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      "body": "Soulful Seamstress discerning artful Eyeclopedia\n\nVisceral objectives for the advanced designer/  How to see creatively!\nAn study of your visceral objectives will always ask your soul for more, or what’s next.  One perception inquiry will spurn the next idea. We can scour through our favorite magazine and Be excited by the images of incredible gotta have pieces,  and still do not see our own truth is the story being portrayed in the images. So we must become co-creators with source to develop our own visceral instincts.\n\nWe  Cosmic Beings are notably different, wonderfully special and genuinely unique to our personalities, heritage, cultures, and ideals.\nWe must find our rhythm, listen to our internal music which vibrates constantly if we can tune within. \nFinding your own voice can enhance your life in every aspect. It may encourage supreme satisfaction in your abilities, build your confidence and definately help you to see life more creatively and S.T.I.T.C.H more conversations.\n─S.t.i.t.c.h  Stitch truth and inspiration through courage and harmony!\nAngela Dear\nSoulful Seamstress\nOak Park, IL 60302\nEmail:  [email protected]\nOverview\nMost Designers have a creed to which they apply their personal organizational guidelines to completing the wonderful designs we see on the runways, magazine and without exception our street “chic” personalities.  Fashion Bloggers have created empires based on concepts and fashions from many relevant designers.  I am screaming “ I am an Individual” to all sharing this vibrational tone.  Finding your Voice requires a soul connection to who you are and your supreme objective. \nI believe that is what our purpose truly is.  \nEncouraging your voice to sing will require the courage to dig into your core and take risk and come from source to be heard and to be inspirational. \nFinding that voice first of all is internal, but will require some developing tools.\nThe “Eye” can be cultivated be adopting  these objectives when creating. You will find yourself instinctively examining every aspect of your life through a soulful lens because it will on more personal levels, making sharper connections with self and creativity.\n\nHow to use the information in the book\nAbsorb this book and it’s valuable information \nSee the concepts in all aspects of your life, and try to apply any aspects  to your design objectives and/or your everyday activities\nKeep setting new goals daily\nSpecifications\nAll the definition here are merely ideals, you must as a God’s light being develop you own aesthetics. Your truth is more important than adding more rules to your objectives.\nYour challenge is to be Uniquely You, and to  acquire a more defined transformational style. Connection to source will guide you along the way to greater confidence and your” Soul Shall find her voice.\nSoulful Seamstress discerning artful Eyeclopedia\n\n\nAsymmetry \\ ey-sim-i-tree\\ n\n\tNot symmetrical,  without balance, \n\nBiasbi·as\n[ bahy- uhs]\nNOUN\n1.\na particular tendency, trend, inclination, feeling, or opinion, especially one that is preconceived or unreasoned:illegal bias against older job applicants; the magazine’s bias toward art rather than photography; our strong bias in favor of the idea.\n2.\nunreasonably hostile feelings or opinions about a social group; prejudice: accusations of racial bias.\n3.\nan oblique or diagonal line of direction, especially across a woven fabric.\n4.\nStatistics. a systematic as opposed to a random distortion of a statistic as a result of sampling procedure.\n5.\nElectronics. the application of a steady voltage or current to an active device, as a diode or transistor, to produce a desired mode of operation.\n\n\n\nBlock\nblock\n[blok]\nNOUN\n1.\na solid mass of wood, stone, etc., usually with one or more flat or approximately flat faces.\n2.\na hollow masonry building unit of cement, terra cotta, etc.: a wall made of concrete blocks.\n3.\none of a set of cube-shaped pieces of wood, plastic, or the like, used as a child's toy in building.\n4.\na mold or piece on which something is shaped or kept in shape: a hat block.\n5.\na piece of wood used in the art of making woodcuts or wood engravings.\n   also//\n A large, solid piece of material typically with flat surface on each side\n\n\nCollection\ncol·lec·tion\n[k uh- lek-sh uhn]\nNOUN\n1.\nthe act of collecting.\n2.\nsomething that is collected; a group of objects or an amount of material accumulated in one location, especially for some purpose or as a result of some process: a stamp collection; a collection of unclaimed hats in the checkroom; a collection of books on Churchill.\n3.\nthe works of art constituting the holdings of an art museum: a history of the museum and of the collection.\n4.\nthe gathered or exhibited works of a single painter, sculptor, etc.: an excellent Picasso collection.\n5.\nthe various holdings of an art museum organized by category, as painting, sculpture, works on paper, photography, or film: the director of the collections.\n6.\nthe clothes or other items produced by a designer, especially for a seasonal line: the spring collection.\n7.\na sum of money collected, especially for charity or church use.\n8.\nManège. act of bringing or coming into a collected attitude.\n\nColorcol·or\n[ kuhl-er]\nNOUN\n1.\nthe quality of an object or substance with respect to light reflected by the object, usually determined visually by measurement of hue, saturation, and brightness of the reflected light; saturation or chroma; hue.\n2.\nthe natural appearance of the skin, especially of the face; complexion: She has a lovely color.\n3.\na ruddy complexion: The wind and sun had given color to the sailor's face.\n4.\na blush: His remarks brought the color to her face.\n5.\nvivid or distinctive quality, as of a literary work: Melville's description of a whaling voyage is full of color.\n\nConstruction\ncon·struc·tion\n[k uhn- struhk-sh uhn]\nNOUN\n1.\nthe act or art of constructing.\n2.\nthe way in which a thing is constructed: a building of solid construction.\n3.\nsomething that is constructed; a structure.\n4.\nthe occupation or industry of building: He works in construction.\n5.\nexplanation or interpretation, as of a law, a text, or an action.\n\nContrast\ncon·trast\n[ verb k uhn- trast, kon-trast; noun kon-trast]\nVERB (USED WITH OBJECT)\n1.\nto compare in order to show unlikeness or differences; note the opposite natures, purposes, etc., of: Contrast the political rights of Romans and Greeks.\nVERB (USED WITHOUT OBJECT)\n2.\nto exhibit unlikeness on comparison with something else; form a contrast.\n3.\nLinguistics. to differ in a way that can serve to distinguish meanings: The sounds (p) and (b) contrast in the words “pin” and “bin.”\nNOUN\n4.\nthe act of contrasting; the state of being contrasted.\n5.\na striking exhibition of unlikeness.\n6.\na person or thing that is strikingly unlike in comparison: The weather down here is a welcome contrast to what we're having back home.\n7.\nopposition or juxtaposition of different forms, lines, or colors in a work of art to intensify each element's properties and produce a more dynamic expressiveness.\n8.\nPhotography. the relative difference between light and dark areas of a print or negative.\n9.\nTelevision. the brightness ratio of the lightest to the darkest part of the television screen image.\n10.\nLinguistics. a difference between linguistic elements, especially sounds, that can serve to distinguish meanings.\n\nDeconstructions\nde·con·struc·tion\n[dee-k uhn- struhk-sh uhn]\nNOUN\n1.\na philosophical and critical movement, starting in the 1960s and especially applied to the study of literature, that questions all traditional assumptions about the ability of language to represent reality and emphasizes that a text has no stable reference or identification because words essentially only refer to other words and therefore a reader must approach a text by eliminating any metaphysical or ethnocentric assumptions through an active role of defining meaning, sometimes by a reliance on new word construction, etymology, puns, and other word play.\n\nDirection\ndi·rec·tion\n[dih- rek-sh uhn, dahy-]\nNOUN\n1.\nthe act or an instance of directing.\n2.\nthe line along which anything lies, faces, moves, etc., with reference to the point or region toward which it isdirected: The storm moved in a northerly direction.\n3.\nthe point or region itself: The direction is north.\n4.\na position on a line extending from a specific point toward a point of the compass or toward the nadir or the zenith.\n5.\na line of thought or action or a tendency or inclination: the direction of contemporary thought.\n6.\ninstruction or guidance for making, using, etc.: directions for baking a cake.\n7.\norder; command.\n8.\nmanagement; control; guidance; supervision: a company under good direction.\n9.\na directorate.\n10.\nthe name and address of the intended recipient as written on a letter, package, etc.\n11.\ndecisions in a stage or film production as to stage business, speaking of lines, lighting, and general presentation.\n12.\nthe technique, act, or business of making such decisions, managing and training a cast of actors, etc.\n13.\nthe technique, act, or business of directing an orchestra, concert, or other musical presentation or group.\n14.\nMusic. a symbol or phrase that indicates in a score the proper tempo, style of performance, mood, etc.\n15.\na purpose or orientation toward a goal that serves to guide or motivate; focus: He doesn't seem to have any direction in life.\n\nDrape\ndrape\n[dreyp]\nVERB (USED WITH OBJECT) [DRAPED, DRAP·ING.]\n1.\nto cover or hang with cloth or other fabric, especially in graceful folds; adorn with drapery.\n2.\nto adjust (curtains, clothes, etc.) into graceful folds, attractive lines, etc.\n3.\nto arrange, hang, or let fall carelessly: Don't drape your feet over the chair!\n4.\nMedicine/Medical, Surgery. to place cloth so as to surround (a part to be examined, treated, or operated upon).\n5.\n(in reinforced-concrete construction) to hang (reinforcement) in a certain form between two points before pouring the concrete.\n6.\nto put a black cravat on (a flagstaff) as a token of mourning.\nVERB (USED WITHOUT OBJECT) [DRAPED, DRAP·ING.]\n7.\nto hang, fall, or become arranged in folds, as drapery: This silk drapes well.\nNOUN\n8.\na curtain or hanging of heavy fabric and usually considerable length, especially either of a pair for covering a window and drawn open and shut horizontally.\n9.\neither of a pair of similar curtains extending or draped at the sides of a window, French doors, or the like as decoration.\n10.\nmanner or style of hanging: the drape of a skirt.\n\nEmbellishment\nem·bel·lish·ment\n[em- bel-ish-m uhnt]\nNOUN\n1.\nan ornament or decoration.\n2.\na fictitious addition, as to a factual statement.\n3.\nthe act of embellishing.\n4.\nstate of being embellished.\n\nFunction\nfunc·tion\n[ fuhngk-sh uhn]\nNOUN\n1.\nthe kind of action or activity proper to a person, thing, or institution; the purpose for which something is designed or exists; role.\n2.\nany ceremonious public or social gathering or occasion.\n3.\na factor related to or dependent upon other factors: Price is a function of supply and demand.\n4.\nSociology. the contribution made by a sociocultural phenomenon to an ongoing social system.\nVERB (USED WITHOUT OBJECT)\n5.\nto perform a specified action or activity; work; operate: The computer isn't functioning now. He rarely functions before noon.\n6.\nto have or exercise a function; serve: In earlier English the present tense often functioned as a future. This orange crate can function as a chair.\n\nLayer\nlay·er\n[ ley-er]\nNOUN\n1.\na thickness of some material laid on or spread over a surface: a layer of soot on the window sill; two layers of paint.\n2.\nbed; stratum: alternating layers of basalt and sandstone.\n3.\na person or thing that lays: a carpet layer.\n4.\na hen kept for egg production.\n5.\none of several items of clothing worn one on top of the other.\n6.\nRopemaking. a machine for laying rope or cable.\nVERB (USED WITH OBJECT)\n7.\nto make a layer of.\n8.\nto form or arrange in layers.\n9.\nto arrange or wear (clothing) in layers: You can layer this vest over a blouse or sweater.\n10.\nHorticulture. to propagate by layering.\nVERB (USED WITHOUT OBJECT)\n11.\nto separate into or form layers.\n12.\n(of a garment) to permit of wearing in layers; be used in layering: Frilly blouses don't layer well.\n\nLine\nline\n[lahyn]\nNOUN\n1.\na mark or stroke long in proportion to its breadth, made with a pen, pencil, tool, etc., on a surface: a line down the middle of the page.\n2.\nMathematics. a continuous extent of length, straight or curved, without breadth or thickness; the trace of a moving point.\n3.\nsomething arranged along a line, especially a straight line; a row or series: a line of trees.\n4.\na number of persons standing one behind the other and waiting their turns at or for something; queue.\n5.\nsomething resembling a traced line, as a band of color, a seam, or a furrow: lines of stratification in rock.\nMotif\nmo·tif\n[moh- teef]\nNOUN\n1.\na recurring subject, theme, idea, etc., especially in a literary, artistic, or musical work.\n2.\na distinctive and recurring form, shape, figure, etc., in a design, as in a painting or on wallpaper.\n3.\na dominant idea or feature: the profit motif of free enterprise.\n\nMovement\nmove·ment\n[ moov-m uhnt]\nNOUN\n1.\nthe act, process, or result of moving.\n2.\na particular manner or style of moving.\n3.\nactions or activities, as of a person or a body of persons.\n4.\nMilitary, Naval. a change of position or location of troops or ships.\n5.\nabundance of events or incidents.\n6.\nrapid progress of events.\n7.\nthe progress of events, as in a narrative or drama.\n8.\nFine Arts. the suggestion of motion in a work of art, either by represented gesture in figurative painting or sculpture or by the relationship of structural elements in a design or composition.\n9.\na progressive development of ideas toward a particular conclusion: the movement of his thought.\n10.\na series of actions or activities intended or tending toward a particular end: the movement toward universal suffrage.\n11.\nthe course, tendency, or trend of affairs in a particular field.\n12.\na diffusely organized or heterogeneous group of people or organizations tending toward or favoring a generalized common goal: the antislavery movement; the realistic movement in art.\n13.\nthe price change in the market of some commodity or security: an upward movement in the price of butter.\n14.\nbowel movement.\n15.\nthe working parts or a distinct portion of the working parts of a mechanism, as of a watch.\n16.\nProsody. rhythmical structure or character.\n\n\nNegative Shape\nNegative space, in art, is the space around and between the subject(s) of an image. Negative space may be most evident when the space around a subject, not the subject itself, forms an interesting or artistically relevant shape, and such space occasionally is used to artistic effect as the \"real\" subject of an image.\n\nPattern \n\npat·tern\n[ pat-ern; British pat-n]\nNOUN\n1.\na decorative design, as for wallpaper, china, or textile fabrics, etc.\n2.\ndecoration or ornament having such a design.\n3.\na natural or chance marking, configuration, or design: patterns of frost on the window.\n4.\na distinctive style, model, or form: a new pattern of army helmet.\n5.\na combination of qualities, acts, tendencies, etc., forming a consistent or characteristic arrangement: the behavior patterns of teenagers.\n6.\nan original or model considered for or deserving of imitation: Our constitution has been a pattern for those of many new republics.\n7.\nanything fashioned or designed to serve as a model or guide for something to be made: a paper pattern for a dress.\n8.\na sufficient quantity of material for making a garment.\n9.\nthe path of flight established for an aircraft approaching an airport at which it is to land.\n10.\na diagram of lines transmitted occasionally by a television station to aid in adjusting receiving sets; test pattern.\n11.\nMetallurgy. a model or form, usually of wood or metal, used for giving the shape of the interior of a mold.\n12.\nNumismatics. a coin, either the redesign of an existing piece or the model for a new one, submitted for authorization as a regular issue.\n13.\nan example, instance, sample, or specimen.\nVERB (USED WITH OBJECT)\n14.\nto make or fashion after or according to a pattern.\n15.\nto cover or mark with a pattern.\nVERB (USED WITHOUT OBJECT)\n16.\nto make or fall into a pattern.\n\nPrint\n\nprint\n[print]\nVERB (USED WITH OBJECT)\n1.\nto produce (a text, picture, etc.) by applying inked types, plates, blocks, or the like, to paper or other material either by direct pressure or indirectly by offsetting an image onto an intermediate roller.\n2.\nto reproduce (a design or pattern) by engraving on a plate or block.\n3.\nto form a design or pattern upon, as by stamping with an engraved plate or block: to print calico.\n4.\nto cause (a manuscript, text, etc.) to be published in print.\n5.\nto write in letters like those commonly used in print: Print your name on these forms.\n6.\nComputers. to produce (data) in legible alphanumeric or graphic form.\n7.\nto indent or mark by pressing something into or upon (something).\n8.\nto produce or fix (an indentation, mark, etc.), as by pressure.\n9.\nto impress on the mind, memory, etc.\n10.\nto fingerprint.\n11.\nto apply (a thing) with pressure so as to leave an indentation, mark, etc.: The horses printed their hoofs on the wet grass.\n12.\nPhotography. to produce a positive picture from (a negative) by the transmission of light.\nVERB (USED WITHOUT OBJECT)\n13.\nto take impressions from type, an engraved plate, etc., as in a press.\n14.\nto produce by means of a reproduction process: to print in color; to print unevenly.\n15.\nto make an image by means of ink, chemical action, etc., as type, engraved plates, etc.: This type is too worn to print cleanly.\n16.\nto write in characters such as are used in print: He'd rather print than use longhand.\n17.\nto follow the vocation of a printer.\nNOUN\n18.\nthe state of being printed.\n19.\nprinted lettering, especially with reference to character, style, or size: This print is too large for footnotes.\n20.\nprinted material.\n21.\na printed publication, as a newspaper or magazine.\n22.\nnewsprint.\n23.\na picture, design, or the like, printed from an engraved or otherwise prepared block, plate, etc.\n24.\nan indentation, mark, etc., made by the pressure of one body or thing on another.\n25.\nsomething with which an impression is made; a stamp or die.\n26.\na fingerprint.\n27.\nsomething that has been subjected to impression, as a pat of butter.\n28.\nPhotography. a picture, especially a positive made from a negative.\n29.\nany reproduced image, as a blueprint.\n30.\nMovies, Television. a positive copy of a completed film or filmed program ready for showing; release print.\nADJECTIVE\n31.\nof, for, or comprising newspapers and magazines: print media.\nVP\n32.\nprint in, Photography. burn.\n33.\nprint out, Computers. to make a printout of.\nI\n34.\nout of print (of a book or the like) no longer available for purchase from the publisher.\n\nSilhouette\nsil·hou·ette\n[sil-oo- et]\nNOUN\n1.\na two-dimensional representation of the outline of an object, as a cutout or configurational drawing, uniformly filled in with black, especially a black-paper, miniature cutout of the outlines of a person's face in profile.\n2.\nthe outline or general shape of something: the slim silhouette of a skyscraper.\n3.\na dark image outlined against a lighter background.\nVERB (USED WITH OBJECT) [SIL·HOU·ET·TED, SIL·HOU·ET·TING.]\n4.\nto show in or as if in a silhouette.\n5.\nPrinting. to remove the background details from (a halftone cut) so as to produce an outline effect.\n\nShape\nshape\n[sheyp]\nNOUN\n1.\nthe quality of a distinct object or body in having an external surface or outline of specific form or figure.\n2.\nthis quality as found in some individual object or body form: This lake has a peculiar shape.\n3.\nsomething seen in outline, as in silhouette: A vague shape appeared through the mist.\n4.\nan imaginary form; phantom.\n5.\nan assumed appearance; guise: an angel in the shape of a woman.\n\n\nSurface\n\nsur·face\n[ sur-fis]\nNOUN\n1.\nthe outer face, outside, or exterior boundary of a thing; outermost or uppermost layer or area.\n2.\nany face of a body or thing: the six surfaces of a cube.\n3.\nextent or area of outer face; superficial area.\n4.\nthe outward appearance, especially as distinguished from the inner nature: to look below the surface of a matter.\n5.\nGeometry. any figure having only two dimensions; part or all of the boundary of a solid.\n6.\nland or sea transportation, rather than air, underground, or undersea transportation.\n7.\nAeronautics. an airfoil.\nADJECTIVE\n8.\nof, on, or pertaining to the surface; external.\n9.\napparent rather than real; superficial: to be guilty of surface judgments.\n10.\nof, relating to, or via land or sea: surface mail.\n11.\nLinguistics. belonging to a late stage in the transformational derivation of a sentence; belonging to thesurface structure.\nVERB (USED WITH OBJECT) [SUR·FACED, SUR·FAC·ING.]\n12.\nto finish the surface of; give a particular kind of surface to; make even or smooth.\n13.\nto bring to the surface; cause to appear openly: Depth charges surfaced the sub. So far we've surfaced no applicants.\nVERB (USED WITHOUT OBJECT) [SUR·FACED, SUR·FAC·ING.]\n14.\nto rise to the surface: The submarine surfaced after four days.\n15.\nto work on or at the surface.\n\nSymmetry\nsym·me·try\n[ sim-i-tree]\nNOUN [PLURAL SYM·ME·TRIES.]\n1.\nthe correspondence in size, form, and arrangement of parts on opposite sides of a plane, line, or point; regularity of form or arrangement in terms of like, reciprocal, or corresponding parts.\n2.\nthe proper or due proportion of the parts of a body or whole to one another with regard to size and form; excellence of proportion.\n3.\nbeauty based on or characterized by such excellence of proportion.\n4.\nPhysics. a property of a physical system that is unaffected by certain mathematical transformations as, for example, the work done by gravity on an object, which is not affected by any change in the position from which the potential energy of the object is measured.\n\nTransparency\ntrans·par·en·cy\n[trans- pair- uhn-see, - par-]\nNOUN [PLURAL TRANS·PAR·EN·CIES.]\n1.\nthe quality or state of being transparent.\n2.\nsomething transparent, especially a picture, design, or the like on glass or some translucent substance, made visible by light shining through from behind.\nTexture\ntex·ture\n[ teks-cher]\nNOUN\n1.\nthe visual and especially tactile quality of a surface: rough texture.\n2.\nthe characteristic structure of the interwoven or intertwined threads, strands, or the like, that make up a textile fabric: coarse texture.\n3.\nthe characteristic physical structure given to a material, an object, etc., by the size, shape, arrangement, and proportions of its parts: soil of a sandy texture; a cake with a heavy texture.\n4.\nan essential or characteristic quality; essence.\n5.\nthe quality given, as to a musical or literary work, by the combination or interrelation of parts or elements.\n6.\na rough or grainy surface quality.\n7.\nanything produced by weaving; woven fabric.\nVERB (USED WITH OBJECT) [TEX·TURED, TEX·TUR·ING.]\n8.\nto give texture or a particular texture to.\n9.\nto make by or as if by weaving.\nVolume\n\nvol·ume\n[ vol-yoom, -y uhm]\nNOUN\n1.\na collection of written or printed sheets bound together and constituting a book.\n2.\none book of a related set or series.\n3.\na set of issues of a periodical, often covering one year.\n4.\nHistory/Historical. a roll of papyrus, parchment, or the like, or of manuscript.\n5.\nthe amount of space, measured in cubic units, that an object or substance occupies.\n6.\na mass or quantity, especially a large quantity, of something: a volume of mail.\n7.\namount; total: the volume of sales.\n8.\nthe degree of sound intensity or audibility; loudness: to turn up the volume on a radio.\n9.\nfullness or quantity of tone.",
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      "body": "Now, I am no thief, but an innocent person certainly, should not have to go to such lengths to  prove innocence.   Just to be clear I am quite aware of my responsibility to truth and fairness in my own actions so therefore, the alarming tones of guilt and frustrations are battling for headliner position in this story.  \n\nThe Back Story is probably the real issue for me as opposed to the turn of events, but here goes.  I am not working, I am a Mom of four adult children whom when they see me are begging mostly, with their eyes,  for me to get my shit together.   I was living in Denver, in a homeless situation,  migrated to Arizona for the warmth and last Winter I dropped back in to Chicago to sleep on my ex's sofa so I can be with my son and as he put it \"to destroy what would be his senior year of high school\".  \n\nI Thought I was doing some good seeing how, I assumed our talks would somehow curve his weed smoke out parties he was enjoying  as a result of having the house to himself for an obscene amount of hours while his father worked.   Turns out he \"had it all under control\".   But Either way, my lesson learned in the situation is that men and women truly speak different languages even if it's your son.    And I have learned to reinforce my listening skills. \n\nHis Father still insist  on his reasoning for divorce was a difference of opinion.  But he's an adult that has no desire to correct or erect a relationship with me so I will have to agree to disagree.   \n\nMe:  still wrestling with my role of Wife, Mother, productive citizen Not being afraid of mean people, still looking for a way to lead a corporation without hurting anyone's feelings.    And still on his sofa.   I asked my son what was his desire for a graduation gift.\nHis reply was \" A bike, because he knew I could not afford much else\".  It hurt to have that as his perspective of me. but I am strong in my spirit and I have a strong \"argument\" for being in this predicament.  Siting lack of trust.  \n\nAnyhow, I am thinking sure I can do that, I can just create a few things, sell them and \"voila\" funds for a new bike.   Well, my ex's expectation still very different conversation and relationship I am forging with my son, I think he's somehow still see's me as the naive 24 year old 15 years his junior and still malleable to his charm.  Which is the only reason I believe he allows me to be in his house.    True to form,  no work can be performed properly,  I still feel the crunch of egg shells  while in his presence so I try to go out and find places to work on a few things but find all my old stomping grounds no longer available to linger.   So graduation come and go and ''whomp whomp whomp\" no funds and no bike.  \n\nWe are really at testy state as a household so as mother I feel wholeheartedly responsible for the emotional make up.  I am scrambling to find ways to ease tension.   I am in the basement of the apartment building and I scan the room and see his old bike and a couple of other bikes, One that belongs to his dad that had been given as a gift from his uncle.   A couple that appeared abandoned by the amount of rust and cobwebs that seem to nail it to the floor's structure.  One in particular, a old schwinn was just about the right height for my son's lengthy legs but it was rusty and both tires flat and gears out of sync.   \n\nI took the bike to gas station,  put air in the tires to see the extent of damage.  Repaired, and clean up the bike  and told my son I found it in the basement.  My thoughts were the old neighbors left it by the amount of rust that was on it. \nA few weeks go by and I decide to take the bike out for a Sunday roll.  I parked it at the bike corral, sat to read on the benches and began to feel ill.   I bopped into the restroom which was just a few feet over and as I was returning I had the sick feeling I was experiencing to battle for the anguish of watching a bunch of children pillage that corral and excitedly peddle off with one on seat, one on the handle bar and feet crew to stage the getaway distraction.  Of course, this was clearly just my issue, because how can I prove the bike was mine when I called police.  I had nothing! \n\nI return home to nurse my self back to a oxygenated state.   it was only then I thought just maybe the bike belong to someone whom may still live in the building.   A Few days later, I finally see someone and ask if the bike could belong to him.  He goes to verify and sure enough it was \"Third floor guy\".   Ok. I offered to pay him for the lost of the bike and apologized intensely for losing the bike.    He seamed a bit shocked but not as offended as to explain his actions of calling the police.   He knocks on the door and explained he called the police and he needed to inform me I can be brought up on charges and go to jail.  But he thinks if  I give him 450.00 he could probably  call it over.    \n\nI tell my ex, I was hoping for a bit of advice and probably for him to echo my thoughts of 450.00 being a bit excessive but no He chimed in to the idea of me being a thief.  So ok,  I am realizing I am totally on my own on this one.  So I make a plan, a solid plan to take real responsibility on this one and find the backbone to do what's necessary to fix this one.   Only that by this time my ex and \"third floor guy\" is overheard really tearing me to shreds.  At this point , I am really taken aback by my ex's role in this because he insisted I leave him out of it.   To pour salt into an open wound, he calls the landlord and trumps the situation with an incident that happen months ago as if he's been consistently offended.     So my ex come into the apartment and with a straight face creates a situation where he would have the opportunity  to order me out.   I say Ok with as much intensity before anger can enter the room.  I don't guess that is what he wanted to hear so he amped the argument by calling me a thief.  I responded by demanding that he say it to my face.    He refused to do so but didn't mind returning the threat of knocking my head off my shoulders.   It was like watching british gentlemen argue without changing  facial expression,  that always annoyed me.  Let me see you with some fire Damn it!   But true to form he needed the last word by calling the police and explaining his side.  But this was nothing new to them so they procedurally wrapped things up and went on their way.  We quieted down and went to our separate (beds) and fell asleep.   \n\nThe next morning I awoke to more conversation about what a horrible situation I'd caused by being here with him and the landlord.   Final result is an eviction notice for us all.    \n \nI only choose to plead my case I believe is to buy time to see where things might have been different.   But the truth is I am happy to go, I just do not know where I belong.",
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