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      "body": "Congratulations @artamara! You received a personal award!\n\n<table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@artamara/birthday3.png</td><td>Happy Birthday! - You are on the Steem blockchain for 3 years!</td></tr></table>\n\n<sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@artamara) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=artamara)_</sub>\n\n\n###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!",
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      "body": "<p> <strong>What is Artcurrency?</strong><br />\nMoney for Art’s sake. Interest free loans to buy art.<br />\nInstant approval, take your art home and pay for it later<br />\n</p>\n<p>Art currency makes owning art immediate and affordable. Payments are spread over 10 equal monthly payments. After paying a 10% deposit, you can take your artwork home and pay the remaining balance over 9 months, interest free.<br />\n</p>\n<p>Use the loan calculator to see how affordable Art Money makes buying art.<br />\n</p>\n<p>With an Art Money loan, an artwork that costs  $1,250 is only  $125 a month over 10 payments (your first payment is your deposit). Use the Art Money calculator to find out how little your desired work would cost per month.<br />\n</p>\n<p>Based on successful loan programs in the UK, the Netherlands and Tasmania, Art currency helps you enjoy art, support local artists and galleries and contributes to the long-term sustainability of World art and culture.<br />\n </p>\n<p>Art currency ARTC spec:</p>\n<p>POW/POS based cryptocurrency<br />\nPOW block = 12000<br />\nPOW Reward = 1<br />\nPremine = Loan system<br />\nTotal ARTC = 5.600.000</p>\n<p>Pool : <a href=\"http://139.59.139.196:8080/tbs\" rel=\"noopener\">http://139.59.139.196:8080/tbs</a></p>\n<p><a href=\"http://ypool.ga/artc/\" rel=\"noopener\">http://ypool.ga/artc/</a></p>\n<p>Exchanger = <a href=\"https://yobit.net/en/trade/ARTC/BTC\" rel=\"noopener\">https://yobit.net/en/trade/ARTC/BTC</a></p>\n<p>Win Wallet : <a href=\"https://drive.google.com/open?id=0B4l2N5dpOVNfN3FqZjVHaDhVMFU\" rel=\"noopener\">https://drive.google.com/open?id=0B4l2N5dpOVNfN3FqZjVHaDhVMFU</a></p>\n<p>MAC wallet : <a href=\"https://drive.google.com/open?id=0B4l2N5dpOVNfRnk5aFVnLTVKak0\" rel=\"noopener\">https://drive.google.com/open?id=0B4l2N5dpOVNfRnk5aFVnLTVKak0</a></p>\n<p>ARTC Road Map :</p>\n<p>- Build Market system of art</p>\n<p>- Build Gallery</p>\n<p>- Join into Art Auction</p>",
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      "body": "its nice i'll try ..go steemit",
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      "body": "its amazing",
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      "author": "putrart",
      "body": "Great to have you around!\n\nHere are some tips if you're not aware of already:\n\nSecure your account: https://steemit.com/steemit-guides/@pfunk/your-steem-account-is-worth-money-how-to-secure-it-with-a-new-owner-key-to-keep-it-yours-forever\nVerify your account and build your reputation: https://steemit.com/steem/@tuck-fheman/verified-accounts--reputation-system\nContribute with your own contents: https://steemit.com/steem/@grittenald/copy-paste-steal-cite-your-sources, and https://steemit.com/steemit/@pfunk/lets-discuss-verification-of-user-accounts-posting-previous-work-to-prevent-impersonation\nProperly tagging your posts, especially when your content is #NSFW or for #test only\nKnow how Steemit works: https://steemit.com/steemit/@donkeypong/still-confused-by-steem-steem-dollars-and-steem-power-the-power-plant-analogy",
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      "body": "<html>\n<p>&nbsp;Two artists want to take on the art-world hierarchy with a website selling art with prices quoted in bitcoin.The artists, Andy Boot and Valentin Rurhy, both based in Vienna, have created&nbsp;an online platform selling work by international contemporary artists. The twist is that its exhibitions are ephemeral. <a href=\"http://cointemporary.com/\">Cointemporary.com</a>only features one artist every seven days, and there's no way for buyers to purchase works if they missed the original showing.Artists can also choose to accept payment in bitcoin and will receive a greater share of the proceeds than they would at most&nbsp;traditional galleries.As Ruhry sees it, the top-heavy art economy, dominated by a cadre of elite dealers and gallerists, could benefit from some of the disruptive effects of a decentralised cryptocurrency:</p>\n<blockquote><em>\"The whole art world is very centralised. There are only a few gatekeepers who decide who will be the next big star, who will show at [for example] Art Basel.\"</em></blockquote>\n<h2>Cracking the Silicon Valley&nbsp;art market</h2>\n<p>The moneyed technologists of Silicon Valley know something about disruption. They have also long been a coveted customer demographic for art dealers. Getting the Valley's elite interested in buying art was the main motivation behind Silicon Valley Contemporary&nbsp;–&nbsp;an art fair that was organised for the first time three months ago, <a href=\"http://news.artnet.com/market/silicon-valley-contemporary-art-fair-hopes-the-tech-sector-will-byte-8971\">according to <em>Artnet News</em></a>, a trade title covering the art world.The fair was geared towards technologists by exhibiting new media works. Bitcoin made an appearance both as a medium of payment and subject matter for the artworks themselves.<a href=\"http://news.artnet.com/market/silicon-valley-contemporary-fair-launches-with-bitcoin-sales-and-new-media-art-aplenty-9836\"><em>Artnet</em>&nbsp;reported</a> that, within a half hour of the event, a sale had already been agreed,&nbsp;and settled in bitcoin,&nbsp;for&nbsp;a painting by <a href=\"http://danalouisekirkpatrick.us/gallery/gallery.htm\">Dana Louise Kirkpatrick</a>&nbsp;featuring the bitcoin logo.Another artist whose work has featured bitcoin prominently is San Francisco-based Tom Loughlin. His 2014 piece 'Bitcoin Payday' is a neon sign designed to mimic the look of a payday lender's window sign in downtown San Francisco. It was installed at Google in Mountain View and will be hung at the Jack Fischer Gallery in the City&nbsp;soon, according to the<a href=\"http://www.sfgate.com/technology/article/In-federal-bitcoin-auction-an-art-performance-5579650.php\"><em>San Francisco Chronicle</em></a>.Tom Loughlin's 'Bitcoin Payday' installed at Google in Mountain View, California (<em>image via Tom Loughlin</em>)Loughlin took his bitcoin interest further by attempting to bid for the seized Silk Road bitcoin that was <a href=\"http://www.coindesk.com/tag/US-marshals-service/\">auctioned by the US Marshals Service</a> with his piece Bitcoin Payday instead of the expected US dollars. The piece is priced at $13,500.As the <em>Chronicle</em> reports, Loughlin's bid was driven by an insight into the economic value of art and its parallels with bitcoin and other decentralised cryptocurrencies. Loughlin's thought was that both art and bitcoin have seemingly arbitrary values. Ruhry, of Cointemporary, echoes Loughlin's insight.</p>\n<blockquote><em>\"Art is like bitcoin in that there is no intrinsic value. Why does a certain amount of canvas with a certain amount of colour on it cost $20,000 while the next work is $2,000? If you look at the materials, they're the same, right? It's almost impossible to value artworks, and it's almost impossible to value currencies.\"</em></blockquote>\n<h2>Cointemporary's&nbsp;currency risk</h2>\n<p>Artists are warming to the the idea of accepting bitcoin for their works, Ruhry said. According to him, artists who consign their works to&nbsp;Cointemporary are given the choice of taking payment in fiat currency or bitcoin. Cointemporary gives an incentive to artists who accept payment in bitcoin by offering a larger cut of the sale price, or 70%, compared to a fiat payout, which yields 60%.Ruhry&nbsp;said:</p>\n<blockquote><em>\"We are quite surprised by how well [Cointemporary] has been received in the art world. We were really afraid, to be honest [...] artists could say we are trying to rip them off, but it's the opposite. We have a long pipeline, we can't have any new artists, we're fully booked.\"</em></blockquote>\n<p>Cointemporary agrees on the price of a work with the artist before it is exhibited on the website. The price is then converted to bitcoin using the average bitcoin price over the last 24-hours at the point it is listed.Because of the way Cointemporary sets its bitcoin prices, there is a chance that the market may move against it before a piece is sold. Ruhry and Boot have to bear the exchange rate risk as a result. Ruhry pointed out that buyers could also exploit a fluctuating bitcoin price by purchasing a work when the cryptocurrency was weak and then offloading it when the price rose.\"If the artist is paid in US dollars or euro, we bear the risk if the price [of bitcoin] goes down. Then of course, we have to exchange more of our own bitcoin [to make up the difference],\" Ruhry&nbsp;said.&nbsp;Anetta Mona Chişa and 

Lucia 
Tkáčová's piece 'Nom de Guerre' which is exhibited by Cointemporary (<em>Image via Cointemporary</em>).Cointemporary consigns pieces from artists who work across a range of media. It launched at the end of May with works by Swiss photographer <a href=\"http://en.wikipedia.org/wiki/Beat_Streuli\">Beat Streuli</a>, who has exhibited at London's Tate Gallery and Chicago's Museum of Contemporary Art. Recent weeks have featured work ranging from paintings by New York-based Larissa Lockshin to installations by Berlin duo Anetta Mona Chişa and Lucia
Tkáčová.Works shown at Cointemporary range from a painting by Lockshin for 4 BTC, to a Chişa&nbsp;and Tkáčová installation costing 16 BTC. Artwork that's sold is shipped by a Viennese fine art logistics company called&nbsp;<a href=\"http://www.kunsttrans.com/de\">Kunsttrans</a>, which also accepts bitcoin.</p>\n<h2>Bitcoin's negligible impact</h2>\n<p>Not everyone shares Cointemporary's optimistic take on bitcoin and the art world. Jessica Silverman, who runs an eponymous gallery in San Francisco focused on emerging artists, believes bitcoin's impact on the art economy is negligible:</p>\n<blockquote><em>\"We have never sold anything using [bitcoin or cryptocurrencies]. I would be open to it but at this moment, we do not see the need to move in this direction or how it would help our clients, artists or the gallery itself.\"</em></blockquote>\n<p>Silverman is already a relatively enthusiastic proponent of bitcoin, however. Her&nbsp;gallery's next exhibition, '<a href=\"http://jessicasilvermangallery.com/exhibitions/the-history-of-technology/\">The History of Technology</a>', will include&nbsp;an artwork that will be available for sale on Cointemporary.Ruhry, who is a sculptor and currently a <a href=\"http://www.sfai.edu/invisibleinstitute\">lecturer</a> at the San Francisco Art Institute, learned about bitcoin while he was teaching at an art school in Austria in 2011. He concedes that it took him several years before he bought the cryptocurrency himself.Cointemporary itself hasn't made any sales yet, he&nbsp;said, although he said he had received serious enquiries into some of Lockshin's work. Getting art collectors into the bitcoin economy will take time, he said.\"For us, Cointemporary is an art project, it's a statement, an experiment, and then it's a commercial platform. We don't expect to get rich with this, but we think it's important.\"<em>Featured image via</em> <a href=\"http://tomloughlinart.com/artwork/3479652_Bitcoin_Payday.html\"><em>Tom Loughlin</em></a> &nbsp;</p>\n</html>",
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      "body": "<html>\n<p>&nbsp;Two artists want to take on the art-world hierarchy with a website selling art with prices quoted in bitcoin.The artists, Andy Boot and Valentin Rurhy, both based in Vienna, have created&nbsp;an online platform selling work by international contemporary artists. The twist is that its exhibitions are ephemeral. <a href=\"http://cointemporary.com/\">Cointemporary.com</a>only features one artist every seven days, and there's no way for buyers to purchase works if they missed the original showing.Artists can also choose to accept payment in bitcoin and will receive a greater share of the proceeds than they would at most&nbsp;traditional galleries.As Ruhry sees it, the top-heavy art economy, dominated by a cadre of elite dealers and gallerists, could benefit from some of the disruptive effects of a decentralised cryptocurrency:</p>\n<blockquote><em>\"The whole art world is very centralised. There are only a few gatekeepers who decide who will be the next big star, who will show at [for example] Art Basel.\"</em></blockquote>\n<h2>Cracking the Silicon Valley&nbsp;art market</h2>\n<p>The moneyed technologists of Silicon Valley know something about disruption. They have also long been a coveted customer demographic for art dealers. Getting the Valley's elite interested in buying art was the main motivation behind Silicon Valley Contemporary&nbsp;–&nbsp;an art fair that was organised for the first time three months ago, <a href=\"http://news.artnet.com/market/silicon-valley-contemporary-art-fair-hopes-the-tech-sector-will-byte-8971\">according to <em>Artnet News</em></a>, a trade title covering the art world.The fair was geared towards technologists by exhibiting new media works. Bitcoin made an appearance both as a medium of payment and subject matter for the artworks themselves.<a href=\"http://news.artnet.com/market/silicon-valley-contemporary-fair-launches-with-bitcoin-sales-and-new-media-art-aplenty-9836\"><em>Artnet</em>&nbsp;reported</a> that, within a half hour of the event, a sale had already been agreed,&nbsp;and settled in bitcoin,&nbsp;for&nbsp;a painting by <a href=\"http://danalouisekirkpatrick.us/gallery/gallery.htm\">Dana Louise Kirkpatrick</a>&nbsp;featuring the bitcoin logo.Another artist whose work has featured bitcoin prominently is San Francisco-based Tom Loughlin. His 2014 piece 'Bitcoin Payday' is a neon sign designed to mimic the look of a payday lender's window sign in downtown San Francisco. It was installed at Google in Mountain View and will be hung at the Jack Fischer Gallery in the City&nbsp;soon, according to the <a href=\"http://www.sfgate.com/technology/article/In-federal-bitcoin-auction-an-art-performance-5579650.php\"><em>San Francisco Chronicle</em></a>.</p>\n<p>Tom Loughlin's 'Bitcoin Payday' installed at Google in Mountain View, California (<em>image via Tom Loughlin</em>)</p>\n<p>Loughlin took his bitcoin interest further by attempting to bid for the seized Silk Road bitcoin that was <a href=\"http://www.coindesk.com/tag/US-marshals-service/\">auctioned by the US Marshals Service</a> with his piece Bitcoin Payday instead of the expected US dollars. The piece is priced at $13,500.As the <em>Chronicle</em> reports, Loughlin's bid was driven by an insight into the economic value of art and its parallels with bitcoin and other decentralised cryptocurrencies. Loughlin's thought was that both art and bitcoin have seemingly arbitrary values. Ruhry, of Cointemporary, echoes Loughlin's insight.</p>\n<blockquote><em>\"Art is like bitcoin in that there is no intrinsic value. Why does a certain amount of canvas with a certain amount of colour on it cost $20,000 while the next work is $2,000? If you look at the materials, they're the same, right? It's almost impossible to value artworks, and it's almost impossible to value currencies.\"</em></blockquote>\n<h2>Cointemporary's&nbsp;currency risk</h2>\n<p>Artists are warming to the the idea of accepting bitcoin for their works, Ruhry said. According to him, artists who consign their works to&nbsp;Cointemporary are given the choice of taking payment in fiat currency or bitcoin. Cointemporary gives an incentive to artists who accept payment in bitcoin by offering a larger cut of the sale price, or 70%, compared to a fiat payout, which yields 60%.Ruhry&nbsp;said:</p>\n<blockquote><em>\"We are quite surprised by how well [Cointemporary] has been received in the art world. We were really afraid, to be honest [...] artists could say we are trying to rip them off, but it's the opposite. We have a long pipeline, we can't have any new artists, we're fully booked.\"</em></blockquote>\n<p>Cointemporary agrees on the price of a work with the artist before it is exhibited on the website. The price is then converted to bitcoin using the average bitcoin price over the last 24-hours at the point it is listed.Because of the way Cointemporary sets its bitcoin prices, there is a chance that the market may move against it before a piece is sold. Ruhry and Boot have to bear the exchange rate risk as a result. Ruhry pointed out that buyers could also exploit a fluctuating bitcoin price by purchasing a work when the cryptocurrency was weak and then offloading it when the price rose.\"If the artist is paid in US dollars or euro, we bear the risk if the price [of bitcoin] goes down. Then of course, we have to exchange more of our own bitcoin [to make up the difference],\" Ruhry&nbsp;said.&nbsp;</p>\n<p>Anetta Mona Chişa and 

Lucia 
Tkáčová's piece 'Nom de Guerre' which is exhibited by Cointemporary (<em>Image via Cointemporary</em>).</p>\n<p>Cointemporary consigns pieces from artists who work across a range of media. It launched at the end of May with works by Swiss photographer <a href=\"http://en.wikipedia.org/wiki/Beat_Streuli\">Beat Streuli</a>, who has exhibited at London's Tate Gallery and Chicago's Museum of Contemporary Art. Recent weeks have featured work ranging from paintings by New York-based Larissa Lockshin to installations by Berlin duo Anetta Mona Chişa and Lucia
Tkáčová.Works shown at Cointemporary range from a painting by Lockshin for 4 BTC, to a Chişa&nbsp;and Tkáčová installation costing 16 BTC. Artwork that's sold is shipped by a Viennese fine art logistics company called&nbsp;<a href=\"http://www.kunsttrans.com/de\">Kunsttrans</a>, which also accepts bitcoin.</p>\n<h2>Bitcoin's negligible impact</h2>\n<p>Not everyone shares Cointemporary's optimistic take on bitcoin and the art world. Jessica Silverman, who runs an eponymous gallery in San Francisco focused on emerging artists, believes bitcoin's impact on the art economy is negligible:</p>\n<blockquote><em>\"We have never sold anything using [bitcoin or cryptocurrencies]. I would be open to it but at this moment, we do not see the need to move in this direction or how it would help our clients, artists or the gallery itself.\"</em></blockquote>\n<p>Silverman is already a relatively enthusiastic proponent of bitcoin, however. Her&nbsp;gallery's next exhibition, '<a href=\"http://jessicasilvermangallery.com/exhibitions/the-history-of-technology/\">The History of Technology</a>', will include&nbsp;an artwork that will be available for sale on Cointemporary.Ruhry, who is a sculptor and currently a <a href=\"http://www.sfai.edu/invisibleinstitute\">lecturer</a> at the San Francisco Art Institute, learned about bitcoin while he was teaching at an art school in Austria in 2011. He concedes that it took him several years before he bought the cryptocurrency himself.Cointemporary itself hasn't made any sales yet, he&nbsp;said, although he said he had received serious enquiries into some of Lockshin's work. Getting art collectors into the bitcoin economy will take time, he said.\"For us, Cointemporary is an art project, it's a statement, an experiment, and then it's a commercial platform. We don't expect to get rich with this, but we think it's important.\"<em>Featured image via</em> <a href=\"http://tomloughlinart.com/artwork/3479652_Bitcoin_Payday.html\"><em>Tom Loughlin</em></a>&nbsp;</p>\n</html>",
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      "author": "artamara",
      "body": "<html>\n<p>&nbsp;Two artists want to take on the art-world hierarchy with a website selling art with prices quoted in bitcoin.The artists, Andy Boot and Valentin Rurhy, both based in Vienna, have created&nbsp;an online platform selling work by international contemporary artists. The twist is that its exhibitions are ephemeral. <a href=\"http://cointemporary.com/\">Cointemporary.com</a>only features one artist every seven days, and there's no way for buyers to purchase works if they missed the original showing.Artists can also choose to accept payment in bitcoin and will receive a greater share of the proceeds than they would at most&nbsp;traditional galleries.As Ruhry sees it, the top-heavy art economy, dominated by a cadre of elite dealers and gallerists, could benefit from some of the disruptive effects of a decentralised cryptocurrency:</p>\n<blockquote><em>\"The whole art world is very centralised. There are only a few gatekeepers who decide who will be the next big star, who will show at [for example] Art Basel.\"</em></blockquote>\n<h2>Cracking the Silicon Valley&nbsp;art market</h2>\n<p>The moneyed technologists of Silicon Valley know something about disruption. They have also long been a coveted customer demographic for art dealers. Getting the Valley's elite interested in buying art was the main motivation behind Silicon Valley Contemporary&nbsp;–&nbsp;an art fair that was organised for the first time three months ago, <a href=\"http://news.artnet.com/market/silicon-valley-contemporary-art-fair-hopes-the-tech-sector-will-byte-8971\">according to <em>Artnet News</em></a>, a trade title covering the art world.The fair was geared towards technologists by exhibiting new media works. Bitcoin made an appearance both as a medium of payment and subject matter for the artworks themselves.<a href=\"http://news.artnet.com/market/silicon-valley-contemporary-fair-launches-with-bitcoin-sales-and-new-media-art-aplenty-9836\"><em>Artnet</em>&nbsp;reported</a> that, within a half hour of the event, a sale had already been agreed,&nbsp;and settled in bitcoin,&nbsp;for&nbsp;a painting by <a href=\"http://danalouisekirkpatrick.us/gallery/gallery.htm\">Dana Louise Kirkpatrick</a>&nbsp;featuring the bitcoin logo.Another artist whose work has featured bitcoin prominently is San Francisco-based Tom Loughlin. His 2014 piece 'Bitcoin Payday' is a neon sign designed to mimic the look of a payday lender's window sign in downtown San Francisco. It was installed at Google in Mountain View and will be hung at the Jack Fischer Gallery in the City&nbsp;soon, according to the <a href=\"http://www.sfgate.com/technology/article/In-federal-bitcoin-auction-an-art-performance-5579650.php\"><em>San Francisco Chronicle</em></a>.</p>\n<p>Tom Loughlin's 'Bitcoin Payday' installed at Google in Mountain View, California (<em>image via Tom Loughlin</em>)</p>\n<p>Loughlin took his bitcoin interest further by attempting to bid for the seized Silk Road bitcoin that was <a href=\"http://www.coindesk.com/tag/US-marshals-service/\">auctioned by the US Marshals Service</a> with his piece Bitcoin Payday instead of the expected US dollars. The piece is priced at $13,500.As the <em>Chronicle</em> reports, Loughlin's bid was driven by an insight into the economic value of art and its parallels with bitcoin and other decentralised cryptocurrencies. Loughlin's thought was that both art and bitcoin have seemingly arbitrary values. Ruhry, of Cointemporary, echoes Loughlin's insight.</p>\n<blockquote><em>\"Art is like bitcoin in that there is no intrinsic value. Why does a certain amount of canvas with a certain amount of colour on it cost $20,000 while the next work is $2,000? If you look at the materials, they're the same, right? It's almost impossible to value artworks, and it's almost impossible to value currencies.\"</em></blockquote>\n<h2>Cointemporary's&nbsp;currency risk</h2>\n<p>Artists are warming to the the idea of accepting bitcoin for their works, Ruhry said. According to him, artists who consign their works to&nbsp;Cointemporary are given the choice of taking payment in fiat currency or bitcoin. Cointemporary gives an incentive to artists who accept payment in bitcoin by offering a larger cut of the sale price, or 70%, compared to a fiat payout, which yields 60%.Ruhry&nbsp;said:</p>\n<blockquote><em>\"We are quite surprised by how well [Cointemporary] has been received in the art world. We were really afraid, to be honest [...] artists could say we are trying to rip them off, but it's the opposite. We have a long pipeline, we can't have any new artists, we're fully booked.\"</em></blockquote>\n<p>Cointemporary agrees on the price of a work with the artist before it is exhibited on the website. The price is then converted to bitcoin using the average bitcoin price over the last 24-hours at the point it is listed.Because of the way Cointemporary sets its bitcoin prices, there is a chance that the market may move against it before a piece is sold. Ruhry and Boot have to bear the exchange rate risk as a result. Ruhry pointed out that buyers could also exploit a fluctuating bitcoin price by purchasing a work when the cryptocurrency was weak and then offloading it when the price rose.\"If the artist is paid in US dollars or euro, we bear the risk if the price [of bitcoin] goes down. Then of course, we have to exchange more of our own bitcoin [to make up the difference],\" Ruhry&nbsp;said.&nbsp;</p>\n<p>Anetta Mona Chişa and 

Lucia 
Tkáčová's piece 'Nom de Guerre' which is exhibited by Cointemporary (<em>Image via Cointemporary</em>).</p>\n<p>Cointemporary consigns pieces from artists who work across a range of media. It launched at the end of May with works by Swiss photographer <a href=\"http://en.wikipedia.org/wiki/Beat_Streuli\">Beat Streuli</a>, who has exhibited at London's Tate Gallery and Chicago's Museum of Contemporary Art. Recent weeks have featured work ranging from paintings by New York-based Larissa Lockshin to installations by Berlin duo Anetta Mona Chişa and Lucia
Tkáčová.Works shown at Cointemporary range from a painting by Lockshin for 4 BTC, to a Chişa&nbsp;and Tkáčová installation costing 16 BTC. Artwork that's sold is shipped by a Viennese fine art logistics company called&nbsp;<a href=\"http://www.kunsttrans.com/de\">Kunsttrans</a>, which also accepts bitcoin.</p>\n<h2>Bitcoin's negligible impact</h2>\n<p>Not everyone shares Cointemporary's optimistic take on bitcoin and the art world. Jessica Silverman, who runs an eponymous gallery in San Francisco focused on emerging artists, believes bitcoin's impact on the art economy is negligible:</p>\n<blockquote><em>\"We have never sold anything using [bitcoin or cryptocurrencies]. I would be open to it but at this moment, we do not see the need to move in this direction or how it would help our clients, artists or the gallery itself.\"</em></blockquote>\n<p>Silverman is already a relatively enthusiastic proponent of bitcoin, however. Her&nbsp;gallery's next exhibition, '<a href=\"http://jessicasilvermangallery.com/exhibitions/the-history-of-technology/\">The History of Technology</a>', will include&nbsp;an artwork that will be available for sale on Cointemporary.Ruhry, who is a sculptor and currently a <a href=\"http://www.sfai.edu/invisibleinstitute\">lecturer</a> at the San Francisco Art Institute, learned about bitcoin while he was teaching at an art school in Austria in 2011. He concedes that it took him several years before he bought the cryptocurrency himself.Cointemporary itself hasn't made any sales yet, he&nbsp;said, although he said he had received serious enquiries into some of Lockshin's work. Getting art collectors into the bitcoin economy will take time, he said.\"For us, Cointemporary is an art project, it's a statement, an experiment, and then it's a commercial platform. We don't expect to get rich with this, but we think it's important.\"<em>Featured image via</em> <a href=\"http://tomloughlinart.com/artwork/3479652_Bitcoin_Payday.html\"><em>Tom Loughlin</em></a>&nbsp;</p>\n</html>",
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      "author": "artamara",
      "body": "<html>\n<p>&nbsp;Steem is next in line to be at the second spot if the cryptocurrency market remains as it is today in coming months.The digital currency behind <a href=\"https://steemit.com/\">Steemit</a> decentralized social media platform, which rewards posters and voters online, overtook <a href=\"https://daohub.org/\">The DAO</a> to be the world’s fifth most valuable cryptocurrency following its 1000% plus growth in the days following Steemit’s first cryptocurrency payout on July 4.&nbsp;</p>\n<p>https://cointelegraph.com/news/steem-chasing-ether-in-market-cap</p>\n<p><br></p>\n</html>",
      "json_metadata": "{\"tags\":[\"market\"],\"links\":[\"https://steemit.com/\",\"https://daohub.org/\",\"https://cointelegraph.com/news/steem-chasing-ether-in-market-cap\"]}",
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    {
      "author": "artamara",
      "body": "ok im watching..so any wallet-qt for windows?",
      "json_metadata": "{\"tags\":[\"steem\"]}",
      "parent_author": "artamara",
      "parent_permlink": "steem-mining",
      "permlink": "re-artamara-steem-mining-20160723t162846357z",
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      "author": "tim-johnston",
      "body": "it's only CPU mining at the moment",
      "json_metadata": "{\"tags\":[\"steem\"]}",
      "parent_author": "artamara",
      "parent_permlink": "steem-mining",
      "permlink": "re-artamara-steem-mining-20160723t162448102z",
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      "author": "tgc46",
      "body": "I haven't heard of any GPU miner. For CPU mining you can use steemd\nhttps://github.com/steemit/steem\nFor Windows support, take a look at this fork:\nhttps://github.com/btscube/steem\nSome instructions:\nhttps://steem.io/documentation/how-to-mine/",
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      "body": "Bali has been recognized as one of the main tourist destination in the world since its exposure by many of the Westerners in 1920s. Bali often cliched as \"the island of thousand temples\", \"the island of paradise\", or as Nehru's said \"morning of the world\". \n\nAbout BaliGeography\nBali, one of 17,508 islands that scattered throughout the Indonesian archipelago, lies 8 degrees South of Equator and 115 degrees East of longitude. It is one of 32 provinces of the Republic of Indonesia. \n\nVirtually the Wallace Line separates tropical Asian flora and fauna from that typical of Australia, and runs between Bali and Lombok, to the East. Towering volcanic peaks dominate the island with a width of 120 km (75 miles). \n\nThe caldera of Mount Batur, the central mountain, holds a vast lake which feed most of the rivers. Gorged out valleys radiate from the volcano and thousands of spring help irrigate the land. Mount Agung, Bali's highest mountain, is standing at 3,142 m (10,300 ft). A good part of its top blew off in 1963, and some of the devastation is still visible in the northern and eastern parts of Bali. \n\nThe View\nBali has many beaches, lakes, mountains, hills, and beautiful rice terraces. This natural splendour has influenced the Balinese way of life, for instance, farming and fishing. \n\nClimate\nBali has two seasons: dry and rainy season. The seasons move from hot to rainy (November to March) to cooler and dry (June to August). May is green and fresh and October is hot and dry. The average annual temperature is 26°C (78°F). \n\nCulture and Religion\nBali's religion, Hindu Dharma, is expressed in ritual concerned with the five spheres of attention: the Gods and ancestors, the \"demons\", stage of human growth, the dead, and the consecration of Priest. There are also cyclical holidays honouring crops, books, tools, musical instruments, and so forth. Essential to these rituals are copious offering of good, flowers, and ingeniously fashioned abstract figures of palm leaves. Offerings are consecrated bye priests, known as Pemangku, with incense, sacred incantations (mantra) and holy water (tirta). \n\nTemple festivals, called odalan, and cremations are the most conspicuous ceremonial occasions, and tourists are welcome to watch, as long as they dress and behave respectfully. The complex Balinese calendar follows two coincidental system; one based on a lunar year of 355 days with a 13th month added every three years, while the other is the wuku year of 210 days. These 210 days year are further divided into 30 wuku (week). Each wuku is comprise of 7 days with its own name. Within this 210 day - year are further concentric cycles with \"weeks\" of varying length, the conjunctions of which are of mystical importance. \n\nThe dense amount of information on the printed calendar give a visual clue to the complexity of the system. Usually, when people have an important ritual event looming, they look at the calendar and then consult a priest of the appropriate grade: a high priest or pendeta, for things like marriage, cremation and important rituals pertaining to ancestors; or a balian - healer - sorcerer - for more domestic problem, like destroying a nest of wasps or putting a ring in the nose of a calf. \n\nThe Balinese insist that their religion is monotheistic - in accordance with the national philosophy Pancasila, one of the five principles of which is the belief in one god - but the manifestations of God are myriad: they include not only the Hindu trinity (Brahma, Wisnu, Siwa), but also deified kings, saint and ancestors, and a vast variety of elemental spirits.",
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