital production, such as the single \"Sensi Addict\" (Ujama) by Horace Ferguson produced by Prince Jazzbo in 1984. [citation needed] The rhythm of \"Sleng Teng \"was used in 200 subsequent recordings. This theme, directed by the song of deejay and intensely synthesized with musical accompaniment, moved away from the traditional conception of Jamaican folk music.\n\nThe poet dub Mutabaruka said, \"If the reggae of the 1970s was red, green and gold, in the following decade they were gold chains.\" He quickly moved away from the friendly culture and roots of reggae, and began an important debate among purists about whether that music could be considered an extension of reggae.\n\nThis new change in style saw another generation of artists emerge, such as Buccaneer, Capleton and Shabba Ranks, who became the biggest ragga star in the world. A new group of producers also gained prominence, such as Philip \"Fatis\" Burrell, Dave \"Rude Boy\" Kelly, George Phang, Hugh \"Redman\" James, Donovan Germain, Bobby Digital, Wycliffe \"Steely\" Johnson and Cleveland \"Clevie\" Brown ( aka Steely & Clevie) who threatened Sly & Robbie's position as leaders in making rhythms in Jamaica. The deejays were increasingly focusing on violence, with Bounty Killer, Mad Cobra, Ninjaman and Buju Banton becoming the main figures of this subgenre.\n\nTo complement the harsh deejay sound, a vocal style known as \"sweet sing\" (in Spanish, \"sweet song\") emerged from roots reggae and R&B. It was characterized by the falsetto and female intonation, with proponents such as Pinchers, Cocoa Tea, Sánchez, Admiral Tibet, Frankie Paul, Half Pint, Conroy Smith, Courtney Melody, Carl Meeks and Barrington Levy.\n\nIn the early 1990s, songs like \"No, No, No\" by Dawn Penn, \"Mr. Loverman\" by Shabba Ranks, \"Worker Man\" by Patra and \"Murder She Wrote\" by Chaka Demus and Pliers became the first megahits of dancehall in the United States and abroad. Tanya Stephens gave a female voice unique to the genre during the 1990s.\n\nThe early 2000s saw the success of a whole new wave of groups and artists such as Elephant Man and Sean Paul.\n\n**Ragga conscious**\nIn 1992, the international reaction to the violent and anti-homosexual \"Boom Bye-Bye\" of Banton, and the reality of the violence in the city of Kingston that led to the death of deejays like Pan Head and Dirtsman, brought about a new change, in this case towards cultural themes and Rastafari, with several of the toughest ragga artists finding religion, and turning the scene of \"conscious ragga\" into an increasingly popular movement. A new generation of singers and deejays emerged, such as Garnett Silk, Rocker T, Tony Rebel, Sánchez, Luciano, Anthony B and Sizzla. Some popular deejays, such as Buju Banton and Capleton, began citing the Rastafari movement and took their lyrics and music to a more conscious line and back to their roots, \"roots.\"\n![ragga_jam_couv.jpg](https://cdn.steemitimages.com/DQmPGTSpzzxyNTEDanhPUv99vEXmJLCCg4DPmGxVLNTszNR/ragga_jam_couv.jpg)",
      "json_metadata": "{\"tags\":[\"culrura\"],\"image\":[\"https://cdn.steemitimages.com/DQmPGTSpzzxyNTEDanhPUv99vEXmJLCCg4DPmGxVLNTszNR/ragga_jam_couv.jpg\"],\"app\":\"steemit/0.1\",\"format\":\"markdown\"}"
    }
  ]
}

{
  "trx_id": "a362ba844bddebdc3dc74f6966d0cbd4fb76b488",
  "block": 40881802,
  "trx_in_block": 5,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-02-16T22:49:30",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "snowyknight",
      "permlink": "pw236i",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "f5fbc556427d2d53a231a5b9b9e24b43f0c94dc2",
  "block": 38301495,
  "trx_in_block": 14,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-11-19T04:26:24",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "djbooff",
      "vesting_shares": "9861.888813 VESTS"
    }
  ]
}

{
  "trx_id": "3dec5dc21648d5d54fd9f760c38afd472930e054",
  "block": 36770695,
  "trx_in_block": 8,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-09-26T22:12:09",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "djbooff",
      "vesting_shares": "29680.241548 VESTS"
    }
  ]
}

{
  "trx_id": "1d786c3f63ed284e91576e891572a4aab0f5002e",
  "block": 36597408,
  "trx_in_block": 2,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-09-20T21:29:36",
  "op": [
    "transfer",
    {
      "from": "dtube",
      "to": "djbooff",
      "amount": "0.001 STEEM",
      "memo": "DTube Coin Round #1 is live! Visit https://token.d.tube for more information"
    }
  ]
}

{
  "trx_id": "a6e996f77b8691b12fdca5c9fb0d321514eb67bb",
  "block": 36104330,
  "trx_in_block": 6,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-09-03T17:10:57",
  "op": [
    "transfer",
    {
      "from": "dtube",
      "to": "djbooff",
      "amount": "0.001 STEEM",
      "memo": "Final call to claim your DTube account! It takes only 5 minutes. Go now to https://d.tube"
    }
  ]
}

{
  "trx_id": "7aba9317e6bc13c2503ba879ad1096f8fb83956a",
  "block": 35780323,
  "trx_in_block": 13,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-22T16:55:42",
  "op": [
    "transfer",
    {
      "from": "dtube",
      "to": "djbooff",
      "amount": "0.001 STEEM",
      "memo": "Time is running out, claim your DTube account now before anyone else can! Login at https://d.tube"
    }
  ]
}

{
  "trx_id": "b8163604488fb5675a002ca9fc651389e4f8178f",
  "block": 35705957,
  "trx_in_block": 3,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-20T02:51:27",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "djbooff",
      "permlink": "grandmaster-flash-culture-hip-hop",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "8cdbb9ff7fe608c0ea70e5770238bbfb253cd588",
  "block": 35705925,
  "trx_in_block": 16,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-20T02:49:51",
  "op": [
    "comment",
    {
      "parent_author": "",
      "parent_permlink": "hip",
      "author": "djbooff",
      "permlink": "grandmaster-flash-culture-hip-hop",
      "title": "Grandmaster Flash  culture Hip Hop",
      "body": "**Joseph Saddler** (born January 1, 1958 in Bridgetown, Barbados), better known as Grandmaster Flash, is an American hip hop musician and DJ. He is recognized as one of the pioneers in the techniques of puncturing and mixing typical of hip hop.\n\n**Grandmaster Flas** and the Furious Five entered the Rock and Roll Hall of Fame in 2007, becoming the first hip hop group to which this honor was awarded\n\n\n**Biography**\nJoseph Saddler's family emigrated to the United States from Barbados, in the Caribbean, and grew up in the Bronx, New York. He went to Samuel Gompers High School, a public vocational school, where he learned to repair electronic equipment. Saddler's parents played an important role in his interest in music. His father was a big fan of American black music and Caribbean sounds. When he was a child, Saddler was fascinated by his father's record collection. Saddler's early interest in being a DJ will surely come from this fascination for his father's collecting, as well as his mother's desire to educate him on something related to electronics. After high school, he entered the first scene of DJs in New York, going to the parties organized by the pioneers of this movement.\n\nHe is also the nephew of world featherweight champion Sandy Saddler.3\n\nJoseph Saddler lives in the Morrisania area of ​​the South Bronx.\n\n\n\n**Innovations**\nGrandmaster Flash carefully studied the techniques and styles they used to prick their predecessors, particularly Pete Jones, Kool Herc and Grandmaster Flowers.4 As a teenager, he began experimenting with DJ equipment in his bedroom, developing three innovations that since then They are considered as standard techniques of every DJ.\n\nBackspin (\"Quick-Mix Theory\"): at the first parties in New York, DJs realized that the short drum breaks were very celebrated among the audience. With the intention of isolating those breaks and extending their duration, Grandmaster Flash discovered that using two copies of the same disc he could play the break in a turntable, while searching for the same piece of music on the other (using headphones) and spinning the vinyl with hand. When the break ended in one of the plates, he used the mixer to quickly move to the other turntable where the same break was kept ready to sound from the beginning. Using the backspin technique, the same short piece of music could be repeated indefinitely.\nPunch Phrasing (\"Clock Theory\"): this technique had to do with isolating very short segments of music, usually windy notes or a scream, to throw it rhythmically on a constant beat, using the mixer.\nScratching: Although the invention of scratching is usually attributed to Grand Wizard Theodore, Grandmaster Flash perfected the technique and took it to new audiences. Scratching, along with punch phrasing, allowed the DJ to be shown in a novel way: instead of simply putting a sequence of records, he actively manipulated them to create new music.![12375-1.jpg](https://cdn.steemitimages.com/DQmcx6YKiyHDUgSbf6CRzJP4w7cyFpTKYW6QfYnU74zriqa/12375-1.jpg)",
      "json_metadata": "{\"tags\":[\"hip\",\"hop\",\"cultura\"],\"image\":[\"https://cdn.steemitimages.com/DQmcx6YKiyHDUgSbf6CRzJP4w7cyFpTKYW6QfYnU74zriqa/12375-1.jpg\"],\"app\":\"steemit/0.1\",\"format\":\"markdown\"}"
    }
  ]
}

{
  "trx_id": "91d8409e211ba8f33e22d8b03635b867bd9e1f8b",
  "block": 35634240,
  "trx_in_block": 9,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:54",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"voteme\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "92f013ff16b5807d49f207e1555d7220bbfc9837",
  "block": 35634233,
  "trx_in_block": 22,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:33",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"alexzoid333\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "8dd26fb793152816e9679e06cad7593f0a9a446f",
  "block": 35634233,
  "trx_in_block": 0,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:33",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"snowyknight\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "223d377446cab60b18234aa17ace05872f935219",
  "block": 35634232,
  "trx_in_block": 19,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:30",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"yangyanje\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "dd8e306444feae86704179c96757856ac8d41031",
  "block": 35634232,
  "trx_in_block": 16,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:30",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"rintoeffendy\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "ab518f7f10e1229bd384c3ba79a8f384e1a8fa6e",
  "block": 35634232,
  "trx_in_block": 10,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:30",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"moviecritic\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "559fdc05ad0278fb7b4faa5114514938cbfd7cac",
  "block": 35634232,
  "trx_in_block": 8,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:30",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"letitrain\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "7ffb1ba6ee00e55281d12f997a65aa1ed845cbb0",
  "block": 35634232,
  "trx_in_block": 6,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:30",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"senseicat\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "97c05f30e5c997d3b665a9027e2f69013fdbc4a1",
  "block": 35634231,
  "trx_in_block": 27,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:27",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"modelcoinmc\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "10e1c121533c716b0ff6b7358ca3e2118f9a19a2",
  "block": 35634231,
  "trx_in_block": 21,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:27",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"orhansarikaya\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "8452dba85fe6a1d09b105d379219b8b8dc817722",
  "block": 35634231,
  "trx_in_block": 4,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:27",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"ricki2000\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "303394b8ca8210559b72774bd1a599182b6288f6",
  "block": 35634230,
  "trx_in_block": 13,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-17T14:58:24",
  "op": [
    "custom_json",
    {
      "required_auths": [],
      "required_posting_auths": [
        "djbooff"
      ],
      "id": "follow",
      "json": "[\"follow\",{\"follower\":\"djbooff\",\"following\":\"socky\",\"what\":[\"blog\"]}]"
    }
  ]
}

{
  "trx_id": "93a31dc2b532ce67891d0593c42962665adabd37",
  "block": 35579638,
  "trx_in_block": 22,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-15T17:24:15",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "popcornexpress",
      "permlink": "popcornexpress1565889463",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "36b82598b83285258284e47ccf6fb9d0e67fdb50",
  "block": 35579636,
  "trx_in_block": 28,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-15T17:24:09",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "djbooff",
      "permlink": "the-father-of-hip-hop",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "8db0c9093686d0698ab51fb650fe6e275faaab17",
  "block": 35579556,
  "trx_in_block": 11,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-15T17:20:09",
  "op": [
    "vote",
    {
      "voter": "caotico",
      "author": "djbooff",
      "permlink": "the-father-of-hip-hop",
      "weight": 500
    }
  ]
}

{
  "trx_id": "19dbf89b610d1ca3d62557f6941a5f3a7254a864",
  "block": 35579509,
  "trx_in_block": 21,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-15T17:17:48",
  "op": [
    "comment",
    {
      "parent_author": "djbooff",
      "parent_permlink": "the-father-of-hip-hop",
      "author": "popcornexpress",
      "permlink": "popcornexpress1565889463",
      "title": "",
      "body": "![](https://cdn.steemitimages.com/DQmNjNnZYdqrxzgkvLGWP2wZzNrifkQpQ6oRDZTDZbfHycT/T1yHj4q.gif)\n",
      "json_metadata": ""
    }
  ]
}

{
  "trx_id": "497ee509d3d2900014be6039be7b12958cf6f2a4",
  "block": 35579503,
  "trx_in_block": 26,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-15T17:17:30",
  "op": [
    "comment",
    {
      "parent_author": "",
      "parent_permlink": "music",
      "author": "djbooff",
      "permlink": "the-father-of-hip-hop",
      "title": "the father of Hip Hop",
      "body": "**DJ Kool Herc**, whose original name is Clive Campbell, (April 16, 1955; Kingston Jamaica). He is a Jamaican-American musician and producer, known as \"The Father of Hip Hop\" in the 70s\n\n**Infancia y primeros años**\nClive Campbell fue el primero de los seis hijos del matrimonio formado por Keith y Nettie Campbell. Su infancia estuvo influenciada por los Sound system (Jamaica) y las fiestas callejeras acompañadas de Dj's (en Jamaica llamados 'Selectors'). Más tarde, se mudó a Bronx, Nueva York en 1967 y con 15 años comenzó a realizar exitosas fiestas callejeras. Su dedicación al cultivo de su musculatura le hizo ganar el apodo de 'Hercules' que Campbell adoptó en su nombre artístico como Kool DJ Herc\n\n**Breaks**\nIn Bronx, in 1973, DJ Kool Herc realized how much the audience was animated every time the most rhythmic part of James Brown's funk songs sounded, and in which there was no lyrics; the so-called breaks. DJ Kool Herc then decided to take the needle of the record player and manually return it to the point of the song in which he had begun the break of it to extend it as many times as he wanted.\n\nAt the party that **DJ Kool Herc** gave at No. 1520 on Sedgwick Avenue in West Bronx for his sister Cindy Campbell's birthday, he used two albums from the same album (**according to the documentary \"And you don't stop\" it was a 2nd version of the song \"Give it up or turnit Loose\" of the \"Sex Machine\" LP of James Brown of 1970**) to reproduce them one after the other and achieve the same effect that initially achieved manually by moving back the needle of the turntable, extending the break of the song. This was known as breakbeat and allowed the evolution and creation of new dance styles\n\n\n**B-boys and B-girls**\nAll these boys and girls who regularly attended DJ Kool Herc sessions to demonstrate their talent dancing during the long breaks created by him, were popularly known as B-boys or B-girls (**Break boys / girls**). Guys waiting for those breaks to show their dance steps with sources as diverse as James Brown, dances of the Soul Train television program (blocking, popcorn, good foot, the robot) and the pirouettes of the kung fu movies\n\n\n**Influence on other artists**![TIU-noticias-DJ-Kool-Herc.jpg]\nAfrika Bambaataa inspired by DJ Kool Herc realized the change that music, dance, and graffiti were taking place in his neighborhood, seeing it as an alternative to the Gangs, drugs, etc., which he knew of his own meat in the Black Spades .\n\nThis resource connected rap with other genres that he used in his favor, including Funk and disco, Jamaican dub and technological minimalism, in view of the Bronx's social shortcomings. He used old-fashioned and familiar sounds and made them new successes.\n\nLater, Grandmaster Flash would appear on the scene to perfect and continue the legacy of DJ Kool Herc.\n\nIn addition, the first crew of MC's in history was called Kool Herc and the Herculoids, which formed himself, Coke La Rock and Clark Kent. Kool Herc left the microphone to his companions, while he dealt with the turntablism.\n\nAccording to DJ Kool Herc himself, his favorite artist was James Brown. Another sound that made it legendary was the break of \"Apache\" by Incredible Bongo Band. \n (https://cdn.steemitimages.com/DQmXzmAqRk5grMBrQfRWqRvKHTYNzL5zsxUMyEQT4oq6fXJ/TIU-noticias-DJ-Kool-Herc.jpg)",
      "json_metadata": "{\"tags\":[\"music\",\"hiphop\",\"djs\",\"rapthursday\"],\"image\":[\"https://cdn.steemitimages.com/DQmXzmAqRk5grMBrQfRWqRvKHTYNzL5zsxUMyEQT4oq6fXJ/TIU-noticias-DJ-Kool-Herc.jpg\"],\"app\":\"steemit/0.1\",\"format\":\"markdown\"}"
    }
  ]
}

{
  "trx_id": "648ba26993dc13d37cbd5c46ef1a8c98cbccfe77",
  "block": 35579155,
  "trx_in_block": 7,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-15T17:00:06",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "snowyknight",
      "permlink": "pw238y",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "0000000000000000000000000000000000000000",
  "block": 35520532,
  "trx_in_block": 4294967295,
  "op_in_trx": 0,
  "virtual_op": 9,
  "timestamp": "2019-08-13T16:04:15",
  "op": [
    "author_reward",
    {
      "author": "djbooff",
      "permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "sbd_payout": "0.000 SBD",
      "steem_payout": "0.060 STEEM",
      "vesting_payout": "121.024648 VESTS"
    }
  ]
}

{
  "trx_id": "83d7233367e0e7eac5ea154ffc65df0f112b73ce",
  "block": 35448099,
  "trx_in_block": 11,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-11T03:36:09",
  "op": [
    "comment",
    {
      "parent_author": "djbooff",
      "parent_permlink": "afrika-bambaataa-culture-hip-hop",
      "author": "snowyknight",
      "permlink": "pw238y",
      "title": "",
      "body": "Hey just some advice. \n\nadd the hashtags #music and at least one more hashtag. \n\nPerhaps #rapthursday on or near (Aka anytime during the week) Thursday.\n\nCool posts!",
      "json_metadata": "{\"tags\":[\"hip\",\"music\",\"rapthursday\"],\"app\":\"steemit/0.1\"}"
    }
  ]
}

{
  "trx_id": "626df284b14c60b9c8866137a49d7ec488c1b26e",
  "block": 35448077,
  "trx_in_block": 7,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-11T03:35:03",
  "op": [
    "vote",
    {
      "voter": "snowyknight",
      "author": "djbooff",
      "permlink": "early-hiphop",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "73e0b435924ea97986f7d112b306764266d93a11",
  "block": 35448075,
  "trx_in_block": 1,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-11T03:34:57",
  "op": [
    "vote",
    {
      "voter": "snowyknight",
      "author": "djbooff",
      "permlink": "afrika-bambaataa-culture-hip-hop",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "1b72f0c7d3b40c83500a7c7a22f1d0d5e1481559",
  "block": 35448069,
  "trx_in_block": 21,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-11T03:34:39",
  "op": [
    "comment",
    {
      "parent_author": "djbooff",
      "parent_permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "author": "snowyknight",
      "permlink": "pw236i",
      "title": "",
      "body": "Cool First post!\n\nNow following! \n\n;)\n\n#music",
      "json_metadata": "{\"tags\":[\"introduceyourself\",\"music\"],\"app\":\"steemit/0.1\"}"
    }
  ]
}

{
  "trx_id": "e601785d7f1fa2b390d5a3f66988f94b588353a7",
  "block": 35448053,
  "trx_in_block": 18,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-11T03:33:51",
  "op": [
    "vote",
    {
      "voter": "snowyknight",
      "author": "djbooff",
      "permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "a6b06f2d5d83fc509f41b2d227fb531db6fb5e11",
  "block": 35406791,
  "trx_in_block": 19,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-09T17:06:33",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "djbooff",
      "permlink": "afrika-bambaataa-culture-hip-hop",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "f28b9c2ea7aba9c3239c65a9e297b7365f6ec623",
  "block": 35405856,
  "trx_in_block": 10,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-09T16:19:45",
  "op": [
    "vote",
    {
      "voter": "pinoy",
      "author": "djbooff",
      "permlink": "afrika-bambaataa-culture-hip-hop",
      "weight": 1000
    }
  ]
}

{
  "trx_id": "f39f67ac253c87b2ab39e01545b2ac25a57f1041",
  "block": 35405554,
  "trx_in_block": 30,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-09T16:04:33",
  "op": [
    "vote",
    {
      "voter": "yehey",
      "author": "djbooff",
      "permlink": "afrika-bambaataa-culture-hip-hop",
      "weight": 1000
    }
  ]
}

{
  "trx_id": "4f3614e3fbb100972ee5f6ba4bca35cd132698e7",
  "block": 35404241,
  "trx_in_block": 8,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-09T14:58:45",
  "op": [
    "comment",
    {
      "parent_author": "",
      "parent_permlink": "hip",
      "author": "djbooff",
      "permlink": "afrika-bambaataa-culture-hip-hop",
      "title": "Afrika Bambaataa culture Hip Hop",
      "body": "@@ -8085,12 +8085,181 @@\n Compilation.\n+!%5BAfrika-Bambaataa-2015-bw-billboard-1548.jpg%5D(https://cdn.steemitimages.com/DQme4pvMBvWjx1Jpy6Uxa7zmzdp6MjF5sL33DA43pkuPLF3/Afrika-Bambaataa-2015-bw-billboard-1548.jpg)\n",
      "json_metadata": "{\"tags\":[\"hip\",\"hop\",\"dj\"],\"app\":\"steemit/0.1\",\"format\":\"markdown\",\"image\":[\"https://cdn.steemitimages.com/DQme4pvMBvWjx1Jpy6Uxa7zmzdp6MjF5sL33DA43pkuPLF3/Afrika-Bambaataa-2015-bw-billboard-1548.jpg\"]}"
    }
  ]
}

{
  "trx_id": "85e5c8e4702812373a6e0d1fd114cad544f0a943",
  "block": 35404149,
  "trx_in_block": 23,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-09T14:54:09",
  "op": [
    "comment",
    {
      "parent_author": "",
      "parent_permlink": "hip",
      "author": "djbooff",
      "permlink": "afrika-bambaataa-culture-hip-hop",
      "title": "Afrika Bambaataa culture Hip Hop",
      "body": "Kevin Donovan (born April 17, 1957) better known as Afrika Bambaataa is an American DJ from South Bronx, New York, who was instrumental in the first development of hip hop culture during the 1980s. Afrika Bambaataa is one of the three originators of the way to click through break beats, 2 and he is respectfully known as the \"grandfather\" and the \"godfather\" and The Amen Ra of the Universal Hip Hop Culture as well as The Father of the Electro Funk Sound. With his adaptation of the Black Spades street gang culture in music and the Universal Zulu Nation cultural organization, he managed to make the hip hop culture expand worldwide.3 On September 27, 2007 he was nominated for his Introduction to the Rock and Roll Hall of Fame. \n\n**History**\n\nHe grew up in Bronx River Projects, alongside an activist mother and uncle. During his childhood, he was very exposed to the black liberation movement and witnessed debates between his mother and his uncle, in which the contradictory ideologies of this movement were revealed. Likewise, he was under the influence of his mother's extensive record collection. Gangs or gangs in the area became the law in the absence of it, carrying out territorial struggles to gain control of the sale of drugs, assisting the community with health programs and fighting and celebrating at the same time as a way to support its members and their territory. Bambaataa was one of the founding members in the Bronx River Projects area of ​​the street gang The Savage Seven. As a result of the explosive growth of the gang, it later became known as the Black Spades, and Bambaataa soon reached the position of warlord. As warlord, it was his job to develop the hierarchy and expand the area of ​​influence of the Black Spades. Bambaataa was not afraid to cross areas to forge relationships with members of other gangs and form alliances with other gangs. As a result, Spades became the biggest gang in the city in terms of both members and area.\n\nWhen he won an essay contest that rewarded him with a trip to Africa, his vision of the world changed. He had seen the movie Zulu in which the English actor Michael Caine acted, and he had been impressed by the solidarity shown by the Zulus in the face of adversity in the film. He changed his name from Kevin to Afrika Bambaataa Aasim, adopting the name of the boss Zulu Bhambatha, who led an armed rebellion against unfair economic practices of the early twentieth century in South Africa that can be seen as a precursor to the anti-apartheid movement. A young Afrika Bambaataa began to think about how to adapt his skills in the fight of gangs towards peace building work. In 1973 he formed the Bronx River Organization as a positive alternative to Black Spades.\n\nInspired by DJ Kool Herc from the West Bronx and Kool DJ Dee from the South Bronx, he also started to organize parties where breakbeats were used. He believed in the use of music, dancing (locking, breakdance) and graffiti as a vehicle to separate boys full of rage from gangs, which led him to form in 1976 the Universal Zulu Nation, the first action that united In the same organization, the 4 main branches of what was soon known as Hip Hop.5 Bambaataa is recognized for having named the new culture as hip hop. \"Hip hop\" was a common phrase used as a wild card by the MCs that made Rap which is a rhyming style inspired by the ancient Talking Blues, the jazz scat and the Jocks of black radio DJs like Jocko Henderson and Frankie Crocker. Bambaataa appropriated the term Hip Hop to describe the culture that was emerging (separately, Hip is used colloquially in the United States as \"the novelty\" and Hop would mean \"an escape jump, a leak.\" Then it would be like an \"innovative jump\" \"), which included the four elements: the music of the DJs, the lyricism and poetry of the MCs, the dance of the b-boys and b-girls, and the art of graffiti.\n\nIn an interview with André Le Roi, Bambaataa explains that he began to devote himself fully as a DJ after the acquisition of a portable sound system given by his mother in 1976, as a gift for his high school graduation last year. This included a Clubman 1-1 mixer (one of the first on the market with \"crossfader\") and 2 Technics SL-210 turntables. Later he would add a Roland RE-201 echo camera to give the magic touch to the sentences of his live MC crews, whether they are Soulsonic Force or the Jazzy Five.7\n\n\nBy 1981, graffiti artist Fab Five Freddy had already become popular decorating murals in Manhattan's New Wave clubs, and invited Bambaataa to place music in one of them, the Mudd Club. This was the first time that Bam had played for a mostly white audience. The parties in downtown New York attended by Bambaataa and friends like DJ Jazzy Jay and Grandmixer DST became regular to the point where he started working at larger sites, first at the Ritz, with former Sex Pistols manager Malcolm McLaren and his group \"Bow Wow Wow\", then at Peppermint Lounge, The Jefferson, Negril, Danceteria (4-story) and Roxy, this last helped by the promotion of the English Ruza Blu. In 1982 Bambaataa and Soulsonic Force left their band live that marked their first recording Zulu Nation Throwdown pts 1 & 2 of 1980, to present a more technological side according to the madness for the games Arcade computer. He borrowed a disturbing keyboard line from the \"Trans-Europe Express\" theme of German Kraftwerk electronic precursors that provided beats thanks to the Roland TR-808 drum machine patterns produced by producer Arthur Baker and synthesizer performer John Robie , author of Vena Carva. This resulted in a hit called \"Planet Rock\", released under the Tommy Boy Records label of the young Jewish businessman Tom Silverman, who achieved gold status and generated a whole school of \"electro-boogie\" rap and a genre that I would know how electro funk. At the end of 1982, Bambaataa and his followers, a group of dancers, artists and DJs, left the United States on the first hip hop tour.1 Bambaataa saw that hip hop tours would be the key that would help expand the hip hop and the Universal Zulu Nation to the planet. Additionally, it would contribute to promoting the values ​​of hip hop that he believed were based on peace, unity, love and having a good time. Bambaataa's second electro release was \"Looking for the Perfect Beat\" in 1983, followed by \"Renegades of Funk,\" both with the same Soulsonic Force. His works caught the attention of the producer and bassist of the material group Bill Laswell who signed him on the French label Jean Karakos called Celluloid Records, where Bambaataa would develop two groups on the label: \"Time \n\nZone \"and\" Shango. \"He recorded the single\" Wildstyle \"(with the participation of the French B-side, which also appeared in another work of the label with Fab 5 Freddy) by Time Zone (the name of Bambaataa projects recorded in Europe), and recorded a special collaboration with former Sex Pistols vocalist, punk-rocker John Lydon and Time Zone in 1984, entitled \"World Destruction.\" Shango's album, \"Shango Funk Theology,\" was released by the label. in 1984. That same year, Bambaataa and other hip hop celebrities appear in the Stan Lathan Beat Street movie, and he appears in a BBC documentary called \"Beat This\" where he is interviewed and presents a video for \"Renegades of Funk \"He also made a remarkable recording with the Father of Funk, James Brown, entitled\" Unity \"released on the Tommy Boy label that 1984. Bambaataa brought peace to the gangs, as many artists and gang members say\" hip hop saved many lives. \"8 His influence inspired many artists Outside the US borders like British rappers Hardrock Soul Movement and French rapper MC Solaar.5 Afrika Bambaataa created two rap crews: the Jazzy 5 that included the MCs Master Ice, Mr. Freeze, Master Bee, Master DEE and AJ Lesy, and his second crew, Soulsonic Force, which included Mr. Biggs, Pow Wow and Emcee GLOBE9\n\n\nAfrika Bambaataa in Bogotá during the World Summit of Art, Culture and Peace in Colombia in April 2015\nThe same year, Bambaataa formed his own label to publish Time Zone Compilation.",
      "json_metadata": "{\"tags\":[\"hip\",\"hop\",\"dj\"],\"app\":\"steemit/0.1\",\"format\":\"markdown\"}"
    }
  ]
}

{
  "trx_id": "3b0d1c6bc6a205b7d703d90bf7c37239a7e6d951",
  "block": 35351395,
  "trx_in_block": 16,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T18:49:57",
  "op": [
    "vote",
    {
      "voter": "yangyanje",
      "author": "djbooff",
      "permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "c43f988d8abf3a7100567fac5ce7cf2063d37b57",
  "block": 35349004,
  "trx_in_block": 16,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T16:50:09",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "djbooff",
      "permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "4560959a32cb84a1405c2e395dc1fc0981add72a",
  "block": 35349004,
  "trx_in_block": 13,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T16:50:09",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "djbooff",
      "permlink": "mi-presentacion-es-steemit",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "75b835e5724c86502c0f195377b3e903bed6de20",
  "block": 35347259,
  "trx_in_block": 3,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T15:22:39",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "ericdubay",
      "permlink": "bcltq1xk",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "9c4f315ca6804c0f71dd8013397d575ce35a4c00",
  "block": 35347258,
  "trx_in_block": 26,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T15:22:36",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "christheglove",
      "permlink": "34-years-agobreakin-xha8xnhy",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "b17b10c4e3ba7e58e7f14a403fd6212aa98685e4",
  "block": 35347258,
  "trx_in_block": 9,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T15:22:36",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "growthmindset",
      "permlink": "bdnvund0",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "e19d8c89e06785716454f15d591743a772b7f5a4",
  "block": 35347258,
  "trx_in_block": 8,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T15:22:36",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "gtrodargent",
      "permlink": "old-town-road-lsqlnbfi",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "6aa7816d4ff26835428fb1f6252d774b313d17e3",
  "block": 35347258,
  "trx_in_block": 6,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T15:22:36",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "christheglove",
      "permlink": "you-know-the-drill-u8oaxqf6",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "c290966ef0a981a0030e9664f4206467d5bd9bc4",
  "block": 35347258,
  "trx_in_block": 5,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T15:22:36",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "venom1987",
      "permlink": "la-causa-libertad-kondicional",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "21f95ce88ea4c343a09c225386fed72c143f2f2d",
  "block": 35347257,
  "trx_in_block": 27,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T15:22:33",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "choryrecords",
      "permlink": "chory-records-lamborghini-red-must-check-out",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "e886f42660d56fc2dbf7cdafadb9bf4f4f9f813b",
  "block": 35347257,
  "trx_in_block": 21,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T15:22:33",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "ali.rabani",
      "permlink": "putting-huge-wheels-on-a-car",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "b39fcff55771e9d35455f56c0a8a32b0ce866483",
  "block": 35347257,
  "trx_in_block": 18,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T15:22:33",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "thedawn",
      "permlink": "hip-hop-dance-app-for-all-android-and-ios-users",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "250d0e9acd684b2206767a16a123e9b70ce43bdd",
  "block": 35347257,
  "trx_in_block": 17,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T15:22:33",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "lavanyalakshman",
      "permlink": "tango-belt-hip-protection-wearable-for-seniors",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "8f02d5f2c3e256ccfaf45a891f2d198dfec09366",
  "block": 35347256,
  "trx_in_block": 4,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T15:22:30",
  "op": [
    "vote",
    {
      "voter": "djbooff",
      "author": "djbooff",
      "permlink": "early-hiphop",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "424f82fa3faa01b2bdd636ae20b262a6e861f322",
  "block": 35346301,
  "trx_in_block": 1,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T14:34:36",
  "op": [
    "vote",
    {
      "voter": "lenaspiritual",
      "author": "djbooff",
      "permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "279a24650150f164cc8c74e901eb9c54d1185169",
  "block": 35346234,
  "trx_in_block": 44,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T14:31:15",
  "op": [
    "vote",
    {
      "voter": "filipino",
      "author": "djbooff",
      "permlink": "early-hiphop",
      "weight": 1000
    }
  ]
}

{
  "trx_id": "6c17cf931f5dfd402bcefe63ded2d5ef3997d31d",
  "block": 35345764,
  "trx_in_block": 0,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T14:07:45",
  "op": [
    "vote",
    {
      "voter": "laissez-faire",
      "author": "djbooff",
      "permlink": "early-hiphop",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "7928257101f7858772c4098814ce11d65f718aa3",
  "block": 35345762,
  "trx_in_block": 0,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T14:07:39",
  "op": [
    "vote",
    {
      "voter": "fyrstikken",
      "author": "djbooff",
      "permlink": "early-hiphop",
      "weight": 100
    }
  ]
}

{
  "trx_id": "d088b7c96fb9fcf203ec48f464290352c19f833e",
  "block": 35345310,
  "trx_in_block": 1,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T13:44:57",
  "op": [
    "comment",
    {
      "parent_author": "",
      "parent_permlink": "hip",
      "author": "djbooff",
      "permlink": "early-hiphop",
      "title": "early HipHop",
      "body": "@@ -5,175 +5,8 @@\n hop%0A\n-!%5BGrandmaster_Flash_and_The_Furious_Five.jpg%5D(https://cdn.steemitimages.com/DQmXdyPREcquKeNKKd3C5LoGGRNuKgkajTnjXR95waSMWgp/Grandmaster_Flash_and_The_Furious_Five.jpg)\n is a\n@@ -4156,8 +4156,178 @@\n ultures.\n+ %0A !%5BGrandmaster_Flash_and_The_Furious_Five.jpg%5D(https://cdn.steemitimages.com/DQmXdyPREcquKeNKKd3C5LoGGRNuKgkajTnjXR95waSMWgp/Grandmaster_Flash_and_The_Furious_Five.jpg)\n",
      "json_metadata": "{\"tags\":[\"hiphop\",\"cultura\",\"steemit\",\"hip\"],\"image\":[\"https://cdn.steemitimages.com/DQmXdyPREcquKeNKKd3C5LoGGRNuKgkajTnjXR95waSMWgp/Grandmaster_Flash_and_The_Furious_Five.jpg\"],\"app\":\"steemit/0.1\",\"format\":\"markdown\"}"
    }
  ]
}

{
  "trx_id": "f7d567cba090dc03f9ddb98fbc5f5322da801f64",
  "block": 35345263,
  "trx_in_block": 28,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T13:42:36",
  "op": [
    "comment",
    {
      "parent_author": "",
      "parent_permlink": "hip",
      "author": "djbooff",
      "permlink": "early-hiphop",
      "title": "early HipHop",
      "body": "Hip hop\n![Grandmaster_Flash_and_The_Furious_Five.jpg](https://cdn.steemitimages.com/DQmXdyPREcquKeNKKd3C5LoGGRNuKgkajTnjXR95waSMWgp/Grandmaster_Flash_and_The_Furious_Five.jpg)is a way of life and artistic movement originated in the South Bronx and Harlem, in New York City, among young African-Americans and Hispanics in the United States during the 1970s.2 3 4 5 While the term hip hop is often used to refer to the musical style and lifestyle, it is considered that hip hop is not only limited to the musical field and instead consists of nine elements of the four are essential to describe this phenomenon in its entirety: rap ( oral: recite or sing), turntablism or \"DJing\" (auditory or musical), break (physical: dance) and graffiti (visual: painting). Despite its contrasted variants and methods of execution, it is easily associated with the poverty and violence that underlie the historical context that gave birth to the subculture. For this group of young people, it offers to rebel against the inequalities and hardships that were lived in the urban areas of limited resources in New York, so hip hop worked recently, as a form of self-expression that would propose to reflect, proclaim a alternatively, try to challenge or simply evoke the state of the circumstances of said environment, favoring its artistic development. Also while continuing contemporary history, worldwide, there is a flowering of various styles in each of the four elements, adapting to the new contexts in which hip hop has been immersed, without separating from the fundamental principles, which stability and coherence to culture.\n\nThe origin of the culture derives from street parties by the Ghetto Brothers. When the amplifiers were connected for their instruments and speakers in the lanterns of 163rd Street and Prospect Avenue. The same idea of ​​taking energy from the street by hanging on the street lamps was taken up by DJ Kool Herc after his parties in the condominium's recreation room at 1520 Sedgwick Avenue, where he mixed the percussive intermediates breaks of soul themes and funk to impress the crowd and especially some dancers who were looking for those 'breaks' to show off their b-boys gymnast skills, while some MC encouraged the parties and rhymed to the rhythm, that is, rapped, of the different beats, at the same time that several dancers competed, sometimes from other gangs. It's no surprise that Kool Herc is recognized as the \"father\" of hip hop. DJ Afrika Bambaataa in conjunction with Zulu Nation, designed the pillars of hip hop culture, to which he coined the terms: MCing or \"Emceein\", DJing or \"Deejayin\", b-boying and graffiti or spray writin\n\nSince its evolution throughout the South Bronx, hip hop culture has spread to different subcultures and communities around the world.9 Hip hop first emerged with contemporary Kool Herc and Disc Jockeys as well as imitators, all of these They experimented by creating rhythmic beats through loops breaks (small portions of songs that emphasize a percussion pattern) on two plates. This was later accompanied by rap, a rhythmic style of singing or poetry is often presented in measures of 16 time intervals, and beatboxing, a vocal technique used primarily to provide elements of music percussion and various DJ technical effects. An original form of dance and particular styles of dress emerged among fans of this new music, the breaking. These elements underwent considerable adaptation and development throughout the history of culture, even today it remains in constant evolution as it is a culture present in more than 200 nations.\n\nHip hop is both a modern and ancient phenomenon; much of the culture has revolved around the idea of ​​updating classic recordings, attitudes and experiences to the modern public in what is called \"flipping.\" At the moment it is still taking root in other North American genres such as blues, jazz and rock and roll, mainly inspired by soul, funk and, particularly from the album \"Criminal Minded\" (1986) by Boogie Down Productions, with dancehall. It also competes with rock, pop and electronic music for the first place in worldwide sales figures as well as cultural influence, since each of the above has followers in virtually every nation on the five continents, giving Place to create hundreds of styles and subcultures.",
      "json_metadata": "{\"tags\":[\"hip\",\"hop\"],\"image\":[\"https://cdn.steemitimages.com/DQmXdyPREcquKeNKKd3C5LoGGRNuKgkajTnjXR95waSMWgp/Grandmaster_Flash_and_The_Furious_Five.jpg\"],\"app\":\"steemit/0.1\",\"format\":\"markdown\"}"
    }
  ]
}

{
  "trx_id": "e78b562ac0156a29a4e9268495a236635b723d2e",
  "block": 35339308,
  "trx_in_block": 34,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T08:44:09",
  "op": [
    "vote",
    {
      "voter": "aekraj",
      "author": "djbooff",
      "permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "weight": 1500
    }
  ]
}

{
  "trx_id": "79cb544ef2bb477bb7efc730a71697a11b5d4606",
  "block": 35339306,
  "trx_in_block": 16,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T08:44:03",
  "op": [
    "comment",
    {
      "parent_author": "djbooff",
      "parent_permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "author": "aekraj",
      "permlink": "aekraj-re-djbooff-the-beginnings-of-breaking-hip-hop-culture-20190807t084402965z",
      "title": "",
      "body": "Welcome to the STEEM!!\nI hope you having a great day.I am also new to steemit and learning about steem too. Here is something that will help you to get more steem and make it easy to use \n\nPartiko\nPartiko is a app which is very fast, and you can earn partiko points too. if you wanna give it a go then here is a link to download the Partiko app\n\nhttps://partiko.app/referral/aekraj\n\nYou will get extra 3500 partiko points which you can transfer to steem.\n\nAnd 2nd all is Actifit app it helps you do excercise and get upvote, steem\n\nhttps://actifit.io/signup?referrer=aekraj\n\nToday, you are getting upvote from me. And  to get more random upvote, don't forget to follow me.\n\nIf you want to get upvotes everyday then don't forget to join curation trail of @sharingiscaring1 at steemauto.com\n\nhere is the link https://partiko.app/sharingiscaring1/free-upvotes-everyday-for-everyone-lutm95wk?referrer=sharingiscaring1\n\nGet extra Free Deligation power\nhttps://partiko.app/aekraj/free-deligation-daily-upvotes-for-new-steemiar-vqslggat?referrer=aekraj\n\nThe official FAQ can be found here and has A LOT of information https://steemit.com/faq.html\n\nIf you need any help I'm just a message away.\n\nlet me know if you got any helpful things\nThank you\n@aekraj\n\nIf Follow me = get more random upvotes @aekraj\n\nPosted using [Partiko Android](https://partiko.app/referral/aekraj)",
      "json_metadata": "{\"app\":\"partiko\",\"client\":\"android\"}"
    }
  ]
}

{
  "trx_id": "2b006f5edc9f1a6258d9ea6274875ad31d0a1ccb",
  "block": 35339141,
  "trx_in_block": 0,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T08:35:48",
  "op": [
    "comment",
    {
      "parent_author": "djbooff",
      "parent_permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "author": "steemitboard",
      "permlink": "steemitboard-notify-djbooff-20190807t083547000z",
      "title": "",
      "body": "Congratulations @djbooff! You have completed the following achievement on the Steem blockchain and have been rewarded with new badge(s) :\n\n<table><tr><td><img src=\"https://steemitimages.com/60x70/http://steemitboard.com/@djbooff/voted.png?201908070743\"></td><td>You received more than 50 upvotes. Your next target is to reach 100 upvotes.</td></tr>\n</table>\n\n<sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@djbooff) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=djbooff)_</sub>\n<sub>_If you no longer want to receive notifications, reply to this comment with the word_ `STOP`</sub>\n\n\n\n###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!",
      "json_metadata": "{\"image\":[\"https://steemitboard.com/img/notify.png\"]}"
    }
  ]
}

{
  "trx_id": "59db76ad6f9350c3fb59183e229f8eda36cb729a",
  "block": 35336845,
  "trx_in_block": 4,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T06:40:42",
  "op": [
    "vote",
    {
      "voter": "rintoeffendy",
      "author": "djbooff",
      "permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "weight": 10000
    }
  ]
}

{
  "trx_id": "bbe798d6b3b2ad17ecd891766b6084d3226b3ac1",
  "block": 35332266,
  "trx_in_block": 8,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T02:39:15",
  "op": [
    "comment",
    {
      "parent_author": "djbooff",
      "parent_permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "author": "anhvu",
      "permlink": "anhvu-re-djbooff-the-beginnings-of-breaking-hip-hop-culture-20190807t023913788z",
      "title": "",
      "body": "Hello **@djbooff**\n\nWelcome to Steemit & Wish you luck - success with Steemit!\n\nCurrently, We're supporting for the Planktons by our small upvote. If you follow **@haccolong** you will get free upvote of @hoaithu's Curation trail & minimum 1 **follow** from me. You may like it, [Check statement here](https://steemit.com/free/@haccolong/get-free-upvote-daily-when-follow-me).\n\nTo get 3000points and receive additional rewards from your activities on Steemit, you can use [Partiko app](https://partiko.app/referral/anhvu) for your phone.\n\n_Please ignore this reply if you do not need the above._\n\nPosted using [Partiko Android](https://partiko.app/referral/anhvu)",
      "json_metadata": "{\"app\":\"partiko\",\"client\":\"android\"}"
    }
  ]
}

{
  "trx_id": "a31e7837a5c00262d68974fe812344b622121758",
  "block": 35332260,
  "trx_in_block": 11,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T02:38:54",
  "op": [
    "vote",
    {
      "voter": "anhvu",
      "author": "djbooff",
      "permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "weight": 500
    }
  ]
}

{
  "trx_id": "b56ce23aded92adc9a78e88c36e052012970edbf",
  "block": 35330082,
  "trx_in_block": 8,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T00:44:21",
  "op": [
    "comment",
    {
      "parent_author": "djbooff",
      "parent_permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "author": "kapengbarako",
      "permlink": "re-djbooff-pvucpv",
      "title": "",
      "body": "Hi, welcome to SteemIt. Good luck on your Steem journey and I wish you the best. I've been here since 2016 but it was only last month when I fully committed to take Steem seriously. \nPlease have a read about my **[STEEMJOURNEY](https://steempeak.com/@kapengbarako?filter=steemjourney)**.\n\nHere are also some tools that I use and I hope you can find them useful too:\n1. Use **[Partiko App](https://partiko.app/referral/kapengbarako)** from your mobile phone to post to your blog, comment, and upvote content in SteemIt to earn points which you can use to boost your own content.\n2. If you’re into games, you may wanna try playing **[Steem Monsters](https://steemmonsters.com/?ref=kapengbarako)**, a blockchain game based on Steem. If lets you compete with other players around the world with creature cards which you can sell and/or convert to crypto.\n3. Get rewarded for staying fit and healthy with **[ActiFit](https://actifit.io/signup?referrer=kapengbarako)**  - a Steem-based app which rewards you with tokens (which you can eventually use to boost your content) for being physically active.\n4. Invest your Steem Power at **[Smart Steem](https://smartsteem.com/?r=kapengbarako)** and get daily rewards and earn more Steem\n5. Exchange votes with other users with **[SteemEngine.Net](https://steemengine.net/join?r=5604)**\n6. **[eSteem](https://esteem.app/)** and **[Steempeak](https://steempeak.com/)** both offer an intuitive way of using Steem, enhancing your user experience.\n\nIf you need help, I am just a message away.\n\nCheers\nNeil",
      "json_metadata": "{\"tags\":[\"introduceyourself\"],\"app\":\"steempeak/1.14.12\"}"
    }
  ]
}

{
  "trx_id": "e7334443cda396497f5a1f45b3bbbfe9e83eb40a",
  "block": 35330080,
  "trx_in_block": 4,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-08-07T00:44:15",
  "op": [
    "vote",
    {
      "voter": "kapengbarako",
      "author": "djbooff",
      "permlink": "the-beginnings-of-breaking-hip-hop-culture",
      "weight": 100
    }
  ]
}