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      "body": "https://youtu.be/CElkR7smOOc?si=1LiG9ieFd6Iok-J7\n\n\"काव्य शैली\"\nशिवताण्डव स्तोत्र स्तोत्रकाव्य में अत्यन्त लोकप्रिय है। यह पञ्चचामर छन्द में आबद्ध है। इसकी अनुप्रास और समास बहुल भाषा संगीतमय ध्वनि और प्रवाह के कारण शिवभक्तों में प्रचलित है। सुन्दर भाषा एवं काव्य-शैली के कारण यह स्तोत्रों विशेषकर शिवस्तोत्रों में विशिष्ट स्थान रखता है।\n\n\n॥ अथ रावण कृत शिव तांडव स्तोत्र ॥\n\nजटाटवीग लज्जलप्रवाहपावितस्थले\nगलेऽवलम्ब्यलम्बितां भुजंगतुंगमालिकाम्‌। \nडमड्डमड्डमड्डम न्निनादवड्डमर्वयं\nचकार चंडतांडवं तनोतु नः शिवः शिवम ॥1॥\n\nजटा कटा हसंभ्रम भ्रमन्निलिंपनिर्झरी ।\nविलोलवी चिवल्लरी विराजमानमूर्धनि ।\nधगद्धगद्ध गज्ज्वलल्ललाट पट्टपावके\nकिशोरचंद्रशेखरे रतिः प्रतिक्षणं ममं ॥2॥\n\nधरा धरेंद्र नंदिनी विलास बंधुवंधुर-\nस्फुरदृगंत संतति प्रमोद मानमानसे ।\nकृपाकटा क्षधारणी निरुद्धदुर्धरापदि\nकवचिद्विगम्बरे मनो विनोदमेतु वस्तुनि ॥3॥\n\nजटा भुजं गपिंगल स्फुरत्फणामणिप्रभा-\nकदंबकुंकुम द्रवप्रलिप्त दिग्वधूमुखे ।\nमदांध सिंधु रस्फुरत्वगुत्तरीयमेदुरे\nमनो विनोदद्भुतं बिंभर्तु भूतभर्तरि ॥4॥\n\nसहस्र लोचन प्रभृत्य शेषलेखशेखर-\nप्रसून धूलिधोरणी विधूसरांघ्रिपीठभूः ।\nभुजंगराज मालया निबद्धजाटजूटकः\nश्रिये चिराय जायतां चकोर बंधुशेखरः ॥5॥\n\nललाट चत्वरज्वलद्धनंजयस्फुरिगभा-\nनिपीतपंचसायकं निमन्निलिंपनायम्‌ ।\nसुधा मयुख लेखया विराजमानशेखरं\nमहा कपालि संपदे शिरोजयालमस्तू नः ॥6॥\n\nकराल भाल पट्टिकाधगद्धगद्धगज्ज्वल-\nद्धनंजया धरीकृतप्रचंडपंचसायके ।\nधराधरेंद्र नंदिनी कुचाग्रचित्रपत्रक-\nप्रकल्पनैकशिल्पिनि त्रिलोचने मतिर्मम ॥7॥\n\nनवीन मेघ मंडली निरुद्धदुर्धरस्फुर-\nत्कुहु निशीथिनीतमः प्रबंधबंधुकंधरः ।\nनिलिम्पनिर्झरि धरस्तनोतु कृत्ति सिंधुरः\nकलानिधानबंधुरः श्रियं जगंद्धुरंधरः ॥8॥\n\nप्रफुल्ल नील पंकज प्रपंचकालिमच्छटा-\nविडंबि कंठकंध रारुचि प्रबंधकंधरम्‌\nस्मरच्छिदं पुरच्छिंद भवच्छिदं मखच्छिदं\nगजच्छिदांधकच्छिदं तमंतकच्छिदं भजे ॥9॥\n\nअगर्वसर्वमंगला कलाकदम्बमंजरी-\nरसप्रवाह माधुरी विजृंभणा मधुव्रतम्‌ ।\nस्मरांतकं पुरातकं भावंतकं मखांतकं\nगजांतकांधकांतकं तमंतकांतकं भजे ॥10॥\n\nजयत्वदभ्रविभ्रम भ्रमद्भुजंगमस्फुर-\nद्धगद्धगद्वि निर्गमत्कराल भाल हव्यवाट्-\nधिमिद्धिमिद्धिमि नन्मृदंगतुंगमंगल-\nध्वनिक्रमप्रवर्तित प्रचण्ड ताण्डवः शिवः ॥11॥\n\nदृषद्विचित्रतल्पयोर्भुजंग मौक्तिकमस्रजो-\nर्गरिष्ठरत्नलोष्टयोः सुहृद्विपक्षपक्षयोः ।\nतृणारविंदचक्षुषोः प्रजामहीमहेन्द्रयोः\nसमं प्रवर्तयन्मनः कदा सदाशिवं भजे ॥12॥\n\nकदा निलिंपनिर्झरी निकुजकोटरे वसन्‌\nविमुक्तदुर्मतिः सदा शिरःस्थमंजलिं वहन्‌ ।\nविमुक्तलोललोचनो ललामभाललग्नकः\nशिवेति मंत्रमुच्चरन्‌ कदा सुखी भवाम्यहम्‌ ॥13॥\n\nनिलिम्प नाथनागरी कदम्ब मौलमल्लिका-\nनिगुम्फनिर्भक्षरन्म धूष्णिकामनोहरः ।\nतनोतु नो मनोमुदं विनोदिनींमहनिशं\nपरिश्रय परं पदं तदंगजत्विषां चयः ॥14॥\n\nप्रचण्ड वाडवानल प्रभाशुभप्रचारणी\nमहाष्टसिद्धिकामिनी जनावहूत जल्पना ।\nविमुक्त वाम लोचनो विवाहकालिकध्वनिः\nशिवेति मन्त्रभूषगो जगज्जयाय जायताम्‌ ॥15॥\n\nइमं हि नित्यमेव मुक्तमुक्तमोत्तम स्तवं\nपठन्स्मरन्‌ ब्रुवन्नरो विशुद्धमेति संततम्‌ ।\nहरे गुरौ सुभक्तिमाशु याति नांयथा गतिं\nविमोहनं हि देहना तु शंकरस्य चिंतनम ॥16॥\n\nपूजाऽवसानसमये दशवक्रत्रगीतं\nयः शम्भूपूजनमिदं पठति प्रदोषे ।\nतस्य स्थिरां रथगजेंद्रतुरंगयुक्तां\nलक्ष्मी सदैव सुमुखीं प्रददाति शम्भुः ॥17॥\n\n॥ इति शिव तांडव स्तोत्रं संपूर्णम्‌ ॥",
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      "title": "Shiva Tandav Stotram Shanker Mahadev Song",
      "body": "https://youtu.be/CElkR7smOOc\n\n\"शिव ताण्डव स्तोत्र की महिमा\"\nहर किसी के मन में एक ख्याल हमेशा आता है कि; क्या कोई ऐसा मंत्र है जो आपको सारा वैभव और सिद्धियां दे सकता है। मंत्रों में बड़ी शक्ति होती है, एक मंत्र का सही जाप आपकी जिंदगी बदल सकता है। ऐसा ही एक स्तोत्र है शिवतांडव स्तोत्र, जिसके जरिए आप न केवल धन-संपत्ति पा सकते हैं बल्कि आपका व्यक्तित्व भी निखर जाएगा।\nशिव तांडव स्तोत्र रावण द्वारा रचा गया है, इसकी कठिन शब्दावली और अद्वितीय वाक्य रचना इसे अन्य मंत्रों से अलग बनाती है। आपके जीवन में किसी भी सिद्धि की महत्वाकांक्षा हो इस स्तोत्र के जाप से आपको आसानी से प्राप्त हो जाएगी।\nसबसे ज्यादा फायदा आपकी वाक सिद्धि को होगा, अगर अभी तक आप दोस्तों में या किसी ग्रुप में बोलते हुए अटकते हैं तो यह समस्या इस स्तोत्र के पाठ से दूर हो जाएगी। इसकी शब्द रचना के कारण व्यक्ति का उच्चरण साफ हो जाता है। दूसरा इस मंत्र से नृत्य, चित्रकला, लेखन, युद्धकला, समाधि, ध्यान आदि कार्यो में भी सिद्धि मिलती है। इस स्तोत्र का जो भी नित्य पाठ करता है उसके लिए सारे राजसी वैभव और अक्षय लक्ष्मी भी सुलभ होती है। \nशिव ताण्डव स्तोत्र (संस्कृत:शिवताण्डवस्तोत्रम्) महान विद्वान एवं परम शिवभक्त लंकाधिपति रावण द्वारा विरचित भगवान शिव का स्तोत्र है। मान्यता है कि; रावण ने कैलाश पर्वत ही उठा लिया था और जब पूरे पर्वत को ही लंका ले चलने को उद्यत हुआ तो; महादेव ने अपने अंगूठे से तनिक सा जो दबाया तो कैलाश फिर जहां था वहीं अवस्थित हो गया।\nशिव के अनन्य भक्त रावण का हाथ दब गया और वह आर्तनाद कर उठा;\n\"महादेव महादेव\" क्षमा कीजिये- क्षमा कीजिये, और स्तुति करने लग गया; जो कालांतर में शिव तांडव स्तोत्र कहलाया।\n\n\n\"काव्य शैली\"\nशिवताण्डव स्तोत्र स्तोत्रकाव्य में अत्यन्त लोकप्रिय है। यह पञ्चचामर छन्द में आबद्ध है। इसकी अनुप्रास और समास बहुल भाषा संगीतमय ध्वनि और प्रवाह के कारण शिवभक्तों में प्रचलित है। सुन्दर भाषा एवं काव्य-शैली के कारण यह स्तोत्रों विशेषकर शिवस्तोत्रों में विशिष्ट स्थान रखता है।",
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      "permlink": "the-hidden-truth-of-lord-shiva",
      "title": "The Hidden Truth Of : Lord Shiva",
      "body": "This blog is about Hindu god. who is known as the father of \"universe\".\n\nHistory Of Lord Shiva        \n\n![image.png](https://cdn.steemitimages.com/DQmRFvHRWFjqmxrY8RTYUxbHgN2QyzjACGiWwNDMGxMaaND/image.png)\n\n        \nShiva is known as the most powerful god. The whole universe is control by lord shiva according to the Hindu religious .He is the historical character who lives in Tibet around 10000 BCE at the end. Shiva is knows by many name which are given below in the details:\n\nVISWANATH ; lord of the universe\nMAHADEV: greatest god\nSHANKARA : destroys or defeats by his response to our prayers\nSHAMBU : source of bliss or happiness\nRUDRA : praised as the 'mightiest of the mighty'\nTRILOCHANA : three eyes knowns as lord shiva\nBHOLENATH : lord of innocence\n\nAccording to the re-search media of shiva PURAN  there was no birth as such of him because Hindus believe that lord shiva is self manifested. Hindu religious said that \"Kailash\" is the adobe of shiva which is located in Tibet Himalayan Mountains arise elevation of 6638 m (2177).\n\nWho are Lord shiva and Mata Parvati ?\n\n![image.png](https://cdn.steemitimages.com/DQmX3dMy8DjdXwwbdUMzVHmxgHE6kCTqfVisfERihxS46d6/image.png)\n\n\nTheir love story is something which will give you goosebumps on reading.\n\nLord shiva never had any family or close relations with anyone. He was a recluse no attachment no greed! shiva and shakti's union was written already!. No one could  have stopped them from getting together. Though sati knew his father king Daksh hated lord shiva. But she couldn't stop herself from getting attracted towards lord shiva.\n\nSati due to divine power about which she  was unaware used to get dreams of being the half part of lord shiva. Sati used to get scared because of these kinds of dreams but she denied these instances of her being lord shiva's better half.\n\nSuddenly, Mata sati fell in wholehearted love with lord shiva. she didn't even realizes the process. Mata sati confessed her feeling to lord shiva but lord shiva being god knew that her loves towards him will be unlucky for her life.\n\nMata sati never listened to him and always tried to convince him and explain to shiva what she felt for him!. At last, lord shiva also fall in love with Mata sati  and agreed on marrying her. After listening to this king Daksh Prajapati got angry and decided to marry sati to someone else.\n\nMata sati closed her eyes and imagined her love lord shiva!!!!\n\nThe var mala magically got away from her hand and was put into lord shiva's sculpture turned into the real lord shiva. Everybody was happy at same time! but Raja Daksh got furious and insulted lord shiva in front of whole crowd. Because of this, Mata sati got angry and the form of Mata Durga. As a true wife of lord shiva Mata sati announced to everyone that this insult to lord shiva happened because of her she will scarifies  herself by jumping into the fire.\n\nShe jump into the fire and died!!\n\nAfter Mata sati scarified herself for lord shiva he just got broken from inside and hold the dead body of Mata sati and started crying! After seeing pain of lord shiva lord brahma's decision to re-born Mata sati as Maa Parvati.\n\nLord shiva started living alone from everything he scarified the whole world just cried in grief and pain. The lord Vishnu decided to return nature to it's glory because the whole of nature is loss due to shiva and shakti.\n\nLord brahma re-born Mata sati as Mata Parvati .Lord shiva again came back to his original life after knowing that his love of life is born again.\n\nRe-born of Parvati Mata\n\nAfter all that shiva return to his happy life with Parvati and lord shiva again married  pravati  lord shiva awaited for Mata Parvati to grow up as woman and to marry her. Then he made Mata Parvati realizes\n\nher past past from as made Mata sati and her love towards shiva. After, Mata Parvati got to knows her past and who was lord shiva for her. She cried and to marry him as soon as possible .\n\nAfter that, they got a married on the auspicious day of \"MAHA SHIVARATRI\". Their marriage was a huge celebrations for all gods, devils, humans, animals in fact whole nature.\n\nLord Shiva and Mata Parvati had lord Kartikeya and Lord Ganesh as kids     \n\n![image.png](https://cdn.steemitimages.com/DQmQnxApFrdWXpjX1pFUh8wDbu19CZTAFFHDWq2JGDY5wuC/image.png)\n\n\nAfter they married each other Mata Parvati wants to have a kids. But at first, shiva didn't agree with this decision because he said Mata Parvati is already a mother of nature.\n\nBut Mata Parvati insisted Lord shiva to have a kids. So, lord shiva and Mata Parvati with their divine power created their first baby boy the name is \"KARTIKEYA\" that he will be a warrior to save the world.\n\nLater ,one day Mata Parvati was going to  take a bath and wanted someone to be presented at the doors and don't let anybody enter inside. So she made an idol with mud and put life into it. He went to the  guard  in the door.\n\nSuddenly, Lord shiva was coming towards Mata Parvati but the boy stopped him. After so much argument between shiva and that boy lord shiva got angry and cut  the boys head by using 'Trishul'.\n\nAfter, lord shiva cut the boys head Parvati came and saw it. She explained everything to shiva and cried. Then, he  realis own mistake. Finally lord shiva decided to put the elephant's head on his body and accept him as son. They kept their son name as lord \"GANESHA\" and gave him a blessing that whenever anybody will do any pooja. They must worship lord Ganesh first.",
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      "title": "हनुमान चालीसा Hanuman Chalisa Gulshan Kumar Hariharan 16D Audio",
      "body": "https://youtu.be/40V486m9r4M\n\nLyrics:\n\nश्रीगुरु चरन सरोज रज, निज मनु मुकुरु सुधारि\nबरनऊं रघुबर बिमल जसु, जो दायकु फल चारि\nबुद्धिहीन तनु जानिके, सुमिरौं पवन कुमार\nबल बुद्धि बिद्या देहु मोहिं, हरहु कलेस बिकार\nजय हनुमान ज्ञान गुन सागर\nजय कपीस तिहुं लोक उजागर\nरामदूत अतुलित बल धामा\nअंजनि-पुत्र पवनसुत नामा\nमहाबीर बिक्रम बजरंगी\nकुमति निवार सुमति के संगी\nकंचन बरन बिराज सुबेसा\nकानन कुण्डल कुंचित केसा\nहाथ बज्र औ ध्वजा बिराजै\nकांधे मूँज जनेउ साजे\nशंकर सुवन केसरीनंदन\nतेज प्रताप महा जग वंदन\nबिद्यावान गुनी अति चातुर\nराम काज करिबे को आतुर\nप्रभु चरित्र सुनिबे को रसिया\nराम लखन सीता मन बसिया\nसूक्ष्म रूप धरि सियहिं दिखावा\nबिकट रूप धरि लंक जरावा\nभीम रूप धरि असुर संहारे\nरामचंद्र के काज संवारे\nलाय सजीवन लखन जियाये\nश्री रघुबीर हरषि उर लाये\nरघुपति कीन्ही बहुत बड़ाई\nतुम मम प्रिय भरतहि सम भाई\nसहस बदन तुम्हरो जस गावैं\nअस कहि श्रीपति कण्ठ लगावैं\nसनकादिक ब्रह्मादि मुनीसा\nनारद सारद सहित अहीसा\nजम कुबेर दिगपाल जहाँ ते\nकबि कोबिद कहि सके कहाँ ते\nतुम उपकार सुग्रीवहिं कीन्हा\nराम मिलाय राज पद दीन्हा\nतुम्हरो मंत्र बिभीषन माना\nलंकेश्वर भए सब जग जाना\nजुग सहस्र जोजन पर भानु\nलील्यो ताहि मधुर फल जानू\nप्रभु मुद्रिका मेलि मुख माहीं\nजलधि लांघि गये अचरज नाहीं\nदुर्गम काज जगत के जेते\nसुगम अनुग्रह तुम्हरे तेते\nराम दुआरे तुम रखवारे\nहोत न आज्ञा बिनु पैसारे\nसब सुख लहै तुम्हारी सरना\nतुम रक्षक काहू को डर ना\nआपन तेज सम्हारो आपै\nतीनों लोक हांक तें कांपै\nभूत पिसाच निकट नहिं आवै\nमहाबीर जब नाम सुनावै\nनासै रोग हरे सब पीरा\nजपत निरंतर हनुमत बीरा\nसंकट तें हनुमान छुड़ावै\nमन क्रम बचन ध्यान जो लावै\nसब पर राम तपस्वी राजा\nतिन के काज सकल तुम साजा\nऔर मनोरथ जो कोई लावै\nसोई अमित जीवन फल पावै\nचारों जुग परताप तुम्हारा\nहै परसिद्ध जगत उजियारा\nसाधु-संत के तुम रखवारे\nअसुर निकंदन राम दुलारे\nअष्ट सिद्धि नौ निधि के दाता\nअस बर दीन जानकी माता\nराम रसायन तुम्हरे पासा\nसदा रहो रघुपति के दासा\nतुम्हरे भजन राम को पावै\nजनम-जनम के दुख बिसरावै\nअन्तकाल रघुबर पुर जाई\nजहाँ जन्म हरिभक्त कहाई\nऔर देवता चित्त न धरई\nहनुमत सेइ सर्ब सुख करई\nसंकट कटै मिटै सब पीरा\nजो सुमिरै हनुमत बलबीरा\nजय जय जय हनुमान गोसाईं\nकृपा करहु गुरुदेव की नाईं\nजो सत बार पाठ कर कोई\nछूटहि बंदि महा सुख होई\nजो यह पढ़ै हनुमान चालीसा\nहोए सिद्धि साखी गौरीसा\nतुलसीदास सदा हरि चेरा\nकीजै नाथ हृदय मंह डेरा\nकीजै नाथ हृदय मंह डेरा\nपवन तनय संकट हरन, मंगल मूरति रूप\nराम लखन सीता सहित, हृदय बसहु सुर भूप",
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      "body": "https://youtu.be/40V486m9r4M\n\nLyrics:\n\nश्रीगुरु चरन सरोज रज, निज मनु मुकुरु सुधारि\nबरनऊं रघुबर बिमल जसु, जो दायकु फल चारि\nबुद्धिहीन तनु जानिके, सुमिरौं पवन कुमार\nबल बुद्धि बिद्या देहु मोहिं, हरहु कलेस बिकार\nजय हनुमान ज्ञान गुन सागर\nजय कपीस तिहुं लोक उजागर\nरामदूत अतुलित बल धामा\nअंजनि-पुत्र पवनसुत नामा\nमहाबीर बिक्रम बजरंगी\nकुमति निवार सुमति के संगी\nकंचन बरन बिराज सुबेसा\nकानन कुण्डल कुंचित केसा\nहाथ बज्र औ ध्वजा बिराजै\nकांधे मूँज जनेउ साजे\nशंकर सुवन केसरीनंदन\nतेज प्रताप महा जग वंदन\nबिद्यावान गुनी अति चातुर\nराम काज करिबे को आतुर\nप्रभु चरित्र सुनिबे को रसिया\nराम लखन सीता मन बसिया\nसूक्ष्म रूप धरि सियहिं दिखावा\nबिकट रूप धरि लंक जरावा\nभीम रूप धरि असुर संहारे\nरामचंद्र के काज संवारे\nलाय सजीवन लखन जियाये\nश्री रघुबीर हरषि उर लाये\nरघुपति कीन्ही बहुत बड़ाई\nतुम मम प्रिय भरतहि सम भाई\nसहस बदन तुम्हरो जस गावैं\nअस कहि श्रीपति कण्ठ लगावैं\nसनकादिक ब्रह्मादि मुनीसा\nनारद सारद सहित अहीसा\nजम कुबेर दिगपाल जहाँ ते\nकबि कोबिद कहि सके कहाँ ते\nतुम उपकार सुग्रीवहिं कीन्हा\nराम मिलाय राज पद दीन्हा\nतुम्हरो मंत्र बिभीषन माना\nलंकेश्वर भए सब जग जाना\nजुग सहस्र जोजन पर भानु\nलील्यो ताहि मधुर फल जानू\nप्रभु मुद्रिका मेलि मुख माहीं\nजलधि लांघि गये अचरज नाहीं\nदुर्गम काज जगत के जेते\nसुगम अनुग्रह तुम्हरे तेते\nराम दुआरे तुम रखवारे\nहोत न आज्ञा बिनु पैसारे\nसब सुख लहै तुम्हारी सरना\nतुम रक्षक काहू को डर ना\nआपन तेज सम्हारो आपै\nतीनों लोक हांक तें कांपै\nभूत पिसाच निकट नहिं आवै\nमहाबीर जब नाम सुनावै\nनासै रोग हरे सब पीरा\nजपत निरंतर हनुमत बीरा\nसंकट तें हनुमान छुड़ावै\nमन क्रम बचन ध्यान जो लावै\nसब पर राम तपस्वी राजा\nतिन के काज सकल तुम साजा\nऔर मनोरथ जो कोई लावै\nसोई अमित जीवन फल पावै\nचारों जुग परताप तुम्हारा\nहै परसिद्ध जगत उजियारा\nसाधु-संत के तुम रखवारे\nअसुर निकंदन राम दुलारे\nअष्ट सिद्धि नौ निधि के दाता\nअस बर दीन जानकी माता\nराम रसायन तुम्हरे पासा\nसदा रहो रघुपति के दासा\nतुम्हरे भजन राम को पावै\nजनम-जनम के दुख बिसरावै\nअन्तकाल रघुबर पुर जाई\nजहाँ जन्म हरिभक्त कहाई\nऔर देवता चित्त न धरई\nहनुमत सेइ सर्ब सुख करई\nसंकट कटै मिटै सब पीरा\nजो सुमिरै हनुमत बलबीरा\nजय जय जय हनुमान गोसाईं\nकृपा करहु गुरुदेव की नाईं\nजो सत बार पाठ कर कोई\nछूटहि बंदि महा सुख होई\nजो यह पढ़ै हनुमान चालीसा\nहोए सिद्धि साखी गौरीसा\nतुलसीदास सदा हरि चेरा\nकीजै नाथ हृदय मंह डेरा\nकीजै नाथ हृदय मंह डेरा\nपवन तनय संकट हरन, मंगल मूरति रूप\nराम लखन सीता सहित, हृदय बसहु सुर भूप",
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      "body": "INT. পরিত্যক্ত গোদাম - রাত\n\nঝরঝরে পানির শব্দ স্বচ্ছন্দে প্রশ্রুতি করে। এমিলি, একজন কিশোরী, ভয় এবং সতর্ক মুখে ছাড়ে গোদামে ঢিলে ঢিলে প্রবেশ করে। ছোটবেলা হালকা ফ্ল্যাশলাইট ধরে উঠলেও তাঁর মনস্থিরতা দেখায়।\n\nএমিলি\n(নিজের সঙ্গে আড্ডা দেয়)\nশুধু মাত্র একটি সন্ধান আর তারপর আমি সত্যই সত্যিই সত্যি পেতাম।\n\nএমিলি গোদামের ভেতরে ভ্রমণ করে, কিছু নির্দিষ্ট জিনিস খুঁজে বের করার চেষ্টা করে। হালকা ধুলোর মাঝে একটি আবদ্ধ আইন বিরত কাঞ্চন মুখবিশেষ চোখে পড়ে। প্রতিবিম্বটি তাঁর আকর্ষণ আকর্ষণ করে। তাঁর হস্ত ধরে পশারি করে তাকিয়ে দেয়।\n\nINT. অন্ধকার কক্ষ - রাত\n\nএমিলির হাত অন্য একটি আযাতকর প্রতিফলন থেকে বের হয়। তিনি নিজেকে একটি অদ্ভুত কক্ষে পেয\n\n়েছেন যা একটি একক চেয়ার দ্বারা ক্ষণস্থায়ী প্রদীপ্ত লাইটবাল্ব দ্বারা অলঙ্কৃত হয়েছে।\n\nএমিলি\n(হতাশায়)\nআমি কোথায়?\n\nকক্ষের দেওয়ালে ছবি, সংবাদপত্রের ক্লিপিং এবং লাল দড়ি দিয়ে যুক্ত বিভিন্ন তথ্যের সম্ভার আছে।\n\nএমিলি ছবিগুলি পরীক্ষা করে, সেই ছবিগুলি তার সন্দেহ জাগ্রত করে—যেমনটি হয়তো তাঁর সংস্পর্শে ছাপিয়ে নেওয়া হয়নি। ক্লিপিং গুলি অবার্থ সাঁচালে সামনে প্রকাশ করে—এমিলির উপর চোখদেখি পরক্ষেপের একটি মজার সত্যের উপস্থিতি।\n\nএমিলি\n(নিজের সঙ্গে আড্ডা দেয়)\nতাঁরা আমাকে সব সময় দেখছে।\n\nকক্ষের বাইরে পদক্ষেপ নিয়ে আসে, যার শব্দ দেওয়া হচ্ছে দৃঢ় করে বাড়ছে। এমিলি হয়তো মগ্ন হয়ে থাকেন বা তাঁর অনুসরণকারী লোকদের ছবিগুলির কিছুট\n\nা অপেক্ষা করছেন।\n\nFIGURE\n(উদাসীনভাবে)\nতুমি কোনো সময়ে খুঁজে আলোচনা শুরু করতে পারনি, এমিলি।\n\nএমিলি\n(সাহসিকভাবে)\nতুমি কে? তোমরা আমার কাছে কী চান?\n\nFIGURE\n(হাসি দিয়ে)\nতুমি আমাদের নিখোঁজ করতে চাইনি। আমরা তোমাকে আমাদের বিপর্যয় প্রদর্শন করতে দিতে পারব না।\n\nএমিলির বেচেনা চিঠি করে বেড়ায়, একটি ক্ষতিগ্রস্ত আবদ্ধ দিশায় দাড়ি দিয়ে কক্ষ থেকে বের হয়।\n\nINT. পরিচ্ছিন্ন গলিতে - রাত\n\nএমিলি একটি স্ক্যান্ডাল ছিটানোর জন্য আরও একটি আয়তকর প্রতিফলন থেকে বের হয়। তিনি একটি ছোট, প্রশস্ত গলিতে প্রবেশ করেন, যেখানে আরও আয়াতকর দেখা যাচ্ছে। প্রতিফলনগুলি আদর্শ মানুষের অনুসরণ করছে যারা তাকে অনুসরণ করছেন। তিনি প্রচুর পড়ে এমন পথগুলির মধ্যে চলতে যায়, তারা ত\n\nাঁকে অনুসরণ করছে।\n\nহঠাৎ, একটি মুখের পর্দা আলাদা করে তাকে আড়াল করে, এমিলির পথে এসে বাধা দিয়ে। তিনি ধ্বংস হয়ে গেলেন, প্রশান্তির পথ খুঁজছেন।\n\nএমিলি\n(সাহসিকভাবে)\nআমি তোমাকে মৌমাছি করব না!\n\nএমিলির সঙ্গে একটি সংঘর্ষ ঘটে, যেখানে তিনি প্রতিফলনের একটি টুকরো ধরে নেওয়ার জন্য প্রয়াস করেন। তিনি কিছু আঘাত করে দেয়, তাঁকে ভাগ করতে দেয়, তিনি কিছুটা সময়ের জন্য আপনি অনুমতি দেয়।\n\nINT. পরিত্যক্ত গোদাম - রাত\n\nএমিলি একটি লুকানো সাপক্ষেপ থেকে বের হয়, শ্বাসকষ্ট করে মুখের মধ্যে প্রবেশ করেন। তিনি রাতের কাল্পনিক অন্ধকারে ধাবিয়ে যায়, এবং অন্ধকারে লেপিয়ে যায়।\n\nফেড আউট।",
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      "memo": "Hi, anjanlc! If you like contests, then I invite you to take part in a series of contests \"Workplace\" from SelfDevelopment Club. Total prize fund: 375 STEEM. Details in the SelfDevelopment Club community. Have a good day, anjanlc! Good luck! 20230523"
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      "title": "What is REST API?",
      "body": "REST (Representational State Transfer) is an architectural style for designing networked applications. REST API (Application Programming Interface) is an implementation of this architectural style that allows systems to communicate with each other over the internet.\n\nIn a REST API, resources (such as data or services) are identified by unique URLs, often referred to as endpoints. These endpoints represent different operations that can be performed on the resources. The most common HTTP methods used in REST APIs are:\n\n- GET: Retrieves the representation of a resource.\n- POST: Creates a new resource.\n- PUT: Updates an existing resource.\n- DELETE: Deletes a resource.\n\nREST APIs use the HTTP protocol as a means of communication, leveraging its methods and status codes to indicate the requested operation and the outcome of the request.\n\nOne of the key principles of REST is statelessness, which means that the server does not maintain any client-specific information between requests. Each request from the client must contain all the necessary information for the server to process it.\n\nREST APIs typically use standard data formats for representing and exchanging data, such as JSON (JavaScript Object Notation) or XML (eXtensible Markup Language).\n\nDevelopers can interact with REST APIs by making HTTP requests to the appropriate endpoints using libraries or frameworks in their preferred programming language. The API responds with the requested data or performs the specified action on the resource, and the client processes the response accordingly.\n\nREST APIs are widely used for building web services and enabling communication between different systems and platforms. They provide a flexible and scalable approach to designing and integrating applications in a distributed environment.\n![What-is-REST-API.jpg](https://cdn.steemitimages.com/DQmdDP8eeMHpkXTN6ca8gLCXkHJdvusFxfpmRJNKwhAoMDM/What-is-REST-API.jpg)",
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