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      "parent_permlink": "blurt-192372",
      "author": "lfu-radio",
      "permlink": "esp-eng-showvinismo-personalismo-falta-de-visi-n-vzla-rock-scene-opini-n-1778793299743",
      "title": "[ESP-ENG] Showvinismo, personalismo, falta de visión... Vzla Rock Scene (Opinión)",
      "body": "![Cris de la.png](https://img.blurt.blog/blurtimage/lfu-radio/fd9f15d91f5a8fd26f7836e6e2612b8a3214eff9.png)\n-Image make by Canva-\n\n**Showvinismo, personalismo, falta de visión...**\n> **Showmanship, personalism, lack of vision....**\n\nLo que voy a opinar me parece un bodrio pero alguien tiene que decirlo... y no mal interpreten mi título como clickbait, pero por algo me movilizo por cuenta propia con mis proyectos y nadie me va a poner un bozal por nada y esto sucede muy frecuente a razón por que desde nuestro tejido social seguimos siendo una sociedad de cultura extractivista y rentista donde carecemos de iniciativa para construir nuestra propia infraestructura ya sea en físico o digital, por ejemplo para crear, construir nuestras propias webs, apps (fuera de las apps como Yummy, Cashea, Ridery que abordan otros nichos, unas de transporte y otras de pagos de productos por cuotas pero son casos vamos a decirlo así \"excepcionales\" ya que no resulta siendo iniciativa creada por la mayoría de las y los venezolanos), software, etc... Donde trata de seguir reinando el personalismo y no la capacidad intelectual, debido a que otros simple y llanamente lo hacen por que otro lo hizo y ya solo por moda o inercia.. como que sí en este país hay que ser muy tonto o muy tonto útil para progresar, mientras que aquellas personas que son netamente inteligentes, intuitivo, capaz, ni te toman en cuenta por que esa cualidad en otros les arrechan (Y me sabe a casabe tu posición, estatus o lo que sea mientras que yo con mi opinión depende de la calidad yo puedo recaudar de 0.15 centavos de dólar a 0.40 centavos de dólar que me sirve como ingreso pasivo producto de mi capacidad de escribir y desarrollo de mi creatividad y en la actualidad me proporciona capacidad para el desarrollo de mis estrategias de diversificar estos ingresos y potenciar mi cuenta para que a largo plazo yo pueda convertirme en una cuenta con capacidad de generarte progresivamente mejores recompensas monetarias con mi upvote a otros usuarios) y mi marca, la fuerza de la unión radio, forma parte de uno de mis emprendimientos digitales como creador digital en blockchain gracias a la conciencia que desarrollé a modo de optarlas como una alternativa de desarrollar y monetizar mi contenido a consecuencias de las sanciones económicas que dificultan la monetización en plataformas tradicionales como youtube, facebook, instagram etc, aunque para otros, esto no lo vean como un emprendimiento ya sea por no ser algo netamente físico y/o simplemente vernos como unos piratas en alta mar.  \n\n> What I'm about to say seems like a load of rubbish to me, but someone has to say it... and don't misinterpret my title as clickbait, but I'm doing my own thing with my projects for a reason, and nobody's going to muzzle me for anything. This happens very frequently because, deep down, our social fabric remains that of an extractive and rent-seeking society where we lack the initiative to build our own infrastructure, whether physical or digital. For example, to create and build our own websites, apps (aside from apps like Yummy, Cashea, and Ridery, which address other niches—some for transportation and others for installment payments—but these are, let's say, \"exceptional\" cases, since they aren't initiatives created by the majority of Venezuelans), software, etc. Personal ambition continues to reign supreme, not intellectual capacity, because others simply do things because someone else did them, just out of fashion or inertia. It's as if in this country you have to be either incredibly stupid or a useful idiot to get ahead, while those people... who are purely intelligent, intuitive, capable, they don't even take you into account because that quality in others infuriates them (And I couldn't care less about your position, status or whatever, while I, with my opinion, depending on the quality, can collect from 0.15 cents to 0.40 cents of a dollar, which serves as passive income from my writing ability and the development of my creativity, and currently provides me with the capacity to develop strategies to diversify these incomes and boost my account so that in the long term I can become an account capable of progressively generating better monetary rewards with my upvotes for other users) and my brand, the strength of union radio, is part of one of my digital ventures as a digital creator on blockchain thanks to the awareness I developed to opt for them as an alternative to develop and monetize my content as a consequence of the economic sanctions that hinder monetization on traditional platforms like YouTube, Facebook, Instagram, etc., although for others, this is not seen as a venture either because it is not something purely physical and/or simply seeing ourselves as pirates on the high seas.\n\n![geralt-man-10001723.jpg](https://img.blurt.blog/blurtimage/lfu-radio/dd85e8f2f475cac31957d004b80cf0e04b36fe50.jpg)\n[Source](https://pixabay.com/es/illustrations/hombre-empresario-%c3%a9xito-ocurrencia-10001723/)\n\n**Vamos a proporcionar un poco de contexto para ver de que va la idea. Vamos pa esa, ¿No?**\n\n> Let's provide some context to see what this idea is about. Let's get to that, shall we?\n\nEstoy pagando 10$ por un taller para formarme como mánager que se está desarrollando dentro del local de un amigo mío y decidí asumir el riesgo de pagar el curso, ver que aprendizaje me llevo, obtener material de apoyo, recibir mi certificado como parte de mi currículum en una área que me llamó poderosamente la atención, en primera instancia, por que yo quería proporcionar un mejor servicio a mi maestro José Gamboa dentro de su banda a fin de asumir formalmente responsabilidad como su mánager y además, sí o sí me tocaba galopar en dicha formación para estar a la altura de la formación, especialización de sus músicos, es decir, músicos que tienen trayectoria en la orquesta sinfónica, orquesta marcial, afrocaribeño que comparten el gusto por el rock y quienes se sumaron agrupar la formación bajo la tutela de un gran maestro de la música quien, recientemente comenzó su recorrido hacia Saturno; además que me gustan los retos, un círculo donde te motivan a crecer como persona pese a la voracidad de una minoría que intenta sobrevivir a cuesta arriba sin permitir el surgimiento de nuevas formas y donde los pequeños monopolios son los que manejan el financiamiento dentro del sector privado para las producción de conciertos (tienen dinero, mas habría que corroborar que tan sostenible sería sí nace y se expande una verdadera competencia de marcas para ver quienes sobrevivirían y haría mejor las cosas, pese a la lealtad del consumidor a las franquicias tradicionales que aún mantiene por décadas concebidas como **\"la única opción\"**\n\n> I'm paying $10 for a workshop to train me as a manager, which is being held at a friend's place. I decided to take the risk of paying for the course, see what I learn, get support material, and receive my certificate as part of my resume in an area that strongly caught my attention. First, because I wanted to provide better service to my teacher, José Gamboa, within his band in order to formally assume responsibility as his manager. Also, I absolutely had to get up to speed with the group to keep up with the training and specialization of its musicians—that is, musicians with experience in symphony orchestras, marching bands, and Afro-Caribbean music who share a taste for rock and who joined together to form the group under the tutelage of a great music teacher who recently began his journey to Saturn. Besides, I like challenges, a circle where you're motivated to grow as a person despite the voraciousness of a minority trying to survive uphill without allowing the emergence of new approaches, and where small monopolies control financing within the private sector for concert production (they have money, but it would be necessary to verify how sustainable it would be if a real competition between brands were born and expanded to see who would survive and do things better, despite consumer loyalty to traditional franchises that have been considered for decades as **\"the only option\"**\n\n![dus.jpg](https://img.blurt.blog/blurtimage/lfu-radio/de88b57e8d4f0cf4b3c1aead18e4eb16e1676ed3.jpg)\n[Source](https://pixabay.com/es/photos/m%c3%basica-banda-ni%c3%b1o-silla-de-ruedas-5361245/)\n\nBien, hay puntos que me llamó la atención, pese a pocas explicaciones puntuales que obtuve de algún ponentes y no aclararon dudas. \n\n> Well, there are points that caught my attention, despite the few specific explanations I received from some speakers, which did not clarify any doubts.\n\n(¡Ja! Siempre me pasa) \n\n> (Ha! It always happens to me)\n\nTambién me pareció poco profesional la actitud de un productor de conciertos a tergiversar las palabras de un creador de contenido por que no le gustó su crítica, dando la impresión que tras un año después de ello no ha sabido superarla, lo cual me parece poco ético y me parece hipersensible donde yo no podría ni decirle algo en buen plan, lo cual me parece puntos negativos como imagen y marca personal. Recordemos que los productos, servicios que ofreces la gente siempre te va a recordar más por tu actitud, por trato, tu pulcritud y también por tus tropiezos que ahí a veces puede darte un plus adicional por que eso te puede generar mas conexión y mayor cercanía con el público mediante tu vulnerabilidad, tu humanidad, pero ya eso es otro tema y son aspectos que hay que aprender a cuidar por que si no, harás las cosas solo para ti y no dejarás q otros avancen y más rápido te quiebran.\n. \n> I also found it unprofessional how a concert producer twisted a content creator's words simply because he didn't like their criticism, giving the impression that even a year later, he still hasn't gotten over it. I find this unethical and overly sensitive; I wouldn't even be able to say anything to him in a friendly way. This reflects poorly on his image and personal brand. Remember that people will always remember you more for your attitude, your treatment of others, your professionalism, and even your mistakes. Sometimes, your mistakes can give you an extra edge because they can create a stronger connection and closer relationship with the audience through your vulnerability and humanity. But that's a different topic altogether, and these are aspects you have to learn to manage. Otherwise, you'll only do things for yourself and won't let others advance, ultimately breaking you down faster.\n\nUn abogado en temas legales dentro de la industria musical.... ok comenta sobre fallos que se producen por falta de una ley que proteja el derecho de los músicos, de acuerdo, pero cuando le pregunté sobre una de las leyes en defensa al artista nacional (el cual no recuerda que ley aprobaron y sí, tácitamente no me acordaba el nombre de la ley que fue aprobada entre el año 2012, 2013) y conversamos de una ley mas antigua, creo que la ley del cultor, pero le resulta difícil partir por una explicación lógica por lo inconsistente, caótica y sin sentido que le parece dicha, partiendo desde el la definición de un trabajador cultural...\n\n> A lawyer specializing in legal matters within the music industry... okay, he comments on failures that occur due to the lack of a law protecting musicians' rights, fine, but when I asked him about one of the laws defending national artists (he doesn't remember which law was passed, and yes, I tacitly didn't recall the name of the law that was passed between 2012 and 2013) and we discussed an older law, I think the law for cultural workers, he finds it difficult to begin with a logical explanation because of how inconsistent, chaotic, and nonsensical it seems to him, starting with the definition of a cultural worker...\n\nEs que siquiera se motivo a navegar aguas profundas para explicar un poco su jurisprudencia, y entiendo que en términos jurídicos las leyes no son sujeto de interpretación siendo un sujeto de acatarla...\n\n> It's not even worth venturing into deeper waters to explain his jurisprudence, and I understand that in legal terms, laws are not subject to interpretation, but rather a subject of obedience...\n\nTampoco se motivo a mencionar posible leyes que mientras tanto sirviese como un paliativo para cubrir esos huecos hasta que se lograra conformar una le de la música o algo así. \n\n> Nor was there any motivation to mention possible laws that, in the meantime, could serve as a palliative to fill those gaps until a music law or something like that could be formed.\n\nY por último me llamó la atención el tema de las contrataciones, marcas, emprendimientos dentro de un concierto.\n\n> And lastly, the topic of contracts, brands, and ventures within a concert caught my attention.\n\nEstuvo muy sencilla y amena la explicación, ya que son casos que no requiere un lenguaje muy técnico o pedagógico, más si es necesario manejar una buena habilidad social y comunicacional para lograr sumar gente y presentar propuestas de negocios para atraer marcas, empresas para obtener financiamiento de sus franquicias.\n\n> The explanation was very simple and enjoyable, as these are cases that don't require highly technical or pedagogical language, but they do require good social and communication skills to attract people and present business proposals to attract brands and companies seeking financing for their franchises.\n\nAdemás, escuchando ejemplos de caso de uso, me doy cuenta de una serie de factores.\n\n> Furthermore, by listening to use case examples, I become aware of a number of factors.\n\nAún preexisten los monopolios como las empresas Polar, Movistar (Quienes suelen soltar financiamiento para shows dentro del sector privado) retomando consciencia que aquí, aún falta mucho por construir y más sobre aspectos relacionado a shows, entretenimiento donde deben surgir más marcas, empresas para qué marcas como Polar Movistar, no sean las únicas marcas con capacidad de financiar este tipo de nichos y comience a existir la competencia y dentro de esas competencias existan mayor oportunidad del surgimiento de marcas donde las productoras tengan mayor accesibilidad para producir sus conciertos.\n\n> Monopolies like Polar and Movistar still exist (who often provide funding for shows within the private sector), raising awareness that there is still much to be built, especially regarding shows and entertainment. More brands and companies need to emerge so that companies like Polar and Movistar are not the only ones capable of financing these niches. Competition needs to begin, and within that competition, there will be greater opportunities for the emergence of new brands, giving production companies greater access to producing their concerts.\n\nSupongamos un ejemplo hipotético:\n\n> Let's consider a hypothetical example:\n\nCheo Pedro produce un concierto y tiene el apoyo de las marcas de Polar y Pepsi y sueltan dinero para pagar publicidad, convocatoria, logística, demás. mientras que Fulano Sánchez logra no solo el apoyo de la Glup, Solera y además, obtiene el financiamiento desde la distancia de Luisito Comunica mediante su producto pillofon ya que al pimpollo de Luisito le dio por promocionar su marca en Venezuela y expandir su marca y opere aquí por que: \n\n> Cheo Pedro produces a concert and has the support of Polar and Pepsi brands, who provide funding for advertising, promotion, logistics, and other expenses. Meanwhile, Fulano Sánchez not only secures support from Glup and Solera, but also obtains financing remotely from Luisito Comunica through his Pillofon product. Luisito, the young Luisito, decided to promote his brand in Venezuela and expand its operations there because:\n\nOye, chingón carnal, se que va a ver mas turismo y usarán mis servicios para que te puedas contactar desde cualquier telefonía.\n\n> Hey, awesome bro, I know there's going to be more tourism and they'll use my services so you can contact me from any phone.\n\nY además, dejar de politizar y generalizar de que cada nuevo emprendimiento o surgimiento de nuevas marcas es de orinen de enchufados o proveniente de fondos ilícitos o blanqueo de dinero sí no tienen bases para corroborar y refutarla.\n\n> And also, stop politicizing and generalizing that every new venture or emergence of new brands is the product of cronies or comes from illicit funds or money laundering if there are no bases to corroborate and refute it.\n\nEs una lástima que dentro de estos módulos, dentro de las contrataciones para los eventos como parte de los aspectos que los managers tienen que contemplar, no se habló un poco a profundidad sobre los partners, partnership nacionales, internacionales ni del manejo de los influencers para su contratación para garantizar que la producción del concierto sea un exitazo.\n\n> It's a shame that within these modules, within the contracting for events as part of the aspects that managers have to consider, there wasn't much in-depth discussion about national and international partners and partnerships, nor about managing influencers for their hiring to ensure that the concert production is a huge success.\n\nAdemás, dentro de un contexto donde el rock es cada vez más difícil realizar una convocatoria que atraiga gente que al menos llene la mitad del espacio, sus estructura y experiencias datan muy del año 2005, 2010 y los fenómenos mediáticos cambiaron drásticamente y ante una generación actual cuya distracción ya no es salir a las 12 de la media noche a emborracharse como lo hacíamos nosotros en nuestra juventud  ¿Qué campaña proporcionas en la actualidad, que beneficios y experiencias les brindas al espectador?\n\n> Furthermore, within a context where it's increasingly difficult to draw a crowd that at least fills half the venue, and given that the structure and experience of rock music are largely from 2005 and 2010, and media phenomena have changed drastically, and considering a current generation whose entertainment is no longer going out at midnight to get drunk like we did in our youth, what kind of campaign do you currently offer, and what benefits and experiences do you provide to the audience?\n\nLa inventiva, saber interpretar los tiempos de hoy y entender no solamente el mercado si no la necesidad del publico en la actualidad, es vital para que las producciones de conciertos sigan teniendo éxito y notoriedad. \n\n> Inventiveness, knowing how to interpret today's times, and understanding not only the market but also the needs of the public today are vital for concert productions to continue to be successful and well-known.\n\nY sí. La Fuerza de la Unión Radio (lfu-radio) es una marca, es un emprendimiento. \n\n> And yes. La Fuerza de la Unión Radio (lfu-radio) is a brand, it's a business venture.\n\nMarca por que forma parte de mi identidad como una trinchera mediática.\n\n> It's a brand because it's part of my identity, like a media stronghold.\n\nY emprendimiento por que realizo difusión, divulgo, realizo artículos, vídeo, locución, me desenvuelvo en blockchain monetizando lo que digo, lo que hago y etc.\n\n> And entrepreneurship because I do outreach, I disseminate information, I create articles, videos, voiceovers, I work in blockchain monetizing what I say, what I do, and so on.\n\nY cierro dejando este vídeo de una de mis bandas favoritas de Argentina Tren Loco, Vuelvo al Barrio, no se sí ya lo publiqué en otro post, pero lo vuelvo hacer rescatando el fragmento de:\n\n> And I'll close by leaving you with this video from one of my favorite Argentinian bands, Tren Loco, \"Vuelvo al Barrio\" (I'm Coming Back to the Neighborhood). I don't know if I've already posted it in another post, but I'm doing it again, highlighting this excerpt:\n\n**_\"Yo quiero agradecer a los amigos qué nos brinda su humildad y respeto.\nDesde un fanzine, o radio metal.\nsin un mango en su bolsillo, ellos cargas sus vinilos\"_**.\n> \"I want to thank the friends who show us their humility and respect. From a fanzine, or metal radio.\nWithout a penny in their pocket, they carry their vinyl records.\"\n\nhttps://www.youtube.com/watch?v=388ZFlcboz4\n[source](https://www.youtube.com/watch?v=388ZFlcboz4)\n\n-Translate by Google translator web-",
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      "author": "lfu-radio",
      "permlink": "esp-eng-la-fuerza-de-la-uni-n-es-prensa-digital-autogesti-n-1777175271342",
      "title": "[ESP-ENG] La Fuerza de la Unión es prensa digital autogestión.",
      "body": "![autogestion.png](https://img.blurt.blog/blurtimage/lfu-radio/c79779ad9cefdffbea03183b0a5c49c505c52cbc.png)\n-Image make by Canva-\n\n<h2> Nunca he recibido financiamiento económico ni de la institución pública, privada, ong´s demócratas pro-gringas ni el PSUV </h2>\n\n> <h2>I have never received financial funding from any public or private institution, pro-American democratic NGOs, or the PSUV</h2>\n\nTal vez algunos creen que a mí el chavizmo o el PSUV me patrocina económicamente mis medios digitales, mis proyectos, mis artículos, pero lejos de esa realidad, mis proyectos son de autogestión, lo qué devengo de sueldo y bonos es como empleado público dentro de una institución con una de las nóminas masiva y muy marginadas del país en comparación a otros ministerios, ese es mi principal sustento y en situación de reposo por fallos administrativos de las instituciones que no me han permitido escalar a una revisión por el Seguro Social a fin de determinar sí yo amerito ser incapacitado por mis problemas de salud. \n\n> Perhaps some believe that Chavismo or the PSUV financially sponsor my digital media, my projects, my articles, but far from that reality, my projects are self-managed. What I earn in salary and bonuses is as a public employee within an institution with one of the largest and most marginalized payrolls in the country compared to other ministries. That is my main source of income, and I am currently on leave due to administrative failures of the institutions that have not allowed me to escalate to a review by Social Security to determine if I deserve to be incapacitated due to my health problems.\n\nTampoco tengo contacto ni con el sector privado cuyo apoyo que proporcionan mayormente es lo mainstream pese que varias veces confunden el nombre de mi medio con Unión Radio. \n\n> I also have no contact with the private sector, whose support is mostly mainstream, even though they often confuse the name of my media outlet with Unión Radio.\n\n(Unión Radio debería contratarme por la emoción que produzco creyendo que esta emisora decidió apoyar los conciertos de rock en el País, créanme, haríamos buen rebranding...).\n\n> (Unión Radio should hire me because of the excitement I generate, believing that this station decided to support rock concerts in the country. Believe me, we'd do a great rebranding job...).\n\nSalvo una excepción, a los medios especializados en rock y metal que se movilizan de forma independiente, las productoras no te pagan ni por publicidad, ni por atraer gente, ni por \"referidos\" ni tampoco te brindan apoyo en logística, hospedaje para cubrir sus eventos dentro de la difusión cultural como forma de emprendimiento.\n\n> With one exception, for specialized rock and metal media outlets that operate independently, production companies don't pay you for advertising, attracting people, or \"referrals,\" nor do they provide logistical support or accommodation to cover their events within the framework of cultural dissemination as a form of entrepreneurship.\n\nTengo un Patreon donde ofreceré material exclusivo, ofrecer servicios, la tengo creado pero aún estoy aprendiendo como manejarla. \n\n> I have a Patreon where I will offer exclusive material and services; I have created it but I am still learning how to manage it.\n\nAdemás, esta faceta que aspiro seguir desarrollando me ha servido para conseguir algo de alivio y mayor fuerza mental para no desquiciarme y disfrutando lo que me gusta hacer. \n\n> Furthermore, this aspect that I aspire to continue developing has helped me to achieve some relief and greater mental strength to avoid going crazy and to enjoy what I like to do.\n\n\n![stocksnap-music-2585968.jpg](https://img.blurt.blog/blurtimage/lfu-radio/119a2b3fe7408235ab48dc45fef0e462b45baf08.jpg)\n[Source](https://pixabay.com/es/photos/m%c3%basica-revista-periodismo-libro-2585968/)\n\nEs gracias a la autogestión y de quienes valoran mi contenido dentro de esta blockchain logro desarrollar algo adicional aunque sea para poder movilizarme con pasaje, de forma lenta intento dedicarle mayor tiempo a estos espacios, lento, pero seguro y mejor así ya que no dependes de una editorial de alguna estación que quiera censurarte.\n\n> Thanks to self-management and those who value my content within this blockchain, I manage to develop something additional, even if it's just to be able to get around with a fare. Slowly, I try to dedicate more time to these spaces, slowly but surely, and it's better this way since you don't depend on a publisher or some station that wants to censor you.\n\nY vaya como he tenido dificultades, obstáculos que atravesar y lágrimas que derramar por la partida de amigos y familiares queridos.\n\n> And boy, have I had difficulties, obstacles to overcome, and tears to shed over the departure of dear friends and family.\n\nTambién me motiva las alianzas que poco a poco he intentado cosechar, trazar, con personas que valoran mi labor, capacidad creativa e intelectual con quienes de forma conjunta aspiro aprender, crecer, desenvolverme n_n lo cual me produce mucha emoción. \n\n> I am also motivated by the alliances that I have gradually tried to cultivate and forge with people who value my work, creative and intellectual capacity, with whom I aspire to learn, grow, and develop together, which excites me greatly.\n\nEs esto y mucho más que me motiva seguir adelante  y seguir avanzando en métodos para que este proyecto siga adelante, independientemente de lo que sea, quiero seguir en esta andanzas maniobrando, desarrollando, creando en esta integración que sirva como base para integrar nuevos actores dentro del rock en Venezuela.\n\n> This and much more motivates me to keep going and continue advancing in methods so that this project can move forward, regardless of what it is. I want to continue on this journey, maneuvering, developing, creating in this integration that serves as a basis to integrate new actors within rock in Venezuela.\n\nY que además esta no sea ni razones ni motivos para instrumentalizar a las personas a beneficio propio pecando de deshumanización dentro del proceso.\n\n> And that this should not be a reason or motive to instrumentalize people for one's own benefit, thus sinning towards dehumanization within the process.\n\n-Translate by Google Translator-",
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