Ecoer Logo
VOTING POWER100.00%
DOWNVOTE POWER100.00%
RESOURCE CREDITS100.00%
REPUTATION PROGRESS0.00%
Net Worth
0.037USD
STEEM
0.000STEEM
SBD
0.002SBD
Effective Power
5.007SP
├── Own SP
0.629SP
└── Incoming Deleg
+4.378SP

Detailed Balance

STEEM
balance
0.000STEEM
market_balance
0.000STEEM
savings_balance
0.000STEEM
reward_steem_balance
0.000STEEM
STEEM POWER
Own SP
0.629SP
Delegated Out
0.000SP
Delegation In
4.378SP
Effective Power
5.007SP
Reward SP (pending)
0.000SP
SBD
sbd_balance
0.002SBD
sbd_conversions
0.000SBD
sbd_market_balance
0.000SBD
savings_sbd_balance
0.000SBD
reward_sbd_balance
0.000SBD
{
  "balance": "0.000 STEEM",
  "savings_balance": "0.000 STEEM",
  "reward_steem_balance": "0.000 STEEM",
  "vesting_shares": "1023.225711 VESTS",
  "delegated_vesting_shares": "0.000000 VESTS",
  "received_vesting_shares": "7120.434095 VESTS",
  "sbd_balance": "0.002 SBD",
  "savings_sbd_balance": "0.000 SBD",
  "reward_sbd_balance": "0.000 SBD",
  "conversions": []
}

Account Info

namecjwmusic
id670399
rank1,293,692
reputation111572968
created2018-01-27T21:42:57
recovery_accountsteem
proxyNone
post_count13
comment_count0
lifetime_vote_count0
witnesses_voted_for0
last_post2018-02-21T23:25:39
last_root_post2018-02-21T23:25:39
last_vote_time2018-02-16T20:49:03
proxied_vsf_votes0, 0, 0, 0
can_vote1
voting_power0
delayed_votes0
balance0.000 STEEM
savings_balance0.000 STEEM
sbd_balance0.002 SBD
savings_sbd_balance0.000 SBD
vesting_shares1023.225711 VESTS
delegated_vesting_shares0.000000 VESTS
received_vesting_shares7120.434095 VESTS
reward_vesting_balance0.000000 VESTS
vesting_balance0.000 STEEM
vesting_withdraw_rate0.000000 VESTS
next_vesting_withdrawal1969-12-31T23:59:59
withdrawn0
to_withdraw0
withdraw_routes0
savings_withdraw_requests0
last_account_recovery1970-01-01T00:00:00
reset_accountnull
last_owner_update1970-01-01T00:00:00
last_account_update1970-01-01T00:00:00
minedNo
sbd_seconds0
sbd_last_interest_payment1970-01-01T00:00:00
savings_sbd_last_interest_payment1970-01-01T00:00:00
{
  "id": 670399,
  "name": "cjwmusic",
  "owner": {
    "weight_threshold": 1,
    "account_auths": [],
    "key_auths": [
      [
        "STM7c3kPNKKWNN6kZmNStq4obZSRe52MZXwkRnLFbJeCVAiJCvtEa",
        1
      ]
    ]
  },
  "active": {
    "weight_threshold": 1,
    "account_auths": [],
    "key_auths": [
      [
        "STM54Z2CK5jQq7p4kkijoxTYo58jmW7q51JXKFYs8wJBSyhPjQSVN",
        1
      ]
    ]
  },
  "posting": {
    "weight_threshold": 1,
    "account_auths": [],
    "key_auths": [
      [
        "STM7JWA8dpKpYSdLqunwRxw6AwG9trTMcEXfQiTekMFx3eyfE1hN9",
        1
      ]
    ]
  },
  "memo_key": "STM7TyurcVb3hFLFVhdoumx9qEoEzeA5KVGXtQusRL9DJgbcJ2Rry",
  "json_metadata": "",
  "posting_json_metadata": "",
  "proxy": "",
  "last_owner_update": "1970-01-01T00:00:00",
  "last_account_update": "1970-01-01T00:00:00",
  "created": "2018-01-27T21:42:57",
  "mined": false,
  "recovery_account": "steem",
  "last_account_recovery": "1970-01-01T00:00:00",
  "reset_account": "null",
  "comment_count": 0,
  "lifetime_vote_count": 0,
  "post_count": 13,
  "can_vote": true,
  "voting_manabar": {
    "current_mana": "8143659806",
    "last_update_time": 1779057930
  },
  "downvote_manabar": {
    "current_mana": 2035914951,
    "last_update_time": 1779057930
  },
  "voting_power": 0,
  "balance": "0.000 STEEM",
  "savings_balance": "0.000 STEEM",
  "sbd_balance": "0.002 SBD",
  "sbd_seconds": "0",
  "sbd_seconds_last_update": "2018-02-13T22:28:09",
  "sbd_last_interest_payment": "1970-01-01T00:00:00",
  "savings_sbd_balance": "0.000 SBD",
  "savings_sbd_seconds": "0",
  "savings_sbd_seconds_last_update": "1970-01-01T00:00:00",
  "savings_sbd_last_interest_payment": "1970-01-01T00:00:00",
  "savings_withdraw_requests": 0,
  "reward_sbd_balance": "0.000 SBD",
  "reward_steem_balance": "0.000 STEEM",
  "reward_vesting_balance": "0.000000 VESTS",
  "reward_vesting_steem": "0.000 STEEM",
  "vesting_shares": "1023.225711 VESTS",
  "delegated_vesting_shares": "0.000000 VESTS",
  "received_vesting_shares": "7120.434095 VESTS",
  "vesting_withdraw_rate": "0.000000 VESTS",
  "next_vesting_withdrawal": "1969-12-31T23:59:59",
  "withdrawn": 0,
  "to_withdraw": 0,
  "withdraw_routes": 0,
  "curation_rewards": 0,
  "posting_rewards": 0,
  "proxied_vsf_votes": [
    0,
    0,
    0,
    0
  ],
  "witnesses_voted_for": 0,
  "last_post": "2018-02-21T23:25:39",
  "last_root_post": "2018-02-21T23:25:39",
  "last_vote_time": "2018-02-16T20:49:03",
  "post_bandwidth": 0,
  "pending_claimed_accounts": 0,
  "vesting_balance": "0.000 STEEM",
  "reputation": 111572968,
  "transfer_history": [],
  "market_history": [],
  "post_history": [],
  "vote_history": [],
  "other_history": [],
  "witness_votes": [],
  "tags_usage": [],
  "guest_bloggers": [],
  "rank": 1293692
}

Withdraw Routes

IncomingOutgoing
Empty
Empty
{
  "incoming": [],
  "outgoing": []
}
From Date
To Date
steemdelegated 4.378 SP to @cjwmusic
2026/05/17 22:45:30
delegatorsteem
delegateecjwmusic
vesting shares7120.434095 VESTS
Transaction InfoBlock #106141662/Trx aeffddef5c4c6973ecd248c7f7bf411d6e1b5edd
View Raw JSON Data
{
  "trx_id": "aeffddef5c4c6973ecd248c7f7bf411d6e1b5edd",
  "block": 106141662,
  "trx_in_block": 0,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2026-05-17T22:45:30",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "7120.434095 VESTS"
    }
  ]
}
steemdelegated 2.710 SP to @cjwmusic
2026/05/11 21:54:24
delegatorsteem
delegateecjwmusic
vesting shares4408.223690 VESTS
Transaction InfoBlock #105968607/Trx 85b2e09528a2131031c01b4d2f2e0c1a3ad993d9
View Raw JSON Data
{
  "trx_id": "85b2e09528a2131031c01b4d2f2e0c1a3ad993d9",
  "block": 105968607,
  "trx_in_block": 3,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2026-05-11T21:54:24",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "4408.223690 VESTS"
    }
  ]
}
steemdelegated 4.386 SP to @cjwmusic
2026/04/25 22:08:48
delegatorsteem
delegateecjwmusic
vesting shares7132.949851 VESTS
Transaction InfoBlock #105509357/Trx 8dbef8fea9f106c7f6a68bdb71e46dbde505cc72
View Raw JSON Data
{
  "trx_id": "8dbef8fea9f106c7f6a68bdb71e46dbde505cc72",
  "block": 105509357,
  "trx_in_block": 0,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2026-04-25T22:08:48",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "7132.949851 VESTS"
    }
  ]
}
steemdelegated 2.736 SP to @cjwmusic
2026/01/23 03:52:00
delegatorsteem
delegateecjwmusic
vesting shares4449.770509 VESTS
Transaction InfoBlock #102847101/Trx 8f1e34ae1f5e777038f7766883cb33f162209f6e
View Raw JSON Data
{
  "trx_id": "8f1e34ae1f5e777038f7766883cb33f162209f6e",
  "block": 102847101,
  "trx_in_block": 0,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2026-01-23T03:52:00",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "4449.770509 VESTS"
    }
  ]
}
steemdelegated 2.837 SP to @cjwmusic
2024/12/16 23:11:03
delegatorsteem
delegateecjwmusic
vesting shares4613.989706 VESTS
Transaction InfoBlock #91293502/Trx 1089cc4d124529f383bb0adf8e845c63e1eced0e
View Raw JSON Data
{
  "trx_id": "1089cc4d124529f383bb0adf8e845c63e1eced0e",
  "block": 91293502,
  "trx_in_block": 1,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2024-12-16T23:11:03",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "4613.989706 VESTS"
    }
  ]
}
steemdelegated 2.941 SP to @cjwmusic
2023/11/13 14:55:48
delegatorsteem
delegateecjwmusic
vesting shares4783.123238 VESTS
Transaction InfoBlock #79847757/Trx a334dfa467b6e4898758bbed3253b572e56525a1
View Raw JSON Data
{
  "trx_id": "a334dfa467b6e4898758bbed3253b572e56525a1",
  "block": 79847757,
  "trx_in_block": 2,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2023-11-13T14:55:48",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "4783.123238 VESTS"
    }
  ]
}
steemdelegated 4.747 SP to @cjwmusic
2023/09/21 20:05:42
delegatorsteem
delegateecjwmusic
vesting shares7720.402024 VESTS
Transaction InfoBlock #78345758/Trx ce3c1d236db200a439274ec35e85af553858ed0c
View Raw JSON Data
{
  "trx_id": "ce3c1d236db200a439274ec35e85af553858ed0c",
  "block": 78345758,
  "trx_in_block": 1,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2023-09-21T20:05:42",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "7720.402024 VESTS"
    }
  ]
}
steemdelegated 4.883 SP to @cjwmusic
2022/11/03 10:05:18
delegatorsteem
delegateecjwmusic
vesting shares7942.083462 VESTS
Transaction InfoBlock #69111333/Trx 8c33e3c17e64554abc9c6193813d4baae281c551
View Raw JSON Data
{
  "trx_id": "8c33e3c17e64554abc9c6193813d4baae281c551",
  "block": 69111333,
  "trx_in_block": 5,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2022-11-03T10:05:18",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "7942.083462 VESTS"
    }
  ]
}
steemdelegated 5.019 SP to @cjwmusic
2022/01/17 09:29:00
delegatorsteem
delegateecjwmusic
vesting shares8162.616693 VESTS
Transaction InfoBlock #60807656/Trx d04d045cade294e456cdccbf6cfe5109d38948e3
View Raw JSON Data
{
  "trx_id": "d04d045cade294e456cdccbf6cfe5109d38948e3",
  "block": 60807656,
  "trx_in_block": 40,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2022-01-17T09:29:00",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "8162.616693 VESTS"
    }
  ]
}
steemdelegated 5.132 SP to @cjwmusic
2021/06/13 23:27:39
delegatorsteem
delegateecjwmusic
vesting shares8346.385351 VESTS
Transaction InfoBlock #54606116/Trx 8d1c43482b58ca47f37df4c890e485e85a9bf6ed
View Raw JSON Data
{
  "trx_id": "8d1c43482b58ca47f37df4c890e485e85a9bf6ed",
  "block": 54606116,
  "trx_in_block": 1,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2021-06-13T23:27:39",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "8346.385351 VESTS"
    }
  ]
}
steemdelegated 5.247 SP to @cjwmusic
2020/12/11 09:48:24
delegatorsteem
delegateecjwmusic
vesting shares8533.807325 VESTS
Transaction InfoBlock #49353625/Trx 0a99f49ec5f15199ec1f072f39e1ec5b47e07199
View Raw JSON Data
{
  "trx_id": "0a99f49ec5f15199ec1f072f39e1ec5b47e07199",
  "block": 49353625,
  "trx_in_block": 1,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-12-11T09:48:24",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "8533.807325 VESTS"
    }
  ]
}
steemdelegated 1.176 SP to @cjwmusic
2020/12/06 03:25:42
delegatorsteem
delegateecjwmusic
vesting shares1912.543513 VESTS
Transaction InfoBlock #49205194/Trx 1473a92d5625f44c97664798f44badff15680bf8
View Raw JSON Data
{
  "trx_id": "1473a92d5625f44c97664798f44badff15680bf8",
  "block": 49205194,
  "trx_in_block": 5,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-12-06T03:25:42",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "1912.543513 VESTS"
    }
  ]
}
steemdelegated 5.251 SP to @cjwmusic
2020/12/05 11:22:48
delegatorsteem
delegateecjwmusic
vesting shares8540.173964 VESTS
Transaction InfoBlock #49186299/Trx 8828aa1586da554f27ec62fefd52a014e87b0e0a
View Raw JSON Data
{
  "trx_id": "8828aa1586da554f27ec62fefd52a014e87b0e0a",
  "block": 49186299,
  "trx_in_block": 7,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-12-05T11:22:48",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "8540.173964 VESTS"
    }
  ]
}
steemdelegated 1.181 SP to @cjwmusic
2020/11/02 12:44:00
delegatorsteem
delegateecjwmusic
vesting shares1920.017158 VESTS
Transaction InfoBlock #48254383/Trx 4ebb05d4be6ccb017c45b9306064957dbf8b7a2b
View Raw JSON Data
{
  "trx_id": "4ebb05d4be6ccb017c45b9306064957dbf8b7a2b",
  "block": 48254383,
  "trx_in_block": 10,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-11-02T12:44:00",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "1920.017158 VESTS"
    }
  ]
}
steemdelegated 5.375 SP to @cjwmusic
2020/05/09 04:21:33
delegatorsteem
delegateecjwmusic
vesting shares8742.820538 VESTS
Transaction InfoBlock #43215420/Trx fb7bdab0350f56939a38e27c8e17d9a44df899a8
View Raw JSON Data
{
  "trx_id": "fb7bdab0350f56939a38e27c8e17d9a44df899a8",
  "block": 43215420,
  "trx_in_block": 17,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-05-09T04:21:33",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "8742.820538 VESTS"
    }
  ]
}
steemdelegated 1.201 SP to @cjwmusic
2020/05/08 07:45:36
delegatorsteem
delegateecjwmusic
vesting shares1953.311140 VESTS
Transaction InfoBlock #43191280/Trx 27668e86d7c3517dcc37c33c1410368e0a2f0beb
View Raw JSON Data
{
  "trx_id": "27668e86d7c3517dcc37c33c1410368e0a2f0beb",
  "block": 43191280,
  "trx_in_block": 35,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-05-08T07:45:36",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "1953.311140 VESTS"
    }
  ]
}
steemdelegated 5.381 SP to @cjwmusic
2020/04/22 15:07:39
delegatorsteem
delegateecjwmusic
vesting shares8752.134205 VESTS
Transaction InfoBlock #42750704/Trx edd2657ab68ff494933639320a2ca1e4dab39716
View Raw JSON Data
{
  "trx_id": "edd2657ab68ff494933639320a2ca1e4dab39716",
  "block": 42750704,
  "trx_in_block": 9,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-04-22T15:07:39",
  "op": [
    "delegate_vesting_shares",
    {
      "delegator": "steem",
      "delegatee": "cjwmusic",
      "vesting_shares": "8752.134205 VESTS"
    }
  ]
}
2020/01/27 22:44:36
parent authorcjwmusic
parent permlinkanother-sunset-for-string-orchestra
authorsteemitboard
permlinksteemitboard-notify-cjwmusic-20200127t224435000z
title
bodyCongratulations @cjwmusic! You received a personal award! <table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@cjwmusic/birthday2.png</td><td>Happy Birthday! - You are on the Steem blockchain for 2 years!</td></tr></table> <sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@cjwmusic) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=cjwmusic)_</sub> ###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!
json metadata{"image":["https://steemitboard.com/img/notify.png"]}
Transaction InfoBlock #40306915/Trx ed35c2c0fe749cfb498d7dba362f64dbdacf8e11
View Raw JSON Data
{
  "trx_id": "ed35c2c0fe749cfb498d7dba362f64dbdacf8e11",
  "block": 40306915,
  "trx_in_block": 3,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2020-01-27T22:44:36",
  "op": [
    "comment",
    {
      "parent_author": "cjwmusic",
      "parent_permlink": "another-sunset-for-string-orchestra",
      "author": "steemitboard",
      "permlink": "steemitboard-notify-cjwmusic-20200127t224435000z",
      "title": "",
      "body": "Congratulations @cjwmusic! You received a personal award!\n\n<table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@cjwmusic/birthday2.png</td><td>Happy Birthday! - You are on the Steem blockchain for 2 years!</td></tr></table>\n\n<sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@cjwmusic) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=cjwmusic)_</sub>\n\n\n###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!",
      "json_metadata": "{\"image\":[\"https://steemitboard.com/img/notify.png\"]}"
    }
  ]
}
steemdelegated 5.501 SP to @cjwmusic
2019/05/18 23:24:12
delegatorsteem
delegateecjwmusic
vesting shares8947.654954 VESTS
Transaction InfoBlock #33028367/Trx 843c609d52643260a6e653f0699dba8ad51e5749
View Raw JSON Data
{
  "trx_id": "843c609d52643260a6e653f0699dba8ad51e5749",
  "block": 33028367,
  "trx_in_block": 8,
  "op_in_trx": 0,
  "virtual_op": 0,
  "timestamp": "2019-05-18T23:24:12",
  "op": [
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2019/01/27 23:02:33
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parent permlinkanother-sunset-for-string-orchestra
authorsteemitboard
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bodyCongratulations @cjwmusic! You received a personal award! <table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@cjwmusic/birthday1.png</td><td>Happy Birthday! - You are on the Steem blockchain for 1 year!</td></tr></table> <sub>_[Click here to view your Board](https://steemitboard.com/@cjwmusic)_</sub> > Support [SteemitBoard's project](https://steemit.com/@steemitboard)! **[Vote for its witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1)** and **get one more award**!
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2018/05/18 19:00:33
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2018/02/21 23:57:45
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2018/02/21 23:25:39
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parent permlinkmusic
authorcjwmusic
permlinkanother-sunset-for-string-orchestra
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2018/02/17 04:54:27
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parent permlinkhow-to-develop-a-rich-tone-when-singing
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2018/02/16 21:10:18
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2018/02/16 20:49:03
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2018/02/16 20:48:42
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2018/02/16 20:07:03
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parent permlinkmusic
authorcjwmusic
permlinkhow-to-develop-a-rich-tone-when-singing
titleHow to Develop A Rich Tone When Singing
bodyIn this post, (as part of my upcoming vocal coaching course) I teach you how to develop richer tone over time. Hopefully, this will help you singers out there. Your input is welcome. https://www.youtube.com/watch?v=EXlw-YzDcew More on the new course very soon! I offer piano, singing, music composition, songwriting and music theory lessons via Skype and Google Hangouts. Add cody.weinmann to do a skype lesson OR You can hit me up at [email protected] for google hangouts lessons— Both Starting at $20 for a half hour session. You can comment, subscribe, like, or email me if you have further questions. Also check out my courses: Visit my courses: “Write Your First Piece in 14 Steps”: https://www.udemy.com/course/1178914 “Write Your First Piece in 14 Steps Finale Edition: https://www.udemy.com/write-your-first-piece-of-music-in-14-steps-finale-edition/?couponCode=24HOURFREE. 98 Coupons Left! Visit my websites for more information: http://cjwmusiclessons.com http://cjw-music-transcriptions.com
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2018/02/16 20:00:27
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2018/02/15 22:08:33
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parent permlinka-glimpse-into-composing-story-from-the-university
authorsteemitboard
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2018/02/15 18:12:48
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2018/02/15 18:05:30
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2018/02/15 18:02:09
parent author
parent permlinkmusic
authorcjwmusic
permlinka-glimpse-into-composing-story-from-the-university
titleA Glimpse Into Composing (Story from The University)
bodyMy Music I: Classical Composition I have found these days that composition has turned into something of an evil demon that makes you feel like the most spat-on speck of dust. In my latest piece, "A Singer's lament (my least favorite piece) I mention that the harsh reality has darkened the very dream. Well, I have found that the execution of this work has darkened my very dream of a career as a professional composer. One of the things that I admit that I have not done is successfully blocked out my previous anxieties on the complexities of my craft which should not exist. Ten weeks, eleven weeks, and now twelve weeks into my studies, I still am struggling with definite edits as people that I have graciously summoned to perform my works that I've so desperately tried to put on the table. The common practice with Dr. Menton, my composition teacher and I is that I do one set of corrections while he corrects them, which is fine but it leaves me thirsting for more favorable reviews from the people who hear these works day in, day out. I know, to everyone, this is just life. This is just the way composers have to work. Composers must be really be willing to devote hours and hours of practice and editing to make their compositions the best and the brightest they could be. They must also build a real, working relationshipwith performers. This includes the performers being ready to rehearse and perform compositions in a very communicative format. The composers have to also have all scores ready for the performers to perform. But, minor edits should be allowed in rehearsal. All this sounds great, but my experience below is the reality of the odds of having a performer perform your piece. From a rehearsal stand point, the energy for my works is seldom there. Maybe when I get to heaven, a choir will cover all the glorious work that I have tucked away deep in my mind and heart for so many years. Every time I approach some one for a rehearsal of a piece of mine, I always get some enthusiastic replies, but yet there's a majority that come up with reasons that they cannot commit to my work. I always feel like the recitals are sort of off-points for me. I tend to think I'm in the wrong place, when I know that I'm in a right place. I can't really understand my place in this music world. I feel like I'm expected to be a slave for performers. Well, if there are no performers available to give you some rehearsals of the music, how are composers supposed to survive? I wonder if my compositions are really that terrible. And then, there is always this bold statement: You know, I can do other things to make money and to make important relations with people through my books and subsequent songs. I don't need to do these compositions for a grade. I'd much rather do my compositions for performers just begging for music. It should not be the composer begging for performers. I'm tired of begging. Also, I think that pop music is much faster for me to write than this classical music. Classical music is just too serious for me. Singing in choir and performing in jazz are almost the only highlights for me. I just wish that my work would be as rewarding as these two performing acts. I really wish I could write a swan song for choir that is not as difficult as the last. Yet, I do not understand how we can do a piece like Whitacre's "A Boy and a Girl" which is full of dissonant stuff and we can't take on a student's choir piece of the same or similar nature. I think there is something wrong with this picture. I almost think I should have edited the choir piece and perfected that instead of doing this new choir work. I believe that as a department, and as a collective of music majors, we are feeding into laziness and passing people on who are not as hard-working. But yet, how can I say that I am hard working when I'm a composer who doesn't act on offers that present themselves to him, let alone goes after his chance to perform. What the hell am I doing writing this material? Better yet, what am I doing sitting here living, when living is going out and performing? I don't get out much. That's a big problem. I figured that I have to write my feelings down at this point. I don't know what my composition career will hold. I know that more simple music sells well and I know that more simple (non musically educated) audiences understand the music better than atonal mathematical stuff. But right now, I don't have my compositional stride in check. If only I could focus and write something with some feeling. With my writing, feeling is key. I am not a mathematical soul. I cannot write music utilizing tone rows. I have an ear and the ear should be for the use of consonant materials. Yes, one could use dissonance in certain intervals, but do it tastefully. Don't just throw some meat on there that listeners can't chew. Have some class! Be colorful. I could see doing something partially synesthetic which involves some increased amounts of dissonance but throw a consonant chord in the music at the ends of phrases, at their buildups. It seems all too often the case, nowadays, that a composer can be taught all of the essential aspects of the artistic side of composing--i.e. the music theory, the aural skills, the counterpoint, the orchestration, the arranging, even technological tips on how to save copies and engrave compositions, with the inventions of software programs such as Finale, Sibelius, Notation, and other such programs. Not too much attention; however, is paid to how composition as a career relates with the real world. This would lead the erstwhile young composer to feel lost after four or more years of training at the university level. This leads the composer to frustration and angst about what he or she is to do with his or her future. I have been a "victim" to this on many occasions where I have asked my composition professors for tips on how to get my music into the appropriate hands to be nurtured and performed. My professors would have me focus on just the quality of the works that I compose for now and worry about promoting the work that I do write when I'm perceivably good enough. Hence, the old adage, "Walk before you run," or "Crawl before you walk." From Rock Music To Classical and Back From this path in time where I sit, classical music has become less of an interest to me than telling a story, as I figured it might. All of the abstract rules of how to make a certain section sound a certain way, or to make me sound like a certain composer of the nineteenth century really doesn't work. Yeah, it's nice to point out ideas in the scope of all this training and to examine what other master composers have done but it all means nothing when it will not stick in my head. It may stick when I'm on a break from the laborious task of school or work, but once the projects start, my brain goes right into just getting the job done. Also in a society where we are not allowed to slow down for fear of a loss of some kind, whether it be money or a breach of contract, I find it very difficult to make ideas work. Everyone wants simple fast results. Well, not every career or industry is as fast as the manufacturing industry or subsequent offshoots of it. Not everything is created within the snap of a finger. Trying to put art in a time-slot that is ready-made to order is not art at all. That is why so much of the supposed art we have nowadays is half-baked. Whenever you try to do something but are expected the opposite, it doesn't work. Writing my ideas takes a lot more time than this merely short quarter system to come to full fruition. Professors say, "Then, make it simpler." So, I try and make it simpler. I go in for the jury. The professor says, "Add more color to this. Make this stronger. Bring this out." All the while, you sit there and go, i just made it simpler after making it extravagant and now you want it to be extravagant again? People, make up your minds! If you water down things too much, you diminish any standing quality that the work may have and it becomes a joke on stage. But, if you make it too difficult, it will also be a joke to the audience who will not like the performance of it. Doing chord analysis would help, but that alone does not manufacture originality. Looking through edits throughout this chapter, I've realized that I've needed to slow down quite a bit, take a few moments to ponder what these other composers have done so that I'm not making the same mistake for yet another jury. At this point I need to be seasoned. If the professors were reading this, they would say, "We're trying to season you. That is why we are suggesting the things we are suggesting." Well, in my off-time, when I'm not writing, I do peruse scores for hours on end, trying to figure out what these composers are doing. But the results that I get from this process aren't much better than the ideas I had to begin with. Thus, the only solution that I find that works is engraving the scores as I analyze them, just as many university pupils rewrite their notes in order to study for tests. This way, I get it. As of today, I'm still not writing the phrasings as I should for my pieces and doing all that I can to make due for hearings and other important events. Hours and hours of research in the library, studying scores like La Mer by Claude Debussy or Frank Ticheli’s Blue Shades and Angels in the Architecture brings some depth to the kinds of harmonies that should be employed today. In meetings with the conductor and the director of bands at Cal State, I have two widely scored this piece. There is just too much going on right now. Mary—A Prelude for Concert Band in D Minor is my take on a dream I had where this Clapton-esque rock song was blaring in the background while a carnival progressed in front of me. It is a wild and crazy story—this ghost girl coming back to pounce on unrelenting victims that were not victims in the first place, but attacked her viciously. She was the Iris—the eye soar that the world couldn’t stand. Junior Recital in Progress Going through the motions looking at all the work that I had done, I see that I have plenty of material to do a recital since the triumphant premier of my first ever band piece Mary—A Prelude for Concert Band in D Minor. Many of my fellow classmates and friends that played in the CSUSB Symphonic band thought that my first work for band was one of the craziest but also one of the funnest works they have ever had the privilege to play. If I were to place it on the grading scale of band music, it would have been a high grade 5 or grade 6. I'm preparing for my junior recital. I have a lot of different work that I'm doing--even past work--the clarinet concerto. Everything's going well. Then, there are the private compositions, most notably “Fire In My Soul” that are some of the best I have ever written. I sit back and think “Why didn’t I ever put that on a student recital? Better yet, why don’t I put that on the upcoming recital?” Fast forward almost eight years after the song was “written,” the full orchestral score is yet to be completed and re-recorded and released. At least, a single has been put on iTunes and Spotify for people that are interested.
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      "body": "My Music I: Classical Composition\n\nI have found these days that composition has turned into something of an evil demon that makes you feel like the most spat-on speck of dust. In my latest piece, \"A Singer's lament (my least favorite piece) I mention that the harsh reality has darkened the very dream. Well, I have found that the execution of this work has darkened my very dream of a career as a professional composer. One of the things that I admit that I have not done is successfully blocked out my previous anxieties on the complexities of my craft which should not exist. Ten weeks, eleven weeks, and now twelve weeks into my studies, I still am struggling with definite edits as people that I have graciously summoned to perform my works that I've so desperately tried to put on the table. The common practice with Dr. Menton, my composition teacher and I  is that I do one set of corrections while he corrects them, which is fine but it leaves me thirsting for more favorable reviews from the people who hear these works day in, day out. I know, to everyone, this is just life. This is just the way composers have to work. Composers must be really be willing to devote hours and hours of practice and editing to make their compositions the best and the brightest they could be. \nThey must also build a real, working relationshipwith performers. This includes the performers being ready to rehearse and perform compositions in a very communicative  format. The composers have to also have all scores ready for the performers to perform. But, minor edits should be allowed in rehearsal. All this sounds great, but my experience below is the reality of the odds of having a performer perform your piece.\nFrom a rehearsal stand point, the energy for my works is seldom there. Maybe when I get to heaven, a choir will cover all the glorious work that I have tucked away deep in my mind and heart for so many years. Every time I approach some one for a rehearsal of a piece of mine, I always get some enthusiastic replies, but yet there's a majority that come up with reasons that they cannot commit to my work. I always feel like the recitals are sort of off-points for me. I tend to think I'm in the wrong place, when I know that I'm in a right place. I can't really understand my place in this music world. I feel like I'm expected to be a slave for performers. Well, if there are no performers available to give you some rehearsals of the music, how are composers supposed to survive? I wonder if my compositions are really that terrible.\nAnd then, there is always this bold statement: You know, I can do other things to make money and to make important relations with people through my books and subsequent songs. I don't need to do these compositions for a grade. I'd much rather do my compositions for performers just begging for music. It should not be the composer begging for performers. I'm tired of begging.\nAlso, I think that pop music is much faster for me to write than this classical music. Classical music is just too serious for me. Singing in choir and performing in jazz are almost the only highlights for me. I just wish that my work would be as rewarding as these two performing acts.  I really wish I could write a swan song for choir that is not as difficult as the last. Yet, I do not understand how we can do a piece like Whitacre's \"A Boy and a Girl\" which is full of dissonant stuff and we can't take on a student's choir piece of the same or similar nature. I think there is something wrong with this picture. I almost think I should have edited the choir piece and perfected that instead of doing this new choir work.\nI believe that as a department, and as a collective of music majors, we are feeding into laziness and passing people on who are not as hard-working. But yet, how can I say that I am hard working when I'm a composer who doesn't act on offers that present themselves to him, let alone goes after his chance to perform. What the hell am I doing writing this material? Better yet, what am I doing sitting here living, when living is going out and performing? I don't get out much. That's a big problem.\nI figured that I have to write my feelings down at this point. I don't know what my composition career will hold. I know that more simple music sells well and I know that more simple (non musically educated) audiences understand the music better than atonal mathematical stuff. But right now, I don't have my compositional stride in check. If only I could focus and write something with some feeling. \nWith my writing, feeling is key. I am not a mathematical soul. I cannot write music utilizing tone rows. I have an ear and the ear should be for the use of consonant materials. Yes, one could use dissonance in certain intervals, but do it tastefully. Don't just throw some meat on there that listeners can't chew. Have some class! Be colorful. I could see doing something partially synesthetic which involves some increased amounts of dissonance but throw a consonant chord in the music at the ends of phrases, at their buildups. \nIt seems all too often the case, nowadays, that a composer can be taught all of the essential aspects of the artistic side of composing--i.e. the music theory, the aural skills, the counterpoint, the orchestration, the arranging, even technological tips on how to save copies and engrave compositions, with the inventions of software programs such as Finale, Sibelius, Notation, and other such programs. Not too much attention; however, is paid to how composition as a career relates with the real world. This would lead the erstwhile young composer to feel lost after four or more years of training at the university level. This leads the composer to frustration and angst about what he or she is to do with his or her future. I have been a \"victim\" to this on many occasions where I have asked my composition professors for tips on how to get my music into the appropriate hands to be nurtured and performed. My professors would have me focus on just the quality of the works that I compose for now and worry about promoting the work that I do write when I'm perceivably good enough. Hence, the old adage, \"Walk before you run,\" or \"Crawl before you walk.\"\n\nFrom Rock Music To Classical and Back\n\nFrom this path in time where I sit, classical music has become less of an interest to me than telling a story, as I figured it might. All of the abstract rules of how to make a certain section sound a certain way, or to make me sound like a certain composer of the nineteenth century really doesn't work. Yeah, it's nice to point out ideas in the scope of all this training and to examine what other master composers have done but it all means nothing when it will not stick in my head. It may stick when I'm on a break from the laborious task of school or work, but once the projects start, my brain goes right into just getting the job done. \nAlso in a society where we are not allowed to slow down for fear of a loss of some kind, whether it be money or a breach of contract, I find it very difficult to make ideas work. Everyone wants simple fast results. Well, not every career or industry is as fast as the manufacturing industry or subsequent offshoots of it. Not everything is created within the snap of a finger. Trying to put art in a time-slot that is ready-made to order is not art at all. That is why so much of the supposed art we have nowadays is half-baked. Whenever you try to do something but are expected the opposite, it doesn't work. Writing my ideas takes a lot more time than this merely short quarter system to come to full fruition. Professors say, \"Then, make it simpler.\" So, I try and make it simpler. I go in for the jury. The professor says, \"Add more color to this. Make this stronger. Bring this out.\" All the while, you sit there and go, i just made it simpler after making it extravagant and now you want it to be extravagant again? People, make up your minds!  If you water down things too much, you diminish any standing quality that the work may have and it becomes a joke on stage. But, if you make it too difficult, it will also be a joke to the audience who will not like the performance of it. Doing chord analysis would help, but that alone does not manufacture originality.\nLooking through edits throughout this chapter, I've realized that I've needed to slow down quite a bit, take a few moments to ponder what these other composers have done so that I'm not making the same mistake for yet another jury. At this point I need to be seasoned. If the professors were reading this, they would say, \"We're trying to season you. That is why we are suggesting the things we are suggesting.\" Well, in my off-time, when I'm not writing, I do peruse scores for hours on end, trying to figure out what these composers are doing. But the results that I get from this process aren't much better than the ideas I had to begin with. Thus, the only solution that I find that works is engraving the scores as I analyze them, just as many university pupils rewrite their notes in order to study for tests. This way, I get it.\nAs of today, I'm still not writing the phrasings as I should for my pieces and doing all that I can to make due for hearings and other important events. Hours and hours of research in the library, studying scores like La Mer by Claude Debussy or Frank Ticheli’s Blue Shades and Angels in the Architecture brings some depth to the kinds of harmonies that should be employed today. In meetings with the conductor and the director of bands at Cal State, I have two widely scored this piece. There is just too much going on right now. Mary—A Prelude for Concert Band in D Minor is my take on a dream I had where this Clapton-esque rock song was blaring in the background while a carnival progressed in front of me. It is a wild and crazy story—this ghost girl coming back to pounce on unrelenting victims that were not victims in the first place, but attacked her viciously. She was the Iris—the eye soar that the world couldn’t stand.\n\n\nJunior Recital in Progress\nGoing through the motions looking at all the work that I had done, I see that I have plenty of material to do a recital since the triumphant premier of my first ever band piece Mary—A Prelude for Concert Band in D Minor. Many of my fellow classmates and friends that played in the CSUSB Symphonic band thought that my first work for band was one of the craziest but also one of the funnest works they have ever had the privilege to play. If I were to place it on the grading scale of band music, it would have been a high grade 5 or grade 6.\nI'm preparing for my junior recital. I have a lot of different work that I'm doing--even past work--the clarinet concerto. Everything's going well.\nThen, there are the private compositions, most notably “Fire In My Soul” that are some of the best I have ever written. I sit back and think “Why didn’t I ever put that on a student recital? Better yet, why don’t I put that on the upcoming recital?” Fast forward almost eight years after the song was “written,” the full orchestral score is yet to be completed and re-recorded and released. At least, a single has been put on iTunes and Spotify for people that are interested.",
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2018/02/15 17:53:33
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2018/02/15 17:52:09
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bodyHey all! Pardon me if this recording is a bit detuned. The below video is actually a live recording of "Mary--Prelude for Concert Band in D Minor"--an original concert band piece that I composed in 2010. It was an Honorable Mention in the 58th annual BMI Student Composer Awards (2010) and winner of CSU San Bernardino's Concerto and Composition Contest. Please enjoy. https://www.youtube.com/watch?v=KCurxEI7LMo Are there any band directors or band students on here? If you like the piece, perhaps you'd like to perform it: http://www.sheetmusicplus.com/title/20178587 Also feel free to take a look at my music catalog: https://www.sheetmusicplus.com/publishers/Cody-Weinmann-CJW-Music/1308
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      "body": "Hey all!\nPardon me if this recording is a bit detuned. The below video is actually a live recording of \"Mary--Prelude for Concert Band in D Minor\"--an original concert band piece that I composed in 2010. It was an Honorable Mention in the 58th annual BMI Student Composer Awards (2010) and winner of CSU San Bernardino's Concerto and Composition Contest. Please enjoy.\n\nhttps://www.youtube.com/watch?v=KCurxEI7LMo\n\nAre there any band directors or band students on here? If you like the piece, perhaps you'd like to perform it:\n\n http://www.sheetmusicplus.com/title/20178587\n\nAlso feel free to take a look at my music catalog:\n\n https://www.sheetmusicplus.com/publishers/Cody-Weinmann-CJW-Music/1308",
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2018/02/15 17:44:09
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2018/02/15 17:44:03
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bodyWelcome to Steem Community @cjwmusic! As a gentle reminder, please keep your master password safe. The best practise is to use your private posting key to login to Steemit when posting; and the private active key for wallet related transactions. In the New Steemians project, we help new members of steem by education and resteeeming their articles. Get your articles resteemed too for maximum exposure. You can learn more about it here: https://steemit.com/introduceyourself/@gaman/new-steemians-project-launch
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2018/02/15 01:17:39
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2018/02/14 20:16:51
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2018/02/14 20:12:06
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2018/02/14 17:55:42
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2018/02/14 17:55:27
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body**Nice to meet you** *Dear.*@cjwmusic **welcome to steemit. we are very happy with your joining** i like your pictures **Follow me @mistersteem** *for Free upvotes* *Followers* **&** *Resteem your future posts* **your steemit Name is nice**@cjwmusic ![sample.gif](https://steemitimages.com/DQmbmP8Ja8d4xwMP2RayrtBERJkUKmuAAn1P9a8JXoDoPWz/sample.gif) **@mistersteem**
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2018/02/14 17:46:15
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2018/02/14 17:45:12
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permlinkcontinuation-of-my-introduction-where-and-what-to-find
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bodyHi all! Thank you for responding to my introduction. If I may continue, in addition to composing, I recently found much passion in teaching. I have been teaching private in-person, Skype lessons and pre-packaged online courses in some capacity for the last five years. I found that there is so much joy in sharing music with others that it is impossible to not be happy. I have just started posting online courses in composing and music theory among others on Udemy. My two courses “Write Your First Piece of Music in 14 Steps” and “Write Your First Piece In 14 Steps Finale Edition” have over 727 students in them. I’m so blessed to have them. If you want to check it out, go to Udemy.com and search those two courses. In fact, for the second course, there’s a free coupon link below. There are 97 coupons left. Also, about steemit—if you all are interested, I am going to start to put up educational content and videos (possibly on Dtube or the Steemit platform) in addition to my music. I always want to show people how I come up with my sounds and music. Go ahead and like or comment on the post if this is what you would like to see. Some of you have commented on looking forward to seeing my music on various other platforms including Apple Music and others. Well, I have something for you! I publish a lot of my music through Tunecore which distributes to many different stores. I will post a link to one of my songs up on iTunes on the bottom of the article. A lot of music that have written was in the last 6 years. Much of the music was of a dark tone or discussing anxiety or depression. More on this in a future post. “Tears Don’t Have to Fall” is a good one that I may work on re-recording. This is one of those where I show what’s going on in my life at the time. I was in college and pursuing two majors—a complicated story that is a post on its own. Anyone a musician who reads music? Stay tuned! I am going to be posting the sheet music to an album called “Over” my almost-aborted music technology album project. The sheet music is set to be on Sheet Music Plus and my own CJW Music Transcriptions website this year. I hope you all are doing well. I appreciate the response to my intro post. You guys are awesome! Thank you. Cody Weinmann http://itunes.apple.com/album/id939725446?ls=1&app=itunes Visit my courses: “Write Your First Piece in 14 Steps”: https://www.udemy.com/course/1178914 “Write Your First Piece in 14 Steps Finale Edition: https://www.udemy.com/write-your-first-piece-of-music-in-14-steps-finale-edition/?couponCode=24HOURFREE.  97 Coupons Left! Visit Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Cody-Weinmann-CJW-Music/1308 Visit my websites for more information: http://cjwmusiclessons.com http://cjw-music-transcriptions.com
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2018/02/14 16:58:30
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2018/02/14 16:58:12
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2018/02/14 06:33:45
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2018/02/14 04:56:09
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bodyCongratulations @cjwmusic! You have completed some achievement on Steemit and have been rewarded with new badge(s) : [![](https://steemitimages.com/70x80/http://steemitboard.com/notifications/post4day.png)](http://steemitboard.com/@cjwmusic) You published 4 posts in one day Click on any badge to view your own Board of Honor on SteemitBoard. For more information about SteemitBoard, click [here](https://steemit.com/@steemitboard) If you no longer want to receive notifications, reply to this comment with the word `STOP` > By upvoting this notification, you can help all Steemit users. Learn how [here](https://steemit.com/steemitboard/@steemitboard/http-i-cubeupload-com-7ciqeo-png)!
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2018/02/13 22:28:12
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authortuanis
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2018/02/13 22:28:09
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2018/02/13 22:28:00
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2018/02/13 21:32:12
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2018/02/13 21:32:12
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bodyLooking forward to hear ur songs from apple music😎 lastly I will upvote and follow ur post from now on hoping u do the same..let grow together
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2018/02/13 20:43:15
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2018/02/13 20:43:12
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permlinkre-introducing-myself-to-steem-start-as-a-musician-20180213t204313
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bodywelcome from another newbie ;)
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2018/02/13 20:41:27
parent authorjerrybanfield
parent permlinkqlh1o7x0
authorcjwmusic
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bodyHi Jerry! I'm glad to have found you on Steemit. You inspired me to try this. I actually saw this video. Love it!
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cjwmusicupvoted (100.00%) @jerrybanfield / qlh1o7x0
2018/02/13 20:39:21
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2018/02/13 20:38:15
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2018/02/13 20:15:45
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cjwmusicpublished a new post: how-to-write-for-band
2018/02/13 20:13:24
parent author
parent permlinkhow
authorcjwmusic
permlinkhow-to-write-for-band
titleHow to Write For Band
bodyI am doing a tutorial post on writing music for band. I show you how to write music for band, even composing a sample song, showing you how to craft melody, supporting counter melody and supporting harmony. Take a look at the video below and like this post if this is useful for you. https://www.youtube.com/watch?v=px09KC5_HHE&t=891s.
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cjwmusicpublished a new post: how-to-write-for-band
2018/02/13 20:13:03
parent author
parent permlinkhow
authorcjwmusic
permlinkhow-to-write-for-band
titleHow to Write For Band
bodyI am doing a tutorial post on writing music for band. I show you how to write music for band, even composing a sample song, showing you how to craft melody, supporting counter melody and supporting harmony. Take a look at the video below and like this post if this is useful for you. https://www.youtube.com/watch?v=px09KC5_HHE&t=891s.
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2018/02/13 20:12:09
parent author
parent permlinkoriginalsong
authorcjwmusic
permlinkwhile-i-fall-partial-instrumental
title"While I Fall" Partial Instrumental
bodyHere is a partial instrumental of my song called "While I Fall." Feel free to comment or like this post! https://www.youtube.com/watch?v=TYJR_LY20NQ
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2018/02/13 20:11:09
parent author
parent permlinkoriginalsong
authorcjwmusic
permlinkwhile-i-fall-partial-instrumental
title"While I Fall" Partial Instrumental
bodyHere is a partial instrumental of my song called "While I Fall." Feel free to comment or like this post! https://www.youtube.com/watch?v=TYJR_LY20NQ
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2018/02/13 20:10:09
parent author
parent permlinkintroduceyourself
authorcjwmusic
permlinkintroducing-myself-to-steem-start-as-a-musician
titleIntroducing Myself to Steem--Start As A Musician
bodyI wanted to come on and introduce myself to the steem community and the music category. I'm Cody Weinmann. I started playing and teaching myself piano at the age of two years old on up to age 11. It was during a Christmas concert of Roy Rogers Junior that I saw a keyboard player that really sparked the curiosity to take music to the next level. Over the next seven years, I learned a wide variety of music from the waltzes of Johann Strauss to Hillsong church music. It was also during the years of 11 and 12 when my first piano teacher would put “Write a waltz,” or “Write a country song” to the end of my lesson assignments for the week. I immensely enjoyed this and picking out songs I heard on the TV and radio by ear. There was a time when I couldn’t continue lessons for lack of money and decided to dedicate myself continually to classical piano transcriptions of famous orchestral works, further deepening my life-long love for music. In college, I studied immense classical piano—the likes of Bach inventions with various other works by Edvard Greig and more. It was when I got into my second year at Cal State San Bernardino that I fell in love with band and orchestral music. For a pianist, that could seem pretty rare. Nonetheless, I wrote my first work for Band, “Prelude for Band in D Minor” and had it performed in June of 2010. Since then I’ve worked steadily on composing works for piano, band, orchestra and sacred literature while teaching students piano, voice, music theory and composition both online and off. For more information, you can visit my website at http://www.cjw-music-transcriptions.com. I also sell my sheet music on SMP Press: https://www.sheetmusicplus.com/publishers/Cody-Weinmann-CJW-Music/1308
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2018/02/13 20:00:27
parent author
parent permlinkhowtosellsheetmusic
authorcjwmusic
permlinkhow-to-sell-sheet-music-on-smp-press
titleHow To Sell Sheet Music on SMP Press
bodyIn this tutorial, I go into detail on how to sell your sheet music on SMP Press. (smppress.sheetmusic.com). I welcome any comments or questions you have. Like this video if you like this post. https://www.youtube.com/watch?v=iQAkzxTJvR4&t=80s
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2018/02/13 19:54:42
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authorcjwmusic
permlinkwhile-i-fall-partial-instrumental
title"While I Fall" Partial Instrumental
bodyHere is a partial instrumental of my song called "While I Fall." Feel free to comment or like this post! https://www.youtube.com/watch?v=TYJR_LY20NQ
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2018/02/13 19:49:27
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cjwmusicpublished a new post: how-to-write-for-band
2018/02/13 19:48:36
parent author
parent permlinkhow
authorcjwmusic
permlinkhow-to-write-for-band
titleHow to Write For Band
bodyI am doing a tutorial post on writing music for band. I show you how to write music for band, even composing a sample song, showing you how to craft melody, supporting counter melody and supporting harmony. Take a look at the video below and like this post if this is useful for you. https://www.youtube.com/watch?v=px09KC5_HHE&t=891s.
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2018/01/27 21:56:30
parent author
parent permlinkrock
authorcjwmusic
permlinkit-ain-t-paradise-song-backing-track
titleIt Ain't Paradise Song Backing Track
bodyhttps://www.youtube.com/watch?v=ulgAjIv4HIM This is the backing track to one of my recent songs called "It Ain't Paradise." It's a song about trying to love life, even if it isn't all glorious. I'm sure you can all relate. I hope you enjoy this song. It's directly from my Cody Weinmann Composer channel on Youtube.
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2018/01/27 21:50:36
voterelaineyumusic
authorcjwmusic
permlinkepic-cinmematic-movie-royalty-free-music
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2018/01/27 21:48:00
parent author
parent permlinkambient
authorcjwmusic
permlinkepic-cinmematic-movie-royalty-free-music
titleEpic Cinmematic Movie Royalty-Free Music
bodyhttps://www.youtube.com/watch?v=429CByEKTwc This is one of my rather ambient music examples straight from my Youtube Channel "Cody Weinmann Composer." Hope you enjoy the music.
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steemcreated a new account: @cjwmusic
2018/01/27 21:42:57
fee0.500 STEEM
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creatorsteem
new account namecjwmusic
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Witness Votes

0 / 30
No active witness votes.
[]