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      "body": "![studio.jpg](https://cdn.steemitimages.com/DQmb7dABckYnL3Lqfnef6kGtU8hiSebZZf9bU1njZSHhyaG/studio.jpg)\nTo conclude with the explanation of how a song is made, having already had two parts we go with the third and last phase of a song, after making the lyrics, musical arrangements and recording.\nNow we have to edit, process, mix each instrument and each voice and finally master.\nThis will be done by the audio engineers in a recording studio.\nThen comes the crucial part of marketing.\nIf the artist has a contract for a powerful label or producer, you just have to follow the guidelines given by the producer.\nIf you don’t have any of this, the artist must upload their song to all social networks, visit radio stations, written media TV channels, etc.to spread your song as much as possible.\nAnd a lot of patience because most of the celebrities, not to mention everyone, have had to spend a lot of time working hard and many times making free presentations to make themselves known and hopefully get a payment that usually does not reach for anything hahaha\nBut that is what is known as the road to fame, which is full of hardship and without flavors, but if the artist is good sooner or later their songs will be playing in the whole world.\nI live close to where Ricardo Montaner grew up and my older music colleagues tell me, who shared presentations with him, when he was a young stranger and sang without a band, with some tracks on cassettes that got entangled more than once and nobody at that time suspect the fame that young Hector Eduardo Reglero Montaner would soon achieve.\nThat is the process of a song, I hope I have been helpful to know about what is behind a good song or theme.\nIf you liked it, comment and thank you.",
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      "permlink": "how-to-make-a-song-part-2-choose-the-singer-and-the-genre",
      "title": "HOW TO MAKE A SONG PART 2. \"Choose the singer and the genre\"",
      "body": "![829ffbde1653f8c99419e110f53ad607.jpg](https://cdn.steemitimages.com/DQmXWHTJFndtmQ7LP3ji5Md7ezSmyBPAHkFadnHrLdvqUtD/829ffbde1653f8c99419e110f53ad607.jpg)\nAs I explained in detail in my previous blog\nThe first thing is to write the lyric. You have to have an idea of what you want to do, I mean, know what genre you want your song to go and what kind of interpreter you’d like for that topic, and based on that, start writing because depending on the genre, it will be the content of the lyrics.\nFor example, ballads usually have short lyrics, a couple of verses, the chorus and the bridge (interlude) is a part of a song that is placed in the middle of the theme, or after the second time the chorus appears towards the end of the song.\nWhether it's a rap or an urban theme, it carries much more content.\nThen it goes to the studio where with a pianist or guitarist the shots are taken with the interpreter to fix the chords, the introduction, solo, final etc.\nAnd the next step would be to make all the musical arrangements\nSelection of musicians, instruments, effects, sounds, etc.\nAll this is directed by a music producer, from the moment you enter the studio until the song is completely finished.\nThe choice of presets or sounds is quite thorough, for example, electric guitars are used in a studio with pedals and amplifiers that generate thousands of different sounds, and in a song each guitar usually uses three or four changes of sounds and in a song several guitars are recorded.\nAnd so it is with all the instruments, the bass also uses pedal and amplifier and must find a suitable sound for that song or theme.\nThe synthesizers also have infinity of sounds and at the present time the vst or virtual instruments are used that they extend much more the range of sounds or presets, and it is necessary to choose many sounds like for example pads, rhodes, voices, arpeggios, leads, etc.\nThe acoustic or electroacoustic guitars depending on the song.\nAnd the piano also depends on the genre to know if a grand piano or an electric piano will be used.\nOnce each musician saves their presets on their pedal, amplifier and laptop\nEverything is ready to record the subject in the studio.\nWith the voice previously recorded or captured, you start recording with a metronome instrument by instrument, to have better tracking and avoid mistakes, however imperceptible they may be.\n\nEach musician records their instrument and at the end of recording they sit down with the audio engineer and the producer to check the execution well and if they notice any detail they correct it (a punch can be made where the error is, the musician has been touching the subject three measures before the error and the engineer takes the shot only in the place of the error and then releases the punch and voila, the error has been corrected)\nSometimes, although there is no error in the performance, the musicians can feel or perceive what is known in the musical jargon as feeling and they tend to tell you “I lacked feeling in this part and I want to do that part again”. Although it is not bad, the musicians feel if it reaches their soul, it is really beautiful to see every musician when they hear what they just recorded because they all saw their eyes and they seem to be in another dimension and when they like what many did they even leave drop a tear, and all this is listening to the shot they made, and although the producer is the one with the last word, the opinion of each musician is sacred to approve whether or not his instrument was ready.\n\nAfter having all the orchestration and the next step is to record the voices, it is recommended to first capture the or the interpreter of the subject, then the voices are taken from the polyphony of voices that is also subject to the genre, because if it is a genre ranchero or vallenato, these tend to have little polyphony and are based more on the duets.\nBut if it is a pop theme, they do have a rich variety for the polyphony of voices and it is really a very hard hard work, the armed of the voices.\nAnd finally the main voice is recorded which also has the same procedure as the instruments, because when the soloist finishes recording they sit down with the engineer and the producer in search of perfection and also of feeling.\nAnd they do the same thing as the musicians saw their eyes and listens with the soul their interpretation and if it reaches the deepest it means that the subject was excellent.\nIn the next blog we will continue my dear friends, with the explanation of how a song is made.\nI hope you have liked and served in something to know how a song is born, if so has your vote and any comments will be appreciated and responded with reciprocity.",
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      "body": "HI. Just want to help. Do you know the best way to promote your website to social media users? Are you familiar with URL PROMOTER?  I will share it with you.  If you are interested please watch this video. Thanks\nhttps://www.urlpromoter.com/Page/Index/EXnzcliica10eAv",
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      "title": "HOW TO MAKE A SONG PART 1 “THE LYRICS”",
      "body": "![luis-fonsi-regreso-al-estudio-que-esta-grabando-b53e6.jpg](https://cdn.steemitimages.com/DQmWB3KnNZ8LoMVw18hH3jGVdhs3AoYi7MJ6DRiEfSNVvku/luis-fonsi-regreso-al-estudio-que-esta-grabando-b53e6.jpg)\nWhat we all enjoy about music, songs that are in our hearts, each one has its history like each one of us.\nA song is born out of someone experiences who then writes them down.\nWhether it's something that happened to the writer or another person, an event, something that caught the attention of the writer and based on that writes the lyrics, the lyrics should have a poetic sense, must contain phrases to be good lyrics, that is what is used to distinguish a good song from a regular or bad.\nWrite the lyrics of your favorite song in a note and you’ll perceive if it is good, fair or bad.\nIf it also makes sense, the story has a good lyric, that is, there are structural parameters and parameters to measure if a lyric is good, regular or bad.\nI will give you an example with a real success \"Despacito\" Erika Ender, Luis Fonsi.\nWe will take the chorus for the example and notice how all the last syllables end with the letter O:\nDespacito\nQuiero respirar tu cuello despacito\nDeja que te diga cosas al oído\nPara que te acuerdes si no estás conmigo\nDespacito\nQuiero desnudarte a besos despacito\nFirmo en las paredes de tu laberinto\nY hacer de tu cuerpo todo un manuscrito\nThis is a rhyming style and there are several styles, another style is that the last syllable of the first line rime with the third and the second with the fourth, depending on the poetic style you take to translate your lyrics, which should be done before you start to write.\nLet's see another example in the theme \"La Bicicleta\" by Carlos Vives:\nNada voy a hacer\nRebuscando en las heridas del pasado\nNo voy a perder\nYo no quiero ser un tipo de otro lado\nCan I be a good composer?\nOf course!\nYou should only seek advice and seek help from those who know, but if you have it at hand do it online there are many places to learn.\nI hope you liked my post and could helped in something, if it has, give me your vote!",
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