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      "body": "![Teamakers_Guest_House_Architecture_Competition.jpg](https://cdn.steemitimages.com/DQmNipD8jr7Cw1vNco7UnA81MPZzo7ZEQ8ucSxqrKjEuw68/Teamakers_Guest_House_Architecture_Competition.jpg)\n\nSubmission: June 18, 2019\nRegistration: May 03, 2019\nLanguage: English\nLocation: Concept\nPrizes: Please see details below\nType: Open\n\n \n\nThe Teamakers Guest House competition is a collaboration with Latvian teamakers Ozolini, who draw on generations of knowledge and experience to create unique mixtures of herbal teas. Ozolini owner’s Brigita and Dima Lukini are opening their doors to those looking to escape the non-stop pace of the city and retreat back to nature.\n\nSurrounded by forest and its very own Lake Bezdibenė, the Teamakers Guest House is an ideal location for guests to restore their connection with nature. Often collaborating with meditation and eco-fitness retreats for visitors from countries around the world, Ozolini also hosts summer camps in which the secrets of medicinal herbs can be explored, and various self-awareness workshops take place.\n\nThe Teamakers Guest House is planned for construction on the site of a stone barn and would need to include not only accommodation for guests, but also an inventive and eco-friendly use of the space for guests to participate in tea-making workshops, meditation, and yoga.\n\nThe jury are looking for the Teamakers Guest House to act as an example of green building practices. Participants are tasked with focusing on eco-friendly and cost-effective methods to create an impressive multipurpose space that will further encourage ecotourism in the region.\nPRIZES\n\n3 winning proposals and 6 honourable mentions will be selected. Bee Breeders will award a total of US $6,000 in prize money to competition winners as follows:\n\n1st Prize – US $3,000\n2nd Prize – US $1,500\n3rd Prize – US $500\n\n+ 6 honourable mentions\n\nBB Student Award – US $500\nBB Green Award – US $500\n\nCOMPETITION SCHEDULE\n\nEarly Bird Registration: NOVEMBER 13 – JANUARY 8\nAdvance Registration: JANUARY 9 – MARCH 1\nLast Minute Registration: MARCH 2 – MAY 3\n\nClosing date for registration: MAY 3, 2019\nClosing date for submission: JUNE 18, 2019 (11.59pm GMT)\n\nAnnouncement of the winners: JULY 23, 2019\n\nhttp://competitions.archi/competition/teamakers-guest-house/",
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      "body": "Submission: December 27, 2018\nRegistration: November 15, 2018\nLanguage: English\nLocation: Concept\nPrizes: Please see details below\nType: Open\n\n \n\nBeing in such an era of hard struggle. Two hundred and eighty million youngsters in China are fighting for their future. Yet, the unaffordable housing price which has risen to RMB ten millions with million-high down payment had forced them become “Generation Rent” who feel difficult to earn a house.\n\nBeing in such an era of quality living. How can design help young dream-chasers? How can design make breakthroughs concerning livelihood and housing? To answer the questions are the responsibilities of the construction industry, and the retained propositions that need to think for academic circles and the industry.\n\nThe 2018 C·Design International Architectural Design Competition, feels with the era and is born in the times. With the theme of “Dream Apartment”, it sends invitations to outstanding young designers around the world to create future residential products and bring these to the CAPOL Dongguan Construction and Technology Industrial Park, offering construction samples for future cities.\n\nPRIZES\n\nTeam of professionals\n\nFirst Prize: 100,000RMB with award certificate to one team\n\nSecond Prize: 50,000RMB with award certificate to each of two teams\n\nThird Prize: 30,000RMB with award certificate to each of three teams\n\nTeam of students\n\nFirst Prize: 50,000RMB with award certificate to one team\n\nSecond Prize: 30,000RMB with award certificate to each of two teams\n\nThird Prize: 10,000RMB with award certificate to each of three teams\n\nAll financial awards are tax-inclusive.\n\nOther rewards\n\n1. For (Team of professionals), the winning scheme after improvement may go into practice in CAPOL Dongguan construction and technology industrial park， the host will invite winners to join the improvement;\n\n2. For (Team of students), winners can get offers and special salary from CAPOL;\n\n3.The winning works will be published in the China national core journals on construction science;\n\n4.The winning works will participate in the follow-up exhibitions and other related activities, and will be promoted in major support media.\n\nScope of Entries Submitted\n\nProfessional group :\n\nAccepting entries from worldwide offices and designers on urban planning, architectural design, landscape design, etc.\n\nStudents group :\n\nAccepting entries from worldwide undergraduates and graduates on architecture, urban planning, landscape design, etc.\n\nREGISTRATION\n\n1. Participants are free to register in individuals or groups with each group no more than 3 participants. There are no qualification limits.\n\n2. Participants must register by email and the specific rules as followed:\n\n1) Please download the competition registration form at www.capol.cn;\n\n2) Please send the “Registration form” to [email protected], the form should be titled as “Dream Apartment丨2018 C · Design International Architectural Competition Registration (Group Leader Name); the email title should be the same as registration form title;\n\n3)Please check the email within 48 hours after registration to obtain the contest serial number.\n\n3.Registration Deadline: Beijing time 24:00, November 15th, 2018",
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      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttp://bustler.net/competitions/6219/public-art-call-for-artists-atlanta-central-library",
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      "body": "![call for artists.jpg](https://cdn.steemitimages.com/DQmeuSgMNMX8U6U8PgJkhjRcuih1pjEUXoPm8Y6EHp7zm2b/call%20for%20artists.jpg)\n\n\nSubmission: September 20, 2018\nRegistration: September 20, 2018\nLanguage: English\nLocation: Atlanta, USA\nPrizes: Please see details below\nType: Open\n\n \n\nFulton County Arts & Culture (FCAC) Public Arts Program invites experienced professional artists or artist teams to submit qualifications to create original and site-responsive public artworks using the theme of ‘Light and Enlightenment’ for the Atlanta-Fulton Central Library Branch, part of the Atlanta Fulton Public Library System’ (AFPLS). \nArtists and artist teams with at least 5 years professional public art experience and residing in the continental United States are eligible to apply. Students, Fulton County employees and FCAC contractors are ineligible to apply.\n\nBudget Description\nTotal Project Budget: $246,000\nAt least two commissioned pieces valued between $100,000 and $150,000. These amounts are inclusive of all expenses including design, fabrication, transportation, installation, travel, insurance, taxes and fees.\n\nProject Description\nFulton County Arts & Culture (FCAC) Public Arts Program invites experienced professional artists or artist teams to submit qualifications to create original and site-responsive public artworks using the theme of ‘Light and Enlightenment’ for the Atlanta-Fulton Central Library Branch, part of the Atlanta Fulton Public Library System’ (AFPLS). The following spaces are being considered for the commission – building façade, lobby, lobby staircase, central lightwell and the children’s space on level 4. Any proposal, particularly for the façade, should be respectful of the building’s style, context, and social value.\n\nAfter a Community Public Art Selection panel reviews qualifications, up to six finalists will be invited to attend an information session and site visit in November 2018, where necessary, travel stipends will be provided. Complete full proposals will be due in January 2019 and shortly after the finalists will present their proposal in person to the Selection Panel. Each finalist (artist or artist team) will receive a $1,500 honorarium to complete the full proposal. The final selected artist(s) will enter into a contract with Fulton County to refine the design and implement the proposed commission.\n\nFunded through Fulton County’s Percent for Art allocation, there will be at least two commissioned pieces valued between $100,000 and $150,000. These amounts are inclusive of all expenses including design, fabrication, transportation, installation, travel, insurance, taxes and fees.\n\nAll materials must be submitted through PublicArtist.org by Thursday, September 20th, 2018, 11:59 pm EST. Submissions that are incomplete, late or received by unauthorized means will not be considered.\n\nApplicants are encouraged to submit in advance of the deadline so that unforeseen problems with materials can be addressed. Staff are available during office hours Monday through Friday, 9 am – 5 pm to answer questions. There is no fee to submit qualifications.\n\nArtwork Location Description\nAtlanta-Fulton Public Library – Central Branch\n1 Margaret Mitchell Sq NW, Atlanta, GA 30303\n\nSite History\nThe Atlanta Central Library building opened to the public under the leadership of Ella Gaines Yates, the first African-American director of the library system in May 1980. The building was designed by prominent Bauhaus-movement architect Marcel Breuer, with support from his associate Hamilton Smith. Breuer is considered to have been an extremely influential modernist designer and this commission became the last building he ever designed following his death one year after opening. The building reflects a brutalist architectural style, with a façade consisting of precast concrete panels that were bush-hammered for texture.\n\nIn 2002, a major renovation of the Central Library was completed and the library system celebrated the centennial of the year in which public library service in Atlanta began.\n\nEligibility\nArtists and artist teams with at least 5 years professional public art experience and legal residency in the continental United States are eligible to apply. Students, Fulton County employees and FCAC contractors are ineligible to apply.\n\n\nhttp://competitions.archi/competition/public-art-call-for-artists-atlanta-central-library/",
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      "body": "http://competitions.archi/competition/residential-stadium-adaptive-reuse/\n\nSubmission: November 21, 2018\nRegistration: November 21, 2018\nLanguage: English\nLocation: New York, USA\nPrizes: up to 20.000€\nType: Open\n\n \n\nThe 2018 Soccer World Cup ended a few weeks ago. With it ends an intense month of an event that not only affects the sports world, but has direct repercussions in the economy, tourism or urban planning of the host country.\n\n\nOn this occasion Russia was chosen to host the event. A total of twelve stadiums in eleven Russian cities have been built and renovated for the FIFA World Cup.\nBut have you ever thought about what happens when Olympic arenas, World Cup stadiums or other costly sporting venues close at the end of the colourful events for which they were designed? Many go on to host local sports clubs. Others, though, become proverbial ‘white elephants’, scraping by as glorified parking lots, dirt tracks for stock-car racing and even, as in the case of Montreal’s spectacular Olympic Stadium, as a swine-flu vaccination centre.\nIn RESIDENTIAL STADIUM: ADAPTIVE REUSE, Archstorming will analyze how architecture can provide solutions in stadium designs, so they can always be reused after the event has finished.\n\n· CHALLENGE ·\n\nArchstorming is calling for proposals to design an adaptive stadium that could also be used as a residential building.\nGiving the fact that the World Cup 2026 will be held in North America (USA, Canada and Mexico), the project for the stadium will be located in New York City (USA).\nThe proposed stadiums can:\n\n– Work as both sports arena and residential building at the same time.\n– Adapt to sports arena or residential building depending on the required use or\n– Convert to residential building permanently after the sports event has finished.\n\nThe stadium could have the following (indicative) program: Soccer field, Stadium stands, Residential units (recommended size: 30 m2 to 100 m2), Restaurants, Offices, Shops and commercial spaces, Multipurpose spaces, Bathrooms, Gardens and public spaces.\n\n· SCHEDULE ·\n\nJULY​ 18th REGISTRATION OPENS\nNOV 21st REGISTRATION CLOSES\nNOV 21st SUBMISSION DEADLINE\nNOV 21st – DEC 6th JURY DECISION\nDEC 6th WINNERS ANNOUNCED![PORTADA_letrablanca.jpg](https://cdn.steemitimages.com/DQmW3Wna31i3KaMx7psceaNuwbXNYsrvmS6qNQp6PmjhTea/PORTADA_letrablanca.jpg)",
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      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttps://www.archinect.com/news/article/150063010/introducing-architecture-for-landscape-yacademy-s-higher-education-course",
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      "body": "![banner(540x320px) - LANDSCAPE.jpg](https://cdn.steemitimages.com/DQmSj8EGc2h1EfoZ1SrTKvXCCq28tWRspsPmdM7GpmnVrAs/banner(540x320px)%20-%20LANDSCAPE.jpg)\n\nSubmission: July 20, 2018\nRegistration: July 20, 2018\nType: Open\n\n \n\nArchitecture for Landscape: YACademy’s high level training course offers 8 scholarships, and internships in internationally-renowned architectural firms. 110 hours of lessons, a 60-hour workshop and internships/lectures in internationally-renowned architectural firms like EDUARDO SOUTO DE MOURA, JEAN NOUVEL DESIGN, SNØHETTA, HHF, DUQUE MOTTA & AA, STEFANO BOERI ARCHITETTI\n\n\nTHE COURSE\nFrom Stonehenge to Greek temples, architecture is the signature of humankind on landscape​, the artificial element that has always been connected to the natural environment. Architecture and landscape are linked by a fundamental continuity that is now starting to fade​, damaging the quality of the space we dwell. More than ever today, landscape is a precious heritage that architecture can and must enhance, while protecting it to pass it on to future generations: architects must not give up on working on landscape, instead they should be able to design architecture that responds to each landscape’s specific feature and generates wonderful and unique spaces.\n\nThe Architecture for Landscape course is created on these premises: it aims at training designers who are able to meet the diverse needs of transforming territories​, enforcing an attentive and productive dialogue with the surrounding landscape to respond to the needs of prestigious clients in outstanding contexts. Through a thorough analysis of the natural world, light and geomorphological features of terrains, the designers will become more and more able to reconnect human design to the natural environment and being inspired by landscape to design outstanding, sustainable and impressive architectures.\nThe course aims at training professional designers who are able to intervene on astonishing and monumental natural contexts. Thanks to the workshop activities (also carried out during a 3-day visit to\nthe amazing park of Arte Sella​), the designers will be able to interpret the characteristics of the natural environment to transform it into a fine setting for elegant, sustainable and integrated architecture. The course aims at providing the students with skills that are immediately usable and at granting a focus on the\nchoice of materials, technologies, elements of sustainability and care of different botanical items. Moreover, thanks to their internships in well-renowned professional firms, the students will gain an efficient link to the labor market.\n\nYACADEMY\nYAC is an association which promotes architectural competitions aimed at fostering culture and design research. Over the years, YAC has broadened its experience of work and collaboration with the main architectural firms of contemporary architecture​, dealing with diverse and numerous topics of architectural design. Nowadays YAC’s expertise can serve young designers better, providing them with the creation of high-level educational programs aimed at polishing the skills of the students and offering them a valuable connection to the labour market. Thanks to the close relationship with internationally renowned professional and academic actors, YAC is the perfect frame within which complete or specialize one’s skills and create a significative link with the most internationally-renowned architectural practices. The courses will take place at YACademy’s headquarters: a historical building located in the heart of Bologna historical city center, close to the Two Towers and next to Piazza Santo Stefano,​ undoubtedly one of the most picturesque corners of the city.\n\n109 HOURS OF LESSONS\nINTERPRETING LANDSCAPE | 12 hours\nHow to interpret places between land art and architecture\nEmanuele Montibeller, founder Arte Sella\nWELLNESS IN NATURE | 6 hours\nSaunas and swimming pools: outdoor and wellness\nDesign Unit Starpool\nTHE CITY WITHIN LANDSCAPE | 12 hours\nRelationships, challenges and interdependence between natural and artificial\nPaolo Iotti, co-founder Iotti + Pavarani Architetti\nBIOCOMPATIBLES MATERIALS | 12 hours\nHow to choose materials according to the landscape\nMarkus Scherer, founder Markus Scherer\nSUSTAINABLE DESIGN | 12 hours\nPrinciples of environmental sustainability in prestigious landscape contexts\nEdoardo Milesi, founder edoardo milesi & archos\nDESIGNING GREENERY | 9 hours\nCharacteristics and needs of different botanical items\nAntonio Perazzi, founder Studio Antonio Perazzi\nLIGHT DESIGN | 12 hours\n\nNatural and artificial lightning connected to landscape\nVirginia Della Casa, lighting designer PSLab\nBUILDING WITH TIMBER | 18 hours\nTechniques and possibilities of building with timber\nAngelo Marchetti, CEO Marlegno\nCASE HISTORY | 16 hours\nSuccessful examples of landscape interventions\nManuel Orazi, professor University of Bologna\n\nSPECIAL LECTURES\n• The “BOSCO VERTICALE” / Sara Gangemi – STEFANO BOERI ARCHITETTI​, Milan\n• WATER AND ARCHITECTURE: Oslo Opera House / Patrick Lüth – SNØHETTA​, Oslo\n• SANCTUARIES WITHIN A LANDSCAPE: the Ruta del Peregrino / Simon Frommenwiler – HHF​, Basel\n• ELQUI DOMOS: between sky and architecture / Rodrigo Duque Motta – DUQUE MOTTA & AA​, Santiago\nde Chile\n• CONTEXTUALIZING ARCHITECTURE: the Louvre Abu Dhabi / Livia Tani – ATELIERS JEAN NOUVEL​, Paris\n• MUSEU PAULA REGO: between art and nature / Eduardo Souto De Moura – EDUARDO SOUTO DE\nMOURA​, Porto\n• ETHEREAL ARCHITECTURE / Edoardo Tresoldi,​ Milan\n• FOGO ISLAND INN: new hermitages / Todd Saunders – SAUNDERS ARCHITECTURE​, Bergen\n\n60-HOUR WORKSHOP\nART IN NATURE\nDesign of a prototype of an art residence in “Val di Sella”\nMatteo Agnoletto, professor University of Bologna\nEmanuele Montibeller, Curator and Founder of Arte Sella\n\nINTERNSHIPS\nAt the end of the lessons, the students are guaranteed an internship in one of the professional firms relevant to the course topic.\nSTEFANO BOERI ARCHITETTI (Milan) EDOARDO TRESOLDI (Milan) SNØHETTA (Innsbruck) HHF (Basel) DUQUE MOTTA & AA (Santiago de Chile) SAUNDERS ARCHITECTURE (Bergen) ARTE SELLA (Borgo Valsugana) IOTTI & PAVARANI (Reggio Emilia) MARKUS SCHERER (Meran) EDOARDO MILESI & ARCHOS (Bergamo) ANTONIO PERAZZI (Milan) PSLab (Bologna) MARLEGNO (Bergamo)",
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      "author": "cheetah",
      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttp://bustler.net/competitions/6092/taichung-city-yuxian-tree-house-international-student-design-competition",
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      "body": "http://competitions.archi/competition/taichung-city-yuxian-tree-house-international-student-design-competition/\n\n\n\nIn western architectural history, dwelling is the most important building type as the purpose of architecture returns from divinity to human needs. At the same time, dwelling is the spatial typology that one occupies for the longest time on a daily basis. However, due to the changes in our living environment, dwelling – our home, that comprises of our emotions – is gradually turning into a merchandize with a price tag. We would like to reexamine the essence of home as well as the relationship between tectonic and environment through the concept of building a new home for our society, and thereby recovering and reflection on the most fundamental human needs for dwellings and the natural world.\n\nTree – Grows from the ground, a characterization of life and convergence in the nature.\nHouse – Constructed by Material, a place to live and fulfill our dreams and ideas.\n\nBut in our environment, there are few chances for us to truly experience a space constructed with natural elements. Inspired from the concept of Yuxian section social residence – First a community, then a park, last a city.\nCombining space and structure with trees is not only an achievement of construction, but also a way to link nature and architecture together with design.\n\nStarting from this concept, we are expecting young talents to evaluate and think over issues such as how can we bring diversity of the activities held in the tree house and the neighborhood together? How can difference be provided with variety? What is the possibility of the relationship between material and space in this case? We are seeking for an activity space linked with the region and let the residents, neighborhood and citizens in Taichung City have a wonderful spatial experience.\n\nSITE ADDRESS\n\nYuxian section, Taiping district, Taichung City, Taiwan (south end of Yucai Road, Taiping district).\n\nSITE INFORMATION\n\nYuxian section is near a crossroad formed by two main streets, the site is also planned for the Taiping District Yuxian section social residence (Second phase). This social residence project hopes to enhance the communication between people and people, then to form the community into a “Micro City” through the open spaces and multi-functional rooms.\n\nThe goal of the social residence projects in Taichung City is to create a “comfort living city”. The apartments will be rent out temporary to young talents, students, labor and disadvantaged social groups with a short term contract of 3 years. In this period, the residents should improve their skills and then be able to find a suitable residence of their own later.\n\nDESIGN GUIDELINES\n\nThe site is located separately at the north-east and south-west plaza of the Taiping District Yuxian section social residence (Second phase). Therefore, the overall design should continue the intention of the regional planning. The major guiding points are comfort, interaction, sustainability, circular economy, and energy saving. Since the first place design will be realized, please take the budget of 1 million NTD into consideration.\n\nELIGIBILITIES\n\n1. Participants, not limited in Taiwan, must be undergraduate or graduate students majoring in Architecture, Urban Design, Landscape Architecture, Interior Design, and other related fields of study with degree expected date no earlier than January 31st, 2018.\n2. The eligibilities of the participant must be enrolled in an accredited university or college as a full-time student, and actively taking classes. Students of “college/program designed for working professionals”, “School of Extension Education”, “Community Learning Center”, Tutoring/Educational Center”, “Test Preparation Center” and “School of Professional Education & Continuing Studies” are not eligible to participate in this competition.\n3. Please only register as individual or group of two participants. Multiple submissions or registration under others’ names would be voided.\n4. Each of the 11group of student participants of Stage Two should jointly submit his/her proposal in collaboration with an advisor. The Advisor will be awarded a certificate by the Taichung City Government.\n\nJURY (LISTED ALPHABETICALLY)\n\nShuen-Long Lin\nLi-Ting Chen\nWei-Ren Chen\nRay S. C. Chu\nShuenn-Ren Liou\nSatoko Shinohara\nYu-Tse Tai\n\nCOMPETITION TIMETABLE (A TWO-STAGE COMPETITION)\n\nStage 1 material submission Deadline:\n2018/08/13 (Monday), 5:00 pm (Taipei GMT+08:00) Validated by postmark\nStage 1 Review & Evaluation / Shortlist Announcement:\n2018/08/17 (Friday)\nStage 2 material submission Deadline:\n2018/09/10 (Monday), 5:00 pm (Taipei GMT+08:00) Validated by postmark\nStage 2 Review & Evaluation / Winner Announcement:\n2018/09/15 (Saturday)\nAward Ceremony:\n2018/09/16 (Sunday) 10 : 00 am – 11 : 00 am\nExhibition:\n2018/09/16 (Sunday) – 2018/09/25 (Tuesday)\n\nPRIZES\nFirst Place (1):\nNT$60,000 + Certificate\nSecond Place (1):\nNT$30,000 + Certificate\nThird Place (1):\nNT$20,000 + Certificate\nHonorable mention (3):\nNT$ 5,000 + Certificate\nSelected Entry (5):\nNT$ 2,000 + Certificate\n\n![tai_square.jpg](https://cdn.steemitimages.com/DQmeswbKNX1Xb1sxQwZwPVKQtUf7DukKNcc2X4j8DJTxfdr/tai_square.jpg)",
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      "author": "emergedinsteem",
      "body": "@therealwolf 's created platform smartsteem scammed my post this morning (mothersday) that was supposed to be for an Abused Childrens Charity.  Dude literally stole from abused children that don't have mothers ... on mothersday.  \r\n\r\nhttps://steemit.com/steemit/@prometheusrisen/beware-of-smartsteem-scam",
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      "author": "competitionsarch",
      "body": "The ISARCH Awards are international awards targeting students of architecture. The aim is to provide a platform for debate surrounding the architecture solutions students contribute within the framework of their university studies.\n\nA further objective of the ISARCH Awards is to encourage young people to join the debate on architecture, contributing their unique vision and opinions.\n\nIn this 9th edition, we counting on the participation of the following jury members:\n\nEVA FRANCH I GILABERT, Director of Architectural Association School of Architecture\n\nDanny Duong, Assoc. AIA, Senior Associate at SO – IL.\n\nGONZALO HERRERO DELICADO , Architect and Curator of contemporary architecture and design at the Royal Academy of Arts.\n\nANNA MERCI, Architect, landscape architect and graphic designer, founder at Anna Merci —Architecture.\n\nJAMES TAYLOR FOSTER, Editor and writer of esseys and reviews, Architectural designer, Maker of exhibitions![ISARCH.jpg](https://steemitimages.com/DQmPWeGCqsZz1iRSbnXkLgADu45MedHbmtCKzwQmEApYXtS/ISARCH.jpg)",
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      "memo": "Hey @competitionsarch! I really appreciate your support and now that I am officially running as a witness, I wanted to share this with you and officially announce it. Thanks you so much :)",
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      "body": "Guide to Australian Working Visas for Architects\n\nAustralia needs qualified Architects. This geographically diverse continent with constantly evolving fusion of cultures is a perfect challenge for creative professionals. If you’re one of them, then your skills are currently in demand.\n\nIf you haven’t turned 31 years old yet you may apply for Work and Holiday visa which allows you to work and travel around the country for up to a year. Otherwise, getting an Australian working visa is not easy. The vast majority of architecture firms will not hire you unless you have Permanent Residency status. However, it’s not impossible that a company would be willing to sponsor your working visa.\n\nWhichever way of getting an Australian working visa you choose, it’s worth to consider this destination as it is one of the top countries for architect to work in (http://jobs.archi/2016/08/01/5-best-countries-for-architects-to-work-in/).\n\nRead below to find out more about the most common types of visa for foreign architects to live and work in Australia.\n\nWork and Holiday visa (subclass 462)\n\nProbably the easiest way for young architects to work legally in Australia. Work and Holiday visa is a temporary visa that encourages cultural exchange and closer ties between Australia and eligible countries (see the list below). It allows you to stay in Australia for up to one year, however, under this visa you can generally only work six months with one employer.\n\nRequirements\n\nYou might be able to get this visa if you:\n\n    are at least 18 but not yet 31 years of age\n    don’t have a dependent child with you at any time during your stay in Australia\n    have a passport from:\n\n        Argentina\n\n        Bangladesh\n\n        Chile\n\n        China, People’s Republic of\n\n        Indonesia\n\n        Israel\n\n        Malaysia\n\n        Poland\n\n        Portugal\n\n        Slovak Republic\n\n        Slovenia\n\n        Spain\n\n        Thailand\n\n        Turkey\n\n        USA\n\n        Uruguay\n\nThis visa allows you to:\n\n    stay in Australia for up to 12 months\n    work in Australia, generally for up to six months with each employer\n    study for up to four months\n    leave and re-enter Australia any number of times while the visa is valid\n\nThere is an annual limit on the number of first Work and Holiday visas granted to each country. The visa programme year starts on 1 July each year.\n\nTemporary Work (Skilled) visa (subclass 457)\n\nIf you’re looking for employer to sort out all the issues with your visa status the subclass 457 is for you. This is the most commonly used programme for employers to sponsor overseas architects to work in Australia on a temporary basis.\n\nUnder subclass 457 visa you can:\n\n    work in Australia for a period of between one day and 4 years\n    bring any eligible dependants with you (your spouse, partner, child etc.)\n    travel in and out of Australia while the visa is valid.\n\nThere are 3 processing stages of the subclass 457 visa application:\n\n    Sponsorship: The employer applies for approval as a sponsor.\n    Nomination: The employer nominates an occupation for you\n    Visa application: After being nominated you can apply for the subclass 457 visa\n\nAs a primary holder of a subclass 457 visa you must:\n\n    work in the occupation for which you were nominated\n    commence that work within 90 days of arrival in Australia or within 90 days after the visa was granted\n    not cease employment for a period of more than 90 consecutive days\n    not engage in work that is inconsistent with the licence, registration or membership\n\nThe Skilled-Independent visa (subclass 189) \n\nThe subclass 189 is a permanent residence visa for points-tested skilled architects who want to work and live in Australia. To be able to apply for this visa you need to submit an expression of interest and then be invited through SkillSelect to apply (to find out more on the SkillSelect service click here: http://www.border.gov.au/Trav/Work/Skil).\n\nThe subclass 189 is a permanent residence visa that lets you:\n\n    stay in Australia indefinitely\n    work and study in Australia\n    enrol in Medicare, Australia’s scheme for health-related care and expenses\n    apply for Australian citizenship (if you are eligible)\n    sponsor eligible relatives for permanent residence\n    travel to and from Australia for five years from the date the visa is granted (after that time, you will need a resident return visa or another visa to return to Australia).\n\nTo be eligible to apply for this visa you must have:\n\n    nominated an occupation that is on the relevant skilled occupation list\n    obtained a suitable skills assessment for that occupation\n    not yet turned 50 years of age\n    achieved the score specified in your letter of invitation based on the factors in the points test\n    at least competent English.\n\nSkilled Nominated visa (subclass 190)\n\nAnother visa is for points-tested skilled architects is the subclass 190 visa. The main difference with the 189 independent visa is that you have to be nominated by a state or territory government agency. It allows you to live and work in Australia as a permanent resident.\n\nTo be eligible to apply for this visa if you must have:\n\n    nominated an occupation that is on the relevant skilled occupation list\n    obtained a suitable skills assessment for that occupation\n    not yet turned 50 years of age\n    achieved the score specified in your letter of invitation\n    at least competent English\n    been nominated by an Australian state or territory government agency.\n\nThis is a permanent residence visa that lets you:\n\n    stay in Australia indefinitely\n    work and study in Australia\n    enrol in Medicare, Australia’s scheme for health-related care and expenses\n    apply for Australian citizenship (if you are eligible)\n    sponsor eligible relatives for permanent residence\n    travel to and from Australia for five years from the date the visa is granted (after that time, you will need a resident return visa or another visa to return to Australia).\n\nSkilled Regional (Provisional) visa (subclass 489)\n\nAlternative option is to migrated to Australia under the regional sponsored migration scheme.\n\nSkilled Regional visa is a sponsorship visa solution specifically for people who want to settle in remote areas of Australia. The requirements are nowhere near as difficult to meet as for other sponsorship visas, because the Australian government wants to encourage skilled people to settle outside the big cities.\n\nThe subclass 489 visa allows skilled architects and their families to live, work and study in specified regional areas in Australia for four years.\n\nYou might be eligible to apply for this visa if invited and you are either:\n\n    nominated by an Australian State or Territory government agency, or\n    sponsored by an eligible relative living in a Designated area of Australia.\n\nTo be eligible to apply for this visa you must have:\n\n    been nominated by an Australian State or Territory government agency or sponsored by an eligible relative living in a designated area\n    nominated an occupation that is on the relevant skilled occupation list\n    a suitable skills assessment for that occupation,\n    not yet turned 50 years of age\n    achieved the score specified in your letter of invitation based on the factors in the points test\n    at least competent English.\n\nThis visa allows you and your family to:\n\n    stay in Australia for up to four years\n    live, work and study in a specified regional area of Australia\n    travel in and out of Australia while the visa is valid.\n\nEmployer Nomination Scheme (subclass 186)\n\nThis visa is a permanent residence visa for skilled architect. It allows you to work in Australia under one of three streams:\n\n    the Temporary Residence Transition stream\n    the Direct Entry stream\n    the Agreement stream.\n\nYou might be able to get this visa if you:\n\n    have been nominated by an approved Australian employer\n    are younger than 50 years of age, unless you are exempt\n    meet the skills, qualifications and English language requirements, unless you are exempt\n    apply under the stream for which you were nominated.\n\nThis visa involves a two-step process, firstly, nomination by an approved Australian employer and then an application under the nominated stream. It is part of the Permanent Employer Sponsored Visa programme.\n\nRegional Sponsored Migration Scheme visa (subclass 187)\n\nThis visa is a permanent residence visa for skilled architects who want to work in regional Australia. It allows you to work in Australia under one of three streams:\n\n    the Temporary Residence Transition stream\n\n    the Direct Entry stream\n\n    the Agreement stream.\n\nYou might be able to get this visa if you:\n\n    have been nominated by an approved Australian employer for a job in regional Australia (regional Australia does not include the Gold Coast, Brisbane, Newcastle, Sydney, Wollongong or Melbourne)\n    are younger than 50 years of age, unless you are exempt\n    meet the skills, qualifications and English language requirements, unless you are exempt\n    apply under the stream for which you were nominated.\n\nThis visa involves a two-step process, firstly, nomination by an approved Australian employer and then an application under the nominated stream. It is part of the Permanent Employer Sponsored Visa program.\n\nDisclaimer\n\nNow, if you are serious about emigrating to Australia you should be aware of the visa application procedure. No matter which type of visa there is a huge amount of paperwork to complete, a lot of details to check and tons of documents to provide. Basically, you have two options for sorting out Australian working visa application procedure:\n\n    You can dig through the government website yourself, find a visa that fits your circumstances and go through the process yourself. The government website has all the info you need, the visa finder, the instructions, the application forms, dedicated tools… It is complicated but it’s all there. If only you are patient enough and determined to get it you can make it.\n\n    The other option is to get professional help from approved visa agent. You do not need to use a migration agent to lodge a visa application. However, if you do not feel confident lodging an application, or if your case is complex it might be better to get professional help. If you choose to use a migration agent, you should use a registered migration agent to protect yourself from scammers.\n\nYou can find a registered migration agent here: www.mara.gov.au\n\nTo learn more on how to apply for work visas in Australia click here : http://www.border.gov.au\n\nIf this article inspired you to seek for job opportunities in Australia, you can explore the latest Aussie architecture job offers at jobs.archi | Australia jobs\n\nI hope this post gives you a clearer sense of the Australian work visa procedure, and a better look at best visa options for architects. If you have any experience or stories about application process, please share them in the comments below. G’luck, mates!![How_to_get_US_work_visa.jpg](https://steemitimages.com/DQmWKFMFrj6RMRTHdXaixncWpMD4SrF3KKzS2BgpvcjFzht/How_to_get_US_work_visa.jpg)",
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      "author": "cheetah",
      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttp://switchcompetition.com/",
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{
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      "body": "In October 1959, when the Solomon R. Guggenheim Museum opened the doors to its new building on Manhattan’s Fifth Avenue, it promptly became “the obligatory topic of every New York conversation The last built work by Frank Lloyd Wright, who had died earlier that year at 91, was not showered with praise, as one might now expect, but pelted with criticism. Almost everyone felt that the architecture of the museum dominated the paintings and the art inside. Such was the power of FLW’s architecture. Wright’s building made it socially and culturally acceptable for an architect to design a highly expressive, intensely personal museum. In this sense, almost every museum of our time is a child of the Guggenheim.\n\nWhat if you get a chance to switch FLW’s masterpiece with your own expression of Guggenheim? What if you get a chance to step into the master’s shoes and be able to design an ‘architectural icon’?\n\nThe aim of the competition is to re-create the iconic museum in NYC by the legendary architect Frank Lloyd Wright at the same exact site but with an entirely new perspective by the participants. The competition offers a chance to re-design the museum created by the master himself, with a similar intent to break from the prevalent conventionality in designing a museum and gallery space and create an innovative and extraordinary built form. The in-situ replacement of the existing museum should be iconic and revolutionary, capable of transforming the urban form of NYC in a similar or a more powerful way. The response should be FLW-like, where he constantly strived to devise new architecture systems that were ahead of his time and were hailed as wonders of the modernist movement.\n\nPRIZES\n\nPrizes worth EUR 3000 are up for claim with the distribution as follows:\n\nFIRST PRIZE: EUR 1500\n\nSECOND PRIZE: EUR 1000\n\nTHIRD PRIZE: EUR 500\n\nApart from the winners, the jury will select ’10 Editors’ Choices’ who will be featured on our website and several other international magazines and websites across the world.  The winners and Editors’ Choices will be provided with an honorary certificate.\n\nREGISTRATION\n\nThe competition is open to everyone in the world (architects, students, engineers etc.). You can participate individually or in a team. A team can have a maximum of three members only.\n\nEarly registration: 60 EUR PER TEAM- 1st May 2018- 31st July 2018\n\nStandard Registration: 80 EUR PER TEAM- 1st August 2018- 30th August 2018\n\nSubmission deadline: 31st August 2018\n\nResult: 25th September 2018\n\n*All deadlines are 11:59 PM- 00:00 IST (India)\n\nGROUP DISCOUNT\n\nAs a part of our initiative to encourage more student participation, we offer great discounts if a minimum of 5 teams register from one particular architecture school/university. Contact us at [email protected] to avail the offer.\n\nREGULATIONS\n\n    Switch reserves the right to modify the competition schedule if deemed necessary.\n    Participant teams will be disqualified if any of the competition rules or submission requirements are not considered. Participation assumes acceptance of the regulations.\n    Team code is the only means of identification of a team as it is an anonymous competition.\n    The official language of the competition is English.\n    The registration fee is non-refundable.\n    Contacting the Jury is prohibited.\n\nTERMS AND CONDITIONS          \n\nPlease see the terms and conditions section on www.switchcompetition.com\n\nDISCLAIMER\n\nThis is an open international competition hosted by Switch to generate progressive design ideas. There are no plans for any proposal to be built. The competition is organized for education purpose only.![switch_architecture competition.jpg](https://steemitimages.com/DQmbGYsSxgka2RZmYUjhhfENW3JJPV5tAvvqn641j9b4oRR/switch_architecture%20competition.jpg)",
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      "body": "Submission: August 03, 2018\nRegistration:  August 03, 2018\nLanguage: English\nLocation: Prague, Czech Republic\nPrizes: Please see details below\nType: Open\n\n \n\nPrague is a city with many myths and innumerable legends but it is also a place with a strong historical cultural ferment. In Mala Strana district, where the first Jewish persecutions started during the XIV century, we want to imagine the new Ebraic Museum of Prague, a place of memory that becomes a contemporary symbol of rebirth. Exhibitions, events, debates, will make this pole for culture an element of important renewal. An architecture that will trasformer the ghetto in a new social integration area.\n\nELIGIBILITY\n\nThere is no limit for the competition. I allowed to contest all those who want to deal with the theme proposed, whatever their country of origin.\nThere are no age limits, can enroll graduate students, graduates or professionals. You can participate as an individual or as a group (max 5 components). In the second case it is necessary to elect a leader to have a contact person to which official communications.\nEach participant may submit only one project and not be part of more than one grouping. All competitors have the samerights and must fulfill the same obligations. Groups can be mixed or use more professional, they may be made simultaneously by graduate and undergraduate students.\n\nFEEs\n\nSPECIAL ENTRY: from 01st of May – 03rd of June the fee entry is of 15,00 euro for who will use PayPal, 20,00 euro for who will use bank transfer.\n\nORDINARY ENTRY: from 04th of June – 11th of July the fee entry is of 20,00 euro for who will use PayPal, 25,00 euro for who will use bank transfer.\n\nEXTRAORDINARY ENTRY: from 12th of July – 03th of August the fee is of 25,00 euro for who will use PayPal, 30,00 euro for who will use bank transfer.\n\nThe quote are for each participant.\n\nPRIZES\n\nThe winners will be announced on the website of the Association no later than the date of 31th of August 2018.\n\n #The winner will receive a prize of 500,00 euro (excluding TAX) for each participant.\n\n#Top three finishers will have an annual subscription to the DOMUS magazine in digital format.\n\n#The winners and mentioned might take part for life at all our future competitions that we will propose on our portal.![prague museum competition.jpg](https://steemitimages.com/DQmWxzexmZ2M8qcaGfAJrvzu7kJrDgpkpvdbmsj7widZMqX/prague%20museum%20competition.jpg)",
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      "parent_author": "",
      "parent_permlink": "art",
      "permlink": "prague-museum-architecture-competition",
      "title": "Prague Museum - Architecture Competition"
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      "body": "eVolo Magazine is pleased to announce the winners of the 2018 Skyscraper Competition. The Jury selected 3 winners and 27 honorable mentions from 526 projects received. The annual award established in 2006 recognizes visionary ideas- projects that through the novel novel use of technology, materials, programs, aesthetics, and spatial organizations, challenge the way we understand vertical architecture and its relationship with the natural and built environments.\n\n\nThe FIRST PLACE was awarded to Skyshelter.zip designed by Damian Granosik, Jakub Kulisa, and Piotr Pańczyk from Poland. The project is a foldable skyscraper inspired by origami that could be easily transported and deployed in disaster zones.\n\n\nJinja: Shinto Shrine Skyscraper designed by Tony Leung  from Hong Kong received the SECOND PLACE. The project aims to restore the traditional interactions between a Shinto Shrine and the local people- an urban building for rice farming, spiritual meditation, and community development.\n\nThe recipient of the THIRD PLACE is Claudio C. Araya Arias from Chile for the project Waria Lemuy: Fire Prevention Skyscraper. This proposal envisions a new prototype for vertical housing in areas damaged by wild fires in Chile. The project makes use of passive systems to mitigate wind and disperse water to prevent new fires.\n\nThe honorable mentions include Sandscrapers that prevent desertification, floating skyscrapers that transform ocean water into fresh water, towers that collect fog in arid regions, 3-D printed buildings, and volcano skyscrapers among other visionary proposals.\n\n1st prize\n\nDamian Granosik, Jakub Kulisa, and Piotr Pańczyk\n/ Poland /\n\n![_1_1.jpg](https://steemitimages.com/DQmSwnjVmPdksLREpz69LMCeNA55qWXSFAmRktBFozwDuWY/_1_1.jpg)\n\n![_1_2.jpg](https://steemitimages.com/DQmVuVdiXGKm2ZciVAYqsnPVieenQ8nk5qnKx6TG9Uh4VPk/_1_2.jpg)\n\nMore and more natural disasters happen annually across the world. When dealing with forces so powerful, standard means of crisis-management often prove to be inefficient. Whether certain region is struck by earthquake, flood or hurricane – help needs to arrive quickly. This is often easier to be said than done, as damages to transportation infrastructure or remote localization can make it extremely difficult. The Skyshelter.zip tries to address these issues by proposing structure that while offering large floor surface is compact, easy to transport anywhere and can be deployed with minimum amount of time and manpower requirements. It is meant to serve as multi-purpose hub for any relief operation.\n\nEASY TRANSPORTATION\nThe Skyshelter.zip is extremely easy to move due to its unique qualities. The entire structure is foldable in a manner that resembles origami or accordion. This means it can be neatly packaged into single relatively small box with minimum height and base dimensions reduced to building’s footprint. Then such a package can be moved anywhere with help of helicopters commonly used by rescue teams and military in the event of a natural disasters. Because elements do not have to be transported in batches by trucks, it is easier and faster to reach zones cut off from the transportation network.\n\nSMALLER FOOTPRINT\nPerhaps the biggest advantage of stacking vertically all functions required in zone affected by natural disaster is reducing the area that is being occupied by them. Skyshelter.zip’s footprint is on average over 30 times smaller than area required to host typically used tents or containers. This means that much less cleanup work is required prior to setting up the camp. This is especially important in densely populated areas but elsewhere means that it is going to be possible to set up those temporary shelters closer to victims original homes.\n\nINSTANT DEPLOYMENT\nJust as easily as it can be transported, the Skyshelter.zip can be effortlessly and instantly deployed even on unstable soil. Little to none groundwork is required as after anchoring basic supports to the ground the structure unfolds thanks to large load-bearing helium balloon placed within (thus protected from external forces). This process is also easily reversible. Light-weight 3D-printed slabs are attached directly to balloon in succeeding manner and pulled upwards by its load-bearing force and structural steel wires that once strained are capable of resisting horizontal wind forces. In turn, internal and external walls are in fact pieces of fabric attached to slabs that unfold as the structure get deployed.\n\nSCALABILITY AND REPURPOSING\nDepending on amount of gas poured into the balloon, one can control the number of floors that are unfolding. This way, with single, mass produced module it is possible to attend different-scale, unpredictable events.\n\nFUNCTIONS\nBased on particular cases’ needs various functions can be accommodated inside, including reception area, first aid area, temporary housing, storage and vertical farm that uses soil gathered during anchoring. Additional advantage of producing vertical emergency camp is its height, partially achieved thanks to the size of the balloon. It allows for the structure to serve as a landmark, visible from large distances helping guide people affected by catastrophe straight to the relief center.\n\nSUSTAINABILITY FEATURES\nTaking advantage of large external surface area, use of nanomaterial based on ETFE foil and infused with network of small perovskite solar cells was proposed. This way, the building is capable of producing clean energy especially needed in case of emergency. Similarly, balloon located on top is shaped in such a way, that rainwater is able to flow through its hollow center where it is being cleansed by specialized filters and collected for further use.\n\n2nd prize\n\n Tony Leung\n/ Hong Kong /\n\n![_2_2.jpg](https://steemitimages.com/DQmfHkvKAq1mdFywgxXUqVE1t4Vq4NKHGceUZk21c6C5D34/_2_2.jpg)\n\nThe objective of this proposal is to restore the traditional interactions between Jinja (Japanese Shinto Shrine) and local people by reterritorizing a busy urban corner in Ginza, Tokyo with a vertically organized Jinja cum rice-farming complex.\n\nIn the past, Jinja and rice farming were the center of Japanese economy.\n\nThe paddy field and Jinja complex also served as centers of everyday interaction. Many local Jinja not only housed the relevant Kami (deities) but also served as a warehouse for harvests.  Also, the biggest communal festival, Matsuri, happened during spring seeding and autumn harvesting.\n\nAs cities expand, both rice farming and Jinja remains in the shadow of urban livings. Jinja complex is overshadowed by modern skyscrapers. However, more than two centuries ago, according to some ancient manuscripts, Izumo Shrine was said to be reaching 96m high above ground i.e. a historical origin of skyscraping Jinja (…)\n\n3rd prize\n\nClaudio C. Araya Arias\n/ Chile /\n\n![_3_1.jpg](https://steemitimages.com/DQmYcZYPgrCWVGiCyzWy9wzcEjgRWMxJfjuyGX88thcd5pX/_3_1.jpg)\n\n![_3_2.jpg](https://steemitimages.com/DQmVQGEXdXKV4P8JNXxjoTUk1SEppKBe9XivXEpH5sxeuqh/_3_2.jpg)\n\nForest fires are one of the greatest agents of degradation of ecosystems in the world. Although fire is part of the natural dynamics of some habitats, large disturbances cause a deterioration of their functionalities. Fire modifies biogeochemical cycles, produces changes in vegetation, soil, fauna, hydrological and geomorphological processes, water quality and even changes in the composition of the atmosphere. Each of these elements puts at risk not only the existing geography, but also directly threatens population centers, putting at risk the lives of people, their goods, infrastructure, among other things.\n\nThe 2016-2017 season of forest fires left a record of destruction never before recorded in the south-central zone of Chile. The consequences of the above were 5,244 fires with an impact of 569,989 hectares, 2,500 homes. The most serious case was the one in the town of Santa Olga, where the destruction exceeds 1,000 homes, destroying the entire city. Reconstruction is an indisputable subject, but the existing model of growth by expansion left a clear vulnerability within the territory.\n\nThe degraded soils, and the decrease of the vegetation among other variables produced by this settlement model, were part of the factors that modified the natural conditions, leaving the sector vulnerable (…)\n\nhttp://competitions.archi/competition/results-winners-evolo-2018-skyscraper-competition/![_1_2.jpg](https://steemitimages.com/DQmVuVdiXGKm2ZciVAYqsnPVieenQ8nk5qnKx6TG9Uh4VPk/_1_2.jpg)",
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      "body": "Hi @competitionsarch, great music! I love listening to new stuff and this is a great track/tune. Thanks for sharing! Cheers",
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      "body": "![Architectural Contest for Concept Design of Philharmonic Hall in the city of Ekaterinburg .jpg](https://steemitimages.com/DQmZJ4R9dn42VmoKzWTFxEpyvuve933T1G5XvHJFtp2Kz1i/Architectural%20Contest%20for%20Concept%20Design%20of%20Philharmonic%20Hall%20in%20the%20city%20of%20Ekaterinburg%20.jpg)\n\nSubmission: July 30, 2018\nRegistration:  April 27, 2018\nLanguage: English, Russian\nLocation: Ekaterinburg, Russia\nPrizes: Please see details below\nType: Open, 2 stage\n\n \n\nConcept Design for the complex of buildings including existing philharmonic hall and the adjacent territory.\n\n\n\nCOMPETITION SITE–\n\nThe subject area is located in Ekaterinburg (Russian Federation) between Klara Tsetkin – Turgeneva – Petrvomajskaya – Karla Libknekhta streets.\n\n\nSUBJECT OF THE COMPETITION – design and functional concept for the complex of new and existing properties including the historical building of the Philharmonic hall, the rehearsal building, the newly constructed building to accommodate concert hall for 1600 seats, and a chamber hall for 350 seats.\n\nQUALIFICATION REQUIREMENTS – any individual or legal entity, or an association of such in any combination thereof which has submitted an application for the participation in accordance with the requirements of the competition brief.\nKey requirements include experience and expertise in architecture, track record of comparable projects, multidisciplinary team of urban planners, architects, engineers, acoustics.\nDetailed qualification requirements for the Participants are presented in the competition brief.\n\n\nTHE JURY OF THE COMPETITION – Executives of the city planning authorities, world renowned musicians, leading Russian architects, other members of the professional community.\nORGANIZER OF THE COMPETITION – Government of Sverdlovsk Area (Ministry of Construction and Infrastructure)\nORGANIZER OF THE COMPETITION – Government of Sverdlovsk Area (Ministry of Construction and Infrastructure)\n\nPRIZES\n• First prize – Rbls 7 Million\n• Second prize – Rbls 2 Million\n• Third prize – Rbls 1 Million",
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